-
Barcelona's Joan Miró Foundation | Is it worth visiting in Barcelona?
#barcelona #visitbarcelona #miró
Wondering if you should visit the Joan Miró Foundation in Barcelona? I visit the museum to help you decide if it's worth it for your next trip to Barcelona.
Admission Price: 13€, Annual Pass: 14€
Hours: Friday-Sunday from 11AM. Check the website for opening times.
🚇 Metro: Paral·lel L2 (purple), L3 (green), Funicular de Montjüic
🚌 Bus: 55, 150
https://www.fmirobcn.org/en/
🎨 Articket Museums:
MACBA, MNAC, CCCB, Tapiès, Miró, Picasso! All for 35€, worth it!
https://tickets.articketbcn.org/en/415/1901?aff=patrickguidebarcelona&utm_medium=afiliados&utm_campaign=Afiliados&utm_source=patrickguidebarcelona.com
Check out https://visitbarcelona.com
Subscribe for more ideas about Barcelona and Spain: https://www.youtube.com/channel/UCYc8QG3cdJSmSTdb-mMBOKw?s...
published: 12 Nov 2020
-
Play Miró: the War Years [chapter 18]
Play Miró: the War Years [chapter 18]
#FundacióMiró #JoanMiró #Museums #Barcelona
---
✅ Subscribe to our Youtube channel:
https://www.youtube.com/c/FundacióJoanMiróBarcelona?sub_confirmation=1
📝 Subscribe to our newsletter to get updated:
https://www.fmirobcn.org/ca/newsletter
📲 Follow us on Instagram:
https://www.instagram.com/fundaciomiro
💻 Follow us on Twitter:
https://www.twitter.com/fundaciomiro
👍 Follow us on Facebook:
https://www.facebook.com/FundacioJoanMiro
published: 06 Mar 2018
-
Joan Miró - the Catalan who painted the stars
A painter and a sculptor, an anti-fascist and proud Catalan, rooted in the earth and gazing at the stars.
Cillian Shields and Lorcan Doherty chat about the life and works, and the unique imagination of Joan Miró, one of the giants of twentieth century art.
Marko Daniel, director of the Miró Foundation in Barcelona, explores how places – Barcelona, Mont-roig del Camp, Paris, Mallorca – and turbulent times – the Spanish Civil War, World War II, the Franco dictatorship – shaped the man and his art.
This week's Catalan phrase is one uttered by Miró: 'Jo vull assassinar la pintura', or 'I want to kill painting'.
published: 03 Apr 2024
-
which side are you on? 🇮🇱/🇵🇸 #israel #freepalestine #idf #shortsvideo
published: 25 Jul 2022
-
UNC-TV PRESENTS Miró: The Experience of Seeing
UNC-TV, in partnership with the Nasher Museum, produced a 30-minute documentary to coincide with the special ticketed exhibition Miró: The Experience of Seeing. This original documentary offers a rare glimpse into the later works of Spanish-born artist Joan Miró (1893-1983) through 51 drawings, paintings and sculptures drawn from the final 20 years of Miró’s career.
published: 17 Dec 2014
-
Art Speaks: Joan Miró and Surrealism
Simon Kelly, curator and head of the Department of Modern and Contemporary Art, explores the central role of the Spanish artist Joan Miró in the Surrealist movement. He concentrates on works by Miró from the promised gift of artworks from Emily Rauh Pulitzer to the Saint Louis Art Museum.
published: 08 Sep 2022
-
Lecture: Brandon Truett on Dr. Barnes & Joan Miró in the 1930s
“How Can Art Resist Fascism? Dr. Barnes and Joan Miró in the 1930s"
This lecture by Brandon Truett, Humanities Teaching Fellow at the University of Chicago, begins with the story of how Dr. Albert C. Barnes became interested in the Spanish Civil War (1936–39), a bloody conflict that drew widespread attention to the international struggle against fascism. Dr. Barnes’s commitment to anti-fascism later motivated his decision to purchase two paintings by the Spanish artist Joan Miró. See how these politically charged paintings represent the horrors of aerial bombings.
published: 20 Mar 2021
-
MoMA Lecture: Joan Miró
On Tuesday, April 30, 2019, Larissa Baliff returned for a new MoMA lecture.
Get a sneak preview of the latest hit exhibit from the Museum of Modern Art. Joan Miró: Birth of the World.
“You and all my writer friends have given me much help and improved my understanding of many things,” Joan Miró told the French poet Michel Leiris in the summer of 1924, writing from his family’s farm in Montroig, a small village nestled between the mountains and the sea in his native Catalonia. The next year, Miró’s intense engagement with poetry, the creative process, and material experimentation inspired him to paint The Birth of the World.
In this signature work, Miró covered the ground of the oversize canvas by applying paint in an astonishing variety of ways that recall poetic chance procedures. He ...
published: 07 Jun 2019
-
The Unbridled Creativity of Ceramics: Joan Miró in Return to Earth
Presented September 21, 2013 at the Nasher Sculpture Center.
'Joan Miró and the Artigases: A Phantasmagoric World of Living Monsters' - Jed Morse, Chief Curator, Nasher Sculpture Center
In this presentation, Jed Morse discusses the freedom Joan Miró experienced when returning to Spain, and investing in his ceramics practice which he saw as expressive of elemental, formative, childhood experiences which allowed his to re-connect with his creativity without mediation. This is in comparison to his painting practice which Miró felt was grounded in the cerebral, and best undertaken in the city. Between 1954 and 1956, Miro worked with renowned ceramicist Joseph Lorenz Artigas to produce around 230 unique sculptures which were painted and drew from both prehistoric and surrealist visual culture...
published: 04 Sep 2015
-
Online Event | Round Table: Joan Miró, Modern Art, and the Legacies of (Art) Historical Archives
Saturday, April 17, 2021, 2:00pm (EST)
This event is in Spanish and English with captioned translations.
The curators of the exhibition Miró-ADLAN: An Archive of Modernity (1932-1936) will be joined by Anne Umland (MoMA) and Marko Daniel (Fundació Joan Miró) for an hour-long conversation about the position of Joan Miró within the history of modern art, his role in promoting new art in Barcelona and New York, the spaces in which his work was exhibited during the decade of the 1930s, and the importance of archives (personal and institutional) in mapping the relations between artists and the local contexts in which they produced and exhibited their work.
Participants:
Marko Daniel (Director, Fundació Joan Miró, Barcelona)
Anne Umland (The Blanchette Hooker Rockefeller Senior Curator of ...
published: 17 Apr 2021
6:18
Barcelona's Joan Miró Foundation | Is it worth visiting in Barcelona?
#barcelona #visitbarcelona #miró
Wondering if you should visit the Joan Miró Foundation in Barcelona? I visit the museum to help you decide if it's worth it fo...
#barcelona #visitbarcelona #miró
Wondering if you should visit the Joan Miró Foundation in Barcelona? I visit the museum to help you decide if it's worth it for your next trip to Barcelona.
Admission Price: 13€, Annual Pass: 14€
Hours: Friday-Sunday from 11AM. Check the website for opening times.
🚇 Metro: Paral·lel L2 (purple), L3 (green), Funicular de Montjüic
🚌 Bus: 55, 150
https://www.fmirobcn.org/en/
🎨 Articket Museums:
MACBA, MNAC, CCCB, Tapiès, Miró, Picasso! All for 35€, worth it!
https://tickets.articketbcn.org/en/415/1901?aff=patrickguidebarcelona&utm_medium=afiliados&utm_campaign=Afiliados&utm_source=patrickguidebarcelona.com
Check out https://visitbarcelona.com
Subscribe for more ideas about Barcelona and Spain: https://www.youtube.com/channel/UCYc8QG3cdJSmSTdb-mMBOKw?sub_confirmation=1
🗣️ Contact me for a tour while you're here:
[email protected]
Follow me
Instagram: https://www.instagram.com/patrickguidebarcelona/
Facebook: https://www.facebook.com/patrickguide...
Song: MusicbyAden - Dusk (Vlog No Copyright Music)
Music provided by Vlog No Copyright Music.
Video Link: https://youtu.be/je6iwUdvQD4
https://wn.com/Barcelona's_Joan_Miró_Foundation_|_Is_It_Worth_Visiting_In_Barcelona
#barcelona #visitbarcelona #miró
Wondering if you should visit the Joan Miró Foundation in Barcelona? I visit the museum to help you decide if it's worth it for your next trip to Barcelona.
Admission Price: 13€, Annual Pass: 14€
Hours: Friday-Sunday from 11AM. Check the website for opening times.
🚇 Metro: Paral·lel L2 (purple), L3 (green), Funicular de Montjüic
🚌 Bus: 55, 150
https://www.fmirobcn.org/en/
🎨 Articket Museums:
MACBA, MNAC, CCCB, Tapiès, Miró, Picasso! All for 35€, worth it!
https://tickets.articketbcn.org/en/415/1901?aff=patrickguidebarcelona&utm_medium=afiliados&utm_campaign=Afiliados&utm_source=patrickguidebarcelona.com
Check out https://visitbarcelona.com
Subscribe for more ideas about Barcelona and Spain: https://www.youtube.com/channel/UCYc8QG3cdJSmSTdb-mMBOKw?sub_confirmation=1
🗣️ Contact me for a tour while you're here:
[email protected]
Follow me
Instagram: https://www.instagram.com/patrickguidebarcelona/
Facebook: https://www.facebook.com/patrickguide...
Song: MusicbyAden - Dusk (Vlog No Copyright Music)
Music provided by Vlog No Copyright Music.
Video Link: https://youtu.be/je6iwUdvQD4
- published: 12 Nov 2020
- views: 7433
2:16
Play Miró: the War Years [chapter 18]
Play Miró: the War Years [chapter 18]
#FundacióMiró #JoanMiró #Museums #Barcelona
---
✅ Subscribe to our Youtube channel:
https://www.youtube.com/c/FundacióJoa...
Play Miró: the War Years [chapter 18]
#FundacióMiró #JoanMiró #Museums #Barcelona
---
✅ Subscribe to our Youtube channel:
https://www.youtube.com/c/FundacióJoanMiróBarcelona?sub_confirmation=1
📝 Subscribe to our newsletter to get updated:
https://www.fmirobcn.org/ca/newsletter
📲 Follow us on Instagram:
https://www.instagram.com/fundaciomiro
💻 Follow us on Twitter:
https://www.twitter.com/fundaciomiro
👍 Follow us on Facebook:
https://www.facebook.com/FundacioJoanMiro
https://wn.com/Play_Miró_The_War_Years_Chapter_18
Play Miró: the War Years [chapter 18]
#FundacióMiró #JoanMiró #Museums #Barcelona
---
✅ Subscribe to our Youtube channel:
https://www.youtube.com/c/FundacióJoanMiróBarcelona?sub_confirmation=1
📝 Subscribe to our newsletter to get updated:
https://www.fmirobcn.org/ca/newsletter
📲 Follow us on Instagram:
https://www.instagram.com/fundaciomiro
💻 Follow us on Twitter:
https://www.twitter.com/fundaciomiro
👍 Follow us on Facebook:
https://www.facebook.com/FundacioJoanMiro
- published: 06 Mar 2018
- views: 167
25:00
Joan Miró - the Catalan who painted the stars
A painter and a sculptor, an anti-fascist and proud Catalan, rooted in the earth and gazing at the stars.
Cillian Shields and Lorcan Doherty chat about the l...
A painter and a sculptor, an anti-fascist and proud Catalan, rooted in the earth and gazing at the stars.
Cillian Shields and Lorcan Doherty chat about the life and works, and the unique imagination of Joan Miró, one of the giants of twentieth century art.
Marko Daniel, director of the Miró Foundation in Barcelona, explores how places – Barcelona, Mont-roig del Camp, Paris, Mallorca – and turbulent times – the Spanish Civil War, World War II, the Franco dictatorship – shaped the man and his art.
This week's Catalan phrase is one uttered by Miró: 'Jo vull assassinar la pintura', or 'I want to kill painting'.
https://wn.com/Joan_Miró_The_Catalan_Who_Painted_The_Stars
A painter and a sculptor, an anti-fascist and proud Catalan, rooted in the earth and gazing at the stars.
Cillian Shields and Lorcan Doherty chat about the life and works, and the unique imagination of Joan Miró, one of the giants of twentieth century art.
Marko Daniel, director of the Miró Foundation in Barcelona, explores how places – Barcelona, Mont-roig del Camp, Paris, Mallorca – and turbulent times – the Spanish Civil War, World War II, the Franco dictatorship – shaped the man and his art.
This week's Catalan phrase is one uttered by Miró: 'Jo vull assassinar la pintura', or 'I want to kill painting'.
- published: 03 Apr 2024
- views: 17
26:47
UNC-TV PRESENTS Miró: The Experience of Seeing
UNC-TV, in partnership with the Nasher Museum, produced a 30-minute documentary to coincide with the special ticketed exhibition Miró: The Experience of Seeing....
UNC-TV, in partnership with the Nasher Museum, produced a 30-minute documentary to coincide with the special ticketed exhibition Miró: The Experience of Seeing. This original documentary offers a rare glimpse into the later works of Spanish-born artist Joan Miró (1893-1983) through 51 drawings, paintings and sculptures drawn from the final 20 years of Miró’s career.
https://wn.com/Unc_Tv_Presents_Miró_The_Experience_Of_Seeing
UNC-TV, in partnership with the Nasher Museum, produced a 30-minute documentary to coincide with the special ticketed exhibition Miró: The Experience of Seeing. This original documentary offers a rare glimpse into the later works of Spanish-born artist Joan Miró (1893-1983) through 51 drawings, paintings and sculptures drawn from the final 20 years of Miró’s career.
- published: 17 Dec 2014
- views: 74016
38:37
Art Speaks: Joan Miró and Surrealism
Simon Kelly, curator and head of the Department of Modern and Contemporary Art, explores the central role of the Spanish artist Joan Miró in the Surrealist move...
Simon Kelly, curator and head of the Department of Modern and Contemporary Art, explores the central role of the Spanish artist Joan Miró in the Surrealist movement. He concentrates on works by Miró from the promised gift of artworks from Emily Rauh Pulitzer to the Saint Louis Art Museum.
https://wn.com/Art_Speaks_Joan_Miró_And_Surrealism
Simon Kelly, curator and head of the Department of Modern and Contemporary Art, explores the central role of the Spanish artist Joan Miró in the Surrealist movement. He concentrates on works by Miró from the promised gift of artworks from Emily Rauh Pulitzer to the Saint Louis Art Museum.
- published: 08 Sep 2022
- views: 713
1:14:14
Lecture: Brandon Truett on Dr. Barnes & Joan Miró in the 1930s
“How Can Art Resist Fascism? Dr. Barnes and Joan Miró in the 1930s"
This lecture by Brandon Truett, Humanities Teaching Fellow at the University of Chicago, be...
“How Can Art Resist Fascism? Dr. Barnes and Joan Miró in the 1930s"
This lecture by Brandon Truett, Humanities Teaching Fellow at the University of Chicago, begins with the story of how Dr. Albert C. Barnes became interested in the Spanish Civil War (1936–39), a bloody conflict that drew widespread attention to the international struggle against fascism. Dr. Barnes’s commitment to anti-fascism later motivated his decision to purchase two paintings by the Spanish artist Joan Miró. See how these politically charged paintings represent the horrors of aerial bombings.
https://wn.com/Lecture_Brandon_Truett_On_Dr._Barnes_Joan_Miró_In_The_1930S
“How Can Art Resist Fascism? Dr. Barnes and Joan Miró in the 1930s"
This lecture by Brandon Truett, Humanities Teaching Fellow at the University of Chicago, begins with the story of how Dr. Albert C. Barnes became interested in the Spanish Civil War (1936–39), a bloody conflict that drew widespread attention to the international struggle against fascism. Dr. Barnes’s commitment to anti-fascism later motivated his decision to purchase two paintings by the Spanish artist Joan Miró. See how these politically charged paintings represent the horrors of aerial bombings.
- published: 20 Mar 2021
- views: 1188
1:13:17
MoMA Lecture: Joan Miró
On Tuesday, April 30, 2019, Larissa Baliff returned for a new MoMA lecture.
Get a sneak preview of the latest hit exhibit from the Museum of Modern Art. Joan ...
On Tuesday, April 30, 2019, Larissa Baliff returned for a new MoMA lecture.
Get a sneak preview of the latest hit exhibit from the Museum of Modern Art. Joan Miró: Birth of the World.
“You and all my writer friends have given me much help and improved my understanding of many things,” Joan Miró told the French poet Michel Leiris in the summer of 1924, writing from his family’s farm in Montroig, a small village nestled between the mountains and the sea in his native Catalonia. The next year, Miró’s intense engagement with poetry, the creative process, and material experimentation inspired him to paint The Birth of the World.
In this signature work, Miró covered the ground of the oversize canvas by applying paint in an astonishing variety of ways that recall poetic chance procedures. He then added a series of pictographic signs that seem less painted than drawn, transforming the broken syntax, constellated space, and dreamlike imagery of avant-garde poetry into a radiantly imaginative and highly inventive form of painting. He would later describe this work as “a sort of genesis,” and his Surrealist poet friends titled it The Birth of the World.
Drawn from MoMA’s unrivaled collection of Miró’s work, augmented by several key loans, this exhibition situates The Birth of the World in relation to other major works by the artist. It presents some 60 paintings, works on paper, prints, illustrated books, and objects—made primarily between 1920, the year of Miró’s first, catalytic trip to Paris, and the early 1950s, when his unique visual language became internationally renowned—to shed new light on the development of his poetic process and pictorial universe.
Refreshments will be served. Want to see the exhibit for yourself? Check out a MoMA pass!
About the Presenter
Larissa Bailiff is a specialist in modern French art and social history. Formerly an associate educator at MoMA, she continues to offer tours and courses at the museum. For the last three years, she has also worked for Boulevard Arts, an immersive arts teacher.
https://wn.com/Moma_Lecture_Joan_Miró
On Tuesday, April 30, 2019, Larissa Baliff returned for a new MoMA lecture.
Get a sneak preview of the latest hit exhibit from the Museum of Modern Art. Joan Miró: Birth of the World.
“You and all my writer friends have given me much help and improved my understanding of many things,” Joan Miró told the French poet Michel Leiris in the summer of 1924, writing from his family’s farm in Montroig, a small village nestled between the mountains and the sea in his native Catalonia. The next year, Miró’s intense engagement with poetry, the creative process, and material experimentation inspired him to paint The Birth of the World.
In this signature work, Miró covered the ground of the oversize canvas by applying paint in an astonishing variety of ways that recall poetic chance procedures. He then added a series of pictographic signs that seem less painted than drawn, transforming the broken syntax, constellated space, and dreamlike imagery of avant-garde poetry into a radiantly imaginative and highly inventive form of painting. He would later describe this work as “a sort of genesis,” and his Surrealist poet friends titled it The Birth of the World.
Drawn from MoMA’s unrivaled collection of Miró’s work, augmented by several key loans, this exhibition situates The Birth of the World in relation to other major works by the artist. It presents some 60 paintings, works on paper, prints, illustrated books, and objects—made primarily between 1920, the year of Miró’s first, catalytic trip to Paris, and the early 1950s, when his unique visual language became internationally renowned—to shed new light on the development of his poetic process and pictorial universe.
Refreshments will be served. Want to see the exhibit for yourself? Check out a MoMA pass!
About the Presenter
Larissa Bailiff is a specialist in modern French art and social history. Formerly an associate educator at MoMA, she continues to offer tours and courses at the museum. For the last three years, she has also worked for Boulevard Arts, an immersive arts teacher.
- published: 07 Jun 2019
- views: 4062
29:14
The Unbridled Creativity of Ceramics: Joan Miró in Return to Earth
Presented September 21, 2013 at the Nasher Sculpture Center.
'Joan Miró and the Artigases: A Phantasmagoric World of Living Monsters' - Jed Morse, Chief Curato...
Presented September 21, 2013 at the Nasher Sculpture Center.
'Joan Miró and the Artigases: A Phantasmagoric World of Living Monsters' - Jed Morse, Chief Curator, Nasher Sculpture Center
In this presentation, Jed Morse discusses the freedom Joan Miró experienced when returning to Spain, and investing in his ceramics practice which he saw as expressive of elemental, formative, childhood experiences which allowed his to re-connect with his creativity without mediation. This is in comparison to his painting practice which Miró felt was grounded in the cerebral, and best undertaken in the city. Between 1954 and 1956, Miro worked with renowned ceramicist Joseph Lorenz Artigas to produce around 230 unique sculptures which were painted and drew from both prehistoric and surrealist visual cultures.
Organized to coincide with the public opening of the exhibition 'Return to Earth: Ceramic Sculpture of Fontana, Melotti, Miró, Noguchi, and Picasso, 1943–1963', this symposium offers a number of new perspectives on the often-overlooked, yet ground-breaking work in fired clay of some of the most important artists of the 20th century.
Watch other presentation from the 'Return to Earth' Symposium:
'Divergent but Parallel: The Ceramic Sculpture of Lucio Fontana and Fausto Melotti in Postwar Italy' - Marin Sullivan, Henry Moore Foundation Post-doctoral Research Fellow, Department of Fine Art, History of Art, and Cultural Studies, University of Leeds (UK)
https://youtu.be/d1mRgQe8tKc
'Isamu Noguchi Ceramics: A Kind of Antisculpture' - Catherine Craft, Adjunct Assistant Curator for Research and Exhibitions, Nasher Sculpture Center
https://youtu.be/Ud7hh_7Mv6I
'Pablo Picasso: Life with Art' - Dakin Hart, Senior Curator, The Noguchi Museum, New York
https://youtu.be/NjNAO-NDFew
'A View from Today': Panel Discussion
https://youtu.be/7QZAApp9fUA
Jed Morse joined the staff of the Nasher Sculpture Center in 2002 as Assistant Curator where he has organized, overseen, or assisted with numerous exhibitions. Morse received his B.A. with honors in art history in 1994 from Middlebury College in Middlebury, Vermont. Prior to receiving his M.A. in Modern Art History from the University of Texas at Austin in 2001, Morse served as curatorial intern at the National Museum of American Art (now Smithsonian American Art Museum) in Washington, D.C. and curatorial assistant at the Dallas Museum of Art. In addition to his duties at the Nasher Sculpture Center, Mr. Morse has contributed to exhibition projects, such as 'Barcelona and Modernity: Picasso, Gaudí, Miró, Dalí '(Cleveland Museum of Art and Metropolitan Museum of Art, New York, 2006), and has lectured widely on a variety of topics.
The Nasher Sculpture Center’s ongoing 360 Speaker Series features conversations and lectures on the ever-expanding definition of sculpture. Guests are invited to witness first-hand accounts of the inspiration behind some of the world’s most innovative artwork, architecture and design.
Find out more about the 360 Speaker Series and view presentation by past speakers at http://www.nashersculpturecenter.org/360
Stay in touch with the Nasher Sculpture Center via social media:
Facebook: https://www.facebook.com/NasherSculptureCenter
Twitter: https://twitter.com/nashersculpture
Pinterest: https://www.pinterest.com/nashersculpture/
Instagram: https://www.instagram.com/nashersculpturecenter/
Periscope: http://www.periscope.tv/nashersculpture
The 360 videography project is supported by Suzanne and Ansel Aberly. This support enables digital recording of all 360 Speaker Series programs and the creation of an online archive for learners of all ages.
https://wn.com/The_Unbridled_Creativity_Of_Ceramics_Joan_Miró_In_Return_To_Earth
Presented September 21, 2013 at the Nasher Sculpture Center.
'Joan Miró and the Artigases: A Phantasmagoric World of Living Monsters' - Jed Morse, Chief Curator, Nasher Sculpture Center
In this presentation, Jed Morse discusses the freedom Joan Miró experienced when returning to Spain, and investing in his ceramics practice which he saw as expressive of elemental, formative, childhood experiences which allowed his to re-connect with his creativity without mediation. This is in comparison to his painting practice which Miró felt was grounded in the cerebral, and best undertaken in the city. Between 1954 and 1956, Miro worked with renowned ceramicist Joseph Lorenz Artigas to produce around 230 unique sculptures which were painted and drew from both prehistoric and surrealist visual cultures.
Organized to coincide with the public opening of the exhibition 'Return to Earth: Ceramic Sculpture of Fontana, Melotti, Miró, Noguchi, and Picasso, 1943–1963', this symposium offers a number of new perspectives on the often-overlooked, yet ground-breaking work in fired clay of some of the most important artists of the 20th century.
Watch other presentation from the 'Return to Earth' Symposium:
'Divergent but Parallel: The Ceramic Sculpture of Lucio Fontana and Fausto Melotti in Postwar Italy' - Marin Sullivan, Henry Moore Foundation Post-doctoral Research Fellow, Department of Fine Art, History of Art, and Cultural Studies, University of Leeds (UK)
https://youtu.be/d1mRgQe8tKc
'Isamu Noguchi Ceramics: A Kind of Antisculpture' - Catherine Craft, Adjunct Assistant Curator for Research and Exhibitions, Nasher Sculpture Center
https://youtu.be/Ud7hh_7Mv6I
'Pablo Picasso: Life with Art' - Dakin Hart, Senior Curator, The Noguchi Museum, New York
https://youtu.be/NjNAO-NDFew
'A View from Today': Panel Discussion
https://youtu.be/7QZAApp9fUA
Jed Morse joined the staff of the Nasher Sculpture Center in 2002 as Assistant Curator where he has organized, overseen, or assisted with numerous exhibitions. Morse received his B.A. with honors in art history in 1994 from Middlebury College in Middlebury, Vermont. Prior to receiving his M.A. in Modern Art History from the University of Texas at Austin in 2001, Morse served as curatorial intern at the National Museum of American Art (now Smithsonian American Art Museum) in Washington, D.C. and curatorial assistant at the Dallas Museum of Art. In addition to his duties at the Nasher Sculpture Center, Mr. Morse has contributed to exhibition projects, such as 'Barcelona and Modernity: Picasso, Gaudí, Miró, Dalí '(Cleveland Museum of Art and Metropolitan Museum of Art, New York, 2006), and has lectured widely on a variety of topics.
The Nasher Sculpture Center’s ongoing 360 Speaker Series features conversations and lectures on the ever-expanding definition of sculpture. Guests are invited to witness first-hand accounts of the inspiration behind some of the world’s most innovative artwork, architecture and design.
Find out more about the 360 Speaker Series and view presentation by past speakers at http://www.nashersculpturecenter.org/360
Stay in touch with the Nasher Sculpture Center via social media:
Facebook: https://www.facebook.com/NasherSculptureCenter
Twitter: https://twitter.com/nashersculpture
Pinterest: https://www.pinterest.com/nashersculpture/
Instagram: https://www.instagram.com/nashersculpturecenter/
Periscope: http://www.periscope.tv/nashersculpture
The 360 videography project is supported by Suzanne and Ansel Aberly. This support enables digital recording of all 360 Speaker Series programs and the creation of an online archive for learners of all ages.
- published: 04 Sep 2015
- views: 2980
1:08:28
Online Event | Round Table: Joan Miró, Modern Art, and the Legacies of (Art) Historical Archives
Saturday, April 17, 2021, 2:00pm (EST)
This event is in Spanish and English with captioned translations.
The curators of the exhibition Miró-ADLAN: An Archive ...
Saturday, April 17, 2021, 2:00pm (EST)
This event is in Spanish and English with captioned translations.
The curators of the exhibition Miró-ADLAN: An Archive of Modernity (1932-1936) will be joined by Anne Umland (MoMA) and Marko Daniel (Fundació Joan Miró) for an hour-long conversation about the position of Joan Miró within the history of modern art, his role in promoting new art in Barcelona and New York, the spaces in which his work was exhibited during the decade of the 1930s, and the importance of archives (personal and institutional) in mapping the relations between artists and the local contexts in which they produced and exhibited their work.
Participants:
Marko Daniel (Director, Fundació Joan Miró, Barcelona)
Anne Umland (The Blanchette Hooker Rockefeller Senior Curator of Painting & Sculpture, The Museum of Modern Art, New York)
Muriel Gómez Pradas (Universitat Oberta de Catalunya)
Jordana Mendelson (New York University)
Joan M. Minguet (Universitat Autònoma de Barcelona)
Miró-ADLAN: An Archive of Modernity (1932-1936) reconstructs the leading role that ADLAN (Amics de l’Art Nou [Friends of New Art]) played in introducing cultural modernity to Barcelona in the 1930s. The exhibition highlights the essential connections of this group of artists and intellectuals with Joan Miró. Included in the exhibition are documents and materials from the extensive ADLAN archive, held in several public and private venues, primarily in the COAC (Col·legi Oficial d’Arquitectes de Catalunya [Architects’ Association of Catalonia]) and the Fundació Joan Miró. Miró-ADLAN reveals the fundamental role that Adelita Lobo (ADLAN’s secretary and treasurer) played in documenting and conserving ADLAN’s records. The exhibition also includes a selection of works from the five shows that Miró held in Barcelona, which were shared at the invite-only events before traveling to Paris, New York and Zurich. The exhibition was curated by Muriel Gómez Pradas, Jordana Mendelson and Joan M. Minguet, with curatorial assistance from Dolors Rodíguez Roig.
The exhibition will be on display at the Fundació Joan Miró in Barcelona from March 12, 2021 to July 4, 2021.
For more information visit https://www.fmirobcn.org/en/exhibitions/5769/miro-adlan-an-archive-of-modernity-1932-1936/actual
https://wn.com/Online_Event_|_Round_Table_Joan_Miró,_Modern_Art,_And_The_Legacies_Of_(Art)_Historical_Archives
Saturday, April 17, 2021, 2:00pm (EST)
This event is in Spanish and English with captioned translations.
The curators of the exhibition Miró-ADLAN: An Archive of Modernity (1932-1936) will be joined by Anne Umland (MoMA) and Marko Daniel (Fundació Joan Miró) for an hour-long conversation about the position of Joan Miró within the history of modern art, his role in promoting new art in Barcelona and New York, the spaces in which his work was exhibited during the decade of the 1930s, and the importance of archives (personal and institutional) in mapping the relations between artists and the local contexts in which they produced and exhibited their work.
Participants:
Marko Daniel (Director, Fundació Joan Miró, Barcelona)
Anne Umland (The Blanchette Hooker Rockefeller Senior Curator of Painting & Sculpture, The Museum of Modern Art, New York)
Muriel Gómez Pradas (Universitat Oberta de Catalunya)
Jordana Mendelson (New York University)
Joan M. Minguet (Universitat Autònoma de Barcelona)
Miró-ADLAN: An Archive of Modernity (1932-1936) reconstructs the leading role that ADLAN (Amics de l’Art Nou [Friends of New Art]) played in introducing cultural modernity to Barcelona in the 1930s. The exhibition highlights the essential connections of this group of artists and intellectuals with Joan Miró. Included in the exhibition are documents and materials from the extensive ADLAN archive, held in several public and private venues, primarily in the COAC (Col·legi Oficial d’Arquitectes de Catalunya [Architects’ Association of Catalonia]) and the Fundació Joan Miró. Miró-ADLAN reveals the fundamental role that Adelita Lobo (ADLAN’s secretary and treasurer) played in documenting and conserving ADLAN’s records. The exhibition also includes a selection of works from the five shows that Miró held in Barcelona, which were shared at the invite-only events before traveling to Paris, New York and Zurich. The exhibition was curated by Muriel Gómez Pradas, Jordana Mendelson and Joan M. Minguet, with curatorial assistance from Dolors Rodíguez Roig.
The exhibition will be on display at the Fundació Joan Miró in Barcelona from March 12, 2021 to July 4, 2021.
For more information visit https://www.fmirobcn.org/en/exhibitions/5769/miro-adlan-an-archive-of-modernity-1932-1936/actual
- published: 17 Apr 2021
- views: 195