Department of Education
Region X
DIVISION OF CAGAYAN DE ORO CITY
PUERTO NATIONAL HIGH SCHOOL
Puerto, Cagayan de Oro City
MAOEH 8 – FOURTH QUARTER
Choose the letter of the correct answer. Write your answer on the answer sheet.
MUSIC.
1. The most important contribution to world theater which together with Noh, are unique and genuine
expressions of the Japanese spirit and culture.
A. Kabuki B. Peking Opera C. Gagaku D. Shomyo
2. It is the most popular shamisen music which is very flexible and can be performed by one shamisen or by an
entire orchestra.
A. Henge B. Naugata C. Kotzumi D. Taiko
3. A form of traditional Chinese theater which combines music, vocal performance, mime, dance and
acrobatics and became extremely popular in the Qing Dynasty court which has come to be regarded as one of
the cultural treasures of the world.s
A. Kabuki B. Peking Opera C. Wayang Kulit D. Kungu
4. The melodies in the Peking orchestras fall into three categories. What category of melody where the melody
heard in Beijing opera is the fixed-tune melody?
A. Gupai B. Shui long yin C. Wawadiao D. Erhung
5. These are the main instruments in the Peking opera, except one.
A. Jinghu B. Yuequin C. Sanxian D. Shamisen
6. Theater musicians in the Peking opera learn their parts by rote, which means that most of their notation is
A. perfect B. unreliable C. imprecise D. written
7. Wayang Kulit is a shadow puppet prevalent in Malaysia and Indonesia. ‘Kulit’ means “skin” and ‘Wayang’ is
a Malay word for
A. theater B. show C. performance D. spirit
8. The meaning of an instrumental tunes called “shui long yin”.
A. Water Dragon tune B. Triple thrust C. Cherry blossoms D. Highest Mountain
9. In the performance of Wayang Kulit, entrances, exits, and fight scenes are executed in time to gamelan
music. The major dramatic function of gamelan music is to accompany
A. background for acting C. performances of puppeteers
B. stage action D. storytelling
10. The following are the three types of instruments that accompanied Peking Opera performances, except
one.
A. Wind instruments B. Percussion instrument C. String instruments D. Brass instruments
11. Peking opera has melodies that fall into three broad categories, and the first is aria. What example of aria
where in Xipi style that is sung by a young Sheng to indicate heightened emotion?
A. Erhuang B. Qupai C. Wawadiao D. Shui Long yin
12. Kabuki in modern Japanese means
A. ka ‘song’, bu ‘dance’, and ki ‘skill’ C. ka ‘act’, bu ‘stage’, ki ‘talent’
B. kabu ‘stage’, ki ‘skill’ d. ka ‘dance’, bu ‘song’, ki ‘talent’
ARTS
13. The main role in Peking opera.
A. Dan B. Chou C. Jing D. Sheng
14. It is the Japanese traditional drama.
A. Kabuki B. Peking opera C. Nang D. Wayang Kulit
15. The shadow puppet of Indonesia.
A. Kabuki B. Nang C. Peking Opera D. Wayang Kulit
16. The shadow puppet in Thailand.
A. Leather Monkey show [Link] C. Togalu Gombeyaata D. Wayang Kulit
17. Traditional Chinese dance that is usually seen during the Chinese New year Celebration. This dance is
based on a mythical creature believed by the Chinese.
A. Dragon dance B. Lion dance C. Snake dance D. Bali dance
18. How do you call the Taiko drummer in Japanese?
A. Hachimaki B. Odaiko C. Tabi D. Uchite
19. The following are the male characters in Peking opera except one.
A. Wudan B. Laosheng [Link] D. Chou
20. In Peking opera, the red color in make-up means
A. suspicious and craftiness C. courage, bravery and uprightness
B. roughness and fierceness D. fierceness, ambition and cool-headedness
21. In Loy Krathong, Loy literally means “to float” while ‘Krathong’ refers to a receptacle which can float in
water in a shape of a
A. candle B. flower C. lotus D. kite
22. The shadow puppets used in the Nang represents the norms and mores of Thai society. Themes
commonly seen in Nang performances include
A. recitation of tales of the gods and contemporary people through stories of love, current events and
tradition
B. romantic tales, hermits teaching magic to their apprentice and abandoned children seeking lost
loved ones.
C. gods and goddesses, magical figures and comedians
D. rhythm and fluidity of performance to maintain audience interest
PHYSICAL EDUCATION
23. The meaning of Binislakan is
A. With the use of sticks B. chopsticks C. to the rhythm of the sticks D. fans
24. The barrio folks of Almazin in Lingayen danced this to commemorate the stay of Limahong.
A. Sua-ko-Sua B. Binislakan C. Sakuting D. Pangalay
25. Binislakan dance is dance by the townfolks of Lingayen, Pangasinan. Lingayen means
A. Having to look back C. Having to look backward and upward
B. Having to look forward and upward D. Having to look backward and forward
26. The meaning of the dance Sua-ko-Sua.
A. My Pomelo Tree B. The cherryblossoms C. Fingernails D. My Lemon Tree
27. The classification of Sua-ko – Sua is considered to be a
A. Social Dance B. Fruity dance C. Ward dance D. Courtship dance
28. Sua-ko Sua is danced while flapping two white fans each resembling
A. leaves rustling in the wind C. flowers swaying on air
B. branches rolling D. Trees sways with the breeze
29. What is the place of origin of the dances Pangalay and Sua-ko-Sua?
A. Tausug B. Sulu C. Pangasinan D. Ilocos
30. The traditional ‘fingernail’ dance of the Tausug people of the Sulu Archipelago and Sabah.
A. Sua-ko-Sua B. Binislakan C. Sakuting D. Pangalay
31. The male version of Pangalay is
A. Pangiluk B. Kontaw silat C. Pangasik D. Biddari
32. The name of Pangalay in Sabah
A. Daling-Daling B. Mengalai C. Pangasik D. Bahasa
33. Sakuting dance is an ethnic term which refer to the rhythmic sticks producing for the dance the
A. music B. accompaniment C. tune D. Sound
34. The children will do a ‘Sakuting’ dance accompanied by their elders to the lowlands of Abra and llocos
Norte during
A. Lenten season B. Festivals C. Christmas D. Holy Week
35. The following countries influences the composition of the dance Sua-ko-Sua, except one.
A. India B. China C. Malaysia D. Indonesia
36. The male equivalent of Pangalay is the Pangasik because
A. it features more martial movements
B. it features both male and female dancers
C. it features the gracefulness of dancers
D. it features the fierceness of men
37. Why do dancers of Sua-ko-Sua cover their face thickly covered with finely rice powder and their eyebrows
and sideburns with soot?
A. for the sake of festivities C. imitate the beauty of pomelo tree
B. for beauty’s sake D. the pomelo is covered with white powder elements
38. Why is dancing considered a physical activity that can help promote lifelong fitness and wellness?
A. It is a good source of exercise
B. It can help in maintaining good health
C. It help develop grace and poise
D. All of the above
HEALTH
39. Cigarette smoking affects primarily the
A. respiratory system B. Digestive system C. lungs D. heart
40. The addictive chemical in smokeless tobacco and cigarettes.
A. cadnium B. nicotine C. smoke D. ethanol
41. The plant whose leaves can be rolled into a cigar or pipe.
A. lagundi B. tobacco C. moringa D. talisayan
42. An abnormal strong craving for and dependence on something that is psychologically or physically habit-
forming.
A. addiction B. hangover C. intoxication D. need
43. A bitter-tasting substance that humans have been consuming since the ancient time.
A. beer B. wine C. alcohol D. soda
44. The Tobacco Regulation Act of 2003 is also known as
A. RA # 9211 B. RA # 7356 C. RA# 3014 D. RA# 2190
45. A smoke produced by cigarette that refers specifically to the smoke that a smoker directly inhales.
A. Second-Hand smoke C. Mainstream smoke
B. Third-hand smoke D. environmental tobacco smoke
46. It is the process of extracting alcohol from a plant or a fruit.
A. fermentation B. winery C. mixtured D. brewed
47. The following are the three types of alcohol, except one.
A. ethanol B. isopropyl C. methanol D. Tylenol
48. Which of the following statement is true about alcoholic drinks?
A. One can drink hard and remain to be in control of himself/herself.
B. Alcohol gives extra strength
C. Drinking coffee after consuming alcohol can make you sober.
D. None of the above
49. How to refuse someone who offers an alcoholic drink?
A. Just say ‘No’.
B. Suggest another activity
C. Walk away
D. All of the above
50. ‘Prevention is still better than cure’. How can this motto apply to prevent alcoholism?
A. Awareness of the alcoholic’s effect
B. One must have a strong foundation of resistance skills
C. Drinking a small amount for ‘Pakikisama’ sake
D. All of the above
