\"MONSTRESS\" was the collection of short stories that put Filipino American writer Lysley Tenorio in the literary map. He consolidates his standing with his first novel, \"Son of God's Fortune,\" a big-hearted novel that won the New American Voices award and was a finalist for the Joyce Carol Oates Prize.<\/p>\r\r
This debut novel blends the ordinary struggles of immigrant life with elements of faith, cultural identity and personal transformation. Set in the United States, it follows the lives of a Filipino immigrant family and their son, who becomes famous, unexpectedly, as a religious healer.<\/p>\r\r
Tenorio presents a deeply layered narrative that reflects the tensions between faith, identity and the immigrant experience, particularly from the perspective of a Filipino family living in the United States. The story's protagonist, a young boy named Felix, becomes a central figure when he's suddenly believed to possess miraculous powers of healing \u2014 a belief that transforms the lives of his family and the Filipino community around them.<\/p>\r\r
The story begins by depicting the ordinary, even mundane, life of Felix's family, which has recently immigrated to the US. They live modestly, facing the typical challenges of immigrant life: financial instability, cultural dislocation and the desire to succeed in a foreign land. Felix's father, a former radio personality in the Philippines, feels emasculated by his menial job in the US, while his mother clings to her Catholic faith and hopes for a better future. These familial tensions set the stage for the miraculous event that changes everything.<\/p>\r\r
Felix's sudden fame begins when a local Filipino woman, in a desperate attempt to find healing, believes that Felix's touch has cured her illness. This miracle is the catalyst that propels Felix into the spotlight. The community, hungry for signs of hope, begins to flock to their home, seeking his healing powers. His parents, especially his mother, quickly seize this opportunity. She turns their home into a space for \"miracle healings\" where Filipino immigrants line up, seeking relief from their ailments and struggles.<\/p>\r\r
The narrative deftly explores the intersections of faith, cultural identity and exploitation. On one level, it is a story about belief: belief in miracles, belief in the power of faith and belief in one's ability to rise above difficulties. Felix himself is a reluctant miracle worker. He neither fully understands nor believes in his own powers, yet he is swept along by the expectations of his family and the community. This raises interesting questions about authenticity \u2014 whether the boy is truly a healer, or whether the community's belief in him is what gives the illusion of miracles. Think of Elsa, portrayed by National Artist Nora Aunor in the iconic film, \"Himala,\" and you get the drift.<\/p>\r\r
For the Filipino immigrant community, Felix becomes a symbol of hope in a harsh world. Many of these immigrants face challenges \u2014 alienation, poverty and the pressure to assimilate into American society. Felix's healing abilities link them to the spiritual and supernatural beliefs they've brought with them from the Philippines. His ascent to fame reflects their desire for cultural preservation in a foreign \u2014 even a faithless \u2014 country.<\/p>\r\r
This website uses cookies. By continuing to browse the website, you are agreeing to our use of cookies.
Read More.