In 1905 he visited remote villages to collect songs, recording them on phonograph cylinders. In 1906 he wrote a thesis on Hungarian folk song, "Strophic Construction in Hungarian Folksong". At around this time Kodály met fellow composer and compatriot Béla Bartók, whom he took under his wing and introduced to some of the methods involved in folk song collecting. The two became lifelong friends and champions of each other's music.
All these works show great originality of form and content, a very interesting blend of highly sophisticated mastery of the western European style of music, including classical, late-romantic, impressionistic and modernist traditions, and on the other hand a profound knowledge and respect for the folk music of Hungary and the Hungarian-inhabited areas of Slovakia and Romania. Partly because of the Great War and subsequent major geopolitical changes in the region, and partly because of a naturally rather diffident temperament in youth, Kodály had no major public success until 1923. This was the year when one of his best-known pieces, Psalmus Hungaricus, was given its first performance at a concert to celebrate the fiftieth anniversary of the union of Buda and Pest (Bartók's Dance Suite premiered on the same occasion.)
Dances of Galánta / Zoltán Kodály / Klaus Mäkelä / Oslo Philharmonic
The Oslo Philharmonic with chief conductor Klaus Mäkelä perform Zoltán Kodály's Dances of Galánta in Oslo Concert Hall on 16th October 2020.
We take infection control seriously. Everything you see on stage and in the concert hall was in accordance with official Norwegian guidelines at the time of the recording.
Video production: Trippel-M Levende Bilder
Multicamera director: Robin Richardsen
Sound production: LAWO
Music Producer: Vegard Landaas
Lighting design: Petter Dahl Nielsen
Subscribe to our channel at https://oslophil.lnk.to/oslophil-subscribeID
Read about our musicians: https://oslophil.lnk.to/musiciansID
Listen to us on Idagio: https://oslophil.lnk.to/idagioID
Listen to us on Spotify: https://oslophil.lnk.to/spotifyID
Follow us on Twitter: https://oslophil.lnk.to/twitterID...
published: 08 Jan 2021
Zoltán Kodály, Sonata in B minor for solo cello, Op.8, mvt. III, performed by Sebastian Bäverstam
Cello- Sebastian Bäverstam
Sonata in B minor for solo cello, Op.8 III. Allegro molto vivace, Zoltán Kodály
Recording Engineer- Feri Bong
Mixing and Mastering Engineer- Edvard Lee
Videographer- Seung Hoon Lee
Video Editing and Production- Edvard Lee
Recorded, Mixed, Mastered and Filmed at Eidolon Recording Studios, Waltham, MA June 2014
published: 20 Jul 2014
Class Notes: How History Influences Music - Zoltán Kodály
Did you know music often reflects the time and place in which it was written? Historians often look to music to learn more about a society and its culture.
This new Class Notes video from Classical MPR looks at the example of Zoltán Kodály's Dances of Galánta because it offers us insight about a time and place that was forever altered by the march of history. What's more, this Class Notes video combines lessons from social studies and music. Music teachers can download the curriculum to incorporate this video into their lesson plans.
Zoltán Kodály was born in 1882, a time of great industrial and cultural change. His father worked as a station manager for the railway, and the young Kodály lived on a train line between Vienna and Budapest — in a town called Galánta — where he was exposed t...
Special flash mob in Budapest, Zoltán Kodály Evening song / Kodály Zoltán: Esti dal flash mob
This unique flash mob was made to be the overture of the Ars Sacra Festival.
The 'Evening Song' (originally "The Evening Prayer") is a folk song that was adapted by Zoltán Kodály for his choral work.This song, expressing the essence of the "Hungarian soul" was sung in one of the most wonderful parts of Budapest.
The first Ars Sacra Festival was launched fourteen years ago.The organizers of the event truly beleive thet the beauty hidden in can reach everybody and lift our souls no matter what nationality you are, which religion you belong to.
This beauty is celebrated year by year and the Ars Sacra Festival welcomes everybody to this open, heart-felt meeting.
Ez az egyedülálló flash mob az Ars Sacra Fesztivál nyitányául készült. Az Esti dal vagy eredeti címén Esti ima egy gyönyörű magyar ...
published: 11 Sep 2013
Háry János: A jó lovas katonának
Provided to YouTube by Hungaroton
Háry János: A jó lovas katonának · Zoltán Kodály · Hungarian State Opera Orchestra · János Ferencsik · Sándor Sólyom Nagy · Hungarian State Opera Choru
Háry János
℗ 1995 HUNGAROTON CLASSIC LTD.
Released on: 1995-07-07
Auto-generated by YouTube.
published: 25 Jan 2016
Kodály: Háry-János-Suite ∙ hr-Sinfonieorchester ∙ Juraj Valčuha
Zoltán Kodály:
Háry-János-Suite ∙
(Auftritt) 00:00 ∙
I. Vorspiel. Das Märchen beginnt 00:27 ∙
II. Wiener Spielwerk 04:36 ∙
III. Lied 06:42 ∙
IV. Schlacht und Niederlage Napoleons 12:40 ∙
V. Intermezzo 16:45 ∙
VI. Einzug des kaiserlichen Hofes 21:56 ∙
hr-Sinfonieorchester (Frankfurt Radio Symphony Orchestra) ∙
Juraj Valčuha, Dirigent ∙
Alte Oper Frankfurt, 5. September 2014 ∙
Website: http://www.hr-sinfonieorchester.de ∙
Facebook: http://www.facebook.com/hrsinfonieorchester
published: 23 Sep 2014
Zoltan Kodaly-Sonata for Cello Solo op. 8 (Complete)
Paul Tortelier: cello-1977-Allegro maestoso ma appassionato-Adagio (con grand'espressione)-Allegro molto vivace
published: 26 Apr 2012
Zoltán Kodály: Dances of Galánta. Madaras / Hungarian Radio SO
Gergely Madaras - conductor
Hungarian Radio Symphony Orchestra
Recorded live at the Palace of Arts, Budapest (MüPa)
(c) MüPa Studio, 2017
Shared with permission of the "Public Service for the Hungarian Culture Foundation" (Közszolgálat a Magyar Kultúráért Alapítvány) and of the Hungarian Radio Symphony Orchestra.
published: 02 Nov 2018
TANCNOTA dancing song Zoltán Kodály, Cantemus Children's Choir
The Oslo Philharmonic with chief conductor Klaus Mäkelä perform Zoltán Kodály's Dances of Galánta in Oslo Concert Hall on 16th October 2020.
We take infection ...
The Oslo Philharmonic with chief conductor Klaus Mäkelä perform Zoltán Kodály's Dances of Galánta in Oslo Concert Hall on 16th October 2020.
We take infection control seriously. Everything you see on stage and in the concert hall was in accordance with official Norwegian guidelines at the time of the recording.
Video production: Trippel-M Levende Bilder
Multicamera director: Robin Richardsen
Sound production: LAWO
Music Producer: Vegard Landaas
Lighting design: Petter Dahl Nielsen
Subscribe to our channel at https://oslophil.lnk.to/oslophil-subscribeID
Read about our musicians: https://oslophil.lnk.to/musiciansID
Listen to us on Idagio: https://oslophil.lnk.to/idagioID
Listen to us on Spotify: https://oslophil.lnk.to/spotifyID
Follow us on Twitter: https://oslophil.lnk.to/twitterID
#classicalmusic #concert #orchestra
The Oslo Philharmonic with chief conductor Klaus Mäkelä perform Zoltán Kodály's Dances of Galánta in Oslo Concert Hall on 16th October 2020.
We take infection control seriously. Everything you see on stage and in the concert hall was in accordance with official Norwegian guidelines at the time of the recording.
Video production: Trippel-M Levende Bilder
Multicamera director: Robin Richardsen
Sound production: LAWO
Music Producer: Vegard Landaas
Lighting design: Petter Dahl Nielsen
Subscribe to our channel at https://oslophil.lnk.to/oslophil-subscribeID
Read about our musicians: https://oslophil.lnk.to/musiciansID
Listen to us on Idagio: https://oslophil.lnk.to/idagioID
Listen to us on Spotify: https://oslophil.lnk.to/spotifyID
Follow us on Twitter: https://oslophil.lnk.to/twitterID
#classicalmusic #concert #orchestra
Cello- Sebastian Bäverstam
Sonata in B minor for solo cello, Op.8 III. Allegro molto vivace, Zoltán Kodály
Recording Engineer- Feri Bong
Mixing and Mastering En...
Cello- Sebastian Bäverstam
Sonata in B minor for solo cello, Op.8 III. Allegro molto vivace, Zoltán Kodály
Recording Engineer- Feri Bong
Mixing and Mastering Engineer- Edvard Lee
Videographer- Seung Hoon Lee
Video Editing and Production- Edvard Lee
Recorded, Mixed, Mastered and Filmed at Eidolon Recording Studios, Waltham, MA June 2014
Cello- Sebastian Bäverstam
Sonata in B minor for solo cello, Op.8 III. Allegro molto vivace, Zoltán Kodály
Recording Engineer- Feri Bong
Mixing and Mastering Engineer- Edvard Lee
Videographer- Seung Hoon Lee
Video Editing and Production- Edvard Lee
Recorded, Mixed, Mastered and Filmed at Eidolon Recording Studios, Waltham, MA June 2014
Did you know music often reflects the time and place in which it was written? Historians often look to music to learn more about a society and its culture.
Thi...
Did you know music often reflects the time and place in which it was written? Historians often look to music to learn more about a society and its culture.
This new Class Notes video from Classical MPR looks at the example of Zoltán Kodály's Dances of Galánta because it offers us insight about a time and place that was forever altered by the march of history. What's more, this Class Notes video combines lessons from social studies and music. Music teachers can download the curriculum to incorporate this video into their lesson plans.
Zoltán Kodály was born in 1882, a time of great industrial and cultural change. His father worked as a station manager for the railway, and the young Kodály lived on a train line between Vienna and Budapest — in a town called Galánta — where he was exposed to the rhythms of Hungarian folk music. The music and its attendant dancing made a deep impression on the young Kodály, whose family enjoyed music, particularly classical.
Kodály learned to play piano, violin and cello, and later trained as a composer. He wanted to preserve the music he heard as a child and, enabled by what was then new technology that allowed the recording of music, Kodály captured the sounds that so entranced him as a youngster. He then took that knowledge a step further by composing Dances of Galánta which blends traditional music with classical music.
Two world wars consumed much of Europe, and the culture of Kodály's youth changed significantly. The traditional folk music Kodály loved may well have been lost had it not been for the work of the composer.
Kodály himself got very involved in music education, encouraging that music be taught in a way that it makes students "thirsty" for music — "a thirst that will last a lifetime."
We hope you enjoy the video, both inside and outside the classroom. Visit classnotes.org for more educational resources.
http://minnesota.publicradio.org/radio/services/cms/education/kodaly-curriculum.pdf
Did you know music often reflects the time and place in which it was written? Historians often look to music to learn more about a society and its culture.
This new Class Notes video from Classical MPR looks at the example of Zoltán Kodály's Dances of Galánta because it offers us insight about a time and place that was forever altered by the march of history. What's more, this Class Notes video combines lessons from social studies and music. Music teachers can download the curriculum to incorporate this video into their lesson plans.
Zoltán Kodály was born in 1882, a time of great industrial and cultural change. His father worked as a station manager for the railway, and the young Kodály lived on a train line between Vienna and Budapest — in a town called Galánta — where he was exposed to the rhythms of Hungarian folk music. The music and its attendant dancing made a deep impression on the young Kodály, whose family enjoyed music, particularly classical.
Kodály learned to play piano, violin and cello, and later trained as a composer. He wanted to preserve the music he heard as a child and, enabled by what was then new technology that allowed the recording of music, Kodály captured the sounds that so entranced him as a youngster. He then took that knowledge a step further by composing Dances of Galánta which blends traditional music with classical music.
Two world wars consumed much of Europe, and the culture of Kodály's youth changed significantly. The traditional folk music Kodály loved may well have been lost had it not been for the work of the composer.
Kodály himself got very involved in music education, encouraging that music be taught in a way that it makes students "thirsty" for music — "a thirst that will last a lifetime."
We hope you enjoy the video, both inside and outside the classroom. Visit classnotes.org for more educational resources.
http://minnesota.publicradio.org/radio/services/cms/education/kodaly-curriculum.pdf
This unique flash mob was made to be the overture of the Ars Sacra Festival.
The 'Evening Song' (originally "The Evening Prayer") is a folk song that was adapt...
This unique flash mob was made to be the overture of the Ars Sacra Festival.
The 'Evening Song' (originally "The Evening Prayer") is a folk song that was adapted by Zoltán Kodály for his choral work.This song, expressing the essence of the "Hungarian soul" was sung in one of the most wonderful parts of Budapest.
The first Ars Sacra Festival was launched fourteen years ago.The organizers of the event truly beleive thet the beauty hidden in can reach everybody and lift our souls no matter what nationality you are, which religion you belong to.
This beauty is celebrated year by year and the Ars Sacra Festival welcomes everybody to this open, heart-felt meeting.
Ez az egyedülálló flash mob az Ars Sacra Fesztivál nyitányául készült. Az Esti dal vagy eredeti címén Esti ima egy gyönyörű magyar népdal, amelyből Kodály Zoltán írt kórusművet. Budapest egyik csodálatos pontján éneklik el a kórusok ezt a magyar lélekre oly jellemző dalt.
Az Ars Sacra Fesztivál tizennégy éve indult útjára. A szervezők hiszik, hogy a művészetekben rejlő szépség felekezettől, nemzettől függetlenül mindnyájunkat megszólít, felemeli a lelket. Mert a művészet szent.
Ezt a szépséget ünnepli minden évben az Ars Sacra Fesztivál és hív mindenkit, aki nyitott erre a bensőséges találkozásra!
www.ars-sacra.hu
www.facebook.com/ArsSacraAlapitvany
....................
soloist / szólisták
Eszter Sára Kővári
Dániel Petrik
Anna Bedics
Anna Dinyés
Virág Fehér
Zsuzsi Kapi
Zsófia Németh
Ágnes Sütöri
choirs / kórusok
Cantate choir - Kodály Zoltán Magyar Kórusiskola
De Angelischoir - Gazdagrét
Kapisztrán choir
Szent Alberik choir
Mátyás-templom choir
Jeunesses choir
PPKE ITK choir
Jubilate girl choir
and many more...
conductor / karmester
Ferenc Sapszon
cameraman / operatőrök
Dániel Bálint
Attila Csoboth
Gábor Hosszú
Zsolt Magyari
Natasha Pavlovskaya
András Petrik
Dániel Szandtner
István Turcsik
Gergő Vass
sound engineer / hangmérnök
Zoltán Mizsei
director / rendező
András Petrik
idea by: www.estercom.hu
produced by: Ars Sacra Foundation
This unique flash mob was made to be the overture of the Ars Sacra Festival.
The 'Evening Song' (originally "The Evening Prayer") is a folk song that was adapted by Zoltán Kodály for his choral work.This song, expressing the essence of the "Hungarian soul" was sung in one of the most wonderful parts of Budapest.
The first Ars Sacra Festival was launched fourteen years ago.The organizers of the event truly beleive thet the beauty hidden in can reach everybody and lift our souls no matter what nationality you are, which religion you belong to.
This beauty is celebrated year by year and the Ars Sacra Festival welcomes everybody to this open, heart-felt meeting.
Ez az egyedülálló flash mob az Ars Sacra Fesztivál nyitányául készült. Az Esti dal vagy eredeti címén Esti ima egy gyönyörű magyar népdal, amelyből Kodály Zoltán írt kórusművet. Budapest egyik csodálatos pontján éneklik el a kórusok ezt a magyar lélekre oly jellemző dalt.
Az Ars Sacra Fesztivál tizennégy éve indult útjára. A szervezők hiszik, hogy a művészetekben rejlő szépség felekezettől, nemzettől függetlenül mindnyájunkat megszólít, felemeli a lelket. Mert a művészet szent.
Ezt a szépséget ünnepli minden évben az Ars Sacra Fesztivál és hív mindenkit, aki nyitott erre a bensőséges találkozásra!
www.ars-sacra.hu
www.facebook.com/ArsSacraAlapitvany
....................
soloist / szólisták
Eszter Sára Kővári
Dániel Petrik
Anna Bedics
Anna Dinyés
Virág Fehér
Zsuzsi Kapi
Zsófia Németh
Ágnes Sütöri
choirs / kórusok
Cantate choir - Kodály Zoltán Magyar Kórusiskola
De Angelischoir - Gazdagrét
Kapisztrán choir
Szent Alberik choir
Mátyás-templom choir
Jeunesses choir
PPKE ITK choir
Jubilate girl choir
and many more...
conductor / karmester
Ferenc Sapszon
cameraman / operatőrök
Dániel Bálint
Attila Csoboth
Gábor Hosszú
Zsolt Magyari
Natasha Pavlovskaya
András Petrik
Dániel Szandtner
István Turcsik
Gergő Vass
sound engineer / hangmérnök
Zoltán Mizsei
director / rendező
András Petrik
idea by: www.estercom.hu
produced by: Ars Sacra Foundation
Provided to YouTube by Hungaroton
Háry János: A jó lovas katonának · Zoltán Kodály · Hungarian State Opera Orchestra · János Ferencsik · Sándor Sólyom Nagy · H...
Provided to YouTube by Hungaroton
Háry János: A jó lovas katonának · Zoltán Kodály · Hungarian State Opera Orchestra · János Ferencsik · Sándor Sólyom Nagy · Hungarian State Opera Choru
Háry János
℗ 1995 HUNGAROTON CLASSIC LTD.
Released on: 1995-07-07
Auto-generated by YouTube.
Provided to YouTube by Hungaroton
Háry János: A jó lovas katonának · Zoltán Kodály · Hungarian State Opera Orchestra · János Ferencsik · Sándor Sólyom Nagy · Hungarian State Opera Choru
Háry János
℗ 1995 HUNGAROTON CLASSIC LTD.
Released on: 1995-07-07
Auto-generated by YouTube.
Zoltán Kodály:
Háry-János-Suite ∙
(Auftritt) 00:00 ∙
I. Vorspiel. Das Märchen beginnt 00:27 ∙
II. Wiener Spielwerk 04:36 ∙
III. Lied 06:42 ∙
IV. Schlacht ...
Zoltán Kodály:
Háry-János-Suite ∙
(Auftritt) 00:00 ∙
I. Vorspiel. Das Märchen beginnt 00:27 ∙
II. Wiener Spielwerk 04:36 ∙
III. Lied 06:42 ∙
IV. Schlacht und Niederlage Napoleons 12:40 ∙
V. Intermezzo 16:45 ∙
VI. Einzug des kaiserlichen Hofes 21:56 ∙
hr-Sinfonieorchester (Frankfurt Radio Symphony Orchestra) ∙
Juraj Valčuha, Dirigent ∙
Alte Oper Frankfurt, 5. September 2014 ∙
Website: http://www.hr-sinfonieorchester.de ∙
Facebook: http://www.facebook.com/hrsinfonieorchester
Zoltán Kodály:
Háry-János-Suite ∙
(Auftritt) 00:00 ∙
I. Vorspiel. Das Märchen beginnt 00:27 ∙
II. Wiener Spielwerk 04:36 ∙
III. Lied 06:42 ∙
IV. Schlacht und Niederlage Napoleons 12:40 ∙
V. Intermezzo 16:45 ∙
VI. Einzug des kaiserlichen Hofes 21:56 ∙
hr-Sinfonieorchester (Frankfurt Radio Symphony Orchestra) ∙
Juraj Valčuha, Dirigent ∙
Alte Oper Frankfurt, 5. September 2014 ∙
Website: http://www.hr-sinfonieorchester.de ∙
Facebook: http://www.facebook.com/hrsinfonieorchester
Gergely Madaras - conductor
Hungarian Radio Symphony Orchestra
Recorded live at the Palace of Arts, Budapest (MüPa)
(c) MüPa Studio, 2017
Shared with permiss...
Gergely Madaras - conductor
Hungarian Radio Symphony Orchestra
Recorded live at the Palace of Arts, Budapest (MüPa)
(c) MüPa Studio, 2017
Shared with permission of the "Public Service for the Hungarian Culture Foundation" (Közszolgálat a Magyar Kultúráért Alapítvány) and of the Hungarian Radio Symphony Orchestra.
Gergely Madaras - conductor
Hungarian Radio Symphony Orchestra
Recorded live at the Palace of Arts, Budapest (MüPa)
(c) MüPa Studio, 2017
Shared with permission of the "Public Service for the Hungarian Culture Foundation" (Közszolgálat a Magyar Kultúráért Alapítvány) and of the Hungarian Radio Symphony Orchestra.
The Oslo Philharmonic with chief conductor Klaus Mäkelä perform Zoltán Kodály's Dances of Galánta in Oslo Concert Hall on 16th October 2020.
We take infection control seriously. Everything you see on stage and in the concert hall was in accordance with official Norwegian guidelines at the time of the recording.
Video production: Trippel-M Levende Bilder
Multicamera director: Robin Richardsen
Sound production: LAWO
Music Producer: Vegard Landaas
Lighting design: Petter Dahl Nielsen
Subscribe to our channel at https://oslophil.lnk.to/oslophil-subscribeID
Read about our musicians: https://oslophil.lnk.to/musiciansID
Listen to us on Idagio: https://oslophil.lnk.to/idagioID
Listen to us on Spotify: https://oslophil.lnk.to/spotifyID
Follow us on Twitter: https://oslophil.lnk.to/twitterID
#classicalmusic #concert #orchestra
Cello- Sebastian Bäverstam
Sonata in B minor for solo cello, Op.8 III. Allegro molto vivace, Zoltán Kodály
Recording Engineer- Feri Bong
Mixing and Mastering Engineer- Edvard Lee
Videographer- Seung Hoon Lee
Video Editing and Production- Edvard Lee
Recorded, Mixed, Mastered and Filmed at Eidolon Recording Studios, Waltham, MA June 2014
Did you know music often reflects the time and place in which it was written? Historians often look to music to learn more about a society and its culture.
This new Class Notes video from Classical MPR looks at the example of Zoltán Kodály's Dances of Galánta because it offers us insight about a time and place that was forever altered by the march of history. What's more, this Class Notes video combines lessons from social studies and music. Music teachers can download the curriculum to incorporate this video into their lesson plans.
Zoltán Kodály was born in 1882, a time of great industrial and cultural change. His father worked as a station manager for the railway, and the young Kodály lived on a train line between Vienna and Budapest — in a town called Galánta — where he was exposed to the rhythms of Hungarian folk music. The music and its attendant dancing made a deep impression on the young Kodály, whose family enjoyed music, particularly classical.
Kodály learned to play piano, violin and cello, and later trained as a composer. He wanted to preserve the music he heard as a child and, enabled by what was then new technology that allowed the recording of music, Kodály captured the sounds that so entranced him as a youngster. He then took that knowledge a step further by composing Dances of Galánta which blends traditional music with classical music.
Two world wars consumed much of Europe, and the culture of Kodály's youth changed significantly. The traditional folk music Kodály loved may well have been lost had it not been for the work of the composer.
Kodály himself got very involved in music education, encouraging that music be taught in a way that it makes students "thirsty" for music — "a thirst that will last a lifetime."
We hope you enjoy the video, both inside and outside the classroom. Visit classnotes.org for more educational resources.
http://minnesota.publicradio.org/radio/services/cms/education/kodaly-curriculum.pdf
This unique flash mob was made to be the overture of the Ars Sacra Festival.
The 'Evening Song' (originally "The Evening Prayer") is a folk song that was adapted by Zoltán Kodály for his choral work.This song, expressing the essence of the "Hungarian soul" was sung in one of the most wonderful parts of Budapest.
The first Ars Sacra Festival was launched fourteen years ago.The organizers of the event truly beleive thet the beauty hidden in can reach everybody and lift our souls no matter what nationality you are, which religion you belong to.
This beauty is celebrated year by year and the Ars Sacra Festival welcomes everybody to this open, heart-felt meeting.
Ez az egyedülálló flash mob az Ars Sacra Fesztivál nyitányául készült. Az Esti dal vagy eredeti címén Esti ima egy gyönyörű magyar népdal, amelyből Kodály Zoltán írt kórusművet. Budapest egyik csodálatos pontján éneklik el a kórusok ezt a magyar lélekre oly jellemző dalt.
Az Ars Sacra Fesztivál tizennégy éve indult útjára. A szervezők hiszik, hogy a művészetekben rejlő szépség felekezettől, nemzettől függetlenül mindnyájunkat megszólít, felemeli a lelket. Mert a művészet szent.
Ezt a szépséget ünnepli minden évben az Ars Sacra Fesztivál és hív mindenkit, aki nyitott erre a bensőséges találkozásra!
www.ars-sacra.hu
www.facebook.com/ArsSacraAlapitvany
....................
soloist / szólisták
Eszter Sára Kővári
Dániel Petrik
Anna Bedics
Anna Dinyés
Virág Fehér
Zsuzsi Kapi
Zsófia Németh
Ágnes Sütöri
choirs / kórusok
Cantate choir - Kodály Zoltán Magyar Kórusiskola
De Angelischoir - Gazdagrét
Kapisztrán choir
Szent Alberik choir
Mátyás-templom choir
Jeunesses choir
PPKE ITK choir
Jubilate girl choir
and many more...
conductor / karmester
Ferenc Sapszon
cameraman / operatőrök
Dániel Bálint
Attila Csoboth
Gábor Hosszú
Zsolt Magyari
Natasha Pavlovskaya
András Petrik
Dániel Szandtner
István Turcsik
Gergő Vass
sound engineer / hangmérnök
Zoltán Mizsei
director / rendező
András Petrik
idea by: www.estercom.hu
produced by: Ars Sacra Foundation
Provided to YouTube by Hungaroton
Háry János: A jó lovas katonának · Zoltán Kodály · Hungarian State Opera Orchestra · János Ferencsik · Sándor Sólyom Nagy · Hungarian State Opera Choru
Háry János
℗ 1995 HUNGAROTON CLASSIC LTD.
Released on: 1995-07-07
Auto-generated by YouTube.
Zoltán Kodály:
Háry-János-Suite ∙
(Auftritt) 00:00 ∙
I. Vorspiel. Das Märchen beginnt 00:27 ∙
II. Wiener Spielwerk 04:36 ∙
III. Lied 06:42 ∙
IV. Schlacht und Niederlage Napoleons 12:40 ∙
V. Intermezzo 16:45 ∙
VI. Einzug des kaiserlichen Hofes 21:56 ∙
hr-Sinfonieorchester (Frankfurt Radio Symphony Orchestra) ∙
Juraj Valčuha, Dirigent ∙
Alte Oper Frankfurt, 5. September 2014 ∙
Website: http://www.hr-sinfonieorchester.de ∙
Facebook: http://www.facebook.com/hrsinfonieorchester
Gergely Madaras - conductor
Hungarian Radio Symphony Orchestra
Recorded live at the Palace of Arts, Budapest (MüPa)
(c) MüPa Studio, 2017
Shared with permission of the "Public Service for the Hungarian Culture Foundation" (Közszolgálat a Magyar Kultúráért Alapítvány) and of the Hungarian Radio Symphony Orchestra.
In 1905 he visited remote villages to collect songs, recording them on phonograph cylinders. In 1906 he wrote a thesis on Hungarian folk song, "Strophic Construction in Hungarian Folksong". At around this time Kodály met fellow composer and compatriot Béla Bartók, whom he took under his wing and introduced to some of the methods involved in folk song collecting. The two became lifelong friends and champions of each other's music.
All these works show great originality of form and content, a very interesting blend of highly sophisticated mastery of the western European style of music, including classical, late-romantic, impressionistic and modernist traditions, and on the other hand a profound knowledge and respect for the folk music of Hungary and the Hungarian-inhabited areas of Slovakia and Romania. Partly because of the Great War and subsequent major geopolitical changes in the region, and partly because of a naturally rather diffident temperament in youth, Kodály had no major public success until 1923. This was the year when one of his best-known pieces, Psalmus Hungaricus, was given its first performance at a concert to celebrate the fiftieth anniversary of the union of Buda and Pest (Bartók's Dance Suite premiered on the same occasion.)
The event ended with a performance by Anatolij Fokanov, and the audience joined in singing a memorable excerpt from Zoltán Kodály’s folk opera, Háry János.
SARATOGA SPRINGS, N.Y ... This year’s three-week season will begin on Wednesday, July 31, and will run until Aug. 17 ... 1 ... Also on Aug ... Aug ... On Aug. 9, ... 4 ... 5 ... The evening will also open with two SPAC premieres by composers Nokuthula Ngwenyama and Zoltán Kodály ... 17.
In his speech, quoting Zoltán Kodály (Hungarian composer and ethnomusicologist), he also noted that culture cannot be inherited, and that the culture of the ancestors will “evaporate” if ...
As we leave March, we're coming towards the end of snowbird and tourist season here in the Sarasota area, but not before another month full of events ... Hina Khuong-Huu recital ... 4 p.m ... 12 in A major, Zoltán Kodály’s Serenade for Two Violins and Viola, op.