Assignment
Assignment
Assignment
Tripti Aggarwal
283
30 March 2019
Amrita Pritam’s dirge calls upon Sufi poet Waris Shah to record the predicament of women
during partition as he did for Heer, who moaned for her love. Rajinder Singh Bedi, Saadat
Hasan Manto, Bhisham Sahni, Lalithambika Antharjanam, Amrita Pritam and many other writers
across country emerged as Waris Shah, who bemoaned and Chronicled the lament of women,
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violated during communal riots of Partition of India. From not so vast oeuvre of women’s
partition narrative, I want to juxtapose Rajinder Singh Bedi’s “ Lajwanti” and Lalithambika
Antharjanam’s “ A Leaf in the Storm” to decipher the grim realities of violation subjected to
women during partition. My selection of writers is based upon their positionality with respect to
partition. Rajendra Singh Bedi had witnessed partition directly as he had to migrate from Lahore
to Bombay whereas Antharjanam, a Kerala born writer, could get glimpses of partition
happening at North-Western and Eastern part of the country by hearing men of the family and
news around.
Both stories delineate over women who were abducted during riots and later recovered
through Central Recovery Operation of Indian government. For Bedi, violence on women and
their subjugation is one of the consequences of the partition whereas for Antharjanam it is the
major theme of her oeuvre and Partition becomes an occasion for it. Their works represent
gendered narrative of Partition, an alternative to the official history. Alok Bhalla rightly asserts,
“The best fiction writers about partition are not concerned with merely telling stories of violence,
but making a profoundly troubled enquiry about the survival of our moral being in the midst of
horror.”2 This is evident in both the stories as we come across morally complex characters like
formal education. She says, “There is no Shakespeare or Kalidasa among women because the
best years of our life are spent in bringing up children and looking after our men.” With
rebellious nature she wrote against orthodox patriarchal Namboodiri men “for restoration of
values to the community and respect for their women.”3 “A Leaf in the Storm” bears context of
Partition, different than her usual themes. It is about women who were recovered from Pakistan
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and kept in refugee camps. The story focuses on rebellious, unmarried Sikh woman Jyotirmoyi
Devpal. She hates her existence after being pregnant due to brutal rape. She tries to abort the
child whose “source of that blood is hate not love,” but eventually newborn's innocence wins her
heart. Amidst the emergence of motherhood which triumphs over hatred, Antharjanam portrays
doctor who coaxes Jyoti to drink milk and encourages her with nationalistic catchphrases:
Rajinder Singh Bedi was a Progressive writer of Urdu fiction who later wrote dialogues for
great films in Bombay. In an interview he says, “I must write about the people I was raised with,
life as I had lived.”4 He was awarded Sahitya Academy award in 1965 for Urdu novel I take this
woman, which depicts the dilemma of a widow. In “Lajwanti”, he draws upon the life of
recovered woman Lajwanti. Her husband, Sunder Lal, a Hindu man is resident of Mohalla
because his own wife was abducted. So he was thought fit for sharing emotional trauma of other
men who have lost their wives. One day his own wife Lajwanti returns, his ambiguous emotions
seems hypocritical. “He didn’t however; say anything to her because he had sworn not to
chastise her.” He pedestalised her as “Devi” instead of accepting her as “Lajo” with old love and
vigour. He did not let her speak about the pain she endured: “Let us forget the past!”
The former has bleak future for the single mother and the “war baby” but ray of hope and
happiness still persist whereas in the latter at the outlook of happy Union, there lies broken
relationship without any possibility of amendment owing to patriarchal notions of purity and
chastity of women’s sexuality. Both the stories narrate grim circumstances of individuals like
Lajwanti and Jyoti but they stand for many other women who faced similar brutalities during
partition riots. Women who were never part of political decision making had to suffer the most.
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Women’s body were infested with honour of men, community, and nation. Their bodies were
seen as “enemy territories” to be plundered and violated by impregnating them to carry the next
generation of the enemy. “About 750,000 women were thought to have been abducted and raped
by men of religion different from their own ( and indeed sometimes by men of their own
religion).”5 According to the report of the Muslim Leagues attack on Hindus and Sikhs 1947,
“women’s breast, noses and arms would be lopped off. Sticks and pieces of iron would be thrust
into their private parts, sometimes the bellies of pregnant women were ripped open.” Rapist
carved their name on women's bodies to immortalize the brutality they inflict upon them. In “A
leaf in the Storm” Jyoti and other sikh women were helped by Muslim friends to escape
Pakistan but on the way they were abducted and raped: “ from amongst the bundles of hay
fifteen women were dragged out one by one rose flowers fell…”
The Central Recovery Operation was passed as a resolution in November 1947 by All
were recovered by both countries over 8 years.”6 The recovery bill offered no choice to women
whether they wanted to return to their original country or not. The clause in the bill states:
“conversion by persons abducted after March 1947 will not be recognized and all such persons
must be restored to their respective dominions. The wishes of the persons conceived are
irrelevant and consequently no statement of such person should be recorded before magistrate.”
Sunderlal who campaigns about rehabilitation of abducted woman is aware of the choice-
lessness for women. Seeing Lajwanti physically healthier, he questions “if she had been
comfortable and happy there why did she agreed to return?” then he wondered “perhaps she had
been forced to return by the Indian government.” Reality of recovering abducted women was
sordid. At Wagah Border women were examined as per their reproductive prowess and physical
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appearance. Beautiful young women like Lajwanti were demanded. Recovered women were
exchanged like merchandises; this facet of Recovery Operation is contrary to the so called
Women across both countries were first battered through gory acts of violence and then
as woman. Partha chatterjee relates emergence of Bharat Mata symbolism with rise of Indian
nationalistic rhetoric. “The new patriarchy advocated by nationalism conferred upon women the
honor of new social responsibility and by associating the task of female emancipation with the
historical goal of sovereign nationhood bound them to a new and yet entirely legitimate
subordination.”7 The doctor at the camp encourages Jyoti by using rhetorics of nationalism :
“Bharat will endure. are you not a woman of India?”. Women are entrusted with the duty to
nourish the citizens of the country and get violated by the same men when circumstances arise.
Sunder lal like political leaders summons example from Hindu scripture Ramayana and
compares abducted woman to Sita who was abducted by Ravana. He asks, “Did Sita commit any
sin? Wasn’t she, like our mothers and sisters today, a victim of violence and deceit?” Our holy
scriptures are testimonies of the violence against women as Neki Ram’s speech which was full of
quotation from scriptures “ended up making a case against the cause he meant to plead for.”
Even Sunder Lal is shown as hypocritical reformist, who earlier shouts slogans for rehabilitation
of abducted women, could not accept his wife with old dignity and passion. Poulomi
Chakraborty reveals his intention as “the only way Sunder Lal can accept the abducted and
recovered body of his wife back is by inventing the logic of this victimization to re-turn her body
to that of goddess,”8 and silencing her forever like an idol of goddess who can be reverred but not
heard.
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Women who were least involved in political happenings were most affected by it. Paulomi
Chakraborty uses Dorothy Smith's concept of “ “Everyday world” of women affected by major
events of political sphere of men.” Jyoti and Lajwanti were two lively girls one rebellious and
other conformist, whose lives were shattered by Partition violence. Jyoti, a self-assertive girl,
fought for her education, gave up purdah, spurned potential marriage proposal. “ The freedom
she had earned was not only for herself… she wanted to free the bonded… she hopped in vain
that she could knit together a net of silver threads.” Lajwanti was a girl who adored a marital life
with brutal husband. She was beaten for petty reasons but she endured it happily as she was born
out of patriarchal order where “ like other girls of the village, she knew that all husbands beat
their wives.” Partition violence shattered the love of Lajwanti and Sunder Lal’s conjugal
relationship and forced Jyoti into an unwanted pregnancy, in other words destroyed wifehood
and motherhood.
Apart from main protagonist both writers give glimpses of brave women who survived
even after brutal treatments. In “A Leaf in the Storm” there is an old woman who has seen her
“children being killed, the girls were abducted, her house was gutted.” But “she eats sleeps and
talks… Hope, Passion for life.” and other woman was raped in front of her family and was
rescued from railway tracks. In “Lajwanti” many recovered woman were spurned by their
families. “We don't want these sluts. They were defiled by Muslims… why did not they die?
clinging to life” these women who loved their life even after bearing violence were real brave
women of the country. Other hapless women were forced by men folk of their family to commit
suicide before their honour was defiled by men of other religion. Menon and Bhasin interviews
Taran, a Sikh woman, whose men relatives decided to kill the entire womenfolk. She says,
“Should I tell you what I felt when I heard this? I loved life. I was in love with it.”9 This was
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probably the last moment excitement in Jyoti when she was about to abandon her new born baby,
whose cry for life encouraged her to live. “It is not the voice of an individual but that of the
whole world.”
Women are victimized by men as well as women. In “A Leaf in the Storm” women in the
village do not support Jyoti’s liveliness and rebelliousness They taunted her as “may be now she
is paying too higher price for such indulgences.” In “ Lajwanti” after Lajo’s rehabilitation the
widow of 414 ostracized her and other woman who safely migrated from Pakistan looked at
abducted women with hatred. Hence women were victimized by country, state, community,
family and women around. Contrary to this mutual hatred, in “A Leaf in the Storm” we witness
love between Muslims and Hindus before partition. Jyoti was helped by her friend Ayesha to
cross the border. In camps, a Sikh woman consoles abandoned Hindu child. Partition led to a
battleground where alongwith physical bloodshed, emotional tussle between love and hatred took
place.
Bedi’s and Antharjanam’s narrative styles are different as the former gives direct
references to current situation and criticizes government plans whereas latter flinches while
doing it. Bedi directly give reference to Mridula Sarabhai, the chief member of Recovery Act.
Antharjanam uses the speech of a “distinguished guest” who encourages people to accept
abducted women and children born out of rape. This guest could have been Nehru, the then
Prime Minister, or Gandhi who gave similar speeches. Gandhi is represented as “toothless
grandsire” the difference between both writers’ stance is due to Antharjanam’s positionality as an
“Do not touch Lajwanti for she will curl up and die”
Sunder Lal’s use of Punjabi folk song where women are compared to leaves of Lajwanti
plant is problematic enough as he is the one who “curl[s] up and die” when he has to accept his
abducted wife. The violators have touched and mutilated thousand of Lajwantis during and after
partition but they did not curl up and die. Instead, they retorted back with vigour of life and wish
Notes
Leaf in the Storm”. Partition Literature. Ed. Debjani Sengupta. Worldview Publications. 2018.
Lines of “ Lajwanti” are quoted from: Bedi, Rajinder Singh. “Lajwanti”. Tr. Alok Bhalla.
University of Hawai'i Press. Manoa, Volume 19, Number 1, 2007, pp. 21-32 (Article)
HTTP://QAUSAIN.WORDPRESS.COM/2009/07/17/AAJ- AAKHAN-WARIS-SHAH-NU/ .
Economic and Political Weekly.Vol. 34. No. 44 (Oct. 30 - Nov. 5, 1999). pp.3128.
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1, Issue 3. pp. 2.
4. Singh Bedi, Rajinder. “Mahfil”. Vol.8. no.2-3. Summer Fall 1972. pp.2
5. Butalia, Urvashi. “The Other Side of Silence: Voices from the Partition Of
6. Menon, Ritu and Bhasin, Kamla. “Recovery, Rupture, Resistance: Indian state and
abduction of women during partition”. Economic and Political Weekly. Vol,28. No. 17
India”. American Ethnologist, Vol. 16, No. 4 (Nov., 1889, 622-633), pp.629.
2014. pp.47.
9. Menon, Ritu, and Kamla Bhasin. Borders andBoundaries: Women in India’s Partition.