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Dedication

Zomby 形式: CD
4.5 5つ星のうち4.5 14個の評価
仕様
価格
新品 中古品
CD, CD, リミックス含む, 2011/7/12 CD, インポート
—
￥2,186 ￥250
K-POPストア
K-POPアーティスト情報をまとめてチェック K-POPストアはこちら

曲目リスト

1 Witch Hunt
2 Natalia's Song
3 Alothea Black
4 Orchid
5 Riding With Death
6 Vortex
7 Things Fall Apart
8 Salamander
9 Lucifer
10 Digital Rain
11 Vanquish
12 A Devil Lay Here
13 Florence
14 Haunted
15 Basquiat
16 Mozaik

商品の説明

Zomby is both a purist and a perfectionist. DEDICATION continues to put Zomby at a distance from his peers and by the time they've caught up, hell no doubt be somewhere else entirely.

登録情報

  • メーカーにより製造中止になりました ‏ : ‎ いいえ
  • 製品サイズ ‏ : ‎ 12.9 x 12.6 x 0.51 cm; 36 g
  • メーカー ‏ : ‎ 4ad
  • EAN ‏ : ‎ 0652637311921
  • オリジナル盤発売日 ‏ : ‎ 2011
  • SPARSコード ‏ : ‎ DDD
  • レーベル ‏ : ‎ 4ad
  • ASIN ‏ : ‎ B0050I2OCO
  • ディスク枚数 ‏ : ‎ 1
  • カスタマーレビュー:
    4.5 5つ星のうち4.5 14個の評価

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星5つ中4.5つ
14グローバルレーティング

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上位レビュー、対象国： 日本

zkizm
5つ星のうち5.0 予想外
2011年7月12日に日本でレビュー済み
Amazonで購入
2008年の「Where Were U in 92?」でオールドスクールなダブ・レイヴミュージックを披露したZomby。
ダブステップの総本山たるHyperdubから、最近ダブ方面の強化を始めたインディーの超巨大レーベル4ADに移籍しての新作。

ジャングルを中心に組み立てられていた1stに対して、このアルバムのビートは非常に内向的で、陽気なドラムはほとんどない。
しかし、Zombyの最大の特徴と言える、初期のProdigyを思わせるような90年代風のサンプリングやシンセは健在。
加えて今作では、チップチューンを導入したり、不自然に高音域の音量をへらしたり音質を悪くしたりと、その「なんとなく懐かしい音」にさらに磨きがかかった。
まるでターンテーブルで即興ミックスしているかのような、（良い意味で）粗雑なボイスサンプルが光る2曲目「Natalias Song」からは、まるでオールドスクールヒップホップのような懐かしさを感じるし、
銃撃音が印象的な1曲目「Witch Hunt」からは、M.I.Aの「Kala」のようなアンダーグラウンドなレイヴ感も味わえる。

ジャングルを期待していたので最初は少しがっかりしたけど、中毒性はこちらの方が高いかもしれません。
12人のお客様がこれが役に立ったと考えています
役に立った
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Musician0615
5つ星のうち5.0 EXCELLENT!
2011年11月6日にアメリカ合衆国でレビュー済み
Amazonで購入
These vinyls were WELL worth the money! Every track comes through crystal clear, and I also received a piece of paper inside that allowed me to download two digital copies of the albums for better mixing. This is a GREAT product!
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For
5つ星のうち4.0 8 bits
2011年9月30日にスペインでレビュー済み
Amazonで購入
Fantástico este Dedication de Zomby. De momento és el mejor disco de música electrónica de este 2011 por ser distinto a todo lo demás; es una música oscura y melancólica, nada que ver con los "llena-pistas-de-baile" de otros trabajos. Se dice que este álbum está dedicado a su padre e indaga en el dolor de ese sentimiento de pérdida. Gran disco, con unos sonidos que en algunos momentos pueden recordar a aquellas maravillas de ordenadores de 8bits...
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dipesh parmar
5つ星のうち5.0 You have to admire Zomby for being so daring, another classic.
2011年7月11日に英国でレビュー済み
Amazonで購入
I'm a self-confessed Zomby addict. Ever since his debut album 'Where Were U In '92?' blasted out of my speakers in 2008, i've been hooked. 'Where Were U In '92?' was a tongue-in-cheek homage to the rave era<!--more-->, a mishmash of breakbeats, trance and junglist brilliance that should never have worked but was so innocent and so much fun that you couldn't help but love it.

Zomby's music is quite hard to define, its steeped in memories, creating complex but minimal layers of melodies, a technicolour abstraction of everything that has happened in dance music in the last 25 years.

'Dedication' was recorded in tribute "to someone much loved and missed", the sense of loss is immediate on the sombre gunshot-ridden opener `Witch Hunt', and the heartbreaking `Natalia's Song'. Reminiscent of Burial, 'Natalia's Song' uses a cut-up vocal of Irina Dubtzova over a melancholy mix of looped synth, hi-hats and minor-key piano.

Zomby continues to borrow from and build on the sounds of eskibeat, dubstep, grime, house, garage, techno, trance, ambient music and all sorts of Nintendo beats that only Zomby seems to know how to use so well. 'Alothea' is a minimal deep house track that mixes effortlessly into classic Zomby 8-bit chiptune brilliance with 'Black Orchid', if ever anyone was destined to work for Nintendo it's this man.

It can be quite disorientating to listen to Zomby's music because there are few track separations, apparent in tracks like 'Riding with death' which feel as if they were part of the song before but aren't. Regardless of tempo or mood, the changes are so fluid, it's an unusual way to mix tracks. The dreamy vocals of Panda Bear (of Animal Collective) appear and work well on 'Things fall apart'.

Zomby's fickle nature can often frustrate, you are just itching for some songs like 'Lucifer' and 'Salamander' to last much longer than the 60 seconds he's given you. 'Vanquish' is probably the best example, you are waiting for something to kickstart what sounds like an intro but it never happens. But any frustrations are absorbed into the next track 'A devil lay here', probably his most measured track, an incredibly subtle shower of bleeps undercut with horns.

The piano is played a lot on this album, and becomes even more evident near the end of the album. 'Florence' has a delicate piano melody with scattering breakbeats, leading into the aptly named 'Haunted' and the biggest surprise is 'Basquiat' which is an emotional solo piano piece. I certainly wasn't expecting this, underlining the whole shift in tone on this album, in stark contrast to his debut. Just as you think its all over, the album ends with some sublime Zomby on 'Mozaik', and he has the last laugh, stopping the track when you least expected!

The big difference between Zomby and many of his peers is the emotional quality in his music, which probably only Burial has bettered. Zomby takes all the elements of the dancefloor and produces music you can listen to, 'Where Were U In '92?' was all about the pure innocent joy of life, 'Dedication' is a complete u-turn into the darker corners of your mind. There is a sad sense of loss, regret and remembrance throughout 'Dedication', epitomised by 'Natalia's Song' which is one of the tracks of 2011. You have to admire Zomby for being so daring, as this is certainly not the album anyone was expecting and all the better for it.
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Fraser
5つ星のうち4.0 Dark, Mysterious, Emotional
2011年8月13日にアメリカ合衆国でレビュー済み
Amazonで購入
It's a very dark but powerful release from Zomby. Tantalizing drums, desk-shaking basslines and head-spinning leads draw you closer and closer in with every listen. It's a pity the thing isn't even over 40 mins.

Apparently Zomby dedicated the album to his dead father. He isn't really dedicating that much, quantity wise. But obviously the album goes by quality rather than quantity.

There is a fantastic moment towards the middle of the album where tribal-esque drums play about, in the mist of these punchy, electronic sounds. A much needed relief, perhaps.

Vocals from Animal Collective's Panda Bear fall on "Things Fall Apart", but I don't know if the vocals fit within the track. They seem to float over it instead. Stereo-cruncher "Haunted" goes by, then the eerie "Basquiat", then Dedication suddenly closes on a thumping, driving beat and light, poppy synths with the track "Mosaik". What a wonderful closer, it's just a pity it all went by so fast.

If you like post or ambient dubstep, breakbeat or are just a general electronic enthusiast - this album is perfect for your collection.
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mark broadbent
5つ星のうち5.0 flipping wicked
2011年11月27日に英国でレビュー済み
Amazonで購入
wow, who would have ever thought that the undead could sound so alive? certainly not me. After watching the walking dead and several films like it in the 80's on my friend Pauls brand new Fergason Video Star I would never imagined that they could even operate a lift let along the complicated buttons on an Apple Macintosh. Simply stunning.
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