Ohaguro(お歯黒) is a custom of dyeing one's teeth black. It was most popular in Japan until the Meiji era. Tooth painting is also known and practised in the southeastern parts of China, Pacific Islands and Southeast Asia. Dyeing is mainly done by married women, though occasionally men do it as well. It was also beneficial, as it prevented tooth decay, in a similar fashion to modern dental sealants.
Japan
In Japan, Ohaguro existed in one form or another for hundreds of years and was seen amongst the population as beautiful until the end of the Meiji period. Objects that were pitch black, such as glaze-like lacquer, were seen as beautiful.
Name
The word "ohaguro" was a Japanese aristocratic term. There is an alternate reading for ohaguro, 鉄漿 (literally 'iron drink' "lead"). At the old Imperial palace in Kyoto, it was called fushimizu(五倍子水). Among the civilians, such words as kanetsuke(鉄漿付け), tsukegane(つけがね) and hagurome(歯黒め) were used.
History
Traces of blackened teeth can be seen in the buried bones and haniwa (250 to 538 CE) from the Kofun period.
A code is a type of legislation that purports to exhaustively cover a complete system of laws or a particular area of law as it existed at the time the code was enacted, by a process of codification. Though the process and motivations for codification are similar in different common law and civil law systems, their usage is different. In a civil law country, a Code typically exhaustively covers the complete system of law, such as civil law or criminal law. By contrast, in a common law country with legislative practices in the English tradition, a Code is a less common form of legislation, which differs from usual legislation that, when enacted, modify the existing common law only to the extent of its express or implicit provision, but otherwise leaves the common law intact. By contrast, a code entirely replaces the common law in a particular area, leaving the common law inoperative unless and until the code is repealed. In a third case of slightly different usage, in the United States and other common law countries that have adopted similar legislative practices, a Code is a standing body of statute law on a particular area, which is added to, subtracted from, or otherwise modified by individual legislative enactments.
Ten-codes, officially known as ten signals, are brevity codes used to represent common phrases in voice communication, particularly by law enforcement and in Citizens Band (CB) radio transmissions.
The codes, developed in 1937 and expanded in 1974 by the Association of Public-Safety Communications Officials-International (APCO), allow for brevity and standardization of message traffic. They have historically been widely used by law enforcement officers in North America but due to the lack of standardization, in 2006 the U.S. federal government recommended they be discontinued in favor of everyday language.
History
APCO first proposed Morse code brevity codes in the June, 1935 issue of The APCO Bulletin, which were adapted from the procedure symbols of the U.S. Navy.
The development of the APCO Ten Signals began in 1937, when police radio channels were limited to reduce use of speech on the radio. Credit for inventing the codes goes to Charles "Charlie" Hopper, communications director for the Illinois State Police, District 10 in Pesotum, Illinois. Hopper had been involved in radio for years and realized there was a need to abbreviate transmissions on State Police bands. Experienced radio operators knew the first syllable of a transmission was frequently not understood because of quirks in early electronics technology. Radios in the 1930s were based on vacuum tubes powered by a small motor-generator called a dynamotor. The dynamotor took from 1/10 to 1/4 of a second to "spin up" to full power. Police officers were trained to push the microphone button, then pause briefly before speaking; however, sometimes they would forget to wait. Preceding each code with "ten-" gave the radio transmitter time to reach full power. An APCO Bulletin of January 1940 lists codes assigned as part of standardization;
The emergency services in various countries use systems of response codes to categorize their responses to reported events. One of the best known is the Code 3 Response, which is used in several countries, particularly the United States, to describe a mode of response for an emergency vehicle responding to a call. It is commonly used to mean "use lights and siren."
Use of "Code 3"
Although the exact origin of Code 3 is not clearly known, its use has spread across the United States and into parts of Canada.
Code 3 was the title to a 1950s television police procedural intended to compete with Dragnet.
The Greaseman used the term in one of his songs, "I Love To Go Code 3".
Response codes
The most commonly used response codes are:
CODE 1: Non-emergency response. No lights or siren, following the flow of traffic.
CODE 3: Life-threat response. Emergency traffic, or simultaneous use of lights and siren required in order to achieve a rapid response. This allows the responding unit to ignore jurisdictional traffic laws, but does not allow the responding unit to operate without due regard to safety.
In chess, the player who moves first is referred to as "White" and the player who moves second is referred to as "Black". Similarly, the pieces that each conducts are called, respectively, "the white pieces" and "the black pieces". The pieces are often not literally white and black, but some other colors (usually a light color and a dark color, respectively). The 64 squares of the chessboard, which is colored in a checkered pattern, are likewise referred to as "white squares" or "light squares" on the one hand, and "black squares" or "dark squares" on the other. In most cases, the squares are not actually white and black, but a light color and a contrasting dark color. For example, the squares on plastic boards are often off-white ("buff") and green, while those on wood boards are often light brown and dark brown.
In old chess writings, the sides are often called Red and Black, because those were the two colors of ink then commonly available when hand-drawing or printing chess position diagrams.
Black is Lita Ford's sixth studio album and featured a change of style in her music, compared to her other albums. Black sees Ford move into other musical styles such as blues and grunge, while still maintaining her metal and rock roots. There would be a 14-year gap between Black and her next studio album, 2009's Wicked Wonderland.
Track listing
All songs were written by Michael Dan Ehmig and Lita Ford, except where noted.
Black (Bengali:ব্ল্যাক) is an Bangladeshi rock band, formed in Dhaka, Bangladesh. They were one of the very first bands to come out from the underground scene in Dhaka and has over the years garnered a big enough fan-following to be considered a pioneer of alternative rock music in Bangladesh. The band has gained popularity over the years for their hook-laden rock compositions. In 2004, as a result of the band's immense popularity around the time of the release of their second album, Utsober Por, Black was appointed the brand ambassador for Pepsi and Djuice, a youth based phone plan from Grameenphone and Telenor.
Childhood friends and schoolmates Jon, Jahan and Tony always shared a similar passion towards music. Their time was mostly spent at each other's houses listening to records from bands such as Pearl Jam, Stone Temple Pilots and Soundgarden. Pearl Jam's debut album Ten had a profound effect on the three and is said to have been the tipping point at which they decided to take up music professionally. After convincing each other about their musical skills the trio decided to form a band and soon enough they were jamming at their friends homes. Initially they decided to name their group Dope Smuglazz, as a wink to the irreverent parental fears of rock music and its supposed concurrent substance abuse, but soon enough shifted to the name Black by a suggestion from classmate and future band member Asif Haque.
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The Rattle Of Black Teeth · Code
Resplendent Grotesque
℗ 2009 Tabu Recordsings
Released on: 2009-06-01
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published: 13 Nov 2014
Code - The Rattle of Black Teeth
---this is only for promotion---
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published: 22 May 2009
CODE - THE RATTLE OF BLACK TEETH - COVER
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published: 09 May 2022
The Rattle of Black Teeth
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The Rattle of Black Teeth · Code
Lost Signal
℗ 2017 Agonia Records
Released on: 2017-01-25
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published: 25 Jan 2017
The Rattle of Black Teeth
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The Rattle of Black Teeth · Code
Live in the Netherlands
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published: 05 Sep 2019
What happens when the nerve inside a tooth dies? #nerve #teeth #cavity #dentistry #dentalvideo
published: 27 Jan 2023
He Started CRYING?!?!
#shorts #animation #haminations #cartoon
published: 01 Sep 2023
She wants them all!(Tooth Fairy🌈🦷✨)
She has a problem with teeth…
#darkhumor #macabre #toothfairy #teeth #fairy #lgbt #queer #eccentric
published: 09 Dec 2022
Rubbing Your Teeth - New Trend #trend #shorts #youtubeshorts #facts #incredible #viral #viralvideo
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Provided to YouTube by The Orchard Enterprises
The Rattle Of Black Teeth · Code
Resplendent Grotesque
℗ 2009 Tabu Recordsings
Released on: 2009-06-01
Auto-...
Provided to YouTube by The Orchard Enterprises
The Rattle Of Black Teeth · Code
Resplendent Grotesque
℗ 2009 Tabu Recordsings
Released on: 2009-06-01
Auto-generated by YouTube.
Provided to YouTube by The Orchard Enterprises
The Rattle Of Black Teeth · Code
Resplendent Grotesque
℗ 2009 Tabu Recordsings
Released on: 2009-06-01
Auto-generated by YouTube.
Provided to YouTube by The Orchard Enterprises
The Rattle of Black Teeth · Code
Lost Signal
℗ 2017 Agonia Records
Released on: 2017-01-25
Auto-generated by...
Provided to YouTube by The Orchard Enterprises
The Rattle of Black Teeth · Code
Lost Signal
℗ 2017 Agonia Records
Released on: 2017-01-25
Auto-generated by YouTube.
Provided to YouTube by The Orchard Enterprises
The Rattle of Black Teeth · Code
Lost Signal
℗ 2017 Agonia Records
Released on: 2017-01-25
Auto-generated by YouTube.
Provided to YouTube by SonoSuite
The Rattle of Black Teeth · Code
Live in the Netherlands
℗ Heidens Hart Records
Released on: 2015-06-01
Auto-generated by ...
Provided to YouTube by SonoSuite
The Rattle of Black Teeth · Code
Live in the Netherlands
℗ Heidens Hart Records
Released on: 2015-06-01
Auto-generated by YouTube.
Provided to YouTube by SonoSuite
The Rattle of Black Teeth · Code
Live in the Netherlands
℗ Heidens Hart Records
Released on: 2015-06-01
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Provided to YouTube by The Orchard Enterprises
The Rattle Of Black Teeth · Code
Resplendent Grotesque
℗ 2009 Tabu Recordsings
Released on: 2009-06-01
Auto-generated by YouTube.
Provided to YouTube by The Orchard Enterprises
The Rattle of Black Teeth · Code
Lost Signal
℗ 2017 Agonia Records
Released on: 2017-01-25
Auto-generated by YouTube.
Provided to YouTube by SonoSuite
The Rattle of Black Teeth · Code
Live in the Netherlands
℗ Heidens Hart Records
Released on: 2015-06-01
Auto-generated by YouTube.
Find me on Instagram and TikTok for more:
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Ohaguro(お歯黒) is a custom of dyeing one's teeth black. It was most popular in Japan until the Meiji era. Tooth painting is also known and practised in the southeastern parts of China, Pacific Islands and Southeast Asia. Dyeing is mainly done by married women, though occasionally men do it as well. It was also beneficial, as it prevented tooth decay, in a similar fashion to modern dental sealants.
Japan
In Japan, Ohaguro existed in one form or another for hundreds of years and was seen amongst the population as beautiful until the end of the Meiji period. Objects that were pitch black, such as glaze-like lacquer, were seen as beautiful.
Name
The word "ohaguro" was a Japanese aristocratic term. There is an alternate reading for ohaguro, 鉄漿 (literally 'iron drink' "lead"). At the old Imperial palace in Kyoto, it was called fushimizu(五倍子水). Among the civilians, such words as kanetsuke(鉄漿付け), tsukegane(つけがね) and hagurome(歯黒め) were used.
History
Traces of blackened teeth can be seen in the buried bones and haniwa (250 to 538 CE) from the Kofun period.
Yo feel this nigga, pay attention One knot get your ass a little bit of yay Two knots get your ass a little bit of haze Three knots dust but niggas comin' with the cheese More than four knots, nigga that's the police If you don't know the code don't come around here If you don't know the code don't come around here If you don't know the code don't come around here Don't come around here, don't come around here Bang! For the loot of my corrupt nigga don't stop, get it get Don't stop, get it get it, triple digits, six digit Bitches want my digits so they ask me for my digits Wanna visit, wanna kiss it, gonna kiss it, gonna zip it Slippery than the cervix Bring 'em in, keep 'em out like Curtis Top notch, hot sauce is the verbage Sprinkle drops on the block then serve it Bonne apetit for the streets top chef I show you how to serve it Weigh it like yay, sling it like yay It's pure dope of course, every word I say Pablo Escobar in every bar In every bar I gotta party like a rockstar Lindsay Lohan, I get blown Michelle Guillar Love them snow bunnies more than take dicks hard Yea I'm gonna crack this more than caviar One knot get your ass a little bit of yay Two knots get your ass a little bit of haze Three knots dust but niggas comin' with the cheese More than four knots, nigga that's the police If you don't know the code don't come around here If you don't know the code don't come around here If you don't know the code don't come around here Don't come around here, don't come around here Bang! It's the lean master Ace, I'm sitting on chrome Sitting on chrome, jackers get your brains blown It's the lean master Ace, I'm sitting on chrome Sitting on chrome, push a button – roof gone Like a hurricane did it, like a hurricane hit it Watch me lean, looking clean Haters you ain't gotta admit it I'm so pretty sippin' pretty in that next top model Drop a porn in the Porsche, fuck the next top model Bitch what's that nigga? In the lake, no lie Bitch what's that nigga? Has them boys at NY Bitch what's that nigga? Home boy, worldwide Even pockin' big loving bump me on the other side Caution's in the house, my gun's in my pants Travis looking at me huh, who won the games? It's traps in the car, homie you ain't got a chance I'm ready for whatever in my B boy stance One knot get your ass a little bit of yay Two knots get your ass a little bit of haze Three knots dust but niggas comin' with the cheese More than four knots, nigga that's the police If you don't know the code don't come around here If you don't know the code don't come around here If you don't know the code don't come around here Don't come around here, don't come around here Bang! For the cheese I'm young and see nigga I bust the move And I bust that move like I transport you know who I gets that through like Gebediah Bush Slanging on the radio, I ain't gotta push See the pretties do it for me, the DJ's do it for me I'm up in close track they sayin' me so horny You know I'm numero uno I'm the boss now bitch but you mustn't get the memo Ammo, in the NY I got plenty Touch em and you die, shots from the semi Shots from the Hemy, I'm Jack Ruby with the semi I Ana Nichole you, you won't get a penny I'm heated like that trim spot I trip kind, I trip y'all Have you in black like Jenna's 6 for your funeral I do it, I do it, what the business is? While I'm whipin' out your whole family, no witnesses One knot get your ass a little bit of yay Two knots get your ass a little bit of haze Three knots dust but niggas comin' with the cheese More than four knots, nigga that's the police If you don't know the code don't come around here If you don't know the code don't come around here If you don't know the code don't come around here Don't come around here, don't come around here