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Welcome to The Prompt

Amber BravoDirector of Content & Editorial, Figma

AI promises to reinvigorate the way we design and build, but how we realize that potential is still an open question. By answering a series of prompts, leaders in this rapidly evolving field take stock of where we stand, what the limits are, and where we’re bound to grow.

The Prompt is a magazine created by Figma’s Story Studio and Brand Studio. It features illustrations by Jiyung Lee, Kyle Platts, Lena Weber, and Thomas Merceron. Chloe Scheffe designed the print edition, which launched at Config 2024 and is available in the Figma Store.

At its most basic, prompt engineering is the art of getting the right answer by knowing how to ask the right questions. It is not dissimilar to being a good interviewer—or putting together a magazine, for that matter. Really any act, creative or otherwise, starts with a prompt. The real art lies in thoughtfully designing the input—to give the right context, framing, and guidance—so that a Large Language Model (LLM) can arrive at the most satisfying result. Because an AI’s brilliance is inert, it needs coaxing to shine. Lucky for us humans, our impulse to question is innate.

An illustration shows a whimsical scene inside a library filled with books and small robots. A giant woman, smiling with curiosity, is interacting with the scene, pointing at different books on the shelves. The robots, each with a happy face on their screens, are engaged in various activities: reading, painting, organizing books, and even playing a musical instrument. The background features a blue sky with fluffy clouds, adding a cheerful atmosphere to the scene. Books with titles like "3D Printing," "Data," and "Ghost in the Shell" are visible on the shelves, contributing to the playful and educational theme.An illustration shows a whimsical scene inside a library filled with books and small robots. A giant woman, smiling with curiosity, is interacting with the scene, pointing at different books on the shelves. The robots, each with a happy face on their screens, are engaged in various activities: reading, painting, organizing books, and even playing a musical instrument. The background features a blue sky with fluffy clouds, adding a cheerful atmosphere to the scene. Books with titles like "3D Printing," "Data," and "Ghost in the Shell" are visible on the shelves, contributing to the playful and educational theme.

It is in the spirit of designing a well-crafted prompt that we set out to assemble this collection of essays and interviews. We wanted to learn from folks both inside and outside of Figma who are working across design, engineering, product development, and the built environment to bring a new “legibility to these complex systems,” as multidisciplinary designer and roboticist Madeline Gannon describes it. Through using the technology, they are finding better ways to prompt the technology. They are teaching the Als the mechanics of good design and exploring ways to solve big challenges across industries—from manufacturing to residential housing. At the same time, they’re setting their sights on more attainable horizons, focusing on the value that AI can reliably deliver right now. “We are in the telnet days of LLM and diffusion model interfaces. There are so many possibilities for new interaction models to explore,” says Figma co-founder and CEO Dylan Field.

On the topic of technology taking our jobs or replacing us—particularly in the realm of design and engineering—even the AIs are skeptical. Claude, Anthropic’s notoriously articulate LLM, is the first to admit it. “There may be some contexts or situational nuances that I could miss without having a truly human experiential base to draw from,” it says. This is where the human in the loop matters most and makes all the difference between what’s good and what’s great. It’s a humbler, more human vision for the AI era. As Kris Rasmussen, CTO at Figma, sees it, “There’s so much more to being an engineer than just outputting code. It’s also about knowing which problems to solve and how to solve them.”

Our ability to process information that an AI cannot—the subtleties of context, the nuance of style, and maybe most critically, the pull of intuition—makes it so that the more we use AI, the more we poke and prod it to produce better results, the more we understand its potential and its limitations. We also get clearer about our own strengths; we start to see our human capacity in stark relief, and the reality that this technology needs us just as much as we need it.

An abstract illustration features a series of geometric shapes and patterns resembling stylized trees and plants. The shapes are rendered in pastel shades of green, pink, and blue against a gradient background transitioning from a light green at the bottom to a soft pink at the top. Each tree-like shape is placed within a black rectangular frame, creating a sense of depth and structure. The overall composition is minimalist and modern, with a focus on symmetry and repetition, evoking a serene, otherworldly landscape.An abstract illustration features a series of geometric shapes and patterns resembling stylized trees and plants. The shapes are rendered in pastel shades of green, pink, and blue against a gradient background transitioning from a light green at the bottom to a soft pink at the top. Each tree-like shape is placed within a black rectangular frame, creating a sense of depth and structure. The overall composition is minimalist and modern, with a focus on symmetry and repetition, evoking a serene, otherworldly landscape.

What is good design in the age of AI?

As AI transforms the product development process, long-held principles of the design craft are more salient than ever. Figma Vice President of Product Design, Noah Levin, and his team dig into what guides their work now that the baseline has changed.

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An illustration features five human figures standing side by side. Each figure is uniquely rendered with different artistic styles and colors. From left to right: the first figure is in a dark blue tone with realistic shading, the second is a black-and-white abstract figure with fluid, fiery patterns, the third is red with detailed linework, the fourth is a light blue figure composed of tiny dots, and the fifth is a red figure with intricate, maze-like patterns. The background is a dark, starry sky with streaks of rain, and the ground is a textured red surface.An illustration features five human figures standing side by side. Each figure is uniquely rendered with different artistic styles and colors. From left to right: the first figure is in a dark blue tone with realistic shading, the second is a black-and-white abstract figure with fluid, fiery patterns, the third is red with detailed linework, the fourth is a light blue figure composed of tiny dots, and the fifth is a red figure with intricate, maze-like patterns. The background is a dark, starry sky with streaks of rain, and the ground is a textured red surface.

Why are we so afraid of code as a commodity?

A vibrant digital artwork showcases a stylized face composed of various geometric shapes and patterns. The face features a mix of blue, red, yellow, and green elements against a black background. Flowers made of red and yellow symbols are interspersed with green leaf-like patterns, creating a lively and colorful composition.A vibrant digital artwork showcases a stylized face composed of various geometric shapes and patterns. The face features a mix of blue, red, yellow, and green elements against a black background. Flowers made of red and yellow symbols are interspersed with green leaf-like patterns, creating a lively and colorful composition.

On the development side, argues Figma Chief Technology Officer Kris Rasmussen, it’s less about writing code more efficiently and more about the new problems engineers are uniquely positioned to solve. His team sounds off on the ways in which creativity and expertise can stretch in the wake of AI.

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An abstract illustration with a playful mix of shapes and patterns. The left side features vertical green and white stripes, while the bottom right shows a large, rounded shape in pastel pink and green. The top right section includes a pattern of red and green sprouting plants against a light yellow background. The overall design is minimalistic and modern, with a focus on contrasting colors and shapes.An abstract illustration with a playful mix of shapes and patterns. The left side features vertical green and white stripes, while the bottom right shows a large, rounded shape in pastel pink and green. The top right section includes a pattern of red and green sprouting plants against a light yellow background. The overall design is minimalistic and modern, with a focus on contrasting colors and shapes.

What is minimum viable data?

An abstract artwork features a vertical composition with pastel shades of yellow, purple, and gray stripes. White, cloud-like shapes with blue outlines are scattered across the image, giving the impression of floating or moving through the space. The overall design has a soft, dreamy quality.An abstract artwork features a vertical composition with pastel shades of yellow, purple, and gray stripes. White, cloud-like shapes with blue outlines are scattered across the image, giving the impression of floating or moving through the space. The overall design has a soft, dreamy quality.

We’re so focused on what AI can produce that we often overlook what informs that output in the first place. Ovetta Sampson, Director of User Experience Machine Learning at Google, unpacks how high-quality, equitable data ultimately yields better tools.

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What happens when you start at 0.5?

Codegen tools may not take you from 0 to 1—or anywhere close—but there’s a lot to be said for starting with a first draft. We dive into all the pragmatic ways it can expedite the journey from design to development.

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Can we reach beyond the echo chamber?

The Browser Company’s Karla Mickens Cole and Nashilu Mouen chat about how the eclectic—and often surprising—influences they bring to their work impact the product. It’s also their secret to untangling the question of how AI can add real value.

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An illustration depicts a lively outdoor music scene with a picturesque ocean view in the background. An elderly conductor, sweating slightly with concentration, energetically directs a robot playing a cello. The robot, with a cheerful expression on its screen, follows the conductor's lead. Brightly colored butterflies flutter around, adding a whimsical touch to the scene. The conductor wears a green jacket and white shirt, and the robot is designed with simple, friendly features. The overall mood is joyful and vibrant, blending elements of nature and technology harmoniously.An illustration depicts a lively outdoor music scene with a picturesque ocean view in the background. An elderly conductor, sweating slightly with concentration, energetically directs a robot playing a cello. The robot, with a cheerful expression on its screen, follows the conductor's lead. Brightly colored butterflies flutter around, adding a whimsical touch to the scene. The conductor wears a green jacket and white shirt, and the robot is designed with simple, friendly features. The overall mood is joyful and vibrant, blending elements of nature and technology harmoniously.

Is efficiency the enemy of creativity?

In a world keen on shortcuts, John Maeda is taking the scenic route. Here, he reconciles the promise of AI with the pursuit of creative endeavors and explains why the best ideas are often the ones that take the most work.

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A digital illustration depicts a stylized human figure made entirely of various geometric symbols and icons. The figure is composed of a mix of yellow, orange, and silver shapes, with purple accents for the hair. The design includes symbols like infinity signs, hearts, and arrows, giving the figure a playful and abstract appearance against a black background.A digital illustration depicts a stylized human figure made entirely of various geometric symbols and icons. The figure is composed of a mix of yellow, orange, and silver shapes, with purple accents for the hair. The design includes symbols like infinity signs, hearts, and arrows, giving the figure a playful and abstract appearance against a black background.

How do you build AI features people want and trust?

AI is a technology, not a feature in itself. Discover how product leaders from Figma, Duolingo, LinkedIn, and Asana are cutting through the hype to ship features that actually matter to their users.

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A simple and stylized illustration of a grove of trees. The trees have light green foliage with red trunks, creating a striking contrast. The trees are arranged in a semi-random pattern, with a few red paths winding through them, giving the scene a whimsical, almost surreal feel. The background is transparent, emphasizing the trees and paths.A simple and stylized illustration of a grove of trees. The trees have light green foliage with red trunks, creating a striking contrast. The trees are arranged in a semi-random pattern, with a few red paths winding through them, giving the scene a whimsical, almost surreal feel. The background is transparent, emphasizing the trees and paths.

What would you ask if nobody could judge you?

Perplexity co-founder and CEO Aravind Srinivas built what he calls an “answer engine” because we all have questions we’re afraid to ask. We sat down to learn how Perplexity works and how it aims to encourage curiosity.

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What is the importance of ADI in the age of AGI?

Replit’s former Vice President of Marketing and Design David Hoang explains why Artificial Developer Intelligence (ADI), not Artificial General Intelligence (AGI), is the key to working more autonomously and productively.

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A person sits at a table deep in thought, surrounded by open books and two shadowy, abstract figures on either side. The scene has a futuristic, surreal aesthetic with a dark, starry background and geometric patterns on the floor, creating a sense of contemplation and otherworldly influence.A person sits at a table deep in thought, surrounded by open books and two shadowy, abstract figures on either side. The scene has a futuristic, surreal aesthetic with a dark, starry background and geometric patterns on the floor, creating a sense of contemplation and otherworldly influence.

Is automation the key to unlocking the full potential of design systems?

In this installment of an ongoing series, design systems leaders reveal how plugins, widgets, and tooling are making work simpler and faster. With the help of AI, those functionalities pack even more punch.

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A close-up of a print spread shows an illustration of abstracted birds printed on vellum.A close-up of a print spread shows an illustration of abstracted birds printed on vellum.
The Prompt is an online and print magazine created by Figma and designed by Chloe Scheffe.
A magazine spread shows text and images printed on vellum. On the left, there’s an illustrated robot made out of pixels. On the right, a title page reads, "Should robots be building our homes?"A magazine spread shows text and images printed on vellum. On the left, there’s an illustrated robot made out of pixels. On the right, a title page reads, "Should robots be building our homes?"
A magazine spread shows text and images printed on vellum. On the left, overlapping illustrations of pixelated light bulbs are placed over blue color bars.A magazine spread shows text and images printed on vellum. On the left, overlapping illustrations of pixelated light bulbs are placed over blue color bars.

Should robots be building our homes?

The way we build homes is broken—or so the co-founder and CEO of Icon, Jason Ballard, thinks. That’s why he’s developing 3D-printing robots and an AI model for architecture aimed at making housing more affordable, efficient, and eco-friendly.

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An illustration depicts a cheerful family scene set against a green, natural background. A man with glasses and a beard, a woman in a blue headscarf and yellow top, and a smiling baby sit together on a large, supportive hand. The man holds a smartphone, from which colorful symbols and icons, such as a house, globe, book, megaphone, key, hashtag, and lightbulb, flow outward in a swirling pattern. The image conveys a sense of connection, support, and the sharing of ideas and information in a harmonious, family-friendly environment.An illustration depicts a cheerful family scene set against a green, natural background. A man with glasses and a beard, a woman in a blue headscarf and yellow top, and a smiling baby sit together on a large, supportive hand. The man holds a smartphone, from which colorful symbols and icons, such as a house, globe, book, megaphone, key, hashtag, and lightbulb, flow outward in a swirling pattern. The image conveys a sense of connection, support, and the sharing of ideas and information in a harmonious, family-friendly environment.

Are we finally entering the age of androids?

We’ve long been fascinated by humanoid robots, but until recently, they’ve been confined to the realm of science fiction. As both edutainment and general purpose androids enter the market, we’re faced with new questions about how to live with AI.

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An illustration composed of various geometric symbols and icons arranged on a green background. The scene includes a flower made of orange and green elements on the left, a palette of colored circles representing paint below it, and an artist's easel on the right. The easel is made of silver and white symbols, with a brown and black base. In the center, there are red, blue, and yellow shapes forming a pattern that resembles an abstract flag or design, with a diagonal yellow line featuring letters running through it. The entire composition gives the impression of an artistic and creative workspace made of digital elements.An illustration composed of various geometric symbols and icons arranged on a green background. The scene includes a flower made of orange and green elements on the left, a palette of colored circles representing paint below it, and an artist's easel on the right. The easel is made of silver and white symbols, with a brown and black base. In the center, there are red, blue, and yellow shapes forming a pattern that resembles an abstract flag or design, with a diagonal yellow line featuring letters running through it. The entire composition gives the impression of an artistic and creative workspace made of digital elements.

Amber Bravo is the Director of Editorial & Content at Figma. Previously, she's worked as a writer and editor at Google Design, Herman Miller, The FADER, and Dwell Magazine.

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