The document discusses the art and architecture of South and Central Asia. It describes the different periods of art in ancient and classical India, including sculptures from the Ajanta Caves and Shiva representations. It also discusses the Islamic, Mogul, and British colonial influences on Indian art and notable structures like the Taj Mahal. For other countries, it outlines the textile, carpet, and other craft traditions of Uzbekistan, Kazakhstan, Tajikistan, Turkmenistan, Kyrgyzstan, and Pakistan. Traditional art forms often incorporated regional motifs and served practical purposes.
The document discusses the art and architecture of South and Central Asia. It describes the different periods of art in ancient and classical India, including sculptures from the Ajanta Caves and Shiva representations. It also discusses the Islamic, Mogul, and British colonial influences on Indian art and notable structures like the Taj Mahal. For other countries, it outlines the textile, carpet, and other craft traditions of Uzbekistan, Kazakhstan, Tajikistan, Turkmenistan, Kyrgyzstan, and Pakistan. Traditional art forms often incorporated regional motifs and served practical purposes.
The document discusses the art and architecture of South and Central Asia. It describes the different periods of art in ancient and classical India, including sculptures from the Ajanta Caves and Shiva representations. It also discusses the Islamic, Mogul, and British colonial influences on Indian art and notable structures like the Taj Mahal. For other countries, it outlines the textile, carpet, and other craft traditions of Uzbekistan, Kazakhstan, Tajikistan, Turkmenistan, Kyrgyzstan, and Pakistan. Traditional art forms often incorporated regional motifs and served practical purposes.
The document discusses the art and architecture of South and Central Asia. It describes the different periods of art in ancient and classical India, including sculptures from the Ajanta Caves and Shiva representations. It also discusses the Islamic, Mogul, and British colonial influences on Indian art and notable structures like the Taj Mahal. For other countries, it outlines the textile, carpet, and other craft traditions of Uzbekistan, Kazakhstan, Tajikistan, Turkmenistan, Kyrgyzstan, and Pakistan. Traditional art forms often incorporated regional motifs and served practical purposes.
Download as DOCX, PDF, TXT or read online from Scribd
Download as docx, pdf, or txt
You are on page 1of 2
ART OF SOUTH AND CENTRAL ASIA Keteni- a homespun silk that is used for the
INDIA beautiful dresses worn by Turkmen women
Periods of Indian Art on special occasions Ancient Period (3900 BCE-1200 CE) some Kyrgystan- women produce a wide range of evidences of the early civilization are bronze textiles, mostly from the felt of their sheep and copper statuettes. The Ajanta Caves of Shirdaks- hand-made carpets or rugs Maharashtra, India are 30 rock-cut cave monuments Classical Period (5th to 6th centuries) Shiva- the destroyer, develops into Shiva the Cosmic-dancer represented by a four- ART OF SOUTH AND CENTRAL ASIA armed figure INDIA Islamic Ascendancy (1192-1757) or Periods of Indian Art Transitional Period This was the period of Ancient Period (3900 BCE-1200 CE) some evolution from Vedism into Hinduism or evidences of the early civilization are bronze Brahmanism. The two great Indian epics: the and copper statuettes. The Ajanta Caves of Mahabharata and the Ramayana emerged in Maharashtra, India are 30 rock-cut cave this period. monuments Mogul period ( 16th Century) Moguls Classical Period (5th to 6th centuries) contributed to the enrichment of Indian Shiva- the destroyer, develops into Shiva culture, in painting and in architecture. The the Cosmic-dancer represented by a four- most splendid example is the Taj Majal built armed figure in 1632 by Shah Jahan in memory of his Islamic Ascendancy (1192-1757) or wife. Transitional Period This was the period of Taj Majal- the most popular architectural evolution from Vedism into Hinduism or design in India Brahmanism. The two great Indian epics: the Diwali- is celebrated by Hindus in India and Mahabharata and the Ramayana emerged in all around the world in October or November, this period. the holiday is also known as the 'Festival of Mogul period ( 16th Century) Moguls Lights' contributed to the enrichment of Indian Lakshmi- Hindu goddess of wealth culture, in painting and in architecture. The Diyas- clay lamps to light the way for the most splendid example is the Taj Majal built goddess in 1632 by Shah Jahan in memory of his Rangoli- is one of the most beautiful and wife. most pleasing art forms of India. The art of Taj Majal- the most popular architectural making designs or patterns on the walls or design in India the floor of the house Diwali- is celebrated by Hindus in India and Radial- a kind of balance found in rangoli all around the world in October or November, PAKISTAN the holiday is also known as the 'Festival of Pakistani architecture is divided into four Lights' recognized periods: Pre-Islamic, Islamic, Lakshmi- Hindu goddess of wealth Colonial and Post-Colonial Diwali- clay lamps (diyas) to light the way Mahonjo Daro and Kot Diji- pre-Islamic for the goddess architecture Rangoli- is one of the most beautiful and Flamboyant trucks- painted with images of most pleasing art forms of India. The art of idealized landscapes, famous personalities, making designs or patterns on the walls or flowers, and trees, turned village lanes, city the floor of the house streets, and long-distance highways into a Radial- a kind of balance found in rangoli gallery without walls; a free-form, PAKISTAN kaleidoscopic exhibition in motion. Pakistani architecture is divided into four UZBEKISTAN, KAZAKHSTAN, TAJIKISTAN recognized periods: Pre-Islamic, Islamic, Uzbekistan- are known for making printed Colonial and Post-Colonial cloth, table-cloths, curtains, bed-spreads, Mahonjo Daro and Kot Diji- pre-Islamic shawls and various coverlets architecture Kazakhstan- Applied arts in were part of Flamboyant trucks- painted with images of lifes daily routine. Clothing, utility tools, idealized landscapes, famous personalities, yurts, and horses saddles were always flowers, and trees, turned village lanes, city decorated using nomadic patterns and streets, and long-distance highways into a design. gallery without walls; a free-form, Tajikistan- have been making fabrics, kaleidoscopic exhibition in motion. utensils, musical instruments, carpets, UZBEKISTAN, KAZAKHSTAN, TAJIKISTAN furniture, jewelry, and many other things Uzbekistan- are known for making printed TURKMENISTAN AND KYRGYSTAN cloth, table-cloths, curtains, bed-spreads, Turkmenistan- produced the most unique shawls and various coverlets and beautiful carpets in the world Kazakhstan- Applied arts in were part of lifes daily routine. Clothing, utility tools, yurts, and horses saddles were always decorated using nomadic patterns and Keteni- a homespun silk that is used for the design. beautiful dresses worn by Turkmen women Tajikistan- have been making fabrics, on special occasions utensils, musical instruments, carpets, Kyrgystan- women produce a wide range of furniture, jewelry, and many other things textiles, mostly from the felt of their sheep TURKMENISTAN AND KYRGYSTAN Shirdaks- hand-made carpets or rugs Turkmenistan- produced the most unique and beautiful carpets in the world