363 Session Musicia N: Creative Arts & Industries
363 Session Musicia N: Creative Arts & Industries
363 Session Musicia N: Creative Arts & Industries
English ICT
Written and verbal communication in the session Using Power Point for presentations
Maths
Briefing Date: 5th February 2012 Review Dates: 17th October 2012 Final Assessment Date: 22nd march (Task 1.3) Assessor/s: David Evans. Learners Name
Submission Date: 12th February (Task 1.2) 25th March (Task 1.4)
IV : Alex Forryan
Suggested Reading: Sher C The New Real Book (Sher Music Co, 1988) Sher C The New Real Book Volume 1: C and Vocal Version (Sher Music Co, 1998) Bricheno, T (2003) Pop Music: The Text Book Peters Edition Hjortek, H. (1998) Real Rock Book 1 Warner/Chappell Music Learning Outcomes
1. Demonstrate skills required to operate as a session musician This task covers part of Unit 363 Session Musician.
Assignment You have been hired to play in a funk studio session. The session requires you to read from a pre written chart, which will include notation, chords and rhythm hits. You will be recording the track as a band (or to a pre recorded drum track) and will receive the charts the day before the session. Once in the studio you must carry yourself as a mature, professional musician. You just make sure you arrive on time (or early) for the session, with all the correct equipment and a good knowledge of the given chart so that you are prepared for any possible changes that will be made on the day. Make sure that you pay attention to any health and safety issues or protocols that the studio may have. You will be given 4 takes to get it done. Covering all of the above points will give you the best possible chance of being invited back to work with the studio again.
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Make sure you discuss these points in detail Evidence: 2-4 minute class presentation Submission Date: 12th February 2012
Task 3: You will write a short essay, evaluating the degree of success of the performance as a whole and, most importantly, of your role within it. Analyse your strengths and areas for development for future sessions and discuss how you would go about making these improvements.
D.4: Evidence clarity, maturity and realism in evaluating the degree of success of the performance as a whole and most importantly, of their role within it. A detailed analysis of strengths and areas for development lead to the development of strong strategies for the ongoing refinement of their skills as a session musician, which will be of ongoing value to the learners development as a musician. There will be no tutor input into this undertaking. M.4: Evidence clarity and realism in evaluating the degree of
success of the performance as a whole and most importantly, of their role within it. A detailed analysis of strengths and areas for development leads to the development of clear, achievable strategies for the ongoing refinement of their skills as a session musician, which will be of value to the learners development as a musician. There will be no tutor input into this undertaking.
Evidence: Written essay 450 Words (+/- 10%) Submission Date: 26th March 2012
P.4: Evidence skills to evaluate the degree of success of the performance as a whole and of their role within it. An analysis of strengths and areas for development leads to the development of some strategies for the ongoing refinement of their skills as a session musician, which may be of value to the learners development as a musician. There may be nominal tutor input into this undertaking.