Enhancing Students’ Research Competencies through
Socio-Political Documentary Filmmaking
Alexander P. Gonzales
History and Social Science Department
ABSTRACT
Research, being one of the functions of any higher educational institution, must
be promoted. In order to develop the research skills of students, other techniques
should be explored to catch their interest. For the purpose of this experimental action
research, the researcher encouraged his students to create a film documentary about
social and political issues. This study proved that socio-political documentary
filmmaking can enhance the research competencies of student and can be used as an
effective tool or activity in class. The potential of this format is promising and as multi-
media and digital technology progresses the more that educational institutions should
look into the usefulness of this pedagogy.
Keywords: research, technology, documentaries, filmmaking, pedagogy, skills,
competencies.
As an Academic institution, all colleges and universities aspire to be recognized
as a center of excellence (COE). These are institutions that demonstrate the highest
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levels of standards in instruction, research and extension services (CHED, 2012).
Research, being one of the functions of any higher educational institution, must be
promoted.
Developing a research culture, not just among the faculty but including its
students, is one of the aims of Jose Rizal University. In the researcher’s experience,
students are almost always hesitant to engage in any research task because it is
difficult and boring. This perception is shared by almost all who are about to undergo a
research project. As a faculty, it is the researcher’s task to encourage students to do
research and develop their skills on this aspect.
In order to develop the research skills of students, other technique should be
explored to catch their interest. For the purpose of this experimental action research,
the researcher encouraged his students to create a film documentary about social and
political issues. Documentary film is a broad facet of visual expression that is based on
an attempt to document reality and educate audiences. (Atkinson, 2010)
Technology is constantly changing the landscape of the whole educational
system. The twentieth century was the century of film; the twenty first will be the
century of digital video. The twentieth saw major innovations in recording and
filmmaking, many applicable to ethnography. Current video technology offers a
spectacular methodological promise, making it first choice for ethnographers of the
future. (Shrum & Duque, 2008). Techniques that seemed impossible and costly before
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are now available and affordable to the students. In previous decades, you would need
a rich producer or benefactor before you could create a film production. But at present,
anyone can make a documentary film with a cellphone and a laptop. The use of video
has also been expanded by increased access through the low cost of video cameras
high quality video facilities on mobile phones, cheap webcams and free easy to use
computer applications for editing (Jewitt, 2012).
Teenager’s inquisitive nature places them at the forefront of new technologies,
pushes their boundaries, facilitating self-exploration and the freedom that these social
and media platforms bring (Jaishankar, 2011; Agustina, 2012). When the researcher
told his students about their up-coming task, they received it with excitement. After all,
who would not want to be given a chance to be a star in your own show? People
reported having fun when taking photos or videos of their friends’ behaviour, and then
viewing them collectively in-situ (Stelmaszewska, Fields & Blandford, 2006).
The researcher believed that all of us have a drive to document social event
which was in part a research activity. Personal photography has been a part of the lives
of many people for a long time. Photos not only present a documentary of someone’s
life, but are also of great sentimental value. People use photography to capture feelings,
events and personal experiences, and to communicate with others (ibid). Students
recognized the value of technology but still need guidance when it comes to better using
it for academic purposes. In a research conducted by Dahlstrom, Walker and Dziuban
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(2013), students value the way in which technology helps them achieve their academic
goals and prepares them for their future academic and workplace activity.
The researcher believed that by harnessing the natural drive of students to
document and gather visual evidences, the researcher will be able to enhance their
research skills.
The conceptual framework, as presented in figure 1, presents a pretest-posttest
design experimental action research. A pre-test will be conducted to determine the
students’ research skills before intervention. An intervention will be administered. In this
study, a socio-political documentary filmmaking will be the intervention under the
guidance of the researcher. A post-test will be conducted to identify the students’
research skills after intervention. Both pre-test and post-test result shall produce
quantitative data which will be analyzed using the single factor analysis of variance
(ANOVA). Analysis of variance (ANOVA) is a collection of statistical models used in
order to analyze the differences between group means and their associated procedures
(such as "variation" among and between groups), developed by R. A. Fisher
([Link]). Narrative anecdotal statements will be solicited to determine the
leaning outcome which shall produce qualitative data and shall be analyzed through
coding. Results from this study will determine if the socio-political documentary
filmmaking can be included as a learning activity in the course syllabus for the subjects
Introduction to Sociology and Philippine Government and Constitution.
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Figure 1.
Conceptual Framework
Research Objectives
The main objective of this research is to enhance the students’ research
competencies through Socio-Political Documentary Filmmaking. Specifically the study
aims to answer the following:
1. What is the level of the student’s research competency?
2. How would socio-political documentary filmmaking affect the research
competencies of students?
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3. What learning outcome is generated through socio-political documentary
filmmaking?
METHODS
This study utilized an experimental action research design, which incorporated
both quantitative survey method and qualitative narrative analysis method. Action
research is a collaborative approach to research that provides people with the means to
take systematic action in an effort to resolve specific problems (Gonzales, 2014; Berg,
2009). This study explores the effectiveness of using socio-political documentary
filmmaking as a means of enhancing the research skills of students.
The respondents of this study were students enrolled in the subjects Introduction
to Sociology and Politic and Governance in the 2nd semester of school year 2014-2015.
Four sections were chosen to participate in the socio-political documentary film making
with a total of 187 students. The researcher used the Slovin’s formula to get the sample
size, which is written as n = N / (1 + Ne2); where n = Number of samples, N = Total
population and e = Error tolerance. The sample size that was derived was from the
population of 187 was 127 at 0.05 error tolerance (See Appendix A). Upon determining
the sample size, I used the lottery or fish bowl method. The lottery technique in statistics
is sometimes called the fishbowl technique where names are drawn out of a bowl. You
can do this while maintaining probability by returning the names to the bowl, or with
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changing probability by keeping the names out after they are drawn
([Link]).
The demographic compositions of the respondents were:
Age Average (in years) : 18.61
Male : 67
Female : 60
Public High School : 68
Private High School : 59
All for the respondents were requested to fill up a consent form to determine their
willingness to participate in this research.
The type of action research employed by the researcher involved a pretest-
intervention-posttest analysis. The researcher developed a survey questionnaire (see
Appendix B) to assess the research skills of the students before and after the socio-
political documentary film making. The researcher used a 5 point likert scale responses
in the questionnaire with the following interpretation:
5 - Excellent; I have mastered this skill
4 - Good; I have done it more than once confidently (or without
assistance/guide)
3 - Average; I have done it, but with difficulty (or with assistance/guide)
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2 - Fair; I know what it is, but have not done it yet
1 - Poor; I have no idea
The questionnaire was validated in forms and substance by competent peers,
namely: Prof. Romarico Barrientos; Dr. Darwin Bonifacio; and Dr. Lorna Adalid. The
researcher conducted a dry-run of the questionnaire to ten (10) students, which were
not part of the respondents of this research, at 1 week interval to test its reliability.
Using Pearson’s r Correlation, the Test-Retest Reliability produced a +0.981 result
which was interpreted as very strong positive relationship (See Appendix A). With the
aforementioned procedure, the survey questionnaire was both valid and reliable.
Qualitative responses were also needed to confirm the quantitative result of this study.
The researcher asked the leader of every group who undertook the socio-political
documentary film making to provide a written narrative report of their experiences.
Through this anecdotal data, the researcher was able to identify the learning outcome of
the activity.
The pre-test was conducted by the researcher on November 17, 2014 to test the
initial skills of the respondents on the area of research and filmmaking prior to
instruction and socio-political documentary film making. The responses were sorted
and tallied (See Appendix C). Under the researcher’s guidance, the respondents were
given two months to accomplish their task. A rubric (Appendix D) for the activity was
also provided to guide the respondents on the expected outcome. There initial outputs
were submitted on January 22, 2015. The post-test was conducted by the researcher
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on January 26, 2015. Likewise, the responses were sorted and tallied (See Appendix
E).
Initially the researcher intended to use t-test to analyze the difference between
the pretest and posttest result. T-test was ideal only with 30 or less respondents and
because of the large sample size in this study, the researcher decided to use single
factor or one-way analysis of variance (ANOVA). Typically, however, the one-way
ANOVA is used to test for differences among at least three groups, since the two-group
case can be covered by a t-test ([Link] 2014; Gosset, 1908). When
there are only two means to compare, the t-test and the F-test are equivalent; the
relation between ANOVA and t is given by F = t2.
For the purpose of this research, the following hypotheses were used:
Where H0 means that there is no difference between the mean score of pretest
and posttest. While the alternate hypothesis (H1) suggests that there is difference
between the mean score of pretest and posttest.
In computing ANOVA, the researcher used Microsoft Excel 2010 Data Analysis
Software which provided the result for this study.
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RESULTS
The result of the level of students’ research competencies, documentary
filmmaking competencies and combined competencies, as well as, the effect of socio-
political documentary film making in the aforementioned competencies were presented
in this segment of the research.
SUMMARY
Groups Count Sum Average Variance
Pretest 127 313 2.464567 0.353576
Posttest 127 422.3 3.325197 0.280789
ANOVA
Source of P-
Variation SS df MS F value F crit
Between 3.9E-
Groups 47.03343 1 47.03343 148.2852 27 3.878624
Within
Groups 79.92992 252 0.317182
Total 126.9633 253
Table 1.
ANOVA Result for Research Skills
Table 1 presented the pretest-posttest ANOVA result for the research skills of the
respondent. The mean score for the pretest was 2.46 while the mean score for the
posttest was 3.33. There was an increase in posttest result compared to the pretest,
implying that there was an increase in the research skills of the respondents. Variability
in the pretest was 0.35 while in the posttest it was 0.28. The variability in the posttest
was smaller; indicating that the respondents were moving towards homogeneity as far
as their research skills were concern. The mean square (MS) result between groups
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was 47.03 while the MS within groups was 0.32; indicating that the MS between groups
was larger than the MS within groups. Since the MS between group was large than the
MS within groups, this result indicated that the H0 was rejected; there was a change in
the research skills of the respondents.
Table 1 also showed the F value of 148.29 and F critical value of 3.88; indicating
that the F value is significantly larger than the F critical value, suggesting that H 0 was
rejected; there is a significant difference between the pretest and posttest result on the
respondents’ research skills.
SUMMARY
Groups Count Sum Average Variance
Pretest 127 276.2 2.174803 0.775868
Posttest 127 416.6 3.280315 0.416673
ANOVA
Source of P-
Variation SS df MS F value F crit
Between 1.4E-
Groups 77.60693 1 77.60693 130.1539 24 3.878624
Within
Groups 150.2602 252 0.59627
Total 227.8671 253
Table 2.
ANOVA Result for Filmmaking Skills
Table 2 presented the pretest-posttest ANOVA result for the filmmaking skills of
the respondent. The mean score for the pretest was 2.17 while the mean score for the
posttest was 3.28. There was an increase in posttest result compared to the pretest,
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implying that there was an increase in the filmmaking skills of the respondents.
Variability in the pretest was 0.78 while in the posttest it was 0.41. The variability in the
posttest was smaller; indicating that the respondents were moving towards homogeneity
as far as their filmmaking skills were concern. The mean square (MS) result between
groups was 77.61 while the MS within groups was 0.60; indicating that the MS between
groups was larger than the MS within groups. Since the MS between group was large
than the MS within groups, this result indicated that the H 0 was rejected; there was a
change in the filmmaking skills of the respondents.
Table 2 also showed the F value of 130.15 and F critical value of 3.88; indicating
that the F value is significantly larger than the F critical value, suggesting that H 0 was
rejected; there is a significant difference between the pretest and posttest result on the
respondents’ filmmaking skills.
SUMMARY
Groups Count Sum Average Variance
Pretest 127 300.75 2.36811 0.342425
Posttest 127 420.38 3.310079 0.249466
ANOVA
Source of P-
Variation SS df MS F value F crit
1.22E-
Between Groups 56.34385 1 56.34385 190.3859 32 3.878624
Within Groups 74.57825 252 0.295945
Total 130.9221 253
Table 3.
ANOVA Result for Combined Skills
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Table 3 presented the pretest-posttest ANOVA result for the combined skills of
the respondent. The mean score for the pretest was 2.37 while the mean score for the
posttest was 3.31. There was an increase in posttest result compared to the pretest,
implying that there was an increase in the combined skills of the respondents.
Variability in the pretest was 0.34 while in the posttest it was 0.25. The variability in the
posttest was smaller; indicating that the respondents were moving towards homogeneity
as far as their combined skills were concern. The mean square (MS) result between
groups was 56.34 while the MS within groups was 0.30; indicating that the MS between
groups was larger than the MS within groups. Since the MS between group was large
than the MS within groups, this result indicated that the H0 was rejected; there was a
change in the combined skills of the respondents.
Table 3 also showed the F value of 190.39 and F critical value of 3.88; indicating
that the F value is significantly larger than the F critical value, suggesting that H0 was
rejected; there is a significant difference between the pretest and posttest result on the
respondents’ combined skills.
Learning Outcome Generated through Socio-Political Documentary Filmmaking
The researcher inquired on the applicability of research practices in socio-
political documentary filmmaking to the leader of each group and found out that doing a
documentary film utilized the same process as a written research. In making their film
documentary, the respondents followed the following stages:
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A. Identifying the Research Problem
B. Looking for Related Literatures and Studies
C. Creating Guide Questions or Questionnaire
D. Searching for Informants and Field Experts
E. Immersing in the Research Area to Gather Data
F. Conducting an Interview or Survey
G. Analyzing and Interpreting Research Data
H. Formulating Conclusion and Recommendation
The respondents described identifying the research problem to be difficult,
“identifying the research problem was a hard task because even though we would just
create the question out of the given topic, it consumed us a lot of time because we want
our problem to be uncommon and easily understood.” Others also perceived it to be
exciting, “excited kami noong una, kung paano namin sisimulan, Paano namin gagawan
ng story.”
The respondents found looking for related literatures and studies to be easy, “We
don’t encounter any difficulties in looking for related literatures since this study has been
made known to the public and has been viewed on television already so news affiliated
with the topic can be seen through internet;” “I think was the easiest task because we
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would just search for the most akin stories, documentaries and films, local and foreign in
the internet.”
The respondents were careful in creating interview questions, “We’ve also
decided to keep our questions sensitive so that it may not offend the interviewees;”
“were trying to be as simple as possible because we don’t want to complicate things.”
They also collaborated in contributing ideas for the questions, “We all contributed in this
section since I ask each of them to write at least three (3) questions regarding a certain
topic.”
The respondents found searching for informants very challenging, “We planned
to interview a lay minister and a parish priest for a deeper explanation what is heaven
and what are the things after life;” “what I’ve heared from them is that finding an
interviewee needs to be planned ahead of time because as the officials or experts are
concern having an appointment with them takes time and it a long process to be able to
talk to them.”
The respondents experiences different reactions while conducting an interview,
“May time na napapagalitan kami, Kasi bakit daw kailangan namin silang kausapin,
bakit pa sila ay kailangan pa naming isturbuhin o idamay sa mga kalukuhan daw
namin;” “the interview part was an easy task because the interviewees cooperated with
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us, fortunately;” “nahihirapan na kami kung sino ang kakausapin, kasi mostly sa mga
napuntahan naming ayaw nilang magpa interview.”
The respondents identified analyzing and interpreting research data difficult but
fulfilling, “this is really challenging of all, Yes, we gather enough data/information but to
interpret it and analyze it is something that makes our task harder than we thought;” “I
realize that I can’t put into actions those things I wanted to do but then we talk all over
again trying to think what are those remedies and adjustments we can do and happily
we were able to make it.”
The respondents collaborated in formulating the conclusion and recommending,
“Every member tried to share their ideas and opinions in concluding, summarizing and
generalizing the problem;” “We were not that sure of what to recommend for we don’t
know the feeling of being homeless. But of course, we tried our best to think of some
ways in order to help our informants in our own little ways.”
Through the experiences of the respondents, the learning outcome of Socio-
Political Documentary Filmmaking in relation to research skills became evident. The
similarity of the process of Documentary Filmmaking and research was unmistakable
and the best part is that the respondents had a feeling of accomplishment, “burnt much
time than we expected but in the end everything falls right into place and our output
seems great because our hard work has paid off;” “the best thing I’ve learned is that we
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can explore everything, we can learn anything we want, it is just a matter of time and
dedication nothing is impossible. If you have courage and passion to be able to make
and finish a documentary, it is also a stepping stone, an achievement;” “I may not be
able to fully narrate our experiences but I know within myself that I’ve learned and
matured in this activity.”
DISCUSSION
The effectiveness of documentary filmmaking as a method for research was not
a new concept. Documentary filmmaking has a long history of portraying everyday life in
ways that leave the erratic, elusive fabric of the everyday intact (Raijmakers, Gaver, &
Bishay, 2006). Video and film have featured in the development of social research
within sociology, anthropology, education and psychology (Jewitt, 2012). Documentary
films were becoming more and more essential in our search for truth and meaning.
Traditionally, documentaries strove to represent reality as faithfully as possible. The
films relied on the assumption that they were providing a window on the world by
disguising the conventions of filmmaking. Conversely, more recent documentaries
provide a notion of documentary “truth” that acknowledges the construction and
artificiality of even the non-fiction film (Jewitt, 2012).
The respondents’ research skills were enhanced because the socio-political
documentary filmmaking follows the same procedures and practices of research. A
social documentary produced in the ethnographic mode demands two sets of pedagogic
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principles: supporting learners in managing a production and supporting learners in
working ethnographically. Managing a production: research and planning, logistics and
ethics, allocation of roles, group dynamics, time management, use of resources
(including equipment), storyboarding and scripting where appropriate, technical
activities – filming, lighting, sound recording, editing, uploading, tagging and online
dissemination (Costantini, 2012). Although the depth of digital data is still evolving and
tools to mine it (and make sense of it) are increasingly prolific, most promising research
tools and systems for documentary impact assessment are based on classic social
science research methods in communication studies that have been tested and used to
study media effects: surveys, experiments, content analysis, and focus groups (Chattoo
& Das, 2014). All of this skills are utilized by the respondents in the creation of their film
documentaries.
The respondents of this research found this activity both challenging and fulfilling
because they were able to capture a segment of real life situation which made them
more sensitive and observant. On film, if we see a dead body, we react immediately
with emotion, perhaps even pondering the waste of life and questioning our own
existence. However, if we were to see a dead body on a street as we drove by, our
immediate reaction may be shock, even revulsion. Emotion may enter the picture long
after the experience has ended. In real life, experiences become meaningful with
reflection in time. In reel life, they are meaningful the moment they happen (DAS, 2007).
The respondents also found it easy to search for relevant materials for this activity
because there are myriads of sources already available online. The use of existing
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videos as data is increasingly common for research to be undertaken with videos that
are already available rather than video generated by researchers for research (ibid).
There are many examples of research ‘re-purposing’ videos for research including
‘home-made’ domestic video, broadcast media (ibid; Chouliaraki, 2006), automated
CCTV recordings (ibid; Goodwin,1994), and YouTube videos (ibid; Adami, 2010).
A couple of findings in a research conducted by Andrew Moore (2009) presented
the following (1) Documentary film presents the opportunity to provide the audience with
an in-depth analytical ‘story’ of a topic. (2) Documentary film can be used a political tool
for gaining credibility on a specific topic, cause or issue. It means that the potential of
documentary filmmaking as a research format is promising and it has a wider and
immediate social impact.
CONCLUSION
This study proved that socio-political documentary filmmaking can enhance the
research competencies of student and can be used as an effective tool or activity in
class not just in sociology and political science but in any social science subjects. The
potential of this format is promising and as multi-media and digital technology
progresses the more that educational institutions should look into the usefulness of this
pedagogy.
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