Allusion
Allusion
Allusion
Robert Browning ends his poem "My Last Duchess" with an allusion to Neptune, the Roman
god of the sea. Duke Ferrara, who speaks during this dramatic monologue, is giving a tour of
his home to the agent of a Count whose daughter he intends to make his next Duchess. The
poem begins with him showing the painting of the Last Duchess, presumably in an art gallery
section of his home. As they go downstairs, he points out the bronze statue of the Roman god,
which he commissioned from a fictitious sculptor named Claus of Innsbruck. Beginning and
ending the poem with the Duke showing off his artwork brings the poem full circle and
emphasizes his role as a Renaissance aristocratwealthy, pretentious, and arrogant.
The choice of "Neptune taming a seahorse" is interesting because it can easily be interpreted
as the relationship between the Duke and his last Duchess. The Duke views himself as a god.
However, for Neptune, the god of the sea and horses, to be taming a seahorse is ironic. A
seahorse is a small, inconsequential animal not capable of fighting back. In the same way, the
Duchess was powerless under the mighty hand of her husband, who tried to dominate her
slightest move, even the smiles she gave people. Just as it would not have been a truly
impressive feat for an immortal to hold sway over a harmless sea creature, so it should have
been beneath the Duke to dominate, abuse, and do away with his last Duchess.
Throughout his poems, Arnold frequently alludes to figures of Greek and Roman mythology
in order to further his ideas. Here is a quick explanation of the stories he is alluding to.
Cadmus and Harmonia
Cadmus was a Phoenician prince and the founder of the city of Thebes. He carried off
Harmonia, the immortal goddess of harmony and concord, into marriage. Also in love,
Harmonia then accompanied Cadmus when he was forced to leave Thebes, and the two
successfully helped a group called the Encheleans wage a war against the Illyrians. But
because Cadmus had killed a sacred dragon in his former quest to protect Thebes, the gods
turned him into a serpent. Harmonia begged to be changed into one along with him, and her
wish was granted.
Bacchus
Bacchus was the Roman counterpart to Dionysus, the Greek god of wine. He invented wine,
and spread the art of tending grapes, bringing joy and ecstasy to all who encountered him. He
was the only god with one mortal parent, as the son of Zeus, king of the gods, and Semele, a
mortal woman. The Bacchanalia were a group of his loyal followers; he and these followers
could never be tied up or fettered. Finally, Bacchus (and Dionysus) is often considered an
expression of man's purely emotional, visceral capability.
Apollo
Apollo was the Greek and Roman god of the sun and of music, and twin brother to Artemis
(Diana in Roman mythology). He was known for harnessing his regal chariot with four
horses, and for flying across the sky to move the sun. Apollo was the leader of the Muses, a
group of nine goddesses who served as inspiration for literature, poetry, and the arts. Finally,
Apollo is often considered an expression of man's intellectual capacity.
Sophocles
Sophocles is not exactly a mythological figure; he was a living playwright in ancient Greece
who composed some of the most famous plays about mythology. His most celebrated work
is Oedipus the King, which tells the story of the Theban man who unwittingly killed his
father and married his mother. Overall, this still-famous play explores the power of fate, a
theme quite resonant with Arnold.
The Fates
Though Arnold never specifically mentions the Fates by this term, he alludes to the goddesses
of destiny in "Consolation," and often talks about forces which control us. The Fates were
three goddesses of classical mythology who were entirely in control of destiny. They
controlled the metaphorical "thread of life" of every mortal from birth to death, and after
chose the manner of each person's death.