Arts3456 S2 2014
Arts3456 S2 2014
Arts3456 S2 2014
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CRICOS Provider Code 00098G
Ping Wang
93853451
Tue. 11-2pm
Room
Email
Ping Wang
Room
Email
MB236
[email protected]
Room
Email
Room
Email
Room
Email
2. Course Details
Units of Credit (UoC)
Course Description
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Students who have completed ARTS3451 and /or ARTS3452, and/or
ARTS3453, or the equivalent, are eligible to enrol in this course.
Students who do not have the necessary prerequisites have to visit
the School of Languages and Linguistics website for placement
information.
The course will be conducted in bilingual fashion, involving readings in
the original. Chinese texts. Class meets once a week for 3 hours.
This course can be counted as part of the major sequence in Chinese
Studies toward your Bachelor of Arts degree, or as an elective subject.
ARTS3456 presents a number of major topics in classical Chinese
literature from pre-Qin period (c. 1122-221 BC) to Qing Dynasty (16441911). We will link these topics to various genres including
philosophy, poetry, essays and fiction, as well as literary criticism. The
topics are individual freedom in pre-Qing philosophers (including
Lunyu, Mengzi and Zhuangzi), heroes and villains in biographies (shiji),
love and nature in poetry (including shijing, Tang shi and Song ci), fine
arts in literati style essays (focusing on the interrelationship between
poetry and painting), as well as romance and courtship in vernacular
fiction (from Tang Romances to Honglou Meng). The course will
enhance students' ability to read and appreciate classical Chinese
literature in its different forms. More at:
http://www.handbook.unsw.edu.au/undergraduate/courses/2014/
ARTS3456.html
Course Aims
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2.
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Student Learning
Outcomes
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Graduate Attributes
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Classical Chinese Literature is one of the Professional electives in the Chinese Studies offered to
students who have completed Advanced or Professional level gateway courses, or the equivalent. It
can be counted as part of the major sequence in Chinese Studies toward your Bachelor of Arts
degree, or as an elective subject. It can also be regarded as the core course for students considering
to major and pursue further study in Chinese Studies.
This course can be studied independently or together with other content courses in literature and /
or cultural studies offered in the Chinese Program, such as ARTS3455 Contemporary Chinese
Literature, CHIN2302 Chinese Cinema and CHIN2400 China Imagined and Perceived, and etc.
Like other professional electives offered in the Chinese Studies program, this course aims to promote
a fuller and deeper understanding of China. With the ever increasing influence of China in the world
arena, it is very important for people, Western and Chinese alike, to understand Chinas past in order
to better understand its present. This course helps to bridge the gap between the ancient Chinese
civilization and contemporary Chinese culture through a study of variety of classical literary texts.
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Teaching Strategies
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The teaching strategy will be aligned with the aim and learning outcome of the course to ensure the
desired results.
The class will be basically run in seminar manner, with a strong emphasis on class discussion on both
primary and secondary materials.
Due time will be devoted to close reading, and interpreting of the original texts so as to improve your
knowledge of Classical Chinese.
An interdisciplinary approach will be adopted, whereby literary texts will be examined from
philosophical, aesthetical, historical as well as linguistic perspectives.
All the class activities, both oral and written are linked with your final assessment, so its important
that you come to class each week.
5. Course Assessment
Assessment Task
Length
Weight
Class discussion
Weeks 2-12
10%
Reading Reports
/Critical reviews
1000 words
40%
(2X20%)
Group Research
Project Paper
Project Presentation
Test
20-30 minutes
per group
1.5 hours
Learning
Outcome
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Assessed
Graduate
Attributes
Assessed
Due Date
2, 3, 4, 5
2, 3, 4, 5
Wks 2-12
1, 2, 3, 4, 5
1,2,3,4,5,6
Wks 5, 7, 10
15%
1,2,3,4,5,6
1,2,3,4,5,6
One week
after your
Group
presentation
15%
1,2,3,4,5,6
1,2,3,4,5,6, 7
Wks 8-11
20%
1,2,3,4,5,6
1,2,3,4,5,6
Wk 12
* Details for the Reading Reports as well as the topics and guidelines for the Group Research
Projects are provided below. Any Additional information will be provided on the course moodle or
in class.
Please Note: In addition to fulfilling the above assessment requirements, students are
expected to attend at least 80% of their lectures and tutorials in order to pass the course.
I.
1. Reading reports are based on the three main themes /topics to be covered by the course. You only
need to submit TWO reports of two pages each on any two topics of your own choice.
1) Pre-qin philosophers;
2) Poetry;
3) Fiction .
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2. Reading reports/Citical Reviews must be based on the reading material for this course. Each report
must consist of two parts:
1) Your report - a brief summary of the reading material included in the theme of your choice. For
example, if you choose pre-qin philosophers, you need to briefly summaries what is included in the
selected reading, such as Lunyu, Mengzi, and Zhuangzi. Similarly, if you choose Poetry, youll need to
provide a brief summary of the selected readings from Shijing, Tangshi, and Songci. You dont have
to include each and every shi or ci, but you can categorise them in your summary.
2) Your critical review - your own reflections of / comments on some of the materials that interest
you. For example, if you choose the theme of Pre-qin philosophers, in this second part you should
concentrate on ANY of the philosophers of your own choice: Kongzi, Mengzi, or Zhuangzi You may
also wish to make a comparison between any two philosophers or two strands of thought related to
the theme. What I am looking for in this part is your critical analysis and original ideas.
3. All the reports/Critical reviews must be submitted in time in in turn-it-in.
4. The reports must be your own work (apart from fully acknowledged brief quotations), and they
must be done specially for this unit of study. Please be warned that plagiarism will be penalized.
(Please refer to Section on Academic Honesty and Plagiarism)
II.
1. Steps:
1) Form groups of 4-5 students (in Week 2);
2) Choose your topics;
3) Work in groups, starting the research process, including locating the source materials, reference
books;
4) Present in class (15%), and prepare to answer questions from the audience; The presentations will
start from Week 7 through to Week 11.
5) Submit your Research Paper (15%) in turn-it-in ONE WEEK after your presentation (Please refer to
Submission of Assessment Tasks in Other Information section of this course outline. ).
*The presentation must be done in Chinese, but please make sure that the class understand what
you are talking about an English power-point presentation for the introduction and /or Summary of
your project will be helpful.
* The research paper can be written in either Chinese or English, Indicate contributions of each of
the group members, if you like.
* The research paper must be your own work (apart from fully acknowledged brief quotations), and
it must be done specially for this unit of study. Please be warned that plagiarism will be penalized.
(Please refer to Section 9 Academic Honesty and Plagiarism)
* Use the standard style of references and bibliography. Please see the Resources and Research
tools/links:
The 'In-Text' or Harvard Referencing System http://www.lc.unsw.edu.au/onlib/ref.html
In-Text Citations http://www.lc.unsw.edu.au/onlib/ref1.html
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III.
1) If you had lived in Chunqiu/Zhanguo period, would you have been a Confucian, a Daoist, or
neither? Why?
2) Why has Qu Yuan been regarded as an important figure in Chinese culture? What do you think he
is taken to symbolize?
3) What are the major characteristics of traditional Chinese literary criticism? What do you think a
good approach should be?
4) What have you noticed about the way in which Sima Qian wrote historical biographies? What was
his attitude towards heroism?
5) Discuss the relationship between Chinese poetry and painting, focusing on the shared values and
practices between poets and literati artists.
6) Do you agree that Li Yu and Li Qingzhao are typical wanyue poets? Why / Why not?
7) In what ways do Daoism and Buddhism influence Chinese poetry and painting?
8) Love is an eternal theme in literature. Looking retrospectively on classical Chinese literature from
Shijing to Honglou meng, what can you tell about writers attitudes and treatment to the theme of
love.
9) Study the protagonists in Yingying Zhuan and Liwa Zhuan, or any other literary works that reflect
relationship between men and women, discuss peoples attitudes towards gender relations and love
in ancient China?
10) Compare Chinese and Western writers approach to love and romance.
11) Why is there a lack of tragedies (such as Shakespearian tragedies) in the history of Chinese
literature? What does that tell us about Chinese culture and mentality?
12) What are the major qualities that constitute typical feminine beauty in classical Chinese
literature? Analyze images of women in the light of Chinese aesthetic tradition.
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Grades
All results are reviewed at the end of each semester and may be adjusted to ensure
equitable marking across the School.
The proportion of marks lying in each grading range is determined not by any formula or
quota system, but by the way that students respond to assessment tasks and how well they
meet the objectives of the course. Nevertheless, since higher grades imply performance that
is well above average, the number of distinctions and high distinctions awarded in a typical
course is relatively small. At the other extreme, on average 6.1% of students do not meet
minimum standards and a little more (8.6%) in first year courses. For more information on the
grading categories see
https://my.unsw.edu.au/student/academiclife/assessment/GuideToUNSWGrades.html
Submission of Assessment Tasks
Assignments which are submitted to the School Assignment Box must have a properly
completed School Assessment Coversheet, with the declaration signed and dated by hand.
The Coversheet can be downloaded from
https://hal.arts.unsw.edu.au/students/courses/course-outlines/. It is your responsibility to
make a backup copy of the assignment prior to submission and retain it.
Assignments must be submitted before 4:00pm on the due date. Assignments received after
this time will be marked as having been received late.
Late Submission of Assignments
Late assignments will attract a penalty. Of the total mark, 3% will be deducted each day for
the first week, with Saturday and Sunday counting as two days, and 10% each week
thereafter.
The penalty may not apply where students are able to provide documentary evidence of
illness or serious misadventure. Time pressure resulting from undertaking assignments for
other courses does not constitute an acceptable excuse for lateness.
6. Attendance/Class Clash
Attendance
Students are expected to be regular and punctual in attendance at all classes in the courses
in which they are enrolled. Explanations of absences from classes or requests for permission
to be absent from classes should be discussed with the teacher and where applicable
accompanied by a medical certificate. If students attend less than 80% of their possible
classes they may be refused final assessment.
Students who falsify their attendance or falsify attendance on behalf of another
student will be dealt with under the student misconduct policy.
Class Clash
A student who is approved a permissible clash must fulfil the following requirements:
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a. The student must provide the Course Convenor with copies of lecture notes from those
lectures missed on a regular basis as agreed by the Course Convenor and the student.
b. If a student does attend a lecture for which they had secured a permitted clash they will
still submit lecture notes as evidence of attendance.
c. Failure to meet these requirements is regarded as unsatisfactory performance in
the course and a failure to meet the Facultys course attendance requirement.
Accordingly, Course Convenors will fail students who do not meet this
performance/attendance requirement.
d. Students must attend the clashed lecture on a specific date if that lecture contains an
assessment task for the course such as a quiz or test. Inability to meet this requirement
would be grounds for a Course Convenor refusing the application. If the student misses
the said lecture there is no obligation on the Course Convenor to schedule a make-up
quiz or test and the student can receive zero for the assessment task. It should be noted
that in many courses a failure to complete an assessment task can be grounds for course
failure.
8. Course Schedule
To view course timetable, please visit: http://www.timetable.unsw.edu.au/
Week
Topic
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2
Introduction
The History of
Introduction
An Overview of historical
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Readings
Selected readings from
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4
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6
Classical Chinese
Literature
background
Confucianism
Kongzi , Mengzi
Laozi , Zhuangzi
Early Poetry
Tang Poetry
Tangshi :
, , ,
Song Poetry
Songci ( )
Selected readings in
Selected readings in
Selected readings in
Fiction
10
Chinese
Historiography
11
Chinese Literati
Tradition
12
Final test
9. Course Resources
Textbook Details
Most of the reading materials are available on the Moodle. Any additional materials will be
handed out in class.
Recommended readings (available in the Library)
Hucker, Charles O. Chinas Imperial Past (Stanford University Press, 1974)
Minford, John and Joseph S. M. Lau eds. , Classical Chinese Literature: An Anthology of
Translations, from Antiquity to the Tang Dynasty (Columbia University Press, 2000)
Minford, John and Joseph S. M. Lau eds. , A Chinese Companion to Classical Chinese Literature:
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An Anthology of Translations, from Antiquity to the Tang Dynasty(The Chinese University of Hong
Kong, 2001)
Birch, Cyril, ed. Anthology of Chinese Literature, from Early Times to the Fourteenth Century. New
York: Grove Press, 1965.
Birch, Cyril. Studies in Chinese Literary Genres. Berkerley: University of Canlifornia Press, 1974.
Bush, Susan. Chinese Literati on Painting: Si Sinh (1037-1101) to Tung Ch'i-ch'ang (1555-
Journals
Additional Readings
Websites
Useful Links:
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http://chinese.dsturgeon.net/index.html
http://www.global.cnki.net
12. Grievances
All students should be treated fairly in the course of their studies at UNSW. Students who
feel they have not been dealt with fairly should, in the first instance, attempt to resolve any
issues with their tutor or the course convenors.
If such an approach fails to resolve the matter, the School of Humanities and Languages has
an academic member of staff who acts as a Grievance Officer for the School. This staff
member is identified on the notice board in the School of Humanities and languages. Further
information about UNSW grievance procedures is available at:
https://my.unsw.edu.au/student/atoz/Complaints.html
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