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Nikolai Lugansky plays Rachmaninoff, Six moments musicaux
published: 17 Jan 2019
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Rachmaninoff - Moment Musicaux No. 4
S. Rachmaninoff - Moment Musicaux in E minor, Op.16 No.4 (Musical Moment No.4)
Thanks for watching. I hope you enjoy my music :)
I’m going to show various piano music including classical pieces.
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🔔I will upload new movies every Monday.🔔
Please leave comments if there are pieces which you want to listen to :)
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#MomentMusical #Rachmaninoff #piano
published: 15 Jul 2019
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Nikolai Lugansky plays Rachmaninov Musical Moment No.4 in E minor - medici.tv
Full concert here: http://ow.ly/YwdC2
Subscribe to our channel for more videos http://ow.ly/ugONZ
Sergei Rachmaninov - Musical Moment No.4 in E minor
Nikolai Lugansky, piano
Concert recorded at La Roque d'Anthéron (La Roque d'Anthéron, France), on 2002.
© Idéale Audience / Arte France / INA France
Follow medici.tv on:
| Facebook : https://www.facebook.com/medicitv
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| Instagram : https://www.instagram.com/medici.tv/
Dive into the heart of classical music with medici.tv! Get closer than ever to the artists you love and have an unforgettable experience with 100+ live webcasts each year and 1,800+ videos.
A rare and exclusive selection of concerts, ballets, operas, documentaries, master classes, behind-the-scenes and interviews!
published: 24 Oct 2008
-
Lugansky - Rachmaninoff, Moment Musical Op. 16, No. 6
Sergey Rachmaninoff (1873-1943)
Moment Musical Op. 16, No. 6 - Maestoso. C major (1896)
Nikolai Lugansky, 2016
Moments Musicaux, Op. 16, 3-6: https://youtu.be/P0DXSqPILBQ
“… All authentic art is based on inspiration. There are of course details which must be developed, but only for the purpose of elaborating and expressing this inspiration. As soon as a composition becomes the fruit of effort, an express search and gathering of those ideas, there is no longer room for inspiration; it becomes craft. When a mosaic floor is finished, one sees a large, colorful canvas. But to achieve this mosaic, we had to start with the detail. The detail is made of thousands of small pebbles or pieces of marble and, while it is the result of a marvelous craftsmanship, the idea emerges from the detail. It i...
published: 02 Jul 2021
-
Rachmaninoff: Moments Musicaux, Op.16 (Litvintseva, Giltburg)
The first great set of miniatures Rachmaninoff wrote – less acerbic and harmonically dense than the later preludes and etudes-tableaux, more generous and exultant. Nonetheless, many of the traits that would come to dominate the later works – expressive counterpoint, chromaticism, long melodies, huge bell-like sounds – are fully present here for the first time. The set is interestingly organised; it alternates slow and fast pieces, with the slow pieces exploring various romantic genres (Nos. 1, 3, and 5 are a nocturne/variation set, elegy/funeral march, and nocturne/barcarolle respectively), and the fast taking the form of concert etudes that match Chopin’s in their meticulous exploration of pianistic texture.
No.1 – Andantino in Bb min. Five variations on a nocturne theme (0:00, 1:18, 2:...
published: 05 May 2019
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Sergei Rachmaninov - Moment Musicaux Op. 16 No. 4 (audio + sheet music)
The fourth piece in Russian composer Sergei Rachmaninoff's "Moments Musicaux, Op. 16" is similar to the second in the quality of its performance. The fourth piece reveals resemblance to Chopin's "Etude Op. 10 No. 12" in the taxing left hand figure place throughout. Further it looks, sounds, and feels as if it were an improvisation on Chopin's Prelude in G major (Op. 28, No. 3).
The piece is 67 measures long, with a duration of about three minutes, and has the fastest tempo of the set, Presto (quick) at 104 quarter notes per minute, and is the shortest work in terms of playing time. Presto is in ternary form with a coda.
The piece begins with a fortissimo introduction with a thick texture in the left hand consisting of chromatic sextuplets. The melody is a "rising quasi-military" idea, ...
published: 21 Jan 2012
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Pianista [#47]: Rachmaninoff - Six Moments Musicaux, Op.16, No.4 (Master)
published: 19 Oct 2017
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Rachmaninoff - Moment Musicaux No. 4 in E Minor
Rachmaninoff - Moment Musicaux Op. 16 No. 4 in E Minor
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♫ Listen on Apple Music Classical: http://apple.co/Rousseau
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♫ Sheet music: https://patreon.com/rousseau
♫ MIDI: https://patreon.com/rousseau
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♫ Buy me a coffee: http://buymeacoff.ee/rousseau
♫ Join me on discord: http://bit.ly/RousseauDiscord
Hope you enjoy this performance of Rachmaninoff's 4th Musical Moment by Tae-Seung Park.
Outro: Mozart - Piano Sonata No. 8, Mvt. 1
Hello, I'm Rousseau, I make piano covers of classical and pop songs with a reactive visualizer. New videos every Monday and Thursday!
#Rousseau #Piano #PianoCover
published: 19 Dec 2019
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Rachmaninoff: Moment Musical Op.16 No.6 in C
A gorgeously unrelenting rendition by Gavrilov.
published: 19 Nov 2013
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S.Rachmaninoff - Moment Musicaux Op.16 No.4
Hello everyone!
I'm back with finally this rach's piece!
This piece is when i was know rachmaninoff first, i heard played by lugansky. Very fantastic and master piece.
Also very difficult. I wanted to play this PERFECTLY, But it was really hard. (Also lack of practice :/) I don't like my play but, hope you will enjoy. Thank you:)
P.s: Next piece is you never know this piece. XD (Hint* Czerny)
안녕하세요! 라흐마니노프의 명곡을 가지고 다시 돌아왔습니다ㅎㅎ
이곡은 제가 라흐를 처음 알았을때 루간스키의 연주를 듣고 라흐를 접하게 됬죠:) 정말 화려하고 효과 만점이고 좋은곡이지만 그만큼 또 힘든 곡이기도 합니다ㅠ 저는 완벽한 연주를 하고 싶었지만,, 정말 힘들 더라고요.. 또한 연습부족인것도 있고..(심지어 레슨도 안받음) 전 이 연주가 마음에 안들지만.. 여러분들은 좋게 들어주셨으면 하는 마음입니다. 감사합니다:)
추신. 다음곡은 기대하셔도 좋을것 같네요ㅎㅎ 여러분이 절대로 모르는 곡이라고 제가 단언하죠!ㅋㅋ (힌트는 체르니!)
=====================================================
[My Compositions]
뮤즈스코어(Musescore): https:/...
published: 10 Mar 2020
3:01
Rachmaninoff - Moment Musicaux No. 4
S. Rachmaninoff - Moment Musicaux in E minor, Op.16 No.4 (Musical Moment No.4)
Thanks for watching. I hope you enjoy my music :)
I’m going to show various pian...
S. Rachmaninoff - Moment Musicaux in E minor, Op.16 No.4 (Musical Moment No.4)
Thanks for watching. I hope you enjoy my music :)
I’m going to show various piano music including classical pieces.
🌸Don't forget to subscribe, like and comments!
🔔I will upload new movies every Monday.🔔
Please leave comments if there are pieces which you want to listen to :)
💕Facebook: https://www.facebook.com/pianistkassia
💕Instagram: https://www.instagram.com/kassiapiano
💕Buy me a coffee: https://www.buymeacoffee.com/Z4KCvsNqU
#MomentMusical #Rachmaninoff #piano
https://wn.com/Rachmaninoff_Moment_Musicaux_No._4
S. Rachmaninoff - Moment Musicaux in E minor, Op.16 No.4 (Musical Moment No.4)
Thanks for watching. I hope you enjoy my music :)
I’m going to show various piano music including classical pieces.
🌸Don't forget to subscribe, like and comments!
🔔I will upload new movies every Monday.🔔
Please leave comments if there are pieces which you want to listen to :)
💕Facebook: https://www.facebook.com/pianistkassia
💕Instagram: https://www.instagram.com/kassiapiano
💕Buy me a coffee: https://www.buymeacoffee.com/Z4KCvsNqU
#MomentMusical #Rachmaninoff #piano
- published: 15 Jul 2019
- views: 5361014
2:51
Nikolai Lugansky plays Rachmaninov Musical Moment No.4 in E minor - medici.tv
Full concert here: http://ow.ly/YwdC2
Subscribe to our channel for more videos http://ow.ly/ugONZ
Sergei Rachmaninov - Musical Moment No.4 in E minor
Nikolai...
Full concert here: http://ow.ly/YwdC2
Subscribe to our channel for more videos http://ow.ly/ugONZ
Sergei Rachmaninov - Musical Moment No.4 in E minor
Nikolai Lugansky, piano
Concert recorded at La Roque d'Anthéron (La Roque d'Anthéron, France), on 2002.
© Idéale Audience / Arte France / INA France
Follow medici.tv on:
| Facebook : https://www.facebook.com/medicitv
| Twitter : https://twitter.com/medicitv
| Instagram : https://www.instagram.com/medici.tv/
Dive into the heart of classical music with medici.tv! Get closer than ever to the artists you love and have an unforgettable experience with 100+ live webcasts each year and 1,800+ videos.
A rare and exclusive selection of concerts, ballets, operas, documentaries, master classes, behind-the-scenes and interviews!
https://wn.com/Nikolai_Lugansky_Plays_Rachmaninov_Musical_Moment_No.4_In_E_Minor_Medici.Tv
Full concert here: http://ow.ly/YwdC2
Subscribe to our channel for more videos http://ow.ly/ugONZ
Sergei Rachmaninov - Musical Moment No.4 in E minor
Nikolai Lugansky, piano
Concert recorded at La Roque d'Anthéron (La Roque d'Anthéron, France), on 2002.
© Idéale Audience / Arte France / INA France
Follow medici.tv on:
| Facebook : https://www.facebook.com/medicitv
| Twitter : https://twitter.com/medicitv
| Instagram : https://www.instagram.com/medici.tv/
Dive into the heart of classical music with medici.tv! Get closer than ever to the artists you love and have an unforgettable experience with 100+ live webcasts each year and 1,800+ videos.
A rare and exclusive selection of concerts, ballets, operas, documentaries, master classes, behind-the-scenes and interviews!
- published: 24 Oct 2008
- views: 3756456
5:22
Lugansky - Rachmaninoff, Moment Musical Op. 16, No. 6
Sergey Rachmaninoff (1873-1943)
Moment Musical Op. 16, No. 6 - Maestoso. C major (1896)
Nikolai Lugansky, 2016
Moments Musicaux, Op. 16, 3-6: https://youtu.be/...
Sergey Rachmaninoff (1873-1943)
Moment Musical Op. 16, No. 6 - Maestoso. C major (1896)
Nikolai Lugansky, 2016
Moments Musicaux, Op. 16, 3-6: https://youtu.be/P0DXSqPILBQ
“… All authentic art is based on inspiration. There are of course details which must be developed, but only for the purpose of elaborating and expressing this inspiration. As soon as a composition becomes the fruit of effort, an express search and gathering of those ideas, there is no longer room for inspiration; it becomes craft. When a mosaic floor is finished, one sees a large, colorful canvas. But to achieve this mosaic, we had to start with the detail. The detail is made of thousands of small pebbles or pieces of marble and, while it is the result of a marvelous craftsmanship, the idea emerges from the detail. It is not the same in painting where the painter, above all, has a global vision and embraces in thought the whole of his future creation, from which the details emerge. "
- Rachmaninoff, on process of composing, “Réflexions et souvenirs”
https://wn.com/Lugansky_Rachmaninoff,_Moment_Musical_Op._16,_No._6
Sergey Rachmaninoff (1873-1943)
Moment Musical Op. 16, No. 6 - Maestoso. C major (1896)
Nikolai Lugansky, 2016
Moments Musicaux, Op. 16, 3-6: https://youtu.be/P0DXSqPILBQ
“… All authentic art is based on inspiration. There are of course details which must be developed, but only for the purpose of elaborating and expressing this inspiration. As soon as a composition becomes the fruit of effort, an express search and gathering of those ideas, there is no longer room for inspiration; it becomes craft. When a mosaic floor is finished, one sees a large, colorful canvas. But to achieve this mosaic, we had to start with the detail. The detail is made of thousands of small pebbles or pieces of marble and, while it is the result of a marvelous craftsmanship, the idea emerges from the detail. It is not the same in painting where the painter, above all, has a global vision and embraces in thought the whole of his future creation, from which the details emerge. "
- Rachmaninoff, on process of composing, “Réflexions et souvenirs”
- published: 02 Jul 2021
- views: 63830
59:23
Rachmaninoff: Moments Musicaux, Op.16 (Litvintseva, Giltburg)
The first great set of miniatures Rachmaninoff wrote – less acerbic and harmonically dense than the later preludes and etudes-tableaux, more generous and exulta...
The first great set of miniatures Rachmaninoff wrote – less acerbic and harmonically dense than the later preludes and etudes-tableaux, more generous and exultant. Nonetheless, many of the traits that would come to dominate the later works – expressive counterpoint, chromaticism, long melodies, huge bell-like sounds – are fully present here for the first time. The set is interestingly organised; it alternates slow and fast pieces, with the slow pieces exploring various romantic genres (Nos. 1, 3, and 5 are a nocturne/variation set, elegy/funeral march, and nocturne/barcarolle respectively), and the fast taking the form of concert etudes that match Chopin’s in their meticulous exploration of pianistic texture.
No.1 – Andantino in Bb min. Five variations on a nocturne theme (0:00, 1:18, 2:18, 3:49, 5:17), with the climax coming late in Var.4, the only variation that forsakes counterpoint for a single sinuous melodic line. Var.3 breaks from the other variations in transforming the theme quite radically (putting it in Gb and 7/4 time), superimposing an overall ABA form on the work.
No.2 – Allegro in Eb min. An intoxicating thing. A syncopated, chromatic line rises out of the keyboard in octaves, while both hands each play their own triplet semiquaver counterpoint. Unexpected shifts in harmony + sly, sudden changes in volume. If this were an etude, it’d be a study in voicing a melody over rapid counterpoint and dynamic control. ABA form, with the middle section beginning at 7:53 built around the two-note rising motif that closed the A section.
No.3 – Andante cantabile in B min. Starts out as an elegy, with the entrance of thirds in the middle section adding a sense of longing. When the theme returns, it is now accompanied by the iron rasp of an octave accompaniment deep in the bass, and it comes clear this is a funeral march. Not too surprisingly, the bass line traces out the Dies Irae (12:48; this is just one of the many, many places in R.’s oeuvre where the Dies Irae is referenced). Also notable is the lovely use of chord extensions at key moments for expressive effect (see the 13th at 16:25 – sounds a bit to stable to just be a passing harmony, to my ear).
No.4 – Presto in E min. The famous one, for good reason. As an etude, it’s indebted to Chopin’s Revolutionary (all that fierce, delicate work in the LH), and also the Op.25 No.11. Essentially, this work inverts the 25.11’s technique – just as the 25.11, rapid figuration is built from alternating chromatic and harmonic notes, but R. puts the figuration in the LH (at least at first), sometimes doubles it an adds octave displacement, and alternates one harmonic note with two chromatic notes (rather than Chopin’s one) to create a more pungent texture.
No.5 – Adagio sostenuto in Db maj. A beautiful and understated piece, where a lot of work is done by small stepwise shifts in harmony. Pretty remarkable how much emotional effect R. can generate with the most modest countermelody or secondary voice. Reminiscent of the middle section of the Op.9 No.1, and Op.27 No.1 (especially the coda).
No.6 – Maestoso in C maj. A masterpiece. Begins in glory and ends in glory, with nothing but glory in between. The ostinato which runs through both outer sections is motoric and almost Prokofiev-like, but sets off the majestically ascending melody (syncopated, aggressively triple-dotted) perfectly – no other composer I know of even comes close to deploying such a texture. The middle section hums with light, and the coda contains another one of R.’s infinite melodies.
https://wn.com/Rachmaninoff_Moments_Musicaux,_Op.16_(Litvintseva,_Giltburg)
The first great set of miniatures Rachmaninoff wrote – less acerbic and harmonically dense than the later preludes and etudes-tableaux, more generous and exultant. Nonetheless, many of the traits that would come to dominate the later works – expressive counterpoint, chromaticism, long melodies, huge bell-like sounds – are fully present here for the first time. The set is interestingly organised; it alternates slow and fast pieces, with the slow pieces exploring various romantic genres (Nos. 1, 3, and 5 are a nocturne/variation set, elegy/funeral march, and nocturne/barcarolle respectively), and the fast taking the form of concert etudes that match Chopin’s in their meticulous exploration of pianistic texture.
No.1 – Andantino in Bb min. Five variations on a nocturne theme (0:00, 1:18, 2:18, 3:49, 5:17), with the climax coming late in Var.4, the only variation that forsakes counterpoint for a single sinuous melodic line. Var.3 breaks from the other variations in transforming the theme quite radically (putting it in Gb and 7/4 time), superimposing an overall ABA form on the work.
No.2 – Allegro in Eb min. An intoxicating thing. A syncopated, chromatic line rises out of the keyboard in octaves, while both hands each play their own triplet semiquaver counterpoint. Unexpected shifts in harmony + sly, sudden changes in volume. If this were an etude, it’d be a study in voicing a melody over rapid counterpoint and dynamic control. ABA form, with the middle section beginning at 7:53 built around the two-note rising motif that closed the A section.
No.3 – Andante cantabile in B min. Starts out as an elegy, with the entrance of thirds in the middle section adding a sense of longing. When the theme returns, it is now accompanied by the iron rasp of an octave accompaniment deep in the bass, and it comes clear this is a funeral march. Not too surprisingly, the bass line traces out the Dies Irae (12:48; this is just one of the many, many places in R.’s oeuvre where the Dies Irae is referenced). Also notable is the lovely use of chord extensions at key moments for expressive effect (see the 13th at 16:25 – sounds a bit to stable to just be a passing harmony, to my ear).
No.4 – Presto in E min. The famous one, for good reason. As an etude, it’s indebted to Chopin’s Revolutionary (all that fierce, delicate work in the LH), and also the Op.25 No.11. Essentially, this work inverts the 25.11’s technique – just as the 25.11, rapid figuration is built from alternating chromatic and harmonic notes, but R. puts the figuration in the LH (at least at first), sometimes doubles it an adds octave displacement, and alternates one harmonic note with two chromatic notes (rather than Chopin’s one) to create a more pungent texture.
No.5 – Adagio sostenuto in Db maj. A beautiful and understated piece, where a lot of work is done by small stepwise shifts in harmony. Pretty remarkable how much emotional effect R. can generate with the most modest countermelody or secondary voice. Reminiscent of the middle section of the Op.9 No.1, and Op.27 No.1 (especially the coda).
No.6 – Maestoso in C maj. A masterpiece. Begins in glory and ends in glory, with nothing but glory in between. The ostinato which runs through both outer sections is motoric and almost Prokofiev-like, but sets off the majestically ascending melody (syncopated, aggressively triple-dotted) perfectly – no other composer I know of even comes close to deploying such a texture. The middle section hums with light, and the coda contains another one of R.’s infinite melodies.
- published: 05 May 2019
- views: 749926
2:52
Sergei Rachmaninov - Moment Musicaux Op. 16 No. 4 (audio + sheet music)
The fourth piece in Russian composer Sergei Rachmaninoff's "Moments Musicaux, Op. 16" is similar to the second in the quality of its performance. The fourth pi...
The fourth piece in Russian composer Sergei Rachmaninoff's "Moments Musicaux, Op. 16" is similar to the second in the quality of its performance. The fourth piece reveals resemblance to Chopin's "Etude Op. 10 No. 12" in the taxing left hand figure place throughout. Further it looks, sounds, and feels as if it were an improvisation on Chopin's Prelude in G major (Op. 28, No. 3).
The piece is 67 measures long, with a duration of about three minutes, and has the fastest tempo of the set, Presto (quick) at 104 quarter notes per minute, and is the shortest work in terms of playing time. Presto is in ternary form with a coda.
The piece begins with a fortissimo introduction with a thick texture in the left hand consisting of chromatic sextuplets. The melody is a "rising quasi-military" idea, interspersed between replications of the left hand figure, the mostly two-note melody being a strong unifying element. The middle section is a brief period of pianississimo falling figures in the right hand and rising scales in the left. The third section is marked Più vivo (more life) and is played even faster than the intro, 112 quarter notes per minute. At this point the piece develops a very thick texture, with the original left hand figure played in both hands in varying registers. The technique of rapidly changing the octave in which a melody is played, sometimes called "registral displacement", is used to present the figure in a more dramatic form that increases the intensity of the ending. The ending, a coda in Prestissimo (very quick), 116 quarter notes per minute, is a final, sweeping reiteration of the theme that closes in a heavy E minor chord, which revisits Rachmaninoff's preoccupation with bell sounds, prominent in his Piano Concerto No. 2 and Prelude in C-sharp minor (Op. 3, No. 2).
The piece is a major exercise in endurance and accuracy: the introduction opens in a left hand figure requiring span of a tenth interval. Additionally, octave intervals invariably appear before fast sextuplet runs, making quick wrists and arm action necessary. The double melodies Rachmaninoff uses in this work exists purposely to "keep both hands occupied," obscuring the melody and making it difficult for the right hand to project. This is the only piece in the set with indicated pedal markings.
(Wikipedia)
Please take note that the audio AND the sheet music ARE NOT mine. Change the quality to a minimum of 480p if the video is blurry.
Original audio: https://www.youtube.com/watch?v=WhLDse5R8dQ
(Performance by: Nikolai Lugansky)
Original sheet music: http://imslp.org/wiki/Moments_musicaux,_Op.16_(Rachmaninoff,_Sergei)
https://wn.com/Sergei_Rachmaninov_Moment_Musicaux_Op._16_No._4_(Audio_Sheet_Music)
The fourth piece in Russian composer Sergei Rachmaninoff's "Moments Musicaux, Op. 16" is similar to the second in the quality of its performance. The fourth piece reveals resemblance to Chopin's "Etude Op. 10 No. 12" in the taxing left hand figure place throughout. Further it looks, sounds, and feels as if it were an improvisation on Chopin's Prelude in G major (Op. 28, No. 3).
The piece is 67 measures long, with a duration of about three minutes, and has the fastest tempo of the set, Presto (quick) at 104 quarter notes per minute, and is the shortest work in terms of playing time. Presto is in ternary form with a coda.
The piece begins with a fortissimo introduction with a thick texture in the left hand consisting of chromatic sextuplets. The melody is a "rising quasi-military" idea, interspersed between replications of the left hand figure, the mostly two-note melody being a strong unifying element. The middle section is a brief period of pianississimo falling figures in the right hand and rising scales in the left. The third section is marked Più vivo (more life) and is played even faster than the intro, 112 quarter notes per minute. At this point the piece develops a very thick texture, with the original left hand figure played in both hands in varying registers. The technique of rapidly changing the octave in which a melody is played, sometimes called "registral displacement", is used to present the figure in a more dramatic form that increases the intensity of the ending. The ending, a coda in Prestissimo (very quick), 116 quarter notes per minute, is a final, sweeping reiteration of the theme that closes in a heavy E minor chord, which revisits Rachmaninoff's preoccupation with bell sounds, prominent in his Piano Concerto No. 2 and Prelude in C-sharp minor (Op. 3, No. 2).
The piece is a major exercise in endurance and accuracy: the introduction opens in a left hand figure requiring span of a tenth interval. Additionally, octave intervals invariably appear before fast sextuplet runs, making quick wrists and arm action necessary. The double melodies Rachmaninoff uses in this work exists purposely to "keep both hands occupied," obscuring the melody and making it difficult for the right hand to project. This is the only piece in the set with indicated pedal markings.
(Wikipedia)
Please take note that the audio AND the sheet music ARE NOT mine. Change the quality to a minimum of 480p if the video is blurry.
Original audio: https://www.youtube.com/watch?v=WhLDse5R8dQ
(Performance by: Nikolai Lugansky)
Original sheet music: http://imslp.org/wiki/Moments_musicaux,_Op.16_(Rachmaninoff,_Sergei)
- published: 21 Jan 2012
- views: 5137249
3:37
Rachmaninoff - Moment Musicaux No. 4 in E Minor
Rachmaninoff - Moment Musicaux Op. 16 No. 4 in E Minor
Click the 🔔bell to always be notified on new uploads!
♫ Listen on Apple Music Classical: http://apple.c...
Rachmaninoff - Moment Musicaux Op. 16 No. 4 in E Minor
Click the 🔔bell to always be notified on new uploads!
♫ Listen on Apple Music Classical: http://apple.co/Rousseau
♫ Instagram: http://bit.ly/rousseauig
♫ Twitter: http://bit.ly/rousseautw
♫ Sheet music: https://patreon.com/rousseau
♫ MIDI: https://patreon.com/rousseau
♫ Facebook: http://bit.ly/rousseaufb
♫ Buy me a coffee: http://buymeacoff.ee/rousseau
♫ Join me on discord: http://bit.ly/RousseauDiscord
Hope you enjoy this performance of Rachmaninoff's 4th Musical Moment by Tae-Seung Park.
Outro: Mozart - Piano Sonata No. 8, Mvt. 1
Hello, I'm Rousseau, I make piano covers of classical and pop songs with a reactive visualizer. New videos every Monday and Thursday!
#Rousseau #Piano #PianoCover
https://wn.com/Rachmaninoff_Moment_Musicaux_No._4_In_E_Minor
Rachmaninoff - Moment Musicaux Op. 16 No. 4 in E Minor
Click the 🔔bell to always be notified on new uploads!
♫ Listen on Apple Music Classical: http://apple.co/Rousseau
♫ Instagram: http://bit.ly/rousseauig
♫ Twitter: http://bit.ly/rousseautw
♫ Sheet music: https://patreon.com/rousseau
♫ MIDI: https://patreon.com/rousseau
♫ Facebook: http://bit.ly/rousseaufb
♫ Buy me a coffee: http://buymeacoff.ee/rousseau
♫ Join me on discord: http://bit.ly/RousseauDiscord
Hope you enjoy this performance of Rachmaninoff's 4th Musical Moment by Tae-Seung Park.
Outro: Mozart - Piano Sonata No. 8, Mvt. 1
Hello, I'm Rousseau, I make piano covers of classical and pop songs with a reactive visualizer. New videos every Monday and Thursday!
#Rousseau #Piano #PianoCover
- published: 19 Dec 2019
- views: 1914878
2:49
S.Rachmaninoff - Moment Musicaux Op.16 No.4
Hello everyone!
I'm back with finally this rach's piece!
This piece is when i was know rachmaninoff first, i heard played by lugansky. Very fantastic and maste...
Hello everyone!
I'm back with finally this rach's piece!
This piece is when i was know rachmaninoff first, i heard played by lugansky. Very fantastic and master piece.
Also very difficult. I wanted to play this PERFECTLY, But it was really hard. (Also lack of practice :/) I don't like my play but, hope you will enjoy. Thank you:)
P.s: Next piece is you never know this piece. XD (Hint* Czerny)
안녕하세요! 라흐마니노프의 명곡을 가지고 다시 돌아왔습니다ㅎㅎ
이곡은 제가 라흐를 처음 알았을때 루간스키의 연주를 듣고 라흐를 접하게 됬죠:) 정말 화려하고 효과 만점이고 좋은곡이지만 그만큼 또 힘든 곡이기도 합니다ㅠ 저는 완벽한 연주를 하고 싶었지만,, 정말 힘들 더라고요.. 또한 연습부족인것도 있고..(심지어 레슨도 안받음) 전 이 연주가 마음에 안들지만.. 여러분들은 좋게 들어주셨으면 하는 마음입니다. 감사합니다:)
추신. 다음곡은 기대하셔도 좋을것 같네요ㅎㅎ 여러분이 절대로 모르는 곡이라고 제가 단언하죠!ㅋㅋ (힌트는 체르니!)
=====================================================
[My Compositions]
뮤즈스코어(Musescore): https://musescore.com/user/27125197
=====================================================
[Donation]
PayPal: https://www.paypal.com/paypalme/seonyonghwang?country.x=KR&locale.x=ko_KR
카카오페이: https://qr.kakaopay.com/FJvVUaJZA
=====================================================
[Supporters]
편집자(Editor): https://www.youtube.com/@seonwoohwang
영문 번역도움(Translator): https://www.youtube.com/@Yubin_Lee_Doramelin
#Rachmaninoff#악흥의순간#Momentmusicaux#Piano#classic#라흐마니노프#클래식#피아노
https://wn.com/S.Rachmaninoff_Moment_Musicaux_Op.16_No.4
Hello everyone!
I'm back with finally this rach's piece!
This piece is when i was know rachmaninoff first, i heard played by lugansky. Very fantastic and master piece.
Also very difficult. I wanted to play this PERFECTLY, But it was really hard. (Also lack of practice :/) I don't like my play but, hope you will enjoy. Thank you:)
P.s: Next piece is you never know this piece. XD (Hint* Czerny)
안녕하세요! 라흐마니노프의 명곡을 가지고 다시 돌아왔습니다ㅎㅎ
이곡은 제가 라흐를 처음 알았을때 루간스키의 연주를 듣고 라흐를 접하게 됬죠:) 정말 화려하고 효과 만점이고 좋은곡이지만 그만큼 또 힘든 곡이기도 합니다ㅠ 저는 완벽한 연주를 하고 싶었지만,, 정말 힘들 더라고요.. 또한 연습부족인것도 있고..(심지어 레슨도 안받음) 전 이 연주가 마음에 안들지만.. 여러분들은 좋게 들어주셨으면 하는 마음입니다. 감사합니다:)
추신. 다음곡은 기대하셔도 좋을것 같네요ㅎㅎ 여러분이 절대로 모르는 곡이라고 제가 단언하죠!ㅋㅋ (힌트는 체르니!)
=====================================================
[My Compositions]
뮤즈스코어(Musescore): https://musescore.com/user/27125197
=====================================================
[Donation]
PayPal: https://www.paypal.com/paypalme/seonyonghwang?country.x=KR&locale.x=ko_KR
카카오페이: https://qr.kakaopay.com/FJvVUaJZA
=====================================================
[Supporters]
편집자(Editor): https://www.youtube.com/@seonwoohwang
영문 번역도움(Translator): https://www.youtube.com/@Yubin_Lee_Doramelin
#Rachmaninoff#악흥의순간#Momentmusicaux#Piano#classic#라흐마니노프#클래식#피아노
- published: 10 Mar 2020
- views: 324612