Chris O'Falt

Sundance: Watch an expert panel discuss the future of AI and indie film, “The Brutalist” controversy, and navigating the thorny issues of GenAI and nonfiction filmmaking.    

Sundance: "Do what you need to do… Don't do what you think you need to do. Let yourself be surprised."

Sundance: James and "Ricky" director Rashad Frett visited the IndieWire Studio presented by Dropbox to discuss their authentic approach to illustrating the ripple effects of the criminal justice system.

The "Presence" director/editor/cinematographer/camera operator goes deep on how he cracked shooting an entire film from a ghost's POV.

Soderbergh talks to IndieWire about “Jaws,” his 15-year project to write a book about directing, and working to get his entire film catalog in 4K HDR.

Sundance: David France and Jesse Short Bull’s film tackles the 50-year story of activism surrounding the contentious conviction of the prominent American Indian Movement leader, whose sentence was commuted just one week before the film's premiere.

Director Halina Reijn goes inside the music and inspiration of Harris Dickinson’s sensual shirtless dance.

Editing “Nickel Boys” was every bit as experimental as the unique way it was shot.  

Director Greg Kwedar breaks down the one-shot reunion scene that ends the film and carried such an emotional punch his star didn't think he could handle the final embrace.

Filmmaker Payal Kapadia takes IndieWire inside how she made one of 2024's very best films.

Cinematographer Jarin Blaschke tells IndieWire, “There's an aversion to beauty and being earnest these days, a kind of a grunge going on. It’s nice to strive for beauty and have no embarrassment about it."

Images of the “Nosferatu” vampire are still under wraps, but Robert Eggers and prosthetic makeup designer David White break down the inspiration, process, and look for Skarsgard’s character.