Whos Who of The 1920s
Whos Who of The 1920s
Whos Who of The 1920s
Lesson Summary:
Students will investigate important individuals of the 1920s; explore the economic,
political, and social climate of the times; and explain the significance and impact of
individuals on American society.
Materials Needed
Access to Harry Ransom Centers reading and images via computer or copies
Charts student drawn or copies
Mask template
Documents Used
Textbook, websites
Readings from Harry Ransom Centers online exhibit Teaching the American Twenties
Strategies Used
ABC Brainstorm
Note taking Graphic Organizer
Jigsaw Mixer
Vocabulary
Feminist Scopes Monkey Trial
Harlem Renaissance Red Scare
Labor
LEADERSHIP
W. E. B. Du Bois Marcus Garvey
W. E. B. Du Bois was a leading African- African American leader from 1919 to 1926
American intellectual. He believed in the who urged African Americans to return to their
ability of the Talented Tenth, the intellectual motherland of Africa; provided early
black elites, to advance the cause for all blacks. inspiration for black pride movements.5
Du Bois was active in the formation of the
NAACP (National Association for the
Advancement of Colored People). He served as
director of publicity and research and edited
The Crisis until 1934 when he broke with the
organization. He increasingly favored black
separatism.4
1
"Slang of the 1920's." Brass-Nickel Touring Region. 3 Dec 2006 <http://local.aaca.org/bntc/slang/slang.htm>.
2
"About: Emily Post." The New York Times Company. 3 Dec 2006
<http://womenshistory.about.com/library/bio/blbio_emily_post.htm>.
3
"Significant Women in America." U-S-History.com. 3 Dec 2006 <http://home.u-s-history.com/pages/h1551.html>.
4
TEA SSC, "TEKS Biographies - US History." 3 Dec 2006
<http://www.tea.state.tx.us/ssc/teks_and_taas/teks/bioushist.htm#dubois>.
5
Cayton, Andrew, Elisabeth Israels Perry, Linda Reed, and Allan Winkler.America Pathways to the Present. Needham,
MA: Prentice Hall, 2003.
6
T. S. Eliot. HighBeam Encyclopedia. 3 Dec 2006 <http://www.encyclopedia.com/doc/1E1-Eliot-Th.html>.
7
"Langston Hughes." America's Story from America's Library. The Library of Congress. 3 Dec 2006
<http://www.americaslibrary.gov/cgi-bin/page.cgi/aa/hughes>.
8
TEA SSC, "TEKS Biographies - US History." 3 Dec 2006
<http://www.tea.state.tx.us/ssc/teks_and_taas/teks/bioushist.htm#dubois>.
9
TEA SSC, "TEKS Biographies - US History." 3 Dec 2006
<http://www.tea.state.tx.us/ssc/teks_and_taas/teks/bioushist.htm#dubois>.
10
TEA SSC, "TEKS Biographies - US History." 3 Dec 2006
<http://www.tea.state.tx.us/ssc/teks_and_taas/teks/bioushist.htm#dubois>.
11
TEA SSC, "TEKS Biographies - US History." 3 Dec 2006
<http://www.tea.state.tx.us/ssc/teks_and_taas/teks/bioushist.htm#dubois>.
12
"J. Edgar Hoover." U-S-History.com. 3 Dec 2006 <http://www.u-s-history.com/pages/h1593.html>.
13
Cayton, Andrew, Elisabeth Israels Perry, Linda Reed, and Allan Winkler.America Pathways to the Present. Needham,
MA: Prentice Hall, 2003.
Procedure
A. Anticipatory Set (Hook)
ABC Brainstorm
As a class or in small groups that then report to the class, brainstorm characteristics of
people who make a difference. Come up with one characteristic (word or phrase) for
each letter of the alphabet. Remind students of the end-or-year lists of significant
people of the year, etc. Discuss citizenship, contributions to society, heroes, etc.
B. Information gathering (Line)
1. Divide students into pairs who will work together to learn about two people with
differing points of view on important topics of the period.
2. Students research the people using the HRC website (plus textbook and other
information) making sure to investigate important issues, personal background and
ideals, and point of view. Use the Significant People Research Notes or other graphic
organizer to help when gathering information.
C. Processing Activity (Sinker)
Option A
1. After completing the research, the pairs work together (using the information on their
Research) to write a plausible dialogue (2-3 minutes) that they will perform for the class.
Each student becomes one of the people studied, and the dialogue expresses the points of
14
TEA SSC, "TEKS Biographies - US History." 3 Dec 2006
<http://www.tea.state.tx.us/ssc/teks_and_taas/teks/bioushist.htm#dubois>.
15
"Al Capone." Chicago Historical Society. 3 Dec 2006 <http://www.chicagohs.org/history/capone.html>.
Assessment
1. Write a well developed response (essay) comparing two of the people studied. Explain
the significance of the people; make sure to discuss the impact they had on American
society. Use the Venn diagram as a pre-write to help in planning.
Remediation
Students may create note-cards with the name and picture of an individual on one side and
their significance on the other, focusing especially on those people specifically mentioned in
the TEKS.
Feminism
Emily Post: Small Town, Big City / House and Home / Emily Posts Modernization of Manners
Margaret Sanger: Big Debates / Rise of Women / Margaret Sanger and Womens Health
Leadership
W.E.B. DuBois: Defining American Culture / Harlem Renaissance / Leadership
Marcus Garvey: Defining American Culture / Harlem Renaissance / Leadership
Literature
T.S. Eliot: Big Debates / After the War / The Lost Generation
America Encounters the Modern / New Forms, New Ideas / Modern American
Poetry
Langston Hughes: Defining American Culture / Harlem Renaissance / Image Gallery
Big Debates / After the War / The Colored Soldier (Hughes)
Business
Henry Ford: Big Debates / Capital and Labor / The Automobile
Eugene Debs: Big Debates / Capital and Labor / Labor Leaders
Think about the people who make a difference in society. What characteristics do they exhibit? Find
one characteristic (word or phrase) for each letter of the alphabet.
A ____________________ O ____________________
B ____________________ P ____________________
C ____________________ Q ____________________
D ____________________ R ____________________
E ____________________
S ____________________
F ____________________
T ____________________
G ____________________
U ____________________
H ____________________
V ____________________
I ____________________
W ____________________
J ____________________
K ____________________ X ____________________
L ____________________ Y ____________________
M ____________________ Z ____________________
N ____________________
Personal Background
Source
Issues/Ideas
Source
Point of View
Source
Significance
What characteristics
of people who make a
difference does this
person exhibit?
Add facial features to resemble the person you researched. Cut it out and wear your mask
as you become the person for your performance of the dialogue you wrote.
Emily Post
Feminism
Margaret
Sanger
W.E.B. DuBois
Leadership
Marcus Garvey
T.S. Eliot
Literature Langston
Hughes
Henry Ford
Business
Eugene V. Debs
William
Jennings Bryan
Religion
&
Science Clarence
Darrow
J. Edgar
Hoover
Politics
Sacco and
Vanzetti
Charles
Lindbergh
Heroes
Al Capone
What impact did these people have in their area of interest on American society?
Defendants in controversial
Sacco and Vanzetti
murder case, Executed by
electrocution
Feminism
Contrasting Feminine Perspectives
Many feminists of the day advocated for temperance because they saw the link between
men's alcoholism, domestic violence, and family poverty.
Margaret Sanger, an outspoken proponent of birth control, believed that given women's
economic and physical vulnerability-especially among rural women-they must be able to
control the number of children they have. Sanger labored for decades to get information
to women about safe contraception and venereal disease. This effort challenged the
predominant cultural belief that to keep women ignorant was to keep them virtuous.
Vilified by the church and once arrested by the state, Sanger dauntlessly promoted
women's freedom from lifelong childbearing.
In Motherhood in Bondage, Sanger presents letters she had received from women across
the country crying out to her for help. These women, some having been married at the
age of twelve or thirteen and having had ten or more children by their late twenties,
spoke of the health problems, poverty, isolation, fear, abuse, and despair they
experienced as a result of their "incessant pregnancies and childbearing."
Caption: Jno P. Trlica photographed the residents of Granger, Texas in his studio
throughout the 1920s. In rural and urban areas, large families like this one were not
uncommon.
Emily Post was born into privilege in Baltimore in 1873, educated by private tutors, and
trained in the social graces at a finishing school before she made her debut. Because of
her background and her marriage into a wealthy New York family, she was well
acquainted with the most formal social manners. By the turn of the century, she had
divorced her husband for infidelity and had ventured into fiction writing as a career.
Having limited success with her novels, she switched course and wrote the enormously
successful Etiquette in 1922.
Etiquette
Responding to Americans' growing desire to be less "backward," and at the same time
expressing her desire to "democratize" manners, Post preached etiquette as a form of
ethics. Moreover, she challenged the common association of manners with wealth,
arguing that plenty of wealthy people were boorish. She insisted that the basic rule of all
good manners was to consider the comfort of others, and took pains to adapt codes of
behavior to the way that people actually behaved. One example of this flexibility was her
acceptance of the "vulgar sounding" greeting "hello." Saying "hello" instead of the more
formal "How do you do?" was fine, according to Post, as long as it was not shouted and
was only used to greet intimate friends. Her scope extended beyond the dining room to
sportsmanship and driving manners. Her modern approach was evident in the many
revisions her book had undergone-ten-by the time of her death in 1960.
Caption: Emily Post's belief that even a small house could reflect its owners' good
manners and taste challenged common notions of manners as the province of the very
rich.
Caption: Children were the heirs not only to their parents' property, but also to their
store of social wisdom according to Post. This meant rigorous early training in the arts of
civilization.
Caption: Post abhorred bad sportsmanship and gave specific rules of conduct for games
ranging from bridge to golf.
W. E. B. Du Bois, a founder of the N.A.A.C.P. and a longtime editor of its publication, The
Crisis, had worked since before the war to publish literary works by black authors and to
promote racial pride. Du Bois believed that the most "talented tenth" of the race should
help uplift the African-American masses. He encouraged the scholars, writers, and artists
in the forefront of the "New Negro" movement, a term which utilized the preferred racial
designation of the day and countered negative racial epithets.
Just as Emerson and Whitman had called for and developed a distinctly American
literature based largely on the experience of pioneering expansion across the majestic
continent, Du Bois initiated an African-American aesthetic. And just as Emerson's and
Whitman's American sublime was to be judged by American and not European standards,
Du Bois's black aesthetic was to conform to black and not white artistic values. This
independent stance opened the door for poetry and fiction influenced by Negro spirituals,
blues compositions, jazz, and African-American folklore, all cultural forms born out of a
history of oppression and cultural marginalization.
Marcus Garvey
Inspired by Booker T. Washington's life and work at the Tuskegee Institute, Marcus
Garvey established the Universal Negro Improvement Association (UNIA) on his native
island of Jamaica in 1914. Washington died before the two men could meet, but Garvey
persisted in his vision for an organization that would unite and uplift of peoples of African
descent throughout the world.
In 1916, Garvey moved to Harlem and shifted the headquarters of the UNIA as well. That
same year, he solicited the cooperation and support of W. E. B. Du Bois. Du Bois,
however, was uninterested and the two ultimately became foes, squaring off at each
other from the pages of their respective publications.
Garvey's message of racial pride and autonomy found a willing membership among
Harlem's citizens, and the UNIA hosted a mass meeting in1920, bringing together
thousands of delegates from the UNIA's many branches in the U.S. and abroad.
Garvey and his followers, often attired in military dress, planned a return to Africa and
professed African nationalism. Drafted in 1920, the "Declaration of Rights of the Negro
Peoples of the World" proclaimed, "We believe in the freedom of Africa for the Negro
people of the world, and by the principle of Europe for the Europeans and Asia for the
Asiatics; we also demand Africa for the Africans at home and abroad."
J. Edgar Hoover distrusted Garvey and eventually charged him with mail fraud. Following
his trial, imprisonment, and 1927 deportation, Garvey's support declined significantly.
The UNIA continued to exist, but did not command the attention it did during the first half
of the decade.
Caption: Du Bois's portrait from the 2nd printing of Black Manhattan, named the "W. E.
Du Bois Prize Edition."
Caption: In this work predating the Harlem Renaissance, Du Bois demonstrated his
interest in the cultural productions of African Americans. Du Bois's belief that art should
be used in the service of racial uplift eventually put him at odds with artists who felt their
work should not be subject to social and political goals.
Caption: Marcus Garvey press photograph from the New York Evening Journal archive. (
Canadian Railway Press)
Article "Negro Ship Line Head Charged with Fraud" from the New York Evening
Journal, Jan. 13, 1922
New York Evening Journal
Caption: Marcus Garvey rarely received positive press coverage outside UNIA
publications. This article from the New York Evening Journal details his arrest on fraud
charges. J. Edgar Hoover believed that Marcus Garvey was a threat to the United States
and actively pursued him until Garvey's deportation.
Many critics consider Soldiers' Pay to be Faulkner's commentary on the "lost generation"
of Americans who reached adulthood during World War I and the early 1920s. In general,
this generation was disillusioned by the large number of deaths in the War and rejected
many of the previous generations' ideas of appropriate behavior, morality, and gender
roles.
The phrase "Lost Generation," as coined by Gertrude Stein, refers specifically to ex-
patriot writers who left the United States to take part in the literary culture of cities such
as Paris and London during the 1920s. This group, including Stein, F. Scott Fitzgerald,
Ezra Pound, and T. S. Eliot, is considered to have been skeptical about out-moded
traditional forms of literary and artistic work, particularly in America, though its members
were prolific writers and many produced classics.
Though Faulkner is not considered to be a member of this Lost Generation, his texts of
the time are often compared to the works of the Lost Generation writers, particularly
those of Ernest Hemingway. Both Hemingway and Faulkner had wished to be war heroes
but were denied the chanceHemingway was too young to enlist in the United States
military, and Faulkner was too small. Faulkner signed up with a British troop in Canada,
but the war ended before he finished his training. Hemingway volunteered to drive
ambulances for the American Red Cross in Italy and was injured there.
When black soldiers returned home, they encountered increased hatred and violence; in
April of 1919, ten black veterans in uniform were lynched, some of them burned alive in
the South. Langston Hughes addressed this vicious homecoming and the unanswered
promise of equality to African-Americans in his dramatic poem "The Colored Soldier." The
poem's narrator dreams that his brother, the fallen soldier, takes pride at the equality for
which he fought and died. The narrator cries out, "It's a lie! It's a lie! Every word they
said. And it's better a thousand times you're in France dead." Written to be performed on
stage, this poem dramatizes Hughes's response to post-war discrimination and violence.
Under Hughes's stage direction, the rising sense of outrage expressed by the narrator is
reflected in the "fierce and angry" reaction of the listening crowd.
"I made up my mind that I was not one bit better than the meanest on earth.
I said then, and I say now, that while there is a lower class, I am in it, and
while there is a criminal element, I am of it, and while there is a soul in
prison, I am not free."
Eugene V. Debs, Statement to the Federal Court of Cleveland, September 18,
1918
"After all, the chief business of the American people is business. . . Of course
the accumulation of wealth cannot be justified as the chief end of existence. .
. We make no concealment of the fact that we want wealth, but there are
many other things that we want very much more. We want peace and honor,
and that charity which is so strong an element of all civilization. The chief
ideal of the American people is idealism. I cannot repeat too often that
America is a nation of idealists. That is the only motive to which they ever
give any strong and lasting reaction."
President Calvin Coolidge, Speech to the American Society of Newspaper
Editors, January 1925
The Twenties was an era marked by a vigorous tug-of-war between the small but
alarmingly powerful capitalist community and the plentiful but powerless laborers. Big
Business, founded on revolutionary technological innovations, new organizational
strategies, the practice of standardization, and an enthusiastic optimism, usually
prevailed. The heroes of the day were men like Henry Ford, Walter Chrysler, and Owen D.
Young (chairman of General Electric), the latter two being Time magazine's "Man of the
Year" for 1927 and 1928 respectively. Under their leadership, and that of their
competitors and colleagues, corporate profits rose 80% between 1923 and 1929. The
assembly line's profound effect on the American pocketbook, lifestyle, and culture had
fully taken root, and the consumer marketplace brought amazing innovations into even
the most modest of homes.
Under the banner of welfare capitalism, both workers and companies made progress, as
several large industries and corporations adopted changes such as shorter workdays and
the five-day workweek. Still, inflation, unemployment, and lockouts reminded everyone
who was the boss, while strikes, bombs, and union fervor antagonized management
through the early Twenties. Before World War I, the Union movement had experienced
considerable growth and was a powerful if chaotic force in American politics. Eugene
Debs, Robert La Follette, Big Bill Haywood and Elizabeth Gurley Flynn were the popular
advocates of labor. For a period of time in America, there was a wide variety of political
positions, including communism, socialism, and anarchism. In the end, these political
alternatives were systematically vilified and ultimately destroyed. The "red scares" of the
turn of the decade, a number of trials, deportations, and murders, as well as increased
Caption: Originally published as The Masses, The Liberator was co-founded in 1918 by
Max Eastman, his sister, Crystal Eastman, and a group of writers and artists as a digest
of worldwide Socialist political and cultural movements. As an intellectual concerned with
the role of art in politics, Eastman served as editor until 1924. Pro-labor and sympathetic
to the Bolshevik Revolution, Eastman believed art should avoid pretentious pseudo-
intellectualism. These cover illustrations show the mixture of a strong political message
and simple artistic form he favored.
Caption: Originally published as The Masses, The Liberator was co-founded in 1918 by
Max Eastman, his sister, Crystal Eastman, and a group of writers and artists as a digest
of worldwide Socialist political and cultural movements. As an intellectual concerned with
the role of art in politics, Eastman served as editor until 1924. Pro-labor and sympathetic
to the Bolshevik Revolution, Eastman believed art should avoid pretentious pseudo-
intellectualism. These cover illustrations show the mixture of a strong political message
and simple artistic form he favored.
Caption: Originally published as The Masses, The Liberator was co-founded in 1918 by
Max Eastman, his sister, Crystal Eastman, and a group of writers and artists as a digest
of worldwide Socialist political and cultural movements. As an intellectual concerned with
the role of art in politics, Eastman served as editor until 1924. Pro-labor and sympathetic
to the Bolshevik Revolution, Eastman believed art should avoid pretentious pseudo-
intellectualism. These cover illustrations show the mixture of a strong political message
and simple artistic form he favored.
Indeed, many such temples were built. Factories producing everything from sewing
machines (which themselves had revolutionized the garment industry) to newfangled
gadgets like vacuum cleaners sprung up all over the country. The "Steel Belt" developed
across urban centers located on the Great Lakes. The waterways provided easy access for
receiving raw materials and shipping out finished goods.
The need for rapid production of tanks and other war machines during WWI resulted in
technological innovations and inspired much of the vigor that characterized 1920s
industrial America. After the war, Europe had little energy (or capital) with which to
compete with the momentum of American productivity.
High tariff policies, reductions in corporate income taxes, a dramatic decline in the power
of the Federal Trade Commission, and the weakening of what little social legislation
existed further invigorated industry. With the rise of advertising, "consumer culture," and
buying on credit, many Americans craved luxury and enjoyed convenience never before
imagined. The time was ripe for giddy stockholders and flush C.E.O.s.
Caption: The very pro-business President Calvin Coolidge giving his inaugural address in
January 1923. New York Evening Journal press photograph.
Caption: The new industrial landscape grew on the banks of the Great Lakes. The tractor
being loaded onto the Ford-branded freighter could be bound for ports as disparate as
Houston or Capetown. It would return with raw materials and component parts to build
more tractors, only to leave again with more new machinery bound for other exotic
locales. New York Evening Journal press photograph.
Photograph of businessmen
Eugene O. Goldbeck
Caption: Photographer Eugene O. Goldbeck's subjects exude the confidence and
seriousness felt by businessmen of the day.
Emblematic of the era, consumer demand for the automobile was high. Henry Ford's
refinement of his innovative assembly line at the Model T Automobile Plant in Highland
Park, Michigan, meant production reached unprecedented efficiency-as many as 1,000
new "Tin Lizzies" rolled out every day. And as efficiency went up, prices went down. By
1928, a basic Model T Ford had a price tag of only $295, down from $1200 in 1909.
By this time, General Motors was also a powerhouse, covering a broader consumer base.
Shortly after GM President Alfred P. Sloan, in his 1924 Message to Shareholders,
announced GM's strategy of "a car for every purse and purpose," the first Pontiac was
introduced. It featured a six-cylinder engine and amenities that placed it firmly between
the Model T and GM's luxury line, the Cadillac.
Americans wanted everything new. The automobile was now considered a necessity, no
longer a luxury. Kitchen appliances like refrigerators, clothes washing machines, and
vacuum cleaners became indispensable. Retailers made it easy for people to acquire
these items with the introduction of "installment plans." By 1925, 75% of all automobile
purchases were made on installments, and people plunged into debt. This demand fueled
the industries into frenzied production levels, even if they were only running on the fumes
of future payment.
Caption: Though his workforce and target market closely mirrored each other financially,
Henry Ford's attitudes regarding their well-being was widely known. This card handed out
to Ford managers during the thirties indicates his clear anti-union sentiments.
Caption: In this early but undated photograph, Model T's are built on wooden assembly
line structures at the factory seen above. Note the car bodies coming from the second
floor, and the chassies from the first. Soon, the assembly line would be streamlined,
allowing for the manufacture of as many as 1000 cars per day.New York Evening
Journalpress photograph
Caption: In this press photograph from the New York Evening Journal (ca. 1924), Henry
and son Edsel Ford stand beside Ford Number 10,000,000 and the first car Henry built.
The new car was headed on a trip from New York to San Francisco on the Lincoln Highway
- the first continuous road to stretch across the U.S. and the progenitor of our Interstate
Highway system
Caption: New York Evening Journal press photograph (1922), Henry Ford Trade School .
Careers in manufacturing were encouraged as a deeply honorable field for young men.
Building the nation was considered a vital endeavor. These students are working in the
Henry Ford Trade School's machine shop.
Caption: The "Tin Lizzie," the Model T was admired, loved, and reviled, but however
one felt, it was an inescapable part of the American landscape. The introduction of the
more-refined yet affordable Model A Ford inspired the lyrics of this song. New York
Journal American archive
Caption: The fuel and oil industries exploded with the growth of the automobile. This
service station's promotion of a free can of oil with the purchase of "that good Gulf
gasoline" was too good a deal for these motorists to pass up.
Workers unionized in an effort to procure fair wages, shorter workdays, and safer working
conditions. Despite often-vicious opposition and charismatic but contentious leaders, this
industrial unionism made tremendous gains and began to challenge the politically-backed
power of industry.
Different labor organizers routinely published articles and lectured around the country
practicing different approaches to the problem. Eugene Debs adopted socialism and ran
for the U.S. presidency five times between 1900 and 1920. Bill Haywood, one of the
founders of the Industrial Workers of the World (I.W.W.), was also a socialist and
allegedly advocated violence and sabotage. Emma Goldman, a supporter of unions,
preached anarchism because she believed that all governments were based on coercion
and force.
Starting in 1917, as American soldiers marched into France, Woodrow Wilson crafted
espionage and sedition laws aimed at silencing these views. Because criticizing the
government was made illegal, Debs, Haywood, Goldman, and hundreds of other labor
leaders were arrested and sentenced to prison terms as long as twenty years. Wilson's
crackdown on union leadership, capitalizing as it did on rising fears of communism and
socialism, significantly weakened the labor movement and cleared the way for the laissez-
faire capitalism of the Twenties.
After the war, the relatively debt-free U.S. economy was spurred to become highly
speculative throughout the decade, a trend that ended in the Great Stock Market Crash of
1929. While precipitated by the small percentage of the population that traded on Wall
Street, the crash devastated an entire nation of working people-an incongruity at the
heart of labor's complaint against capitalism.
Caption: Before industrial unions like the I.W.W. were formed, people were unionized
according to their skills. In one shop or factory, many separate unions could co-exist. The
industrial union movement sought to give solidarity to all workers within each industry.
Eugene O. Goldbeck photographed workers in a garment factory in San Antonio, Texas in
1919.
Caption: Eugene Debs, a tall and kind-looking man, would sometimes speak for hours to
adoring crowds, leaning far over the podium and extending his arms for emphasis. New
York Evening Journal press photo.
Caption: Having taken over the presidency after Wilson's death in office, Warren G.
Harding pardoned Debs on Christmas Day in 1921.
Caption: Bill Haywood escaped from the United States before finishing his prison term
for espionage and moved to Russia, where he lived out his life.
Caption: Originally from Russia and deported there after her arrest under the Espionage
Act, Emma Goldman became disillusioned with Russian communism. In her
autobiography, Goldman candidly and unapologetically describes her ideas, her loves, and
her mistakes.
Caption: In 1924, the Communist Party began publishing The Daily Worker, a magazine
regularly featuring pro-worker cartoons. Its editors declared art as the people's weapon
but sacrificed artistic freedom to the communist political message. Cartoons featured images
of stereotypically bloated capitalists, starved or hamstrung workers, and shifty-eyed politicians.
Caption: In 1924, the Communist Party began publishing The Daily Worker, a magazine
regularly featuring pro-worker cartoons. Its editors declared art as the people's weapon
but sacrificed artistic freedom to the communist political message. Cartoons featured images
of stereotypically bloated capitalists, starved or hamstrung workers, and shifty-eyed politicians.
Caption: In 1924, the Communist Party began publishing The Daily Worker, a magazine
regularly featuring pro-worker cartoons. Its editors declared art as the people's weapon
but sacrificed artistic freedom to the communist political message. Cartoons featured images
of stereotypically bloated capitalists, starved or hamstrung workers, and shifty-eyed politicians.
Caption: In 1924, the Communist Party began publishing The Daily Worker, a magazine
regularly featuring pro-worker cartoons. Its editors declared art as the people's weapon
but sacrificed artistic freedom to the communist political message. Cartoons featured images
of stereotypically bloated capitalists, starved or hamstrung workers, and shifty-eyed politicians.
Political cartoon "Child labor" from The Daily Worker, Dec. 22, 1924
Robert Minor The Daily Worker
Caption: In 1924, the Communist Party began publishing The Daily Worker, a magazine
regularly featuring pro-worker cartoons. Its editors declared art as the people's weapon
but sacrificed artistic freedom to the communist political message. Cartoons featured images
of stereotypically bloated capitalists, starved or hamstrung workers, and shifty-eyed politicians.
Caption: Front-page headlines and articles from the New York Evening Journal for
October 29, 30, and 31, 1929 reflect the nationwide denial of the devastating depression
that would follow the Wall Street crash.
Front page from the New York American, Oct. 30, 1929
New York American
Caption: Front-page headlines and articles from the New York Evening Journal for
October 29, 30, and 31, 1929 reflect the nationwide denial of the devastating depression
that would follow the Wall Street crash.
Caption: Front-page headlines and articles from the New York Evening Journal for
October 29, 30, and 31, 1929 reflect the nationwide denial of the devastating depression
that would follow the Wall Street crash.