This document appears to be a final examination for a contemporary arts course at Del Monte National High School. It consists of 29 multiple choice questions testing knowledge of various topics related to Philippine arts, culture and history. The questions cover areas such as the National Commission for Culture and the Arts, National Living Treasures, indigenous art forms from different regions of the Philippines, and artistic techniques such as appropriation, hybridity, collage and decollage.
This document appears to be a final examination for a contemporary arts course at Del Monte National High School. It consists of 29 multiple choice questions testing knowledge of various topics related to Philippine arts, culture and history. The questions cover areas such as the National Commission for Culture and the Arts, National Living Treasures, indigenous art forms from different regions of the Philippines, and artistic techniques such as appropriation, hybridity, collage and decollage.
This document appears to be a final examination for a contemporary arts course at Del Monte National High School. It consists of 29 multiple choice questions testing knowledge of various topics related to Philippine arts, culture and history. The questions cover areas such as the National Commission for Culture and the Arts, National Living Treasures, indigenous art forms from different regions of the Philippines, and artistic techniques such as appropriation, hybridity, collage and decollage.
This document appears to be a final examination for a contemporary arts course at Del Monte National High School. It consists of 29 multiple choice questions testing knowledge of various topics related to Philippine arts, culture and history. The questions cover areas such as the National Commission for Culture and the Arts, National Living Treasures, indigenous art forms from different regions of the Philippines, and artistic techniques such as appropriation, hybridity, collage and decollage.
a. National Commission for Culture and the Arts b. National Commission for Culture and the Awards c. National Commission for Culture and the Act d. National Commission for Culture and the Artwork ____2. What award give appropriate recognition and prestige to Filipinos who have distinguished themselves and made outstanding contribution to Philippine arts and letters. a. Pedro Bucaneg Award b. National Artists Award c. GAMABA d. National Living Treasure ____ 3. What is R.A.7355? a. The implementation of National Living Treasure Award b. The implementation of Palanca Award c. The implementation of Ani ng Dangal d. The implementation of Oscars Award ____ 4. What is the qualification to become a National Treasure Awardee? a. He/she should be a Filipino citizen or group of citizens belonging to an indigenous/ traditional culture community anywhere in the Philippines b. Should have been engage in the tradition and craft for the significant period of time with at least 1 year of existence and documentation c. Artist who did not helped build a Filipino sense of nationhood through the content of their works d. Artist must have a reputation for being an art master and crafter maker of the other countries ____5. What do you call an existing artwork appropriated to produce another artwork? a. Technology c. Performance b. Appropriation d. Appreciation _____6. What principle/elements of art that is performed and positioned in a specific space such as public places? a. Performance b. Space c. Hybridity d. Technology _____7. It refers to the feel or tactile quality of the surface of an object. A. Color C. Texture B. Value D. Shape _____8. The use of video and Internet for livestreaming, video posting, sharing and even recording performance. a. Performance b. Space c. Hybridity d. Technology _____9. An International Filipino playing a dead person at the Philippine International Art Festival. a. Appropriation b. Hybridity c. Performance d. Space ______10. What do you a call a group of people native to the place? a. Local b. Original c. Indigenous d. Historic ______11. The following are local materials found in the Philippines except: a. Abaca b. Plastic c. Raffia d.Rattan ______12. This festival is held in Bacolod where the performers wear smiling masks to give brighter light to their sugar industry. a. Panagbenga b. Pattaraday c. Maskara Festival d. Hermosa Festival ______13. Which of the four statements describes the music of Lowland Luzon? a. Music is highly influenced by the Spaniards. b. Our ancestors sought to make an improvised symphonic band because not everybody could afford to buy an instrument of their own c. The vocal music is about religious and secular songs. d. All of the above _____14. Our ancestors are very artistic in nature they became creative in producing their own musical instruments with the help of ________________. a. Natural resources present in the locality. b. Indigenous materials imported from nearby places. c. Native resources introduced by the americans. d. None of the above. ____15. The Rondalla Ensemble was brought to the Philippines by the Spaniards. What is a Rondalla Ensemble? a. Rondalla, in the Philippines, refers to any group of stringed instruments that are played using the plectrum or pick. b. Rondalla is an instrumental music which is composed of string instruments. c. The instruments in rondalla are banduria, laud, octavina, guitar and baho de arko. d. All of the above ____16. Tattoo art is a form of folk art in Kalinga and Mountain Province. What does their tattoo signify? a. It signifies a rite of passage from youth to adult life b. It signifies beauty for women c. It signifies heroism d. All of the above _______17. Which of the following best describes the Ifugao textile design? a. characterized by diamond stripes of white and red stripes b. less colorful and darker in color c. characterized by dominant red stripes and motifs of geometric patterns d. Both A & B ______18. These arts are expressions of the community in their crafts that are usually made because of their utilitarian and functional purpose instead of a mere aesthetics. a. Folk arts c. Folk songs b. Folk Dance d. none of these ______19. Which of the following is the crossover of materials in which local and traditional ones have combined with contemporary art forms. a. Alternation b. Hybridization c. Resources d. Improvisation _____20. Filipino artists have devised alternative materials and rediscovered indigenous tools for their use. This is the reason why they are known for being _____? a. Joyful b. Resourceful c. Extravagant d. Intelligent _____21. A masterpiece without a master is not an art. Every work of art has a brain and a heart. To be able to create your own production masterpiece you must _____. a. Believe your own capability to make everything work by just relying on yourself. b. Trust your members to do all things and congratulate them after. c. Explore the roles and responsibilities of the people behind the masterpiece- the production team. d. Imagine how every pieces of your masterpiece will be put alongside each other. _____22. All co-members of the team are responsible to respect the work that the writer has done. Although the critiquing of another work is still necessary; an artist must be able to express his/her ideas thoroughly before others lay out their opinions. Which of the following best support this idea? a. The writer must digest the opinion of others even if he/ she himself may not concur in approval. b. The deliberation of opinions in collaboration is the key to a soulful expression of skills. c. The writer must accept the critique of others hurtfully. d. It is rather important to just avoid critiquing one’s work for a harmonious collaboration. ____23. In a collaborative artwork, such as theater, film and other art exhibitions, the clear division of labor is something that a producer or production head must take note of. What must be avoided to prevent confusion on the part of the members? a. Complaining b. Multitasking c. Overlapping d.Initiating _____24. How is the weaving of the various cultural groups done? a. it is done through the different culture and traditions of the regions and the materials used are local to the community b. it is done through the influence of the colonizers c. it is done through the economic status of the people leaving the community d. it is done through the religious beliefs of the ______25. How is collage different to decollage? a. Collage is created by pieces of other images that are grouped together to create a new piece of art while decollage is created by removing part of the larger image to create something new b. Collage and decollage are art techniques grouped together to create something new c. Collage the cut-outs pieces of art to form a new art while decollage is putting together to an object to make it more beautiful d. Collage and decollage the just the same _____26. Identify which of the following technique of art production; wherein it is created by cutting, treating away or otherwise removing pieces of an original image. a. Collage b. Digital Arts c. Decollage d. Graffiti _____27. Which of the following is NOT classified as representational subject or Objective arts? a. Music b. Painting c. Sculpture d. Theater Arts _____28. It is a technique that involves human movement and form within the elements of time, space, and shape. a. Writing technique b. Musical technique c. Choreography technique d. Acting technique _____29. Filipino artists have devised alternative materials and rediscovered indigenous tools for their use. This is the reason why they are known for being _____? a. Joyful b. Resourceful c. Extravagant d. Intelligent _____ 30. A masterpiece without a master is not an art. Every work of art has a brain and a heart. To be able to create your own production masterpiece you must _____. a. Believe your own capability to make everything work by just relying on yourself. b. Trust your members to do all things and congratulate them after. c. Explore the roles and responsibilities of the people behind the masterpiece- the production team. d. Imagine how every pieces of your masterpiece will be put alongside each other.