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Critic’s Pick

Review: Michael Tilson Thomas Returns to New York, and Mahler

The conductor led the New York Philharmonic in Mahler’s Fifth Symphony, an inspiring opening night for a season starting off unsettled.

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A conductor in a black tunic has his arms outstretched, baton in one hand. In the foreground, string players. In the background, audience members in the hall.
Michael Tilson Thomas conducted the New York Philharmonic in Mahler’s Fifth Symphony on Thursday.Credit...Chris Lee
New York Philharmonic
NYT Critic’s Pick

Back in 1996, when he was just beginning his landmark tenure on the podium of the San Francisco Symphony, Michael Tilson Thomas conducted the New York Philharmonic in Mahler’s Fifth. In the mold of his mentor, Leonard Bernstein, he was already renowned as a specialist in that composer.

“Some people can conduct Mahler and some cannot,” Alex Ross wrote of the performance in The New York Times. “Mr. Thomas certainly can.”

As he proved again on Thursday, when he led the Philharmonic in the same symphony at David Geffen Hall. Thomas, at 79, still has both the patience and the passion to take us through Mahler’s sprawling, sometimes shaggy structures.

That is even more impressive now. It has been more than three years since Thomas was first treated for glioblastoma, an aggressive form of brain cancer, and he is still relishing his work. In April, he even took on a new teaching role at the San Francisco Conservatory of Music.

Concerned eyes are always on him, of course, especially after reports in May that he appeared confused during a performance of Mahler’s Third Symphony in London. But on Thursday, other than some slow paging through his score between the second and third movements, and some stiffness getting on and off the podium, Thomas seemed alert and ardent, even hopping a few inches into the air at one full-hearted moment.

It was an inspiring opening night for a Philharmonic season that is starting off with some of the unsettled quality of a Mahler symphony.


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