Ithaca College Wind Ensemble

Christopher Hughes, conductor

Aaron Burgess, graduate conductor

Ithaca College Wind Symphony

Benjamin Rochford, conductor

Ford Hall
Sunday, October 15th, 2017
4:00 pm
Ithaca College Wind Symphony
Shortcut Home (2004) Dana Wilson
(b. 1946)
3'

Children’s March: “Over the Hills and Far Away” Percy Grainger
 (1919) (1882-1961)
ed. Mark Rogers
8'

Danzón No. 2 (1994) Arturo Márquez

(b. 1950)
trans. Oliver Nickel
10'

Sanctuary (2005) Frank Ticheli

(b. 1958)
10'

Strange Humors (1998) John Mackey

(b. 1973)
5'

Ithaca College Wind Ensemble

Fanfare for Karel (2017) Dana Wilson
(b. 1946)
2'
Aaron Burgess, graduate conductor

Funeral Music for Queen Mary (1992) Steven Stucky

(1949-2016)
9'

Slalom (1999/2002) Carter Pann

(b. 1972)
10'

Old Wine in New Bottles (1958) Gordon Jacob

The Wraggle Taggle Gipsies (1895-1984)
The Three Ravens 13'
Begone, Dull Care
Early One Morning

Niagara Falls (1997) Michael Daugherty

(b. 1954)
10'
Notes on the Program

Shortcut Home is a rousing and rather elaborate fanfare that features each
section of the ensemble. Drawing upon various jazz styles, the music
proclaims and cascades, always driving towards the “home” of the final C
major chord. (Note from score)

Children’s March was scored for band by Grainger in 1919 from a piano
solo which he had composed between 1916 and 1918. He began the band
arrangement while a member of the U.S. Coast Artillery Band and wrote it to
take advantage of that band’s instrumentation. Like many of Grainger’s
works, the march demonstrates both the fierceness and the tenderness of the
composer’s personality. It was dedicated “to my playmate beyond the hills,”
believed to be Karen Holton, a Scandinavian beauty with whom the composer
corresponded for eight years but did not marry because of his mother’s
jealousy. (Note by Frederick Fennell)

The unique sounds of Mexican dance salons, which Márquez knew well from
childhood can be heard in this work. Danzón No. 2 is so popular it has been
referred to as a second national anthem for Mexico. Márquez states: The idea
of writing the Danzón No. 2 originated in 1993 during a trip to Malincalco
with the painter Andrés Fonseca and the dancer Irene Martínez, both of who
are experts in salon dances with a special passion for the danzón. I was
fascinated an I started to understand that the apparent lightness of the
danzón is only like a visiting card for a type of music full of sensuality and
qualitative seriousness, a genre which old Mexican people continue to dance
with a touch of nostalgia and a jubilant escape towards their own emotional
world. We can fortunately still see this in the embrace between music and
dance that occurs in Veracruz and in the dance parlors of Mexico City. (Note
by Arturo Márquez)

The word, sanctuary, conjures a rich array of images. It can imply a place of
solitude, comfort, rest, prayer, protection. It can suggest a place that is
strong and imposing or one that is very small and private. Each of these
images are suggested at one point throughout the piece. Sanctuary was
commissioned by the Michigan School band and Orchestra Association in
honor of H. Robert Reynolds. (Note from the score)

Strange Humors represents merging of musical cultures – the modal

melodies and syncopated rhythms of middle Eastern music with the
percussive accompaniment of African drumming. At the heart of the work lies
the pulse of the djembe, an hourglass-shaped drum played with bare hands.
The djembe is a major part of the customs of west African countries such as
Mali and Guinea, where djembe ensembles accompany many functional
celebrations of society. (Notes from the score)

As this piece (Fanfare for Karel) was written in honor of Karel Husa on the
occasion of his passing, all of its material is derived from his classic work
"Music for Prague." Interestingly, the opening motive of that piece and of this
fanfare is related to Karel's last name as follows: H--is the German letter for
our note “B”; U--does not translate to a musical note; S--is the German letter
for Es, or our Eb; A--the musical note A. (Note by Dana Wilson)
Old Wine in New Bottles is a [four movement] suite for woodwind,
trumpets and horns, written specially for this festival. Each movement is
based on an Old English folk song and the free modern treatment of the
familiar tunes gives rise to its title. Dr. Gordon Jacob had the St. Bees Festival
Orchestra’s wind players in mind when he wrote the suite, and in giving every
one of them something immensely enjoyable to play, he has written a work of
beauty and wit that will enliven these programmes, and unless we are greatly
mistaken, many more in the future. (Notes from the 1959 St. Bees Music
Festival Souvenir Programme)

It was at the suggestion of Esa-Pekka Salonen that I transcribed this music of

Purcell (Funeral Music for Queen Mary) for the Los Angeles Philharmonic
Orchestra. I used three of the pieces heard at the funeral of Mary II of
England, who died of smallpox on 28 December 1694: a solemn march, the
anthem "In the Midst of Life We Are in Death," and a canzona in imitative
polyphonic style. In working on the project, I did not try to achieve a pure,
musicological reconstruction but, on the contrary, to regard Purcell's music,
which I love deeply, through the lens of three hundred intervening years.
Thus, although most of this version is straightforward orchestration of the
Purcell originals, there are moments when Purcell drifts out of focus. My
version was first performed in Los Angeles on 6 February 1992. (Note by
Steven Stucky)

Slalom was originally written for orchestra in 1998-99 as a scherzo perpetuo.

It was to be a chance to flex my orchestration muscle to a degree I had not
yet reached. In 2001 conductor John Lynch was seeking to commission a new
work for wind symphony, and we agreed that Slalom could make an
attractive addition to the repertoire. Arranging the piece for wind symphony
has proven my most astute compositional act to date. Slalom is a taste of
the thrill of downhill skiing. The work is performed at a severe tempo
throughout, showcasing the orchestra’s volatility and endurance. The idea for
a piece like this came directly out of a wonderful discovery I made several
years ago at Steamboat Springs, Colorado, when I embarked on the
mountain-base gondola with a cassette player and headphones. At the time I
was treating myself to large doses of Shostakovich’s Tenth Symphony and
Rachmaninoff’s Symphonic Dances. The exhilaration of barreling down the
Rockies with such music pumping into my ears was overwhelming. After a
few years of skiing with some of the greatest repertoire, it occurred to me
that I could customize the experience. The work is presented as a collection
of scenes and events one might come by on the slopes. The score is
peppered with phrase-headings for the different sections such as “First Run”,
“Open Meadow, Champagne Powder”, “Straight Down, TUCK” and “On One
Ski, Gyrating” among others. In this way Slalom shares its programmatic
feature with that of Richard Strauss’ Alpine Symphony. The similarities end
there, however, for Slalom lasts ten minutes…precisely the amount of time I
need to get from Storm Peak (the peak of Mt. Werner, Steamboat Springs) to
the mountain base, skiing full throttle. (Note by Carter Pann)

Niagara Falls for Symphonic Band was commissioned by the University of

Michigan Symphonic Band in honor of its One Hundredth Anniversary and is
dedicated to its conductor H. Robert Reynolds. The work was premiered by
that ensemble on October 4, 1997 at "Bandarama," conducted by H. Robert
Reynolds at Hill Auditorium, Ann Arbor, Michigan. Niagara Falls, a gateway
between Canada and the United States, is a mecca for honeymooners and
tourists who come to visit one of the most scenic waterfalls in the world. The
Niagara River also generates electricity for towns on both sides of the border,
where visitors are lured into haunted houses, motels, wax museums, candy
stores, and tourist traps, as well as countless stores that sell "Niagara Falls"
postcards, T-shirts, and souvenirs. This composition is another souvenir,
inspired by my many trips to Niagara Falls. It is a ten-minute musical ride
over the Niagara River with an occasional stop at a haunted house or wax
museum along the way. Its principal musical motive is a haunting chromatic
phrase of four tones corresponding to the syllables of Niagara Falls, and
repeated in increasingly gothic proportions. A pulsing rhythm in the timpani
and lower brass creates an undercurrent of energy to give an electric charge
to the second motive, introduced in musical canons by the upper brass. The
saxophones and clarinets introduce another level of counterpoint, in a bluesy
riff with a film noir edge. My composition is a meditation on the American
Sublime. (Note by Michael Daugherty)

Ithaca College Wind Ensemble Personnel

Piccolo Bassoon Trombone
Julia Muller Brittany Giles Matthew Flores
Olivia Fletcher Andrea Dollinger
Flute Cynthia Becker Dante Marrocco
Bethany McLean
Thomas Barkal Contra Bassoon Bass Trombone
Carmen Vieytez Cynthia Becker Johanna Wiley
Julia Muller
Hannah Morris Alto Saxophone Euphonium
Kevin Buff Matthew Kiel James Yoon
Lauren Thaete Elizabeth Rutan
Oboe
Bethany Cripps Tenor Saxophone Tuba
Sarah Pinto Scott Byers Jasmine Pigott
Stefanie Nicou Jonathan Aldave
Baritone Saxophone
English Horn Jared Banker Double Bass
Stefanie Nicou Samuel Higgins
Trumpet
E-Flat Clarinet Matthew Brockman Piano
Rebecca Rice Kristen Kasky Joon Sang Ko
Aleyna Ashenfarb
Clarinet Shaun Rimkunas Harp
Vivian Becker Kevin Biernat Elizabeth Ojeda
Valerie Nuzzolo Mike Salamone
Bryan Filetto Organ
Madeline DeNofio French Horn Christopher Davenport
Steven Foti Nicoletta Pignatello
Alec Targett Benjamin      Timpani
Erin Dowler      Futterman Dan Monte
Jacob Factor
Bass Clarinet Jeremy Straus Percussion
Griffin Charyn Christian DeFreese Jacob Close
Alec Targett Patrick Holcomb Chelsea Catalone
Leah Gardner
James Hope
Ian Lisi
Jordan Sonderegger
Ithaca College Wind Symphony Personnel
Piccolo Soprano Saxophone Trombone
Leandra Stirling Jessica Small Eric Coughlin
Kurt Eide
Flute Alto Saxophone
Kevin Buff Ashley Dookie Bass Trombone
Abby Ferri Chiara Marcario Louis Jannone
Robyn Leary Sara Mercurio
Claire Park Jessica Small Euphonium
Georgia Peace Cormac Callan
Tenor Saxophone Christian Dow
Oboe Kerri Barnett
Hailey Dziendziel Tuba
Anton Popov Baritone Saxophone Maggie Broughton
Travis Murdock Daniel Rogers
English Horn
Meagan Priest Horn String Bass
Abby Bracco Gillian Dana
E-flat Clarinet Sarah Capobianco
Jacob Friga Christian DeFreese Piano
Patrick Holcomb Anand Seshadri
Clarinet Sydney Rosen
Hannah Blanchette Kayla Shuster Timpani
Emma Dwyer Brian Breen
Jeffrey Elrick Trumpet
Katherine Filatov Matthew Gallego Percussion
Esther Moon Elliot Lowe Jacob Graham
Caleb Will Caitlin Mallon Alex Hoerig
Nick Paraggio Cameron Jimenez
Bass Clarinet Averi Parece Julia Lavernoich
Thea Hollman Stephen Ryan Giancarlo Levano
Evan Schreiber Jordan Sonderegger
Bassoon Alex Stuart
Aiden Braun
Emily Roach
Conductors
Dr. Christopher Hughes is Director of Bands and Associate Professor of
Music for the School of Music at Ithaca College in New York. Hughes serves as
conductor of the renowned Ithaca College Wind Ensemble while leading the
acclaimed graduate program in wind conducting. Prior to this position, Dr.
Hughes served as Director of Bands and Graduate Conducting Coordinator at
NM State University and as Director of Bands and Chair of the Conducting and
Ensembles Faculty for the College of Music at Mahidol University, a
conservatory setting in Bangkok, Thailand. Prior to his move overseas, Dr.
Hughes held positions on the faculties at Lander University in South Carolina
and the University of Colorado at Boulder. Hughes’s former students hold
conducting and teaching positions in China, Thailand, Singapore, Malaysia,
Taiwan, The Philippines, Burma, Mexico and throughout the United States.
Born on Bloomsday in Aspen, Colorado, Hughes's interest in the expressive
beauty of music began early. He decided to pursue conducting as a
profession after experiencing the artistry of many of the legendary
conductors who were in residence at the Aspen Music School. In 2005 Hughes
was awarded the Doctor of Musical Arts degree in instrumental conducting
and literature at the University of Colorado at Boulder where he was a
student of world-renowned conductor and Distinguished Professor Allan
McMurray.

Developing an impressive profile that is both national and international, Dr.

Hughes has conducted ensembles in concert on four continents including
Europe, Asia, Australia and North America. He is also in constant demand as a
guest conductor and clinician. Engagements have taken him to several US
states, Washington, D.C. and ten foreign countries including England, Ireland,
China, Taiwan, Hong Kong, Singapore, and Indonesia. In 2016 the NM State
Wind Symphony performed at the John F. Kennedy Center for the Arts in
Washington, D.C. as invited guest artists representing the southwest region
of the United States. The ensemble performed at the 2014 NM Music
Educators Association Convention and, in the October of 2015, gave the
world premiere of Symphony No. 1 by Serbian composer Nebojsa Macura.

In addition to numerous performances as Resident Guest Conductor for the

Thailand Philharmonic Orchestra, Dr. Hughes led the Mahidol University Wind
Symphony in a critically acclaimed performance during the proceedings of
the15th World Saxophone Congress. This subsequently led to an invitation for
the musicians to appear as the guest artist ensemble for the Australian
National Ensemble Championships. Hughes has conducted at the Southeast
Asian Youth Orchestra and Wind Ensemble Festival in Bangkok, Thailand and
the Honor Ensemble Festival of the Interscholastic Association of Southeast
Asian Schools in Jakarta, Indonesia. Dr. Hughes was honored to serve as
guest conductor for the National Symphony Orchestra players of Taiwan
during his invited visit to Chiayi City. In 2013 and again in 2014 Hughes
ventured to China to conduct the Directors Ensemble of Guangzhou Province
and appeared in ShanXi, ShanDong, and Chengdu provinces in as well. Known
for his sensitive interpretation of music for large and small instrumental
ensembles, Hughes's conducting has drawn praise from composers and
conductors in the United States, Canada, Southeast Asia, China, and
Australia. A champion of new music, Dr. Hughes has conducted numerous
world and regional premieres and he has become a conductor of choice for
contemporary works.

Dr. Hughes has, on several occasions, been included in the Who's Who
Among America's Teachers publication and, for the past 13 years, he has
been listed in Who's Who in America. He was recently honored with induction
into Who's Who In The World. Hughes's affiliations include the International
Conductor's Guild, College Band Directors National Association, World
Association for Symphonic Bands and Ensembles, New York State School
Music Association, Phi Mu Alpha (honorary), and Kappa Kappa Psi (honorary).

Benjamin Rochford joined the Ithaca College School of Music in 2016 and
currently serves as the Interim Associate Director of Bands. At IC, Professor
Rochford conducts the Wind Symphony and Concert Band and teaches
courses in instrumental conducting and brass pedagogy. Prior to his
appointment at Ithaca College, Mr. Rochford was a Doctoral Conducting
Associate and PhD candidate at the University of Florida and also served as
Director of Bands at the Valley Grove School District in Franklin,
Pennsylvania. While at the University of Florida, his responsibilities included
directing the UF Concert Band, assisting with the athletic bands, and teaching
courses in conducting, music education, jazz improvisation, jazz history, and
philosophy. In addition, Mr. Rochford managed marketing and promotional
materials for the band department and assisted with the UF Wind Symphony
and Jazz Band.

Mr. Rochford completed a Bachelor’s degree in Music Education from

Mansfield University of Pennsylvania and a Master’s degree in Instrumental
Conducting from Youngstown State University in Ohio. Mr. Rochford's primary
conducting influences include Dr. David Waybright, Dr. Stephen Gage, Dr.
Adam Brennan, and Dr. Nathan Rinnert. Mr. Rochford has also participated in
conducting symposiums with Ray Cramer, Tom Leslie, Craig Kirchhoff,
Rodney Dorsey, Robert Garofalo, and Ed Lisk and participated in Beethoven
conducting master classes with Svilen Simeonov, director of the Sofia
Sinfonietta in Bulgaria. He recently conducted the Kennesaw State University
Chamber Winds in a conducting presentation by Craig Kirchhoff at the South
Eastern CBDNA conference in Charleston, SC.

Prior to working in higher education, Mr. Rochford served as Director of Bands

at the Valley Grove School District in Pennsylvania where he was responsible
for overseeing the entire 5-12 instrumental music program. At Valley Grove,
Mr. Rochford directed the district's athletic bands, jazz combo, and
elementary, middle, and high school bands. He hosted and managed the
PMEA District III Jazz Festival in 2012. He has also given presentations in
Pennsylvania, New York, Florida, and New Hampshire on a variety of topics
including jazz improvisation, rehearsal techniques, ensemble scoring
techniques, student motivation, and authentic student self-assessment within
the paradigm of Harvard Project Zero and Arts PROPEL.

Mr. Rochford is an active free lance trumpet player and has performed with
the Erie Philharmonic, Venango Chamber Orchestra, Franklin Silver Cornet
Band, and various jazz groups. Mr. Rochford has toured across the United
States with wind bands and has performed at Carnegie Hall. Recently, he
performed with he American Chamber Winds throughout Italy and
Switzerland. He has also performed with a number of notable jazz musicians
including Bobby Shew, Wycliffe Gordon, Dennis DiBlasio, George Rabbi,
Michael Davis, Dave Pietro, Ingrid Jensen, Ryan Kisor, and Chris Vidala.
Professor Rochford was recently invited to perform as a guest artist at the
2017 Brazilian Music Institute in Miami, FL.

Mr. Rochford's professional affiliations include the College Band Directors

National Association, the National Association for Music Education, the
National Education Association, the Florida Music Education Association, the
Florida Bandmasters Association, the New York State School Music Education
Association, the Jazz Education Network, and the International Trumpet Guild.
He was elected into the Phi Kappa Phi Honors Society in 2012.

Aaron S. Burgess is a Master of Music in wind conducting candidate at

Ithaca College in Ithaca, NY where he is a graduate assistant to the director of
bands, assistant conductor of the Ithaca College Wind Ensemble and
conductor of the Ithaca College Campus Band and Trombone Troupe.
In the spring of 2016, he was appointed lecturer of music and conductor of
the Ithaca College Symphonic Band, one of the major ensembles in the school
of music. From 2010 until 2015, he served as Director of Bands at Edwin O.
Smith High School in Storrs, Connecticut where he conducted the wind
ensemble and symphonic band, directed the jazz program, coached chamber
music and taught music theory, aural skills, and music appreciation.  In 2014,
he was appointed an adjunct faculty member in the Department of Music at
the University of Connecticut where he taught woodwind methods and guest
lectured on topics pertaining to secondary instrumental music education.
From 2007 until 2010, he was director of bands at Rocky Hill High School,
Myrtle Stevens Elementary School, and West Hill Elementary School, in Rocky
Hill, Connecticut where his duties included teaching beginning instrumental
lessons and ensembles plus directing the high school symphonic band, jazz
ensemble, and competition marching band.  

Burgess began his tenure as assistant conductor of the Ithaca Community

Orchestra in the summer of 2017. During the summers of 2008 and 2009, he
served as music director and conductor of the Connecticut Wind Ensemble, a
wind band comprised of music school students and professional musicians.
 His recent conducting activities include appearances with the Ithaca College
Bach Orchestra, Bones East Trombone Choir, the West Liberty University
Tri-State Honor Band in West Virginia, the Ithaca College Concert Band, the
Middletown (CT) Symphonic Band, and the CT Eastern Region Middle School
Festival Concert Band. As a conductor, Burgess has collaborated with
numerous artists and composers including Timothy Smith of the Buffalo
Philharmonic Orchestra, Jess Langston Turner, Eric Ewazen, Lewis J. Buckley,
Kenneth Fuchs, Joshua Oxford, alto saxophonist Greg Case of the U.S. Coast
Guard Band, trumpeter Louis Hanzlik of the American Brass Quintet, Flutist
Barbara Hopkins of the Hartford (CT) Symphony Orchestra, and numerous
faculty in the School of Music at Ithaca College. In 2016, he conducted the
consortium premiere at Ithaca College of Rob Deemer’s work titled Iron,
Steel, Rust for trombone soloist and trombone choir and in the spring of
2015, he commissioned and conducted the world premiere of Jess Langston
Turner’s You’ll Come Matilda…Endlessly Waltzing, premiered by the Edwin O.
Smith High School Wind Ensemble.

Burgess has served as a member of the Student Affairs Commission for the
Connecticut Music Educators Association, co-chairman of the Connecticut
All-State Ensemble Festival, co-chairman of the CT Eastern Region High
School Festival Band and the CT All-State Band, and was CT Eastern Region
Festival chairman from 2014 until 2015. From 2007 until 2015 he served on
the officer board of the Charter Oak Music Festival.  

He is currently studying conducting with Christopher Hughes, Director of

Bands at Ithaca College. He is a 2002 graduate of the University of
Connecticut and holds dual degrees in music and education. His principal
euphonium teachers were Danny Vinson and James Jackson of the U.S. Coast
Guard Band and he studied conducting with Jeffrey Renshaw.
IC Bands: Ensemble Offerings
Ithaca College School of Music is proud to offer a full complement of large and
chamber ensembles.  Placement in the entry-level ensembles does not
require an audition and any student is welcome to join.  Upper level
ensembles hold auditions for membership at the beginning of the year and
requirements are published well in advance. If you dream of being a
professional musician, just enjoy playing an instrument, or anywhere in
between, there is a place for you in IC BANDS! Included in the offerings are
four distinctive ensembles.

Wind Ensemble* (Dr. Christopher Hughes, Conductor)

The IC Wind Ensemble is a band of 50 highly qualified graduate and

undergraduate students, chosen by audition, and performs a varied
repertoire of the highest quality literature for winds. Members of the Wind
Ensemble will also perform selections of chamber winds repertoire each
semester. The Wind Ensemble is dedicated to professional level performance
while fostering the musical growth of its members.

Wind Symphony* (Mr. Benjamin Rochford, Interim Conductor)

The IC Wind Symphony is a select ensemble of approximately 60 musicians,

chosen by audition. The Wind Symphony exists as a preparatory experience
for the Wind Ensemble and provides a challenging musical environment for
skilled musicians by performing repertoire that ranges from works for
chamber winds, to standards of the band literature, to brand-new works for
the wind band medium.

Concert Band (Mr. Benjamin Rochford, Interim Conductor)

The IC Concert Band is an entry-level ensemble for students just beginning

the journey to professional level performance. This band provides instruction
in ensemble performance skills through quality repertoire that is less
challenging for the student, allowing her / him to have time to assimilate
knowledge, skills, and attitudes necessary for advancement into the Wind
Symphony and Wind Ensemble.

Campus Band (Graduate Wind Conducting Students, Conductors)

The Campus Band is a non-auditioned ensemble designed to meet the needs

of students from all majors across campus. Music majors are encouraged to
enroll while performing on a secondary instrument. This ensemble provides
an educational experience and serves as an outlet for students who wish to
remain musically active in a less intense setting. The course will be
administered by the Director of Bands and conducted by the graduate
conducting associates.

* Requires an audition for membership

Upcoming Events with the IC Bands
Ithaca College Concert Band & Ithaca College Campus Band
Monday, October 16, 2017
8:15PM in Ford Hall

Ithaca College Campus Band & Ithaca College Campus Jazz Ensemble
Wednesday, December 6, 2017
7:00PM in Ford Hall

Ithaca College Wind Ensemble and Ithaca College Wind Symphony

Wednesday, December 13, 2017
8:15PM in Ford Hall
Featuring Thomas Lee, the 2017 Arnald Gabriel Visiting Wind Conductor

Ithaca College Concert Band

Thursday, December 14, 2017
8:15PM in Ford Hall
The IC Bands wish to extend a very special
thank you...
Karl Paulnack, Dean, Ithaca College School of Music

David Pacun, Associate Dean, Ithaca College School of Music

Erik Kibelsbeck, Manager of Concerts and Facilities, Ithaca College School of

Music

Alexandria Kemp, Scheduling and Events Assistant, Ithaca College School of

Music

Ford Hall Stage Crew

Janet Galvan, Director of Choral Activities, Ithaca College School of Music

Members of the Ithaca College Choir who joined the Wind Symphony in
performance this evening

Ithaca College School of Music Wind, Brass, Percussion, and Keyboard Faculty

Becky Jordan, Manager of Ensembles & Kinyon Music Education Collections

and her dedicated staff

Kristina Shanton, Music Librarian

Grainger Singers
Part I
Seamus Buxton
Frankie DiLello
Nicole Rivera-Diaz

Part II
Lucas Hickman
Catherine Barr

Part III
Holden Turner
Jacob Kerzner
Matthew Coveney

Part IV
Kevin Harris
Cameron Costello