There was a hole in Seth Meyers’s office at “Saturday Night Live” for seven years.

A sketch he’d written was cut for someone else’s piece, and in a fit of what Meyers described as “door-slamming petulance,” he threw the dressing room entrance open so hard that the door handle went through the wall. Michael Shoemaker, a producer on the show who has become perhaps Meyers’s closest professional partner, refused to get the crater fixed.

“I want you to see it every day,” Meyers recalled Shoemaker telling him. “I want you to remember how small of a thing it was.”

Shoemaker said his response to Meyers’s tantrum was a little simpler: “Stop it,” he told him. Then Shoemaker quoted Meyers’s father, whom he had gotten to know: “When something goes wrong, you have to think, what is it that you did that you could have done better?”

Aggravated pettiness might seem at odds with the persona Meyers has crafted over more than two decades on television: 13 years on “S.N.L.,” with the final eight as an anchor of Weekend Update, followed by a decade as the comedically precise but genial host of “Late Night With Seth Meyers.” He struck a similarly charming note in 2019 in his first stand-up special, “Lobby Baby,” about the birth of his second child in the unexpected location the title suggests.

However, when Meyers’s new HBO special, “Dad Man Walking,” premieres on Saturday, the idea that he could be an antagonist — even if only of the most benign and humorous type — might make more sense. It’s about parenting, specifically the reality that “good parents have moments where they really hate what their kids are doing,” Meyers said. And while the broadly cantankerous tone of the special seems like a departure, it actually reflects a facet of Meyers that has always been there.