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John Eliot Gardiner
Sir John Eliot Gardiner, CBE (born 20 April 1943) is an English conductor.
Life and career
Born in Fontmell Magna, Dorset, Gardiner's early musical experience came largely through singing with his family and in a local church choir. A self-taught musician who also played the violin, he began to study conducting at the age of 15. He was educated at Bryanston School, then studied history, Arabic, and medieval Spanish at King's College, Cambridge.
While an undergraduate at Cambridge he launched his career as a conductor with a performance of Vespro della Beata Vergine by Monteverdi, in King's College Chapel on 5 March 1964. This either featured or led to the foundation of the Monteverdi Choir, with which he made his London conducting debut at the Wigmore Hall in 1966.
Whilst at Cambridge, he conducted the Oxford and Cambridge Singers on a concert tour of the Middle East.
After graduating with a master's degree in history, Gardiner continued his musical studies at King's College London under Thurston Dart and in Paris with Nadia Boulanger, whose music had been a very early influence. In 1968 he founded the Monteverdi Orchestra. Upon changing from modern instruments to period instruments in 1977, the orchestra changed its name to the English Baroque Soloists in 1978. In 1969 Gardiner made his opera debut with a performance of Mozart's The Magic Flute at the English National Opera. Four years later, in 1973, he made his first appearance at the Covent Garden conducting Gluck's Iphigénie en Tauride. The English Baroque Soloists made their opera debut with him in the 1977 Innsbruck Festival of Early Music, performing Handel's Acis and Galatea on period instruments. His American debut came in 1979 when he conducted the Dallas Symphony Orchestra. He then became the lead conductor of Canada's CBC Vancouver Orchestra from 1980 to 1983.
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John Eliot
John Eliot may refer to:
See also
This page contains text from Wikipedia, the Free Encyclopedia - https://wn.com/John_Eliot
Sir John Eliot, 1st Baronet
Sir John Eliot, 1st Baronet (1736 – 1786) was a Scottish physician.
Life
Eliot, the son of a writer to the signet, was born in Edinburgh in 1736, and, after education under Nathaniel Jesse, became assistant to a London apothecary. He then sailed as surgeon to a privateer. Having obtained some prize-money in this service, he deecided to become a physician, graduated M.D. at St. Andrews University 6 November 1759, and was admitted a licentiate of the College of Physicians of London, 30 September 1762. A fellow Scot, Sir William Duncan, then the king's physician, gave him help, and he soon made a large income. In the 1760s Elizabeth Ogborne was born to a tea dealer in London and she reported that Sir John Eliot was her father. In 1776 he was knighted, was created a baronet 25 July 1778, and became physician to the Prince of Wales.
When attending the Prince during an illness in 1786, Eliot told Queen Charlotte that he had been preaching to him against intemperance "as any bishop could have done"; to which the Queen replied, "And probably with like success". On 19 October 1771 he married Grace Dalrymple, who ran away with Lord Valentia in 1774. Eliot obtained £12,000 damages.
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John Eliot (statesman)
Sir John Eliot (11 April 1592 – 27 November 1632) was an English statesman who was serially imprisoned in the Tower of London, where he eventually died, by King Charles I for advocating the rights and privileges of Parliament.
Family and early life
The son of Richard Eliot (1546 – 22 June 1609) and Bridget Carswell (c. 1542 – March 1617), he was born at Cuddenbeak, a farm on his father's Port Eliot estate at St Germans in Cornwall. He was baptised on 20 April at St Germans Church, immediately next to Port Eliot. The Eliot family were an old Devon family that had settled in Cornwall.
John Eliot was educated at Blundell's School, Tiverton, and matriculated at Exeter College, Oxford, on 4 December 1607, and, leaving the university after three years, he studied law at one of the Inns of Court. He also spent some months travelling in France, Spain and Italy, in company, for part of the time, with young George Villiers, afterwards 1st Duke of Buckingham.
Parliamentary career
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Oedipus the King
Oedipus the King (Ancient Greek: Οἰδίπους Τύραννος IPA: [oidípuːs týranːos], Oidipous Tyrannos), also known by its Latin title Oedipus Rex, is an Athenian tragedy by Sophocles that was first performed around 429 BC. Of his three Theban Plays that deal with Oedipus, Oedipus the King was the second to be written. However, in terms of the chronology of events that the plays describe, it comes first, followed by Oedipus at Colonus and then Antigone.
Oedipus the King tells the story of Oedipus, a man who becomes the king of Thebes, while unwittingly fulfilling a prophecy that he would kill his father, Laius, and marry his mother, Jocasta.
Aristotle wrote in his Poetics that Oedipus the King was the great exemplar of Greek tragedy; the play is now widely regarded as Sophocles' masterpiece.
Background
Many parts or elements of the myth of Oedipus take place before the opening scene of the play. They may be described or referred to in the text. In his youth, Laius was a guest of King Pelops of Elis, and became the tutor of Chrysippus, youngest of the king's sons, in chariot racing. He then violated the sacred laws of hospitality by abducting and raping Chrysippus, who according to some versions, killed himself in shame. This murder cast a doom over Laius, his son Oedipus, and all of his other descendants. However, most scholars are in agreement that the seduction or rape of Chrysippus was a late addition to the Theban myth.
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Oedipus rex (opera)
Oedipus rex is an "Opera-oratorio after Sophocles" by Igor Stravinsky, scored for orchestra, speaker, soloists, and male chorus. The libretto, based on Sophocles's tragedy, was written by Jean Cocteau in French and then translated by Abbé Jean Daniélou into Latin (the narration, however, is performed in the language of the audience).
Oedipus rex was written towards the beginning of Stravinsky's neoclassical period. He had considered setting the work in Ancient Greek, but decided ultimately on Latin: in his words "a medium not dead but turned to stone."
Performance history
Oedipus rex is sometimes performed in the concert hall as an oratorio, similarly to its original performance in the Théâtre Sarah Bernhardt in Paris on 30 May 1927, and at its American premiere the following year, given by the Boston Symphony Orchestra and the Harvard Glee Club.
It has also been presented on stage as an opera, the first such performance being at the Vienna State Opera on 23 February 1928. It was subsequently presented three times by the Santa Fe Opera in 1960, 1961, and 1962 with the composer in attendance. In January 1962 it was performed in Washington, D.C., by the Opera Society of Washington (now the Washington National Opera) with the composer conducting.
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An Evening Wasted with Tom Lehrer
An Evening Wasted with Tom Lehrer is an album recorded by Tom Lehrer, the well-known satirist and Harvard lecturer. The recording was made on March 20-21, 1959 in Sanders Theater at Harvard.
Track listing
Song highlights
"Poisoning Pigeons in the Park"
The lyrics parody springtime songs.
As is common with Lehrer's songs, the self-described "corncrake-voiced" delivery is accompanied by a series of contrived rhymes. The poison names produce rhymes such as "try an' hide" with "cyanide", and "quickenin'" with "strychnine".
This song was also part of the studio-recorded album, More of Tom Lehrer, and had its moments. Before the first orchestra rehearsal, the pianist had seen the sheet music. It had only the notes, but no title or lyrics. At first glance, he recognized the style ("Oh, it's a waltz"). However, when the conductor announced the title, saying, "'Poisoning Pigeons in the Park', take one", the pianist shouted, "WHAT?!", and fell off his bench. Observing this, Lehrer remarked, "I had never seen anything like that."
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Podcasts:
Sir John Eliot Gardiner
ALBUMS
- Opera Arias released: 2012
- Bach Motets released: 2012
- Cantatas for Christmas and the New Year released: 2012
- Symphony 4 released: 2010
- Symphony 3 released: 2009
- Symphony 2 released: 2009
- Symphony 1 released: 2008
- BBC Music, Volume 16, Number 4: Christmas Choral Music (Monteverdi Choir, John Eliot Gardiner) released: 2007
- Requiem (Messe des morts) released: 2007
- Pilgrimage to Santiago released: 2006
- Santiago a Capella released: 2005
- Violin Concertos released: 2003
- Nelsonmesse (Missa in angustiis) / Theresienmesse released: 2002
- War Requiem / Spring Symphony / Five Flower Songs / Hymn to St. Cecilia released: 2002
- Enigma Variations released: 2002
- Vivaldi: Gloria / Händel: Gloria / Händel: Dixit Dominus released: 2001
- Falstaff released: 2001
- The Piano Concertos released: 1999
- Schumann: Das Paradies und die Peri, Requiem für Mignon - Gardiner released: 1999
- Elgar: Cello Concerto / Bloch: Schelomo / Kabalevsky: Cello Concerto no. 2 / Tchaikovsky: Rococo Variations / R. Strauss: Don Quixote released: 1998
- Complete Symphonies released: 1998
- Once as I Remember... released: 1998
- Spring Symphony / Hymn to St. Cecilia / Five Flower Songs released: 1997
- Die Zauberflöte released: 1996
- Piano Concertos 20 & 24 (Bilson, Gardiner) released: 1995
- Don Giovanni released: 1995
- Holst: The Planets / Grainger: The Warriors released: 1995
- Speak Low: Songs by Kurt Weill & The Seven Deadly Sins released: 1994
- Don Juan : Le Festin de Pierre released: 1993
- Symphonies no. 8 & 9 released: 1993
- Julian Bream Edition, Volume 28: Concierto de Aranjuez / Fantasía para un gentilhombre / Tres piezas españolas / Invocation et Danse released: 1993
- Brahms: 9 Hungarian Dances / Dvorak: Symphonic Variations / Czech Suite released: 1993
- Symphonie fantastique released: 1993
- Exsultate jubilate released: 1993
- War Requiem released: 1992
- Vespro della Beata Vergine released: 1990
- Missa Solemnis released: 1990
- L'Orfeo released: 1987
- Requiem in D minor / Kyrie in D minor released: 1987
- Solomon released: 1985
- Mass in B minor released: 1985
- The Indian Queen released:
- 9 Symphonies released:
Opera Arias
Released 2012- Le nozze di Figaro, K. 492: Overture
- Le nozze di Figaro, K. 492: Act I. "Non più andrai"
- Le nozze di Figaro, K. 492: Act II. "Porgi amor"
- Le nozze di Figaro, K. 492: Act III. "Vedro mentr'io sospiro"
- Le nozze di Figaro, K. 492: Act III. "Che soave zeffiretto"
- Le nozze di Figaro, K. 492: Act IV. "Deh vieni, non tardar"
- Don Giovanni, ossia Il dissoluto punito, K. 527: Act I. "Là ci darem la mano"
- Don Giovanni, ossia Il dissoluto punito, K. 527: Act I. "Fin ch'han dal vino"
- Don Giovanni, ossia Il dissoluto punito, K. 527: Appendix. "Il mio tesoro intanto" (Don Ottavio)
- Don Giovanni, ossia Il dissoluto punito, K. 527: Act II. "Mi tradì quell'alma ingrata"
- Così fan tutte, K. 588: Act I. "Soave sia il vento"
- Così fan tutte, K. 588: Act II. "Donne mie, la fate a tanti"
- Così fan tutte, K. 588: Act II. "E amore un ladroncello"
- La clemenza di Tito, K. 621: Act I. "Parto, ma tu ben mio"
- Die Zauberflöte, K. 620: Act I. "Der Vogelfänger bin ich ja" (Papageno)
- Die Zauberflöte, K. 620: Act II. "Der Hölle Rache kocht in meinem Herzen" (Königin der Nacht)
- Die Zauberflöte, K. 620: Act II. "Ach, ich fühl's...Nichr wahr, Tamino"
- Die Zauberflöte, K. 620: Act II. "Ein Mädchen oder Weibchen" (Papageno)
- Die Zauberflöte, K. 620: Act II. "Papagena! Weibchen! Täubchen!" / "Pa-pa-gena!" / "Pa- pa-geno!"
Bach Motets
Released 2012- Lobet den Herrn, alle Heiden, BWV 230
- Komm, Jesu, komm, BWV 229
- Der Geist hilft unser Schwachheit auf, BWV 226
- Jesu, meine Freude, BWV 227: Jesu, meine Freude
- Jesu, meine Freude, BWV 227: Es ist nun nichts Verdammliches
- Jesu, meine Freude, BWV 227: Unter deinem Schirmen
- Jesu, meine Freude, BWV 227: Denn das Gesetz des Geistes
- Jesu, meine Freude, BWV 227: Trotz dem alten Drachen
- Jesu, meine Freude, BWV 227: Ihr aber seid nicht fleischlich
- Jesu, meine Freude, BWV 227: Weg mit allen Schätzen!
- Jesu, meine Freude, BWV 227: So aber Christus in euch ist
- Jesu, meine Freude, BWV 227: Gute Nacht, o Wesen
- Jesu, meine Freude, BWV 227: So nun der Geist
- Jesu, meine Freude, BWV 227: Weicht, ihr Trauergeister
- Fürchte dich nicht, ich bin bei dir, BWV 228
- Singet dem Herrn ein neues Lied, BWV 225: Singet dem Herrn ein neues Lied
- Singet dem Herrn ein neues Lied, BWV 225: Wie sich ein Vater erbarmet
- Singet dem Herrn ein neues Lied, BWV 225: Lobet den Herrn in seinen Taten
- Ich lasse dich nich, du segnest mich denn, BWV Anh. 159
Cantatas for Christmas and the New Year
Released 2012- Kantate, BWV 63 "Christen, ätzet diesen Tag": I. Coro "Christen, ätzet diesen Tag"
- Kantate, BWV 63 "Christen, ätzet diesen Tag": II. Recitativo (Alto) "O selger Tag! o ungemeines Heute"
- Kantate, BWV 63 "Christen, ätzet diesen Tag": III. Aria (Duetto: Soprano, Basso) "Gott, du hast es wohl gefüget"
- Kantate, BWV 63 "Christen, ätzet diesen Tag": IV. Recitativo (Tenore) "So kehret sich nun heut das bange Leid"
- Kantate, BWV 63 "Christen, ätzet diesen Tag": V. Aria (Duetto: Alto, Tenore) "Ruft und fleht den Himmel an"
- Kantate, BWV 63 "Christen, ätzet diesen Tag": VI. Recitativo (Basso) "Verdoppelt euch demnach, ihr heißen Andachtsflammen"
- Kantate, BWV 63 "Christen, ätzet diesen Tag": VII. Coro "Höchster, schau in Gnaden an diese Glut gebückter Seelen!"
- Kantate, BWV 191 "Gloria in excelsis Deo": I. Coro "Gloria in excelsis Deo"
- Kantate, BWV 191 "Gloria in excelsis Deo": II. Aria (Duetto: Soprano, Tenore) "Gloria Patri"
- Kantate, BWV 191 "Gloria in excelsis Deo": III. Coro "Sicut erat in principio"
Symphony 4
Released 2010- Coriolan, Op. 62: Overture. Allegro con brio
- Symphoniae Sacrae (1615): Sanctus et Benedictus a 12
- Symphoniarum Sacrae III, Op. 12 No. 18: Saul, Saul, was verfolgst du mich?
- Kantate, BWV 150 "Nach Dir, Herr, verlanget mich": VI. Coro "Meine Augen sehen stets zu dem Herrn"
- Kantate, BWV 150 "Nach Dir, Herr, verlanget mich": VII. Coro "Meine Tage in dem Leide"
- Geistliches Lied, Op. 30
- Fest-und Gedenksprüche, Op. 109 No. 1: Unsere Väter hofften auf dich
- Fest-und Gedenksprüche, Op. 109 No. 2: Wenn ein starker Gewappneter
- Fest-und Gedenksprüche, Op. 109 No. 3: Wo ist ein so herrlich Volk
- Symphony No. 4 in E minor, Op. 98: I. Allegro non troppo
- Symphony No. 4 in E minor, Op. 98: II. Andante moderato
- Symphony No. 4 in E minor, Op. 98: III. Allegro giocoso
- Symphony No. 4 in E minor, Op. 98: IV. Allegro energico e passionato
Symphony 3
Released 2009- Ich schwing mein Horn ins Jammertal, Op. 41 No. 1
- Es tönt ein voller Harfenklang, Op. 17 No. 1
- Nachtwache I, Op. 104 No. 1
- Einförmig ist der Liebe Gram, Op. 113 No. 13
- Gesang der Parzen, Op.89
- Symphony No. 3 in F major, Op. 90: I. Allegro con brio
- Symphony No. 3 in F major, Op. 90: II. Andante
- Symphony No. 3 in F major, Op. 90: III. Poco allegretto
- Symphony No. 3 in F major, Op. 90: IV. Allegro
- Nänie, Op. 82
Symphony 2
Released 2009- Alto Rhapsody, op. 53
- Gesang der Geister über dem Wassern, D. 714
- Gruppe as dem Tartarus, D. 583
- An Schwager Kronos, D. 369
- Symphony no. 2 in D major, op. 73: I. Allegro non troppo
- Symphony no. 2 in D major, op. 73: II. Adagio non troppo - L'istesso tempo, ma grazioso
- Symphony no. 2 in D major, op. 73: III. Allegretto grazioso - Presto ma non assai
- Symphony no. 2 in D major, op. 73: IV. Allegro con spirito
Symphony 1
Released 2008- Begräbnisgesang, Op. 13
- Mitten wir im Leben sind, Op. 23 No. 3
- Schicksalslied, Op. 54
- Symphony No. 1 in C minor, Op. 68: I. Un poco sostenuto - Allegro
- Symphony No. 1 in C minor, Op. 68: II. Andante sostenuto
- Symphony No. 1 in C minor, Op. 68: III. Un poco allegretto e grazioso
- Symphony No. 1 in C minor, Op. 68: IV. Adagio - Più andante - Allegro non troppo, ma con brio
BBC Music, Volume 16, Number 4: Christmas Choral Music (Monteverdi Choir, John Eliot Gardiner)
Released 2007- Cantata, BWV 110 "Unser Mund sei voll Lachens": I. Chorus "Unser Mund sei voll Lachens"
- Cantata, BWV 110 "Unser Mund sei voll Lachens": II. Aria (tenor) "Ihr Gedanken und Ihr Sinnen"
- Cantata, BWV 110 "Unser Mund sei voll Lachens": III. Recitativo (bass) "Dir, Herr, ist niemand gleich"
- Cantata, BWV 110 "Unser Mund sei voll Lachens": IV. Aria (alto) "Ach Herr, was ist ein Menschenkind"
- Cantata, BWV 110 "Unser Mund sei voll Lachens": V. Aria - Duetto (soprano, tenor) "Ehre sei Gott in der Hohe"
- Cantata, BWV 110 "Unser Mund sei voll Lachens": VI. Aria (bass) "Wacht auf, ihr Adern und ihr Glieder"
- Cantata, BWV 110 "Unser Mund sei voll Lachens": VII. Chorus "Halleluja! Halleluja! Gelobt sei Gott"
- Motet "Nesciens Mater"
- Cantata, BWV 40 "Dazu ist erschienen der Sohn Gottes": I. Chorus "Dazu ist erschienen der Sohn Gottes"
- Motet "O Maria vernans rosa"
- Cantata, BWV 133 "Ich freue mich in dir": I. Chorus "Ich freue mich in dir"
- L'Enfance du Christ, Op. 25: Part II, No. 8. L'adieu des bergers
- Cantata, BWV 190 "Singet dem Herrn ein neues Lied!": I. Chorus "Singet dem Herrn ein neues Lied!"
Pilgrimage to Santiago
Released 2006- Dum pater familias
- Congaudeant catholici
- O Virgo splendens
- Parce mihi Domine
- Alma perpetui
- Jesu rex admirabilis
- Rite majorem
- O quam gloriosum
- Missa O quam gloriosum: Kyrie
- Psallat chorus caelestium
- Missa O quam gloriosum: Gloria
- O lux et decus Hispaniae
- Missa O quam gloriosum: Sanctus
- Missa O quam gloriosum: Benedictus
- O venerande Christi
- Missa O quam gloriosum: Agnus Dei
- Nesciens mater
- O Maria vernans rosa
- Vadam et circuilbo
- Justorum animae
- Sanctus
Violin Concertos
Released 2003- Violin Concerto in D major, Op. 61: I. Allegro ma non troppo (cadenza: Ottavio Dantone)
- Violin Concerto in D major, Op. 61: II. Larghetto
- Violin Concerto in D major, Op. 61: III. Rondo (cadenza: Ottavio Dantone)
- Violin Concerto in E minor, Op. 64: I. Allegro molto appassionato
- Violin Concerto in E minor, Op. 64: II. Andante
- Violin Concerto in E minor, Op. 64: III. Allegretto non troppo - Allegro molto vivace
Nelsonmesse (Missa in angustiis) / Theresienmesse
Released 2002- Missa in angustiis, Hob. XXII:11 "Nelsonmesse": Kyrie
- Missa in angustiis, Hob. XXII:11 "Nelsonmesse": Gloria in excelsis Deo
- Missa in angustiis, Hob. XXII:11 "Nelsonmesse": Qui tollis peccata mundi
- Missa in angustiis, Hob. XXII:11 "Nelsonmesse": Quoniam tu solus Sanctus
- Missa in angustiis, Hob. XXII:11 "Nelsonmesse": Credo in unum Deum
- Missa in angustiis, Hob. XXII:11 "Nelsonmesse": Et incarnatus est
- Missa in angustiis, Hob. XXII:11 "Nelsonmesse": Et resurrexit
- Missa in angustiis, Hob. XXII:11 "Nelsonmesse": Sanctus
- Missa in angustiis, Hob. XXII:11 "Nelsonmesse": Benedictus
- Missa in angustiis, Hob. XXII:11 "Nelsonmesse": Agnus Dei
- Missa in angustiis, Hob. XXII:11 "Nelsonmesse": Dona nobis pacem
- Te Deum, Hob. XXIIIc:2
War Requiem / Spring Symphony / Five Flower Songs / Hymn to St. Cecilia
Released 2002- Spring Symphony, Op. 44, Part I: Introduction: "Shine out, fair sun" (Chorus)
- Spring Symphony, Op. 44, Part I: The Merry Cuckoo (Tenor)
- Spring Symphony, Op. 44, Part I: Spring, the Sweet Spring (Soprano, Contralto, Tenor, Chorus)
- Spring Symphony, Op. 44, Part I: The Driving Boy (Children's Chorus)
- Spring Symphony, Op. 44, Part I: The Morning Star (Chorus)
- Spring Symphony, Op. 44, Part II: Welcome Maids of Honour (Contralto)
- Spring Symphony, Op. 44, Part II: Waters Above! (Tenor)
- Spring Symphony, Op. 44, Part II: Out on the Lawn I Lie in Bed (Alto, Chorus)
- Spring Symphony, Op. 44, Part III: When Will My May Come (Tenor)
- Spring Symphony, Op. 44, Part III: Fair and Fair (Soprano, Tenor)
- Spring Symphony, Op. 44, Part III: Sound the Flute! (Chorus, Children's Chorus)
- Spring Symphony, Op. 44, Part IV: Finale: "London, to Thee I Do Present" (Tenor, Contralto, Soprano, Chorus, Children's Chorus)
- Hymn to St. Cecilia, Op. 27: I. In a garden shady
- Hymn to St. Cecilia, Op. 27: II. I cannot grow
- Hymn to St. Cecilia, Op. 27: II. O ear whose creatures
- Five Flower Songs Op. 47: 1. To Daffodils
- Five Flower Songs Op. 47: 2. The Succession of the Four Sweet Months
- Five Flower Songs Op. 47: 3. Marsh Flowers
- Five Flower Songs Op. 47: 4. The Evening Primrose
- Five Flower Songs Op. 47: 5. Ballad of Green Broom
- War Requiem, Op. 66: I. Requiem aeternam: Requiem aeternam (Chorus)
- War Requiem, Op. 66: I. Requiem aeternam: "What passing bells for these who die as cattle?" (Tenor)
Enigma Variations
Released 2002- In the South (Alassio), op. 50
- Introduction and Allegro for Strings, op. 47
- Sospiri: Adagio for Strings, Harp and Organ, op. 70
- Variations on an Original Theme, op. 36 "Enigma": Theme (Andante)
- Variations on an Original Theme, op. 36 "Enigma": I. C.A.E. (L'istesso tempo)
- Variations on an Original Theme, op. 36 "Enigma": II. H.D.S.-P. (Allegro)
- Variations on an Original Theme, op. 36 "Enigma": III. R.B.T. (Allegretto)
- Variations on an Original Theme, op. 36 "Enigma": IV. W.M.B. (Allegro di molto)
- Variations on an Original Theme, op. 36 "Enigma": V. R.P.A. (Moderato)
- Variations on an Original Theme, op. 36 "Enigma": VI. Ysobel (Andantino)
- Variations on an Original Theme, op. 36 "Enigma": VII. Troyte (Presto)
- Variations on an Original Theme, op. 36 "Enigma": VIII. W.N. (Allegretto)
- Variations on an Original Theme, op. 36 "Enigma": IX. Nimrod (Adagio)
- Variations on an Original Theme, op. 36 "Enigma": X. Intermezzo: Dorabella (Allegretto)
- Variations on an Original Theme, op. 36 "Enigma": XI. G.R.S. (Allegro di molto)
- Variations on an Original Theme, op. 36 "Enigma": XII. B.G.N. (Andante)
- Variations on an Original Theme, op. 36 "Enigma": XIII. Romanza *** (Moderato)
- Variations on an Original Theme, op. 36 "Enigma": XIV. Finale: E.D.U. (Allegro - Presto)
Vivaldi: Gloria / Händel: Gloria / Händel: Dixit Dominus
Released 2001- Gloria in D major, RV 589: I. Gloria in excelsis Deo
- Gloria in D major, RV 589: II. Et in terra pax
- Gloria in D major, RV 589: III. Laudamus te
- Gloria in D major, RV 589: IV. Gratias agimus tibi / V. Propter magnam gloriam
- Gloria in D major, RV 589: VI. Domine Deus, Rex coelestis
- Gloria in D major, RV 589: VII. Domine Fili unigenite
- Gloria in D major, RV 589: VIII. Domine Deus, Agnus Dei
- Gloria in D major, RV 589: IX. Qui tollis peccata mundi
- Gloria in D major, RV 589: X. Qui sedes ad dexteram Patris
- Gloria in D major, RV 589: XI. Quoniam tu solus sanctus
- Gloria in D major, RV 589: XII. Cum sancto spiritu
- Gloria in B-flat major: I. Gloria in excelsis Deo
- Gloria in B-flat major: II. Et in terra pax
- Gloria in B-flat major: III. Laudamus te
- Gloria in B-flat major: IV. Domine Deus, Rex coelestis
- Gloria in B-flat major: V. Qui tollis peccata mundi
- Gloria in B-flat major: VI. Quoniam tu solus sanctus
- Dixit Dominus: I. Dixit Dominus
- Dixit Dominus: II. Virgam virtutis tuae
- Dixit Dominus: III. Tecum principium in die virtutis
- Dixit Dominus: IV. Juravit Dominus
- Dixit Dominus: V. Tu es sacerdos in aeternum
- Dixit Dominus: VI. Dominus a dextris tuis
- Dixit Dominus: VII a. Judicabit in nationibus
- Dixit Dominus: VII b. Conquassabit capita
- Dixit Dominus: VIII. De torrente in via bibet
- Dixit Dominus: IX. Gloria Patri
Falstaff
Released 2001- Falstaff: Atto I, Parte I. "Falstaff!" (Cajus)
- Falstaff: Atto I, Parte I. "6 polli: 6 scellini" (Falstaff)
- Falstaff: Atto I, Parte I. "Ehi! paggio! Andate a impendervi" (Falstaff)
- Falstaff: Atto I, Parte II. "Alice" (Meg)
- Falstaff: Atto I, Parte II. "'Fulgida Alice! amor t'offro...'" (Meg)
- Falstaff: Atto I, Parte II. "E'un ribaldo, un furbo, un ladro" (Cajus)
- Falstaff: Atto I, Parte II. "Pst, pst, Nannetta" (Fenton)
- Falstaff: Atto I, Parte II. "Falstaff m'ha canzonata" (Alice)
- Falstaff: Atto I, Parte II. "Torno all'assalto" (Fenton)
- Falstaff: Atto I, Parte II. "Udrai quanta egli sfoggia" (Bardolfo)
- Falstaff: Atto II, Parte I. "Siam pentiti e contriti" (Bardolfo, Pistola)
- Falstaff: Atto II, Parte I. "Reverenza!" (Quickly)
- Falstaff: Atto II, Parte I. "Alice è mia!" (Falstaff)
- Falstaff: Atto II, Parte I. "Signore, v'assista il cielo!" (Ford)
- Falstaff: Atto II, Parte I. "In me vedete un uom" (Ford)
- Falstaff: Atto II, Parte I. "E' sogno? o realtà" (Ford)
The Piano Concertos
Released 1999- Concerto for Piano and Orchestra no. 5 in D major, K. 175: I. Allegro
- Concerto for Piano and Orchestra no. 5 in D major, K. 175: II. Andante ma un poco adagio
- Concerto for Piano and Orchestra no. 5 in D major, K. 175: III. Allegro
- Concerto for Piano and Orchestra no. 6 in B-flat major, K. 238: I. Allegro aperto
- Concerto for Piano and Orchestra no. 6 in B-flat major, K. 238: II. Andante un poco adagio
- Concerto for Piano and Orchestra no. 6 in B-flat major, K. 238: III. Rondeau. Allegro
- Concerto for 3 Pianos and Orchestra no. 7 in F major, K. 242 "Lodron": I. Allegro
- Concerto for 3 Pianos and Orchestra no. 7 in F major, K. 242 "Lodron": II. Adagio
- Concerto for 3 Pianos and Orchestra no. 7 in F major, K. 242 "Lodron": III. Rondeau. Tempo di menuetto
- Concert Rondo for Piano and Orchestra in D. K. 382: Allegretto grazioso-Adagio-Allegro
Schumann: Das Paradies und die Peri, Requiem für Mignon - Gardiner
Released 1999- Das Paradies: 10. Die Peri tritt (Tenor-Solo); Gern grüssen wir, die so gegangen (Der Engel, Chor)
- Das Paradies: 11. Ihr erstes Himmelshoffen (Tenor-Solo); Hervor aus den Wässern (Chor, Die Peri)
- Das Paradies: 12. Fort streift von hier (Tenor-Solo); Für euren ersten Fall (Die Peri)
- Das Paradies: 13. Die Peri weint (Tenor-Solo, Vokalquartett)
- Das Paradies: 14. Im Waldesgrün am stillen See (Alt-Solo); Ach, einen Tropfen (Der Jüngling)
- Das Paradies: 15. Verlassener Hüngling (Mezzosopran-Solo); Doch sieh, we naht (Tenor-Solo); Du hier? (Der Jüngling)
- Das Paradies: 16. O lass mich von der Luft (Die Jungfrau); Sie wankt - sie sinkt (Tenor-Solo)
- Das Paradies: 17. Schlaf nun und ruhe in Träumen (Die Peri, Chor)
- Das Paradies: 18. Schmücket die Stufen (Chor); Auch der Geliebten (Vokalquartett); Seht da, die Bahn (Sopran I, II, Chor)
- Das Paradies: 19. Dem Sang von ferne (Tenor-Solo); Noch nicht! (Der Engel)
- Das Paradies: 20. Verstossen! Verschlossen aufs neu das Goldportal! (Die Peri)
- Das Paradies: 21. Jetzt sank des Abends goldner Schein (Bariton-Solo)
- Das Paradies: 22. Und wie sie niederwärts (Tenor-Solo); Peri, ist's wahr (Vokalquartett); Mit ihrer Schwestern (Bariton-Solo)
- Das Paradies: 23. Hinab zu jenem (Die Peri); Sie schwebt herab (Tenor-Solo); Doch horch (Mezzosopran-Solo)
- Das Paradies: 24. O heil'ge Tränen inn'ger Reue (Vokalquartett, Chor)
- Das Paradies: 25. Es fällt ein Tropfen (Die Peri); Und sieh, demütig betend (Tenor-Solo, Chor)
- Das Paradies: Freud', ew'ge Fruede; Wilkommen, wilkommen unter den Frommen! (Die Peri, Chor)
Elgar: Cello Concerto / Bloch: Schelomo / Kabalevsky: Cello Concerto no. 2 / Tchaikovsky: Rococo Variations / R. Strauss: Don Quixote
Released 1998- Cello Concerto in E minor, op. 85: I. Adagio – Moderato
- Cello Concerto in E minor, op. 85: II. Lento – Allegro molto
- Cello Concerto in E minor, op. 85: III. Adagio
- Cello Concerto in E minor, op. 85: IV. Allegro – Moderato – Allegro ma non troppo
- Schelomo, Hebraic Rhapsody for cello and large orchestra
- Cello Concerto no. 2 in C major, op. 77: I. Molto sostenuto – Allegro molto e energico
- Cello Concerto no. 2 in C major, op. 77: II. Presto marcato
- Cello Concerto no. 2 in C major, op. 77: III. Andante con moto – Allegro
Complete Symphonies
Released 1998- Konzertstück for 4 Horns and Orchestra in F major, op. 86: I. Lebhaft
- Konzertstück for 4 Horns and Orchestra in F major, op. 86: II. Romanze - Ziemlich langsam, doch nicht schleppend
- Konzertstück for 4 Horns and Orchestra in F major, op. 86: III. Sehr lebhaft
- Symphony no. 3 in E-flat major, op. 97 "Rheinische": I. Lebhaft
- Symphony no. 3 in E-flat major, op. 97 "Rheinische": II. Scherzo. Sehr mäßig
- Symphony no. 3 in E-flat major, op. 97 "Rheinische": III. Nicht schnell
- Symphony no. 3 in E-flat major, op. 97 "Rheinische": IV. Feierlich
- Symphony no. 3 in E-flat major, op. 97 "Rheinische": V. Lebhaft
- Symphony no. 4 in D minor, op. 120 (1851 Version): I. Ziemlich langsam - Lebhaft
- Symphony no. 4 in D minor, op. 120 (1851 Version): II. Romanza - Ziemlich langsam
- Symphony no. 4 in D minor, op. 120 (1851 Version): III. Scherzo - Lebhaft
- Symphony no. 4 in D minor, op. 120 (1851 Version): IV. Etwas zurückhaltend
- Symphony no. 4 in D minor, op. 120 (1851 Version): V. Lebhaft
Once as I Remember...
Released 1998- Gloria in excelsis Deo
- Ave Maria, gratia plena
- Angelus ad Virginem
- Alma Redemptoris Mater
- Gabriel's Message
- Hodie Christus natus est
- Jolly Shepherd
- Hodie Christus est natus
- Past Three a Clock
- Es ist ein Ros' entsprungen
- There Is No Rose of Such Virtu
- Ave maris stella
- A Spotless Rose
- O magnum mysterium
- Ach Herr, Du Schöpfer
- This Endris Night
- Entre le bœuf
- Guillô, pran ton tamborin
- Psallite
- Quem vidistes pastores?
- The Cradle
- Lullaby
- El Rorro
- Once as I Remember
- The Lamb
- Joseph lieber, Joseph mein
- Entry of the Three Kings
- The King of All Kings
- Ring Out Ye Crystal Spheres
- Gloria in excelsis deo
Spring Symphony / Hymn to St. Cecilia / Five Flower Songs
Released 1997- Spring Symphony, Part 1: Introduction: "Shine out, fair sun"
- Spring Symphony, Part 1: The Merry Cuckoo
- Spring Symphony, Part 1: Spring, the Sweet Spring
- Spring Symphony, Part 1: The Driving Boy
- Spring Symphony, Part 1: The Morning Star
- Spring Symphony, Part II: Welcome Maids of Honour
- Spring Symphony, Part II: Waters above
- Spring Symphony, Part II: Out on the lawn I lie in bed
- Spring Symphony, Part III: When will my May come
- Spring Symphony, Part III: Fair and fair
- Spring Symphony, Part III: Sound the flute
- Spring Symphony, Part IV: Finale: "London, to thee I do present"
- Hymn to St. Cecilia, I: "In a garden shady"
- Hymn to St. Cecilia, II: "I cannot grow"
- Hymn to St. Cecilia, IIII: "O ear whose creatures"
- Five Flower Songs, I: To Daffodils
- Five Flower Songs, 2: The Succession of the Four Sweet Months
- Five Flower Songs, 3: Marsh Flowers
- Five Flower Songs, 4: The Evening Primrose
- Five Flower Songs, 5: Ballad of Green Broom
Die Zauberflöte
Released 1996- Die Zauberflöte: Ouvertüre
- Die Zauberflöte: Act I. Nr. 1 Introduktion: »Zu Hilfe ! Zu Hilfe« (Tamino, Die drei Damen)
- Die Zauberflöte: Act I. »Wo bin ich?« (Tamino)
- Die Zauberflöte: Act I. Nr. 2 Arie: »Der Vogelfänger bin ich ja« (Papageno)
- Die Zauberflöte: Act I. »He! Du da!« (Tamino, Papageno, Die drei Damen)
- Die Zauberflöte: Act I. Nr. 3 Arie: »Dies Bildnis ist bezaubernd schön« (Tamino)
- Die Zauberflöte: Act I. »Rüste dich mit Mut und Standhaftigkeit« (Die drei Damen, Tamino)
- Die Zauberflöte: Act I. Nr. 4 Rezitativ und Arie: »O zittre nicht, mein lieber Sohn!« – »Zum Leiden bin ich auserkoren« (Königin der Nacht)
- Die Zauberflöte: Act I. »War das Wirklichkeit, was ich sah?« (Tamino)
- Die Zauberflöte: Act I. Nr. 5 Quintett: »Hm, hm, hm« (Papageno, Tamino, Die drei Damen)
- Die Zauberflöte: Act I. Nr. 6 Terzett: »Du feines Täubchen, nur herein!« (Monostatos, Pamina, Papageno)
- Die Zauberflöte: Act I. »Mutter! Mutter!« (Pamina, Papageno)
- Die Zauberflöte: Act I. Nr. 7 Duett: »Bei Männern, welche Liebe fühlen« (Pamina, Papageno)
- Die Zauberflöte: Act I. Nr. 8 Finale: »Zum Ziele führt dich diese Bahn« (Die drei Knaben, Tamino, Priester, Sprecher)
- Die Zauberflöte: Act I. »Schnelle Füße, rascher Mut« (Pamina, Papageno)
- Die Zauberflöte: Act I. »Nur geschwinde!« (Monostatos, Pamina, Papageno, Chor)
- Die Zauberflöte: Act I. »Es lebe Sarastro« (Chor, Pamina, Sarastro)
- Die Zauberflöte: Act I. »Ja, stolzer Jüngling« (Monostatos, Pamina, Tamino, Chor, Sarastro)
- Die Zauberflöte: Act II. Nr. 9 Marsch der Priester
- Die Zauberflöte: Act II. Nr. 9a [Dreimaliger Akkord] »Eingeweihte Diener« (Sarastro, Sprecher, Zweiter und Dritter Priester)
- Die Zauberflöte: Act II. Nr. 10 Arie mit Chor: »O Isis und Osiris« (Sarastro, Chor)
- Die Zauberflöte: Appendix. Nr. 3a Arie: »So reizend hold, so zaubrisch schön« (Tamino)
- Die Zauberflöte: Appendix. Nr. 7a Duett: »Der Liebe holdes Glück empfinden« (Pamina, Papageno)
Piano Concertos 20 & 24 (Bilson, Gardiner)
Released 1995- Piano Concerto no. 20 in D minor, K 466: I. Allegro
- Piano Concerto no. 20 in D minor, K 466: II. Romance
- Piano Concerto no. 20 in D minor, K 466: III. Rondo. Allegro assai
- Piano Concerto no. 24 in C minor, K 491: I. Allegro
- Piano Concerto no. 24 in C minor, K 491: II. Larghetto
- Piano Concerto no. 24 in C minor, K 491: III. Allegretto
Don Giovanni
Released 1995- Don Giovanni: Atto II, Scena IX. Recitativo: “Dunque quello sei tu” (Zerlina, Donna Elvira, Don Ottavio, Masetto) / Recitativo: “Ah pietà… compassion” (Leporello, Don Ottavio) / Scena X. Recitativo: “Ferma, perfido, ferma” (Donna Elvira, Masetto, Zerlina, Don Ottavio)
- Don Giovanni: Atto II, Scena Xa. Recitativo: “Restati qua!” (Zerlina, Leporello)
- Don Giovanni: Atto II, Scena Xa. No. 21a Duetto: “Per queste tue manine” (Leporello, Zerlina)
- Don Giovanni: Atto II, Scena Xb. Recitativo: “Amico, per pietà” (Leporello) / Scena Xc. Recitativo: “Andiam, signora” (Zerlina, Donna Elvira, Masetto)
- Don Giovanni: Atto II, Scena Xd. No. 21b Recitativo accompagnato: “In quali eccessi, o Numi” (Donna Elvira)
- Don Giovanni: Atto II, Scena Xd. No. 21b Aria: “Mi tradì quell’alma ingrata” (Donna Elvira)
- Don Giovanni: Atto II, Scena XI. Recitativo: “Ah, ah, ah, ah, questa è buona” (Don Giovanni, Leporello, Il Commendatore)
- Don Giovanni: Atto II, Scena XI. No. 22 Duetto: “O statua gentilissima” (Leporello, Don Giovanni, Il Commendatore)
- Don Giovanni: Atto II, Scena XII. Recitativo: “Calmatevi, idol mio” (Don Ottavio, Donna Anna)
- Don Giovanni: Atto II, Scena XII. No. 23 Recitativo accompagnato: “Crudele! – Ah no, mio bene!” (Donna Anna)
- Don Giovanni: Atto II, Scena XII. No. 23 Rondo: “Non mi dir, bell’idol mio” (Donna Anna)
- Don Giovanni: Atto II, Scena XII. Recitativo: “Ah, si segua il suo passo” (Don Ottavio)
- Don Giovanni: Atto II, Scena XIII. No. 24 Finale: “Già la mensa è preparata” (Don Giovanni, Leporello)
- Don Giovanni: Atto II, Scena XIV. Recitativo: “L’ultima prova dell’amor mio” (Donna Elvira, Don Giovanni, Leporello)
- Don Giovanni: Atto II, Scena XV. “Don Giovanni, a cenar teco” (Il Commendatore, Don Giovanni, Leporello, Coro)
- Don Giovanni: Atto II, Scena ultima. “Ah! dove è il perfido” (Donna Anna, Donna Elvira, Zerlina, Don Ottavio, Masetto, Leporello)
- Don Giovanni: Appendix. Recitativo: “Dunque quello sei tu” (Zerlina, Donna Elvira, Don Ottavio, Masetto)
- Don Giovanni: Appendix. No. 20 Aria: “Ah, pietà, signori miei” (Leporello)
- Don Giovanni: Appendix. Recitativo: “Ferma, perfido, ferma” (Donna Elvira, Masetto, Zerlina, Don Ottavio)
- Don Giovanni: Appendix. No. 21 Aria: “Il mio tesoro intanto” (Don Ottavio)
- Don Giovanni: Appendix. Recitativo: “Ah, ah, ah, ah, questa è buona” (Don Giovanni, Leporello, Il Commendatore) / No. 22 Duetto: “O statua gentilissima” (Leporello, Don Giovanni, Il Commendatore)
Speak Low: Songs by Kurt Weill & The Seven Deadly Sins
Released 1994- Die sieben Todsünden: Prolog
- Die sieben Todsünden: I. Faulheit
- Die sieben Todsünden: II. Stolz
- Die sieben Todsünden: III. Zorn
- Die sieben Todsünden: IV. Völlerei
- Die sieben Todsünden: V. Unzucht
- Die sieben Todsünden: VI. Habsucht
- Die sieben Todsünden: VII. Neid
- Die sieben Todsünden: Epilog
- Lady in the Dark: My Ship
- Lady in the Dark: One Life to Live
- Buddy on the Nightshift
- Nannas Lied
- Happy End: Bilbao-Song
- Happy End: Surabaya-Johnny
- Happy End: Das Lied von der harten Nuss
- Je ne t'aime pas
- Schickelgruber
- Der Abschiedsbrief
- One Touch of Venus: Foolish Heart
- One Touch of Venus: Speak Low
- One Touch of Venus: I'm a Stranger Here Myself
Don Juan : Le Festin de Pierre
Released 1993- Sinfonia: allegro
- Allegro grazioso
- Andante
- Allegro maestoso
- Allegro furioso
- Allegro forte risoluto
- Risoluto moderato
- Gavotte
- Brillante
- Allegretto
- Moderato
- Giusto
- Allegro
- Andante grazioso
- Andante
- Presto
- Allegretto
- Andante
- Allegro giusto
- Moderato
- Andante
- Grazioso
- Allegretto
- Moderato
- Risoluto e Moderato
- Allegro
- Andante staccato
- Allegro
- Allegretto
- Larghetto
- Allegro no troppo
Symphonies no. 8 & 9
Released 1993- Symphony no. 9 in C major, D. 944 "The Great": I. Andante - Allegro ma non troppo
- Symphony no. 9 in C major, D. 944 "The Great": II. Andante con moto
- Symphony no. 9 in C major, D. 944 "The Great": III. Scherzo. Allegro vivace
- Symphony no. 9 in C major, D. 944 "The Great": IV. Allegro vivace
- Symphony no. 8 in B minor, D. 759 "Unfinished": I. Allegro moderato
- Symphony no. 8 in B minor, D. 759 "Unfinished": II. Andante con moto
Julian Bream Edition, Volume 28: Concierto de Aranjuez / Fantasía para un gentilhombre / Tres piezas españolas / Invocation et Danse
Released 1993- Concierto de Aranjuez: Allegro con spirito
- Concierto de Aranjuez: Adagio
- Concierto de Aranjuez: Allegro gentile
- Tres piezas españolas: Fandango
- Tres piezas españolas: Passacaglia
- Tres piezas españolas: Zapateado
- Invocation and Dance (Hommage à Manuel de Falla)
- Fantasía para un gentilhombre: Villano
- Fantasía para un gentilhombre: Ricercare
- Fantasía para un gentilhombre: Españoleta
- Fantasía para un gentilhombre: Fanfare de la caballería de Nápoles
- Fantasía para un gentilhombre: Danza de las hachas
- Fantasía para un gentilhombre: Canario
Brahms: 9 Hungarian Dances / Dvorak: Symphonic Variations / Czech Suite
Released 1993- Symphonic Variations on an Original Theme, Op. 78
- Czech Suite, Op. 39: I. Preludium. Pastorale
- Czech Suite, Op. 39: II. Polka
- Czech Suite, Op. 39: III. Sousedská. Minuetto
- Czech Suite, Op. 39: IV. Romance
- Czech Suite, Op. 39: V. Finale. Furiant
- Hungarian Dance No. 1
- Hungarian Dance No. 3
- Hungarian Dance No. 5
- Hungarian Dance No. 10
- Hungarian Dance No. 16
- Hungarian Dance No. 18
- Hungarian Dance No. 19
- Hungarian Dance No. 20
- Hungarian Dance No. 21
Symphonie fantastique
Released 1993- Symphonie fantastique, Op. 14: I. "Rêveries - passions" Largo - allegro agitato e appassionato assai
- Symphonie fantastique, Op. 14: II. "Un bal" Valse. allegro non troppo
- Symphonie fantastique, Op. 14: III. "Scène aux champs" Adagio
- Symphonie fantastique, Op. 14: IV. "Marche au supplice" Allegretto non troppo
- Symphonie fantastique, Op. 14: V. "Songe d'une nuit de sabbat" Larghetto - Allegro - Dies irae - Ronde du sabbat (Un peu retenu) - Dies irae et Ronde du sabbat ensemble
Exsultate jubilate
Released 1993- Silete venti, HWV 242: I. Symphonia - Silete venti
- Silete venti, HWV 242: II. Dulcis amor, Jesus care
- Silete venti, HWV 242: III. O fortunata anima
- Silete venti, HWV 242: IV. Date serta, date flores
- Silete venti, HWV 242: V. Alleluia
- Laudate pueri Dominum, HWV 237: I. Laudate pueri
- Laudate pueri Dominum, HWV 237: II. Sit nomen Domini
- Laudate pueri Dominum, HWV 237: III. A solis ortu
- Laudate pueri Dominum, HWV 237: IV. Excelsus super omnes
- Laudate pueri Dominum, HWV 237: V. Quis sicut Dominus
- Laudate pueri Dominum, HWV 237: VI. Suscitans a terra
- Laudate pueri Dominum, HWV 237: VII. Qui habitare facit
- Laudate pueri Dominum, HWV 237: VIII. Gloria Patri
- Exsultate jubilate, K. 165: I. Exsultate, jubilate
- Exsultate jubilate, K. 165: II. Fulget amica dies
- Exsultate jubilate, K. 165: III. Tu virginum corona
- Exsultate jubilate, K. 165: IV. Alleluia
War Requiem
Released 1992- War Requiem, Op. 66: I. Requiem aeternam: Requiem aeternam
- War Requiem, Op. 66: I. Requiem aeternam: What passing-bells for these who die as cattle?
- War Requiem, Op. 66: II. Dies irae: Dies irae, dies illa
- War Requiem, Op. 66: II. Dies irae: Bugles sang, saddening the evening air
- War Requiem, Op. 66: II. Dies irae: Liber scriptus proferetur
- War Requiem, Op. 66: II. Dies irae: Out there, we've walked quite friendly up to Death
- War Requiem, Op. 66: II. Dies irae: Recordare Jesu pie
- War Requiem, Op. 66: II. Dies irae: Be slowly lifted up, thou long black arm
- War Requiem, Op. 66: II. Dies irae: Dies irae, dies illa
- War Requiem, Op. 66: II. Dies irae: Lacrimosa dies illa
- War Requiem, Op. 66: II. Dies irae: Move him into the sun/Lacrimosa
- War Requiem, Op. 66: III. Offertorium: Domine Jesu Christe/Sed signifer sanctus Michael... Quam olim Abrahae promisisti
- War Requiem, Op. 66: III. Offertorium: So Abram rose, and clave the wood/Hostias
Vespro della Beata Vergine
Released 1990- Vespro della Beata Vergine, SV 206: I. Domine ad adiuvandum
- Vespro della Beata Vergine, SV 206: II. Dixit dominus
- Vespro della Beata Vergine, SV 206: III. Nigra sum
- Vespro della Beata Vergine, SV 206: IV. Laudate pueri
- Vespro della Beata Vergine, SV 206: V. Pulchra es
- Vespro della Beata Vergine, SV 206: VI. Laetatus sum
- Vespro della Beata Vergine, SV 206: VII. Duo Seraphim
- Vespro della Beata Vergine, SV 206: VIII. Nisi dominus
- Vespro della Beata Vergine, SV 206: IX. Audi coelum
- Vespro della Beata Vergine, SV 206: X. Lauda Jerusalem
L'Orfeo
Released 1987- L'Orfeo: Toccata
- L'Orfeo: Prologo. "Dal mio Permesso"
- L'Orfeo: Atto primo. "In questo lieto e fortunato giorno" / "Vieni, Imeneo" / "Muse, onor di Parnaso"
- L'Orfeo: Atto primo. Balletto. "Lasciate i monti" / "Ma tu, gentil cantor"
- L'Orfeo: Atto primo. "Rosa del ciel" / "Io non dirò qual sia" / Balletto. "Lasciate i monti" / "Vieni, Imeneo"
- L'Orfeo: Atto primo. "Ma se il nostro gioir" / "Ecco Orfeo, cui pur"
- L'Orfeo: Atto secondo. Sinfonia / "Ecco pur ch'a voi ritorno"
- L'Orfeo: Atto secondo. "Mira che sé n'alletta" / "Dunque fa degni, Orfeo"
- L'Orfeo: Atto secondo. "Vi ricorda, o bosch'ombrosi"
- L'Orfeo: Atto secondo. "Ahi, caso acerbo" / "In un fiorito prato"
- L'Orfeo: Atto secondo. "Ahi, caso acerbo" / "Ma io, che in questa lingua"
- L'Orfeo: Atto secondo. Sinfonia / "Chi ne consola, ahi lassi?" / "Ahi, caso acerbo" / "Ma dove, ah dove" / "Ahi, caso acerbo"
Requiem in D minor / Kyrie in D minor
Released 1987- Requiem in D minor, K. 626 (Süßmayr completion): I. Introitus: "Requiem aeternam"
- Requiem in D minor, K. 626 (Süßmayr completion): II. "Kyrie eleison"
- Requiem in D minor, K. 626 (Süßmayr completion): IIIa. Sequenz: "Dies irae"
- Requiem in D minor, K. 626 (Süßmayr completion): IIIb. Sequenz: "Tuba mirum"
- Requiem in D minor, K. 626 (Süßmayr completion): IIIc. Sequenz: "Rex tremendae"
- Requiem in D minor, K. 626 (Süßmayr completion): IIId. Sequenz: "Recordare"
- Requiem in D minor, K. 626 (Süßmayr completion): IIIe. Sequenz: "Confutatis"
- Requiem in D minor, K. 626 (Süßmayr completion): IIIf. Sequenz: "Lacrimosa"
- Requiem in D minor, K. 626 (Süßmayr completion): IVa. Offertorium: "Domine Jesu"
- Requiem in D minor, K. 626 (Süßmayr completion): IVb. Offertorium: "Hostias"
- Requiem in D minor, K. 626 (Süßmayr completion): V. "Sanctus"
- Requiem in D minor, K. 626 (Süßmayr completion): VI. "Benedictus"
- Requiem in D minor, K. 626 (Süßmayr completion): VII. "Agnus Dei"
- Requiem in D minor, K. 626 (Süßmayr completion): VIII. Communio: "Lux aeterna"
- Kyrie for Chorus & Orchestra in D minor, K. 368a/341
Solomon
Released 1985- Solomon, HWV 67: Overture
- Solomon, HWV 67: Act I, Scene I. "Your harps and cymbals"
- Solomon, HWV 67: Act I, Scene I. "Praise ye the Lord"
- Solomon, HWV 67: Act I, Scene I. "With pious heart"
- Solomon, HWV 67: Act I, Scene I. "Almighty Power"
- Solomon, HWV 67: Act I, Scene I. "Imperial Solomon - Sacred rapture
- Solomon, HWV 67: Act I, Scene I. "Throughout the land"
- Solomon, HWV 67: Act I, Scene I. "Bless'd be the Lord"
- Solomon, HWV 67: Act I, Scene II. "And see my Queen"
- Solomon, HWV 67: Act I, Scene II. "Bless'd the day"
- Solomon, HWV 67: Act I, Scene II. "Thou fair inhabitant - Welcome as the dawn of day"
- Solomon, HWV 67: Act I, Scene II. "My blooming fair - Haste, haste"
- Solomon, HWV 67: Act I, Scene II. "When thou art absent - With thee th'unshelter'd moor I'd tread"
- Solomon, HWV 67: Act I, Scene II. "May no rash intruder"
- Solomon, HWV 67: Act II, Scene I. "From the censer"
- Solomon, HWV 67: Act II, Scene I. "Prais'd be the Lord"
- Solomon, HWV 67: Act II, Scene I. "Great prince - Thrice bless'd"
Mass in B minor
Released 1985- Mass in B minor BWV 232: I. Kyrie: Kyrie eleison
- Mass in B minor BWV 232: II. Kyrie: Christe eleison
- Mass in B minor BWV 232: III. Kyrie: Kyrie eleison
- Mass in B minor BWV 232: IV. Gloria: Gloria in exelsis (attacca)
- Mass in B minor BWV 232: V. Gloria: Et in terra pax
- Mass in B minor BWV 232: VI. Gloria: Laudamus te
- Mass in B minor BWV 232: VII. Gloria: Gratias agimus tibi
- Mass in B minor BWV 232: VIII. Gloria: Domine Deus (attacca)
- Mass in B minor BWV 232: IX. Gloria: Qui tollis peccata mundi
- Mass in B minor BWV 232: X. Gloria: Qui sedes ad dextram Patris
- Mass in B minor BWV 232: XI. Gloria: Quoniam tu solus sanctus (attacca)
- Mass in B minor BWV 232: XII. Gloria: Cum Sancto Spiritu
The Indian Queen
- 1st Music First Air
- 1st Music Second Air
- 2nd Music First Hornpipe
- 2nd Music Second Hornpipe
- Overture Adagio
- Overture Allegro
- Trumpet Tune
- Prologue "Wake, Quivera"
- Prologue "Why should men quarrel"
- Prologue "By ancient prophecies"
- Trumpet Tune Reprise
- Act2 1 Symphony Canzona
- Act2 2 Symphony Adagio
- Act2 3 Symphony Allegro
- Act2 4 "I come to sing great Zempoalla' Story"
- Act2 5 "What flatering noise is this"
- Act2 6 "Scorn'd Envy, here's nothing"
- Act2 7 "I Fly from the place"
- Act2 8 "Begone, curst fiends of Hell"
- Act2 9 "I come to sing"
- Act3 1 Air
- Act3 2 Minuet
- Act3 3 "Ye twice ten hundred deities"
- Act3 4 Symphony for hautboys
- Act3 5 "Seek not to know"
- Act3 6 Trumpet Overture
- Act3 7 "Ah, how happy are we"
- Act3 8 "We the spirits of the Air"
- Act3 9 "I attempt grom love's sickness"
- Act3 10 Air
- Act3 11 Third act tune
- Act4 "They tell us that your mighty powers"
- Act5 "While thus we bow"
9 Symphonies
- Symphony No. 3 in E-flat major, Op. 55 "Eroica": I. Allegro con brio
- Symphony No. 3 in E-flat major, Op. 55 "Eroica": II. Marcia funebre. Adagio assai
- Symphony No. 3 in E-flat major, Op. 55 "Eroica": III. Scherzo. Allegro vivace
- Symphony No. 3 in E-flat major, Op. 55 "Eroica": IV. Finale. Allegro molto
-
Handel - Dixit Dominus - Gardiner
Support us on Patreon and get more content: https://www.patreon.com/classicalvault --- George Frideric Handel Dixit Dominus, HWV 232 Monteverdi Choir English Baroque Soloists Sir John Eliot Gardiner June 2014
published: 05 Feb 2015 -
The art of conducting | Sir John Eliot Gardiner
Ahead of his performance with the Orchestre Philharmonique du Luxembourg together with the Monteverdi Choir at the Philharmonie, we sat down with Sir John Eliot Gardiner for a new episode of our video series "The Art of Conducting" He talked to us about how the repertoire affects the gestures of conducting and music making, the sound of «period instruments» in today's orchestras, about the similarities between managing a bio-farm & leading an orchestra and much more!
published: 13 Oct 2022 -
John Eliot Gardiner: Bach's Habit of Imperfection | Big Think
John Eliot Gardiner: Bach's Habit of Imperfection Watch the newest video from Big Think: https://bigth.ink/NewVideo Join Big Think Edge for exclusive videos: https://bigth.ink/Edge ---------------------------------------------------------------------------------- Gardiner, author of the new book, Bach: Music in the Castle of Heaven, has a unique perspective on Bach. He is both a historian and a world-renowned conductor who has throughout his career made hundreds of recordings on the prestigious Deutsche Grammophon label. Bach, the orphan rebel, had a suspicion of authority that ran deep throughout his life, and made him an often domineering and unpleasant person to deal with. Gardiner doesn't see any contradiction here. "The very fact that this music is so profound and so uplifting and th...
published: 03 Dec 2013 -
Bach Mass in B minor, BWV 232 John Eliot Gardiner Monteverdi Choir English Baroque Soloists
published: 05 Jul 2020 -
Beethoven: Symphony no. 9 (2020) | John Eliot Gardiner & Monteverdi Choir
__ Beethoven: Symphony no. 9 in D minor, op. 125 Lucy Crowe | Soprano Jess Dandy | Contralto Ed Lyon | Tenor Tareq Nazmi | Bass Orchestre Révolutionnaire et Romantique Monteverdi Choir Conducted by John Eliot Gardiner __
published: 09 Dec 2020 -
Handel - Israel in Egypt Oratorio (reference recording: John Eliot Gardiner, Monteverdi Choir & Or.)
Georg Friedrich Handel (1685-1759) Israel in Egypt Oratorio. Click to activate the English subtitles for the presentation (00:00-00:04:08) Overture: Lamentations of the Israelites for the death of Joseph 00:00 Exodus 1. "Now here arose", récitatif P. Elliott 02:13 2. "And the children of Israel sighed by reason of the bondage: And their cry..." chorus 02:38 3. "Then sent He Moses", récitatif P. Elliott 06:34 4. "They loathed to drink", chorus 07:08 5. "Their land brought", aria A. Stafford 09:26 6. "He spake the word", chorus 11:43 7. "He gave them hailstones", chorus 13:51 8. "He sent a thick darkness", chorus 16:04 9. "He smote all the first-born", chorus 19:24 10. "But as for His people': chorus 21:51 11. "Egypt was glad", chorus 26:01 12. "He rebuked the Red Sea", chorus 29:04 13. "He ...
published: 26 May 2021 -
John Eliot Gardiner – Bach: Johannes-Passion, BWV 245 / Part I: 1. Herr, unser Herrscher
Filmed and recorded in the Sheldonian Theatre’s architectural splendour, this acclaimed performance from Good Friday 2021 marked Sir John Eliot Gardiner’s return to live concerts. He says: “I recorded the piece for the first time for Archiv Produktion back in 1986 and it remains truly special to me. Bach conceived the piece as much as an act of worship as a work of religious art. Almost 300 years after it was heard for the first time, it continues to move listeners of all faiths and none.” John Eliot Gardiner – Bach: Johannes-Passion, BWV 245 / Part I: 1. Herr, unser Herrscher Listen to 'St. John Passion': https://dgt.link/gardiner-bach Subscribe here for more classical video clips – The Best Of Classical Music: http://bit.ly/Subscribe-DG Discover full concert performances on DG Premium...
published: 13 Mar 2022 -
Mendelssohn: Overture 'The Hebrides' | Sir John Eliot Gardiner
Listen to more Mendelssohn from Sir John Eliot Gardiner: https://smarturl.it/mendelssohnapple Buy Gardiner's Mendelssohn CD box set: https://smarturl.it/mendelssohncycle ---------------------------------------------------------------------------------------------------------------- Subscribe to the LSO's channel: http://bit.ly/LSOsubscribe Subscribe to LSO newsletter: https://smarturl.it/lsonewsletter Follow the LSO on Instagram: https://www.instagram.com/londonsymphony Facebook: https://www.facebook.com/londonsymphony Twitter: https://twitter.com/londonsymphony Website: http://lso.co.uk Apple Music: http://geni.us/yH0sXY Spotify: http://spoti.fi/291cCk0
published: 08 Feb 2017
40:22
Handel - Dixit Dominus - Gardiner
- Order: Reorder
- Duration: 40:22
- Uploaded Date: 05 Feb 2015
- views: 3969008
Support us on Patreon and get more content: https://www.patreon.com/classicalvault
---
George Frideric Handel
Dixit Dominus, HWV 232
Monteverdi Choir
Engli...
Support us on Patreon and get more content: https://www.patreon.com/classicalvault
---
George Frideric Handel
Dixit Dominus, HWV 232
Monteverdi Choir
English Baroque Soloists
Sir John Eliot Gardiner
June 2014
https://wn.com/Handel_Dixit_Dominus_Gardiner
Support us on Patreon and get more content: https://www.patreon.com/classicalvault
---
George Frideric Handel
Dixit Dominus, HWV 232
Monteverdi Choir
English Baroque Soloists
Sir John Eliot Gardiner
June 2014
9:21
The art of conducting | Sir John Eliot Gardiner
- Order: Reorder
- Duration: 9:21
- Uploaded Date: 13 Oct 2022
- views: 10756
Ahead of his performance with the Orchestre Philharmonique du Luxembourg together with the Monteverdi Choir at the Philharmonie, we sat down with Sir John Eliot...
Ahead of his performance with the Orchestre Philharmonique du Luxembourg together with the Monteverdi Choir at the Philharmonie, we sat down with Sir John Eliot Gardiner for a new episode of our video series "The Art of Conducting"
He talked to us about how the repertoire affects the gestures of conducting and music making, the sound of «period instruments» in today's orchestras, about the similarities between managing a bio-farm & leading an orchestra and much more!
https://wn.com/The_Art_Of_Conducting_|_Sir_John_Eliot_Gardiner
Ahead of his performance with the Orchestre Philharmonique du Luxembourg together with the Monteverdi Choir at the Philharmonie, we sat down with Sir John Eliot Gardiner for a new episode of our video series "The Art of Conducting"
He talked to us about how the repertoire affects the gestures of conducting and music making, the sound of «period instruments» in today's orchestras, about the similarities between managing a bio-farm & leading an orchestra and much more!
- published: 13 Oct 2022
- views: 10756
6:06
John Eliot Gardiner: Bach's Habit of Imperfection | Big Think
- Order: Reorder
- Duration: 6:06
- Uploaded Date: 03 Dec 2013
- views: 245893
John Eliot Gardiner: Bach's Habit of Imperfection
Watch the newest video from Big Think: https://bigth.ink/NewVideo
Join Big Think Edge for exclusive videos: ht...
John Eliot Gardiner: Bach's Habit of Imperfection
Watch the newest video from Big Think: https://bigth.ink/NewVideo
Join Big Think Edge for exclusive videos: https://bigth.ink/Edge
----------------------------------------------------------------------------------
Gardiner, author of the new book, Bach: Music in the Castle of Heaven, has a unique perspective on Bach. He is both a historian and a world-renowned conductor who has throughout his career made hundreds of recordings on the prestigious Deutsche Grammophon label. Bach, the orphan rebel, had a suspicion of authority that ran deep throughout his life, and made him an often domineering and unpleasant person to deal with.
Gardiner doesn't see any contradiction here. "The very fact that this music is so profound and so uplifting and the man is clearly not a saint makes it all the more interesting," he says.
----------------------------------------------------------------------------------
JOHN ELIOT GARDINER:
Sir John Eliot Gardiner CBE FKC is an English conductor and the author of Bach: Music in the Castle of Heaven.
----------------------------------------------------------------------------------
TRANSCRIPT:
John Eliot Gardiner: I think there’s been a slightly deplorable tendency amongst Bach’s biographers to paint Bach the human being in a very complimentary light. To imply that great music requires a great man and a great human being and a great personality to be behind it. Well, of course great music requires a creator but it doesn’t have to be a paragon – he doesn’t have to be a paragon of virtue. And Bach certainly wasn’t.
The more that one discovers about him, the more one discovers that he was a deeply flawed character. That even though we have very, very few family records and letters to go on there are incidents that keep cropping up in his life at almost a repetitive pattern of antagonistic behavior between him and authority – the authorities for whom he worked. He was very combative. He really took them on.
But I think we can trace it back really to his earliest times. All right he started off in a presumably very happy family situation with both parents living but he didn’t go to school very often. We have a lot of records of truancy. Now, why? Why was he not at school? That’s one big question. Then comes the double shock of both parents dying before he’s ten. And his upheaval rooted as he was in Eisenach. He’s now uprooted and he goes to live with his elder brother, Johann Christoph, a few miles away in Ohrdruf.
And suddenly his grades shoot up, a reaction to his orphanhood – who knows. But the more I’ve been able to delve into the circumstances and the context of his schooling, the worse it becomes. It looks as if the schools – both the first two schools that he was involved in were prone to very modern sounding difficulties of, you know, overcrowding in classrooms, shortage of textbooks, hooliganism in the classroom, lobbing of bricks through windows, chasing of the girls, coming to school with daggers and spears and a good deal of unpleasant bullying and sadistic behavior.
There was one particular schoolmaster of Bach’s when he was in Ohrdruf and he was probably then only about 11 or 12 who was known as the bully and the sadist of the school. And eventually he got handed his cards and he left but not before inflicting God knows what damage on his pupils. And this is a theme that goes all the way through Bach’s schooling and we can’t say with assurance – well, he was damaged. But it does come out in certain ways.
For example, in his very first job that was when he was organist in Arnstadt. He gets into a quarrel with a bassoonist. He writes a piece of music with a rather difficult couple of riffs for the bassoon and the bassoonist obviously makes a complete mess of it, he can’t handle it. So Bach swears at him and calls him something pretty rude and the guy reacts by setting upon him in the market square. He comes up to him with a cudgel and Bach draws his sword and defends himself. And there’s tremendous fisticuffs which is only broken up by the onlookers.
And Bach goes off to his employers and says, “What’s all that? You know, you’ve got to protect me.” And they don’t. That leads to a feeling of suspicion of authority that runs right away through his life. And it comes up again and again and again. And that comes into the foreground when he’s working in Weimar for the two dukes – the Duke Wilhelm Ernest and his nephew who share the authority.
And Bach is unhappy there. He feels he’s been passed over for the succession to become Kapellmeister. He feels aggrieved. He looks for another job. He’s appointed, and he doesn’t get permission from the Dukes to leave. So they throw him into prison and for a month he’s disgraced and imprisoned.
Read the full transcript at https://bigthink.com/videos/bachs-habit-of-imperfection-2
https://wn.com/John_Eliot_Gardiner_Bach's_Habit_Of_Imperfection_|_Big_Think
John Eliot Gardiner: Bach's Habit of Imperfection
Watch the newest video from Big Think: https://bigth.ink/NewVideo
Join Big Think Edge for exclusive videos: https://bigth.ink/Edge
----------------------------------------------------------------------------------
Gardiner, author of the new book, Bach: Music in the Castle of Heaven, has a unique perspective on Bach. He is both a historian and a world-renowned conductor who has throughout his career made hundreds of recordings on the prestigious Deutsche Grammophon label. Bach, the orphan rebel, had a suspicion of authority that ran deep throughout his life, and made him an often domineering and unpleasant person to deal with.
Gardiner doesn't see any contradiction here. "The very fact that this music is so profound and so uplifting and the man is clearly not a saint makes it all the more interesting," he says.
----------------------------------------------------------------------------------
JOHN ELIOT GARDINER:
Sir John Eliot Gardiner CBE FKC is an English conductor and the author of Bach: Music in the Castle of Heaven.
----------------------------------------------------------------------------------
TRANSCRIPT:
John Eliot Gardiner: I think there’s been a slightly deplorable tendency amongst Bach’s biographers to paint Bach the human being in a very complimentary light. To imply that great music requires a great man and a great human being and a great personality to be behind it. Well, of course great music requires a creator but it doesn’t have to be a paragon – he doesn’t have to be a paragon of virtue. And Bach certainly wasn’t.
The more that one discovers about him, the more one discovers that he was a deeply flawed character. That even though we have very, very few family records and letters to go on there are incidents that keep cropping up in his life at almost a repetitive pattern of antagonistic behavior between him and authority – the authorities for whom he worked. He was very combative. He really took them on.
But I think we can trace it back really to his earliest times. All right he started off in a presumably very happy family situation with both parents living but he didn’t go to school very often. We have a lot of records of truancy. Now, why? Why was he not at school? That’s one big question. Then comes the double shock of both parents dying before he’s ten. And his upheaval rooted as he was in Eisenach. He’s now uprooted and he goes to live with his elder brother, Johann Christoph, a few miles away in Ohrdruf.
And suddenly his grades shoot up, a reaction to his orphanhood – who knows. But the more I’ve been able to delve into the circumstances and the context of his schooling, the worse it becomes. It looks as if the schools – both the first two schools that he was involved in were prone to very modern sounding difficulties of, you know, overcrowding in classrooms, shortage of textbooks, hooliganism in the classroom, lobbing of bricks through windows, chasing of the girls, coming to school with daggers and spears and a good deal of unpleasant bullying and sadistic behavior.
There was one particular schoolmaster of Bach’s when he was in Ohrdruf and he was probably then only about 11 or 12 who was known as the bully and the sadist of the school. And eventually he got handed his cards and he left but not before inflicting God knows what damage on his pupils. And this is a theme that goes all the way through Bach’s schooling and we can’t say with assurance – well, he was damaged. But it does come out in certain ways.
For example, in his very first job that was when he was organist in Arnstadt. He gets into a quarrel with a bassoonist. He writes a piece of music with a rather difficult couple of riffs for the bassoon and the bassoonist obviously makes a complete mess of it, he can’t handle it. So Bach swears at him and calls him something pretty rude and the guy reacts by setting upon him in the market square. He comes up to him with a cudgel and Bach draws his sword and defends himself. And there’s tremendous fisticuffs which is only broken up by the onlookers.
And Bach goes off to his employers and says, “What’s all that? You know, you’ve got to protect me.” And they don’t. That leads to a feeling of suspicion of authority that runs right away through his life. And it comes up again and again and again. And that comes into the foreground when he’s working in Weimar for the two dukes – the Duke Wilhelm Ernest and his nephew who share the authority.
And Bach is unhappy there. He feels he’s been passed over for the succession to become Kapellmeister. He feels aggrieved. He looks for another job. He’s appointed, and he doesn’t get permission from the Dukes to leave. So they throw him into prison and for a month he’s disgraced and imprisoned.
Read the full transcript at https://bigthink.com/videos/bachs-habit-of-imperfection-2
- published: 03 Dec 2013
- views: 245893
1:58:38
Bach Mass in B minor, BWV 232 John Eliot Gardiner Monteverdi Choir English Baroque Soloists
- Order: Reorder
- Duration: 1:58:38
- Uploaded Date: 05 Jul 2020
- views: 470675
- published: 05 Jul 2020
- views: 470675
1:00:59
Beethoven: Symphony no. 9 (2020) | John Eliot Gardiner & Monteverdi Choir
- Order: Reorder
- Duration: 1:00:59
- Uploaded Date: 09 Dec 2020
- views: 47318
__
Beethoven: Symphony no. 9 in D minor, op. 125
Lucy Crowe | Soprano
Jess Dandy | Contralto
Ed Lyon | Tenor
Tareq Nazmi | Bass
Orchestre Révolutionnaire et ...
__
Beethoven: Symphony no. 9 in D minor, op. 125
Lucy Crowe | Soprano
Jess Dandy | Contralto
Ed Lyon | Tenor
Tareq Nazmi | Bass
Orchestre Révolutionnaire et Romantique
Monteverdi Choir
Conducted by John Eliot Gardiner
__
https://wn.com/Beethoven_Symphony_No._9_(2020)_|_John_Eliot_Gardiner_Monteverdi_Choir
__
Beethoven: Symphony no. 9 in D minor, op. 125
Lucy Crowe | Soprano
Jess Dandy | Contralto
Ed Lyon | Tenor
Tareq Nazmi | Bass
Orchestre Révolutionnaire et Romantique
Monteverdi Choir
Conducted by John Eliot Gardiner
__
- published: 09 Dec 2020
- views: 47318
1:33:57
Handel - Israel in Egypt Oratorio (reference recording: John Eliot Gardiner, Monteverdi Choir & Or.)
- Order: Reorder
- Duration: 1:33:57
- Uploaded Date: 26 May 2021
- views: 216124
Georg Friedrich Handel (1685-1759) Israel in Egypt Oratorio.
Click to activate the English subtitles for the presentation (00:00-00:04:08)
Overture: Lamentation...
Georg Friedrich Handel (1685-1759) Israel in Egypt Oratorio.
Click to activate the English subtitles for the presentation (00:00-00:04:08)
Overture: Lamentations of the Israelites for the death of Joseph 00:00
Exodus
1. "Now here arose", récitatif P. Elliott 02:13
2. "And the children of Israel sighed by reason of the bondage: And their cry..." chorus 02:38
3. "Then sent He Moses", récitatif P. Elliott 06:34
4. "They loathed to drink", chorus 07:08
5. "Their land brought", aria A. Stafford 09:26
6. "He spake the word", chorus 11:43
7. "He gave them hailstones", chorus 13:51
8. "He sent a thick darkness", chorus 16:04
9. "He smote all the first-born", chorus 19:24
10. "But as for His people': chorus 21:51
11. "Egypt was glad", chorus 26:01
12. "He rebuked the Red Sea", chorus 29:04
13. "He led them", chorus 29:51
14. "But the waters", chorus 31:17
15. "And Israel saw", chorus 32:21
16. "And believed the Lord", chorus 33:19
Moses’ Song
17. "Moses, and the children': introitus - chorus 37:01
18. "I will sing", chorus 37:58
19. "The Lord is my strengh", duo J. Knibbs & M. Troth 40:35
20. "He is my God", chorus 45:12
21. "And I will exalt him", chorus 46:02
22. "The Lord is a man of war", duo S. Varcoe & C. Stewart 48:58
23. "The depths have covered them", chorus 54:45
24. "Thy right hand", chorus 57:34
25. "And in the greatness", chorus 59:02
26. "Thou sentest forth", chorus 59:39
27. "And with the blast", chorus 1:01:42
28. "The enemy said", aria W. Kendall 1:04:44
29. "Thou didst blow", aria D. Greene 1:07:11
30. "Who is like unto Thee", chorus 1:09:35
31. "The earth swallowed them", chorus 1:11:10
32. "Thou is thy mercy", duo B. Gordon & P. Elliott 1:12:21
33. "The people shall hear", chorus 1:16:48
34. "Thou shalt bring", aria J. Clarkson 1:24:21
35. "The Lord shall reign", chorus 1:28:15
36. "For the horse of Pharoah", récitatifP. Elliott 1:28:58
37. "The Lord shall reign", chorus 1:29:24
38. "And Miriam the prophetess", récitatif P. Elliott 1:30:05
39. "Sing ye to the Lord, for he hath triumphed gloriusly ! The Lord shall reign...", 1:30:28
E. Priday & Chorus
N. Burrowes: Sopran
Ch. Brett: Counter-Tenor
M. Hill: Tenor
S. Varcoe: Bass
M. Levin: Theorbo
M. Hicks: Organ
Monteverdi Choir & Orchestra
Conductor: John Eliot Gardiner
Recorded in 1978, at London
Painting: Edward Poynter (1836-1919) Israel in Egypt
🔊 Find CMRR's recordings on Spotify : https://spoti.fi/3016eVr
🔊 Download CMRR's recordings in High fidelity audio : https://bit.ly/2M1Eop2
In 1859 Henry Chorley termed Israel in Egypt "something apart from, alone, above all other works existing in descriptive choral music". To approach this prodigious piece in any other way, or to attempt a strict comparison with Handel's other oratorios, is somewhat fruitless: for this is indeed a work apart, unique in its epic conception and in the dazzling variety of its choral and orchestral writing. Nowhere else except in Dixit Dominus (1707), the tour deforce of his youthful stay in Italy, did Handel make such sustained demands of his choral singers, stretching to the limit their range of dramatic expression, stamina and sheer virtuosity.
Georg Friedrich Haendel PLAYLIST (reference recordings): https://www.youtube.com/playlist?list=PL3UZpQL9LIxMj1UpsqX_ALRZ9ydo6UjNd
https://wn.com/Handel_Israel_In_Egypt_Oratorio_(Reference_Recording_John_Eliot_Gardiner,_Monteverdi_Choir_Or.)
Georg Friedrich Handel (1685-1759) Israel in Egypt Oratorio.
Click to activate the English subtitles for the presentation (00:00-00:04:08)
Overture: Lamentations of the Israelites for the death of Joseph 00:00
Exodus
1. "Now here arose", récitatif P. Elliott 02:13
2. "And the children of Israel sighed by reason of the bondage: And their cry..." chorus 02:38
3. "Then sent He Moses", récitatif P. Elliott 06:34
4. "They loathed to drink", chorus 07:08
5. "Their land brought", aria A. Stafford 09:26
6. "He spake the word", chorus 11:43
7. "He gave them hailstones", chorus 13:51
8. "He sent a thick darkness", chorus 16:04
9. "He smote all the first-born", chorus 19:24
10. "But as for His people': chorus 21:51
11. "Egypt was glad", chorus 26:01
12. "He rebuked the Red Sea", chorus 29:04
13. "He led them", chorus 29:51
14. "But the waters", chorus 31:17
15. "And Israel saw", chorus 32:21
16. "And believed the Lord", chorus 33:19
Moses’ Song
17. "Moses, and the children': introitus - chorus 37:01
18. "I will sing", chorus 37:58
19. "The Lord is my strengh", duo J. Knibbs & M. Troth 40:35
20. "He is my God", chorus 45:12
21. "And I will exalt him", chorus 46:02
22. "The Lord is a man of war", duo S. Varcoe & C. Stewart 48:58
23. "The depths have covered them", chorus 54:45
24. "Thy right hand", chorus 57:34
25. "And in the greatness", chorus 59:02
26. "Thou sentest forth", chorus 59:39
27. "And with the blast", chorus 1:01:42
28. "The enemy said", aria W. Kendall 1:04:44
29. "Thou didst blow", aria D. Greene 1:07:11
30. "Who is like unto Thee", chorus 1:09:35
31. "The earth swallowed them", chorus 1:11:10
32. "Thou is thy mercy", duo B. Gordon & P. Elliott 1:12:21
33. "The people shall hear", chorus 1:16:48
34. "Thou shalt bring", aria J. Clarkson 1:24:21
35. "The Lord shall reign", chorus 1:28:15
36. "For the horse of Pharoah", récitatifP. Elliott 1:28:58
37. "The Lord shall reign", chorus 1:29:24
38. "And Miriam the prophetess", récitatif P. Elliott 1:30:05
39. "Sing ye to the Lord, for he hath triumphed gloriusly ! The Lord shall reign...", 1:30:28
E. Priday & Chorus
N. Burrowes: Sopran
Ch. Brett: Counter-Tenor
M. Hill: Tenor
S. Varcoe: Bass
M. Levin: Theorbo
M. Hicks: Organ
Monteverdi Choir & Orchestra
Conductor: John Eliot Gardiner
Recorded in 1978, at London
Painting: Edward Poynter (1836-1919) Israel in Egypt
🔊 Find CMRR's recordings on Spotify : https://spoti.fi/3016eVr
🔊 Download CMRR's recordings in High fidelity audio : https://bit.ly/2M1Eop2
In 1859 Henry Chorley termed Israel in Egypt "something apart from, alone, above all other works existing in descriptive choral music". To approach this prodigious piece in any other way, or to attempt a strict comparison with Handel's other oratorios, is somewhat fruitless: for this is indeed a work apart, unique in its epic conception and in the dazzling variety of its choral and orchestral writing. Nowhere else except in Dixit Dominus (1707), the tour deforce of his youthful stay in Italy, did Handel make such sustained demands of his choral singers, stretching to the limit their range of dramatic expression, stamina and sheer virtuosity.
Georg Friedrich Haendel PLAYLIST (reference recordings): https://www.youtube.com/playlist?list=PL3UZpQL9LIxMj1UpsqX_ALRZ9ydo6UjNd
- published: 26 May 2021
- views: 216124
2:14
John Eliot Gardiner – Bach: Johannes-Passion, BWV 245 / Part I: 1. Herr, unser Herrscher
- Order: Reorder
- Duration: 2:14
- Uploaded Date: 13 Mar 2022
- views: 22559
Filmed and recorded in the Sheldonian Theatre’s architectural splendour, this acclaimed performance from Good Friday 2021 marked Sir John Eliot Gardiner’s retur...
Filmed and recorded in the Sheldonian Theatre’s architectural splendour, this acclaimed performance from Good Friday 2021 marked Sir John Eliot Gardiner’s return to live concerts. He says: “I recorded the piece for the first time for Archiv Produktion back in 1986 and it remains truly special to me. Bach conceived the piece as much as an act of worship as a work of religious art. Almost 300 years after it was heard for the first time, it continues to move listeners of all faiths and none.”
John Eliot Gardiner – Bach: Johannes-Passion, BWV 245 / Part I: 1. Herr, unser Herrscher
Listen to 'St. John Passion': https://dgt.link/gardiner-bach
Subscribe here for more classical video clips – The Best Of Classical Music: http://bit.ly/Subscribe-DG
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Get your front row ticket here for exclusive streams and world premieres with leading artists: https://www.dg-stage.com
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#JohnEliotGardiner #Bach #StJohnPassion
https://wn.com/John_Eliot_Gardiner_–_Bach_Johannes_Passion,_Bwv_245_Part_I_1._Herr,_Unser_Herrscher
Filmed and recorded in the Sheldonian Theatre’s architectural splendour, this acclaimed performance from Good Friday 2021 marked Sir John Eliot Gardiner’s return to live concerts. He says: “I recorded the piece for the first time for Archiv Produktion back in 1986 and it remains truly special to me. Bach conceived the piece as much as an act of worship as a work of religious art. Almost 300 years after it was heard for the first time, it continues to move listeners of all faiths and none.”
John Eliot Gardiner – Bach: Johannes-Passion, BWV 245 / Part I: 1. Herr, unser Herrscher
Listen to 'St. John Passion': https://dgt.link/gardiner-bach
Subscribe here for more classical video clips – The Best Of Classical Music: http://bit.ly/Subscribe-DG
Discover full concert performances on DG Premium - registration and basic library are free: https://www.dg-premium.com
Get your front row ticket here for exclusive streams and world premieres with leading artists: https://www.dg-stage.com
_______________
Find Deutsche Grammophon Online
Homepage: http://deutschegrammophon.com
Facebook: http://fb.com/deutschegrammophon
Twitter: http://twitter.com/dgclassics
Instagram: http://instagram.com/dgclassics
Newsletter: https://deutschegrammophon.com/newsletter
_______________
最优质古典音乐 – 此处订阅: http://bit.ly/Subscribe-DG
Le meilleur de la musique classique. Pour vous abonner cliquez ici: http://bit.ly/Subscribe-DG
最高のクラシック音楽―登録はこちら: http://bit.ly/Subscribe-DG
최고의 클래식음악을 구독하세요: http://bit.ly/Subscribe-DG
Подписаться на лучшую классическую музыку:: http://bit.ly/Subscribe-DG
La mejor música clásica - Suscríbase aquí: http://bit.ly/Subscribe-DG
#JohnEliotGardiner #Bach #StJohnPassion
- published: 13 Mar 2022
- views: 22559
9:58
Mendelssohn: Overture 'The Hebrides' | Sir John Eliot Gardiner
- Order: Reorder
- Duration: 9:58
- Uploaded Date: 08 Feb 2017
- views: 616942
Listen to more Mendelssohn from Sir John Eliot Gardiner: https://smarturl.it/mendelssohnapple
Buy Gardiner's Mendelssohn CD box set: https://smarturl.it/mendel...
Listen to more Mendelssohn from Sir John Eliot Gardiner: https://smarturl.it/mendelssohnapple
Buy Gardiner's Mendelssohn CD box set: https://smarturl.it/mendelssohncycle
----------------------------------------------------------------------------------------------------------------
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https://wn.com/Mendelssohn_Overture_'The_Hebrides'_|_Sir_John_Eliot_Gardiner
Listen to more Mendelssohn from Sir John Eliot Gardiner: https://smarturl.it/mendelssohnapple
Buy Gardiner's Mendelssohn CD box set: https://smarturl.it/mendelssohncycle
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Apple Music: http://geni.us/yH0sXY
Spotify: http://spoti.fi/291cCk0
- published: 08 Feb 2017
- views: 616942
-
John Eliot: Translating the Bible for the Native Americans | Cody Crouch on TBN
This Month in Christian History: Today, Cody Crouch celebrates the life and work of John Eliot! Eliot was on a mission to translate the Bible for Native Americans in their own language. Up until this point, the Bible had never been translated into a language that wasn't native to the translator. Watch full episodes of This Month in Christian History on TBN: https://watch.tbn.org/this-month-in-christian-history SUBSCRIBE: https://www.youtube.com/channel/UCyJAa_BaiG3N09hoUL8ZXlQ?sub_confirmation=1 This Month in Christian History aims to honor the significance of the past. We’ve identified saints, athletes, missionaries, and regular people who did extraordinary things in the corresponding month throughout history. These people and events impacted everything from the smallest towns to the e...
published: 25 Jul 2022 -
Elton John - Sacrifice
Elton John's new album The Lockdown Sessions: https://EltonJohn.lnk.to/TheLockdownSessionsID Directed by Alek Keshishian and starring Yasmeen Ghauri and Chris Isaak, the video for "Sacrifice" was filmed in Los Angeles in 1989. This second single from Sleeping With The Past became Elton's first solo #1 in the UK. Explore the music of Elton John: https://eltonjohn.lnk.to/essentialsID Buy Diamonds 2CD: https://eltonjohn.lnk.to/DiamondsID Buy Diamonds Deluxe Boxset: https://eltonjohn.lnk.to/DiamondsDeluxeID Buy Diamonds Vinyl: https://eltonjohn.lnk.to/DiamondsVinylID Watch more Elton videos: https://EltonJohn.lnk.to/WatchMore Subscribe to Elton channel: http://bit.ly/EltonYTSubscribe About Elton John: Welcome to the official Elton John channel. Subscribe today for a vast video collecti...
published: 01 Sep 2010 -
John Eliot: first American missionary to the Indians
John Eliot was a Puritan missionary to the American Indians who some called "the apostle to the Indians" and the founder of Roxbury Latin School in the Massachusetts Bay Colony in 1645. In 1660 he completed the enormous task of translating the Eliot Indian Bible into the Massachusetts Indian language, producing more than two thousand completed copies.
published: 07 Aug 2023 -
Beethoven Symphony No 5 C minor John Eliot Gardiner Orchestre Revolutionnaire et Romantique 2016
published: 05 Apr 2017 -
John Eliot and the Conversion of Native Peoples in Boston’s North End
In this episode of Illuminating the Unseen, Jaimie examines the efforts of missionaries in the late 1700s and early 1800s to urge Indigenous people in Massachusetts to convert to Christianity. She focuses on Rev. John Eliot, a Congregational minister in Boston's North End, and his work with a prominent missionary group, the Society for Propagating the Gospel Among the Indians and Others in North America. Jaimie also considers the relationship between Congregational missionaries and Anglican missionaries as they both set out to impose their faith and cultural norms on Indigenous people.
published: 14 Dec 2022 -
Handel - Israel in Egypt Oratorio (reference recording: John Eliot Gardiner, Monteverdi Choir & Or.)
Georg Friedrich Handel (1685-1759) Israel in Egypt Oratorio. Click to activate the English subtitles for the presentation (00:00-00:04:08) Overture: Lamentations of the Israelites for the death of Joseph 00:00 Exodus 1. "Now here arose", récitatif P. Elliott 02:13 2. "And the children of Israel sighed by reason of the bondage: And their cry..." chorus 02:38 3. "Then sent He Moses", récitatif P. Elliott 06:34 4. "They loathed to drink", chorus 07:08 5. "Their land brought", aria A. Stafford 09:26 6. "He spake the word", chorus 11:43 7. "He gave them hailstones", chorus 13:51 8. "He sent a thick darkness", chorus 16:04 9. "He smote all the first-born", chorus 19:24 10. "But as for His people': chorus 21:51 11. "Egypt was glad", chorus 26:01 12. "He rebuked the Red Sea", chorus 29:04 13. "He ...
published: 26 May 2021 -
John Eliot: Translating the Bible for the Native Americans | Cody Crouch
This Month in Christian History: Today, we celebrate the life and work of John Eliot! Eliot was on a mission to translate the Bible more Native Americans in the own language. Up until this point, the Bible had never been translated into a language that wasn't native to the translator. Watch more full episodes on TBN On Demand: https://watch.tbn.org/videos/this-month-in-christian-history-july This Month in Christian History aims to honor the significance of the past. We’ve identified saints, athletes, missionaries, and regular people who did extraordinary things in the corresponding month throughout history. These people and events impacted everything from the smallest towns to the entire world. Some of them may not have a day dedicated to them on the calendar but are definitely worth lea...
published: 29 Jul 2021 -
The art of conducting | Sir John Eliot Gardiner
Ahead of his performance with the Orchestre Philharmonique du Luxembourg together with the Monteverdi Choir at the Philharmonie, we sat down with Sir John Eliot Gardiner for a new episode of our video series "The Art of Conducting" He talked to us about how the repertoire affects the gestures of conducting and music making, the sound of «period instruments» in today's orchestras, about the similarities between managing a bio-farm & leading an orchestra and much more!
published: 13 Oct 2022 -
Beethoven: Symphony no. 9 (2020) | John Eliot Gardiner & Monteverdi Choir
__ Beethoven: Symphony no. 9 in D minor, op. 125 Lucy Crowe | Soprano Jess Dandy | Contralto Ed Lyon | Tenor Tareq Nazmi | Bass Orchestre Révolutionnaire et Romantique Monteverdi Choir Conducted by John Eliot Gardiner __
published: 09 Dec 2020 -
Sir John Eliot Gardiner Schumann - Symphonies
Robert Schumann (1810 - 1856) Symphony No.1 In B Flat, Op.38, 'Spring' (00:00:00) 1. Andante Un Poco Maestoso (00:10:54) 2. Larghetto (00:17:16) 3. Scherzo- Molto Vivace (00:22:31) 4. Allegro Animato E Grazioso Symphony No.2 In C, Op.61 (00:30:23) 1. Sostenuto Assai (00:42:35) 2. Scherzo- Allegro Vivace (00:49:36) 3. Adagio Espressivo (00:59:44) 4. Allegro Molto Vivace Symphony No.3 In E Flat, 'Rhenish' (01:08:12) 1. Lebhaft (01:17:02) 2. Scherzo (01:22:56) 3. Nicht Schnell (01:27:33) 4. Feierlich (01:32:28) 5. Lebhaft Symphony No.4 In D Minor, Op.120 (revised version, 1851) (01:38:14) 1. Ziemlich Langsam, Lebhaft (01:48:12) 2. Romanze. Ziemlich langsam (01:51:51) 3. Scherzo. Lebhaft (01:56:42) 4. Etwas Zurückhaltend, Langsam (01:58:14) 5. Lebhaft Symphony No.4 In D Minor, Op.120 (ori...
published: 02 Feb 2020
6:38
John Eliot: Translating the Bible for the Native Americans | Cody Crouch on TBN
- Order: Reorder
- Duration: 6:38
- Uploaded Date: 25 Jul 2022
- views: 2184
This Month in Christian History: Today, Cody Crouch celebrates the life and work of John Eliot! Eliot was on a mission to translate the Bible for Native America...
This Month in Christian History: Today, Cody Crouch celebrates the life and work of John Eliot! Eliot was on a mission to translate the Bible for Native Americans in their own language. Up until this point, the Bible had never been translated into a language that wasn't native to the translator.
Watch full episodes of This Month in Christian History on TBN: https://watch.tbn.org/this-month-in-christian-history
SUBSCRIBE: https://www.youtube.com/channel/UCyJAa_BaiG3N09hoUL8ZXlQ?sub_confirmation=1
This Month in Christian History aims to honor the significance of the past. We’ve identified saints, athletes, missionaries, and regular people who did extraordinary things in the corresponding month throughout history. These people and events impacted everything from the smallest towns to the entire world. Some of them may not have a day dedicated to them on the calendar but are definitely worth learning about and celebrating!
#thismonthinchristianhistory #johneliot #codycrouch
https://wn.com/John_Eliot_Translating_The_Bible_For_The_Native_Americans_|_Cody_Crouch_On_Tbn
This Month in Christian History: Today, Cody Crouch celebrates the life and work of John Eliot! Eliot was on a mission to translate the Bible for Native Americans in their own language. Up until this point, the Bible had never been translated into a language that wasn't native to the translator.
Watch full episodes of This Month in Christian History on TBN: https://watch.tbn.org/this-month-in-christian-history
SUBSCRIBE: https://www.youtube.com/channel/UCyJAa_BaiG3N09hoUL8ZXlQ?sub_confirmation=1
This Month in Christian History aims to honor the significance of the past. We’ve identified saints, athletes, missionaries, and regular people who did extraordinary things in the corresponding month throughout history. These people and events impacted everything from the smallest towns to the entire world. Some of them may not have a day dedicated to them on the calendar but are definitely worth learning about and celebrating!
#thismonthinchristianhistory #johneliot #codycrouch
- published: 25 Jul 2022
- views: 2184
4:42
Elton John - Sacrifice
- Order: Reorder
- Duration: 4:42
- Uploaded Date: 01 Sep 2010
- views: 793530987
Elton John's new album The Lockdown Sessions: https://EltonJohn.lnk.to/TheLockdownSessionsID
Directed by Alek Keshishian and starring Yasmeen Ghauri and Chris ...
Elton John's new album The Lockdown Sessions: https://EltonJohn.lnk.to/TheLockdownSessionsID
Directed by Alek Keshishian and starring Yasmeen Ghauri and Chris Isaak, the video for "Sacrifice" was filmed in Los Angeles in 1989. This second single from Sleeping With The Past became Elton's first solo #1 in the UK.
Explore the music of Elton John: https://eltonjohn.lnk.to/essentialsID
Buy Diamonds 2CD: https://eltonjohn.lnk.to/DiamondsID
Buy Diamonds Deluxe Boxset: https://eltonjohn.lnk.to/DiamondsDeluxeID
Buy Diamonds Vinyl: https://eltonjohn.lnk.to/DiamondsVinylID
Watch more Elton videos: https://EltonJohn.lnk.to/WatchMore
Subscribe to Elton channel: http://bit.ly/EltonYTSubscribe
About Elton John:
Welcome to the official Elton John channel. Subscribe today for a vast video collection of music videos, iconic live performances, exclusive interviews, behind the scenes content and playlists to explore Elton’s musical legacy in-depth.
Follow Elton John on...
Facebook: https://eltonjohn.lnk.to/facebookYT
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Official Website: https://EltonJohn.lnk.to/WebsiteOfficial
Join the Rocket Club newsletter: https://EltonJohn.lnk.to/RocketClub
Elton John - Sacrifice
https://www.youtube.com/user/EltonJohn
https://wn.com/Elton_John_Sacrifice
Elton John's new album The Lockdown Sessions: https://EltonJohn.lnk.to/TheLockdownSessionsID
Directed by Alek Keshishian and starring Yasmeen Ghauri and Chris Isaak, the video for "Sacrifice" was filmed in Los Angeles in 1989. This second single from Sleeping With The Past became Elton's first solo #1 in the UK.
Explore the music of Elton John: https://eltonjohn.lnk.to/essentialsID
Buy Diamonds 2CD: https://eltonjohn.lnk.to/DiamondsID
Buy Diamonds Deluxe Boxset: https://eltonjohn.lnk.to/DiamondsDeluxeID
Buy Diamonds Vinyl: https://eltonjohn.lnk.to/DiamondsVinylID
Watch more Elton videos: https://EltonJohn.lnk.to/WatchMore
Subscribe to Elton channel: http://bit.ly/EltonYTSubscribe
About Elton John:
Welcome to the official Elton John channel. Subscribe today for a vast video collection of music videos, iconic live performances, exclusive interviews, behind the scenes content and playlists to explore Elton’s musical legacy in-depth.
Follow Elton John on...
Facebook: https://eltonjohn.lnk.to/facebookYT
Twitter: https://eltonjohn.lnk.to/twitterYT
Instagram: https://eltonjohn.lnk.to/instaYT
Official Website: https://EltonJohn.lnk.to/WebsiteOfficial
Join the Rocket Club newsletter: https://EltonJohn.lnk.to/RocketClub
Elton John - Sacrifice
https://www.youtube.com/user/EltonJohn
- published: 01 Sep 2010
- views: 793530987
2:43
John Eliot: first American missionary to the Indians
- Order: Reorder
- Duration: 2:43
- Uploaded Date: 07 Aug 2023
- views: 275
John Eliot was a Puritan missionary to the American Indians who some called "the apostle to the Indians" and the founder of Roxbury Latin School in the Massachu...
John Eliot was a Puritan missionary to the American Indians who some called "the apostle to the Indians" and the founder of Roxbury Latin School in the Massachusetts Bay Colony in 1645.
In 1660 he completed the enormous task of translating the Eliot Indian Bible into the Massachusetts Indian language, producing more than two thousand completed copies.
https://wn.com/John_Eliot_First_American_Missionary_To_The_Indians
John Eliot was a Puritan missionary to the American Indians who some called "the apostle to the Indians" and the founder of Roxbury Latin School in the Massachusetts Bay Colony in 1645.
In 1660 he completed the enormous task of translating the Eliot Indian Bible into the Massachusetts Indian language, producing more than two thousand completed copies.
- published: 07 Aug 2023
- views: 275
33:04
Beethoven Symphony No 5 C minor John Eliot Gardiner Orchestre Revolutionnaire et Romantique 2016
- Order: Reorder
- Duration: 33:04
- Uploaded Date: 05 Apr 2017
- views: 183824
- published: 05 Apr 2017
- views: 183824
10:22
John Eliot and the Conversion of Native Peoples in Boston’s North End
- Order: Reorder
- Duration: 10:22
- Uploaded Date: 14 Dec 2022
- views: 496
In this episode of Illuminating the Unseen, Jaimie examines the efforts of missionaries in the late 1700s and early 1800s to urge Indigenous people in Massachus...
In this episode of Illuminating the Unseen, Jaimie examines the efforts of missionaries in the late 1700s and early 1800s to urge Indigenous people in Massachusetts to convert to Christianity. She focuses on Rev. John Eliot, a Congregational minister in Boston's North End, and his work with a prominent missionary group, the Society for Propagating the Gospel Among the Indians and Others in North America. Jaimie also considers the relationship between Congregational missionaries and Anglican missionaries as they both set out to impose their faith and cultural norms on Indigenous people.
https://wn.com/John_Eliot_And_The_Conversion_Of_Native_Peoples_In_Boston’S_North_End
In this episode of Illuminating the Unseen, Jaimie examines the efforts of missionaries in the late 1700s and early 1800s to urge Indigenous people in Massachusetts to convert to Christianity. She focuses on Rev. John Eliot, a Congregational minister in Boston's North End, and his work with a prominent missionary group, the Society for Propagating the Gospel Among the Indians and Others in North America. Jaimie also considers the relationship between Congregational missionaries and Anglican missionaries as they both set out to impose their faith and cultural norms on Indigenous people.
- published: 14 Dec 2022
- views: 496
1:33:57
Handel - Israel in Egypt Oratorio (reference recording: John Eliot Gardiner, Monteverdi Choir & Or.)
- Order: Reorder
- Duration: 1:33:57
- Uploaded Date: 26 May 2021
- views: 216124
Georg Friedrich Handel (1685-1759) Israel in Egypt Oratorio.
Click to activate the English subtitles for the presentation (00:00-00:04:08)
Overture: Lamentation...
Georg Friedrich Handel (1685-1759) Israel in Egypt Oratorio.
Click to activate the English subtitles for the presentation (00:00-00:04:08)
Overture: Lamentations of the Israelites for the death of Joseph 00:00
Exodus
1. "Now here arose", récitatif P. Elliott 02:13
2. "And the children of Israel sighed by reason of the bondage: And their cry..." chorus 02:38
3. "Then sent He Moses", récitatif P. Elliott 06:34
4. "They loathed to drink", chorus 07:08
5. "Their land brought", aria A. Stafford 09:26
6. "He spake the word", chorus 11:43
7. "He gave them hailstones", chorus 13:51
8. "He sent a thick darkness", chorus 16:04
9. "He smote all the first-born", chorus 19:24
10. "But as for His people': chorus 21:51
11. "Egypt was glad", chorus 26:01
12. "He rebuked the Red Sea", chorus 29:04
13. "He led them", chorus 29:51
14. "But the waters", chorus 31:17
15. "And Israel saw", chorus 32:21
16. "And believed the Lord", chorus 33:19
Moses’ Song
17. "Moses, and the children': introitus - chorus 37:01
18. "I will sing", chorus 37:58
19. "The Lord is my strengh", duo J. Knibbs & M. Troth 40:35
20. "He is my God", chorus 45:12
21. "And I will exalt him", chorus 46:02
22. "The Lord is a man of war", duo S. Varcoe & C. Stewart 48:58
23. "The depths have covered them", chorus 54:45
24. "Thy right hand", chorus 57:34
25. "And in the greatness", chorus 59:02
26. "Thou sentest forth", chorus 59:39
27. "And with the blast", chorus 1:01:42
28. "The enemy said", aria W. Kendall 1:04:44
29. "Thou didst blow", aria D. Greene 1:07:11
30. "Who is like unto Thee", chorus 1:09:35
31. "The earth swallowed them", chorus 1:11:10
32. "Thou is thy mercy", duo B. Gordon & P. Elliott 1:12:21
33. "The people shall hear", chorus 1:16:48
34. "Thou shalt bring", aria J. Clarkson 1:24:21
35. "The Lord shall reign", chorus 1:28:15
36. "For the horse of Pharoah", récitatifP. Elliott 1:28:58
37. "The Lord shall reign", chorus 1:29:24
38. "And Miriam the prophetess", récitatif P. Elliott 1:30:05
39. "Sing ye to the Lord, for he hath triumphed gloriusly ! The Lord shall reign...", 1:30:28
E. Priday & Chorus
N. Burrowes: Sopran
Ch. Brett: Counter-Tenor
M. Hill: Tenor
S. Varcoe: Bass
M. Levin: Theorbo
M. Hicks: Organ
Monteverdi Choir & Orchestra
Conductor: John Eliot Gardiner
Recorded in 1978, at London
Painting: Edward Poynter (1836-1919) Israel in Egypt
🔊 Find CMRR's recordings on Spotify : https://spoti.fi/3016eVr
🔊 Download CMRR's recordings in High fidelity audio : https://bit.ly/2M1Eop2
In 1859 Henry Chorley termed Israel in Egypt "something apart from, alone, above all other works existing in descriptive choral music". To approach this prodigious piece in any other way, or to attempt a strict comparison with Handel's other oratorios, is somewhat fruitless: for this is indeed a work apart, unique in its epic conception and in the dazzling variety of its choral and orchestral writing. Nowhere else except in Dixit Dominus (1707), the tour deforce of his youthful stay in Italy, did Handel make such sustained demands of his choral singers, stretching to the limit their range of dramatic expression, stamina and sheer virtuosity.
Georg Friedrich Haendel PLAYLIST (reference recordings): https://www.youtube.com/playlist?list=PL3UZpQL9LIxMj1UpsqX_ALRZ9ydo6UjNd
https://wn.com/Handel_Israel_In_Egypt_Oratorio_(Reference_Recording_John_Eliot_Gardiner,_Monteverdi_Choir_Or.)
Georg Friedrich Handel (1685-1759) Israel in Egypt Oratorio.
Click to activate the English subtitles for the presentation (00:00-00:04:08)
Overture: Lamentations of the Israelites for the death of Joseph 00:00
Exodus
1. "Now here arose", récitatif P. Elliott 02:13
2. "And the children of Israel sighed by reason of the bondage: And their cry..." chorus 02:38
3. "Then sent He Moses", récitatif P. Elliott 06:34
4. "They loathed to drink", chorus 07:08
5. "Their land brought", aria A. Stafford 09:26
6. "He spake the word", chorus 11:43
7. "He gave them hailstones", chorus 13:51
8. "He sent a thick darkness", chorus 16:04
9. "He smote all the first-born", chorus 19:24
10. "But as for His people': chorus 21:51
11. "Egypt was glad", chorus 26:01
12. "He rebuked the Red Sea", chorus 29:04
13. "He led them", chorus 29:51
14. "But the waters", chorus 31:17
15. "And Israel saw", chorus 32:21
16. "And believed the Lord", chorus 33:19
Moses’ Song
17. "Moses, and the children': introitus - chorus 37:01
18. "I will sing", chorus 37:58
19. "The Lord is my strengh", duo J. Knibbs & M. Troth 40:35
20. "He is my God", chorus 45:12
21. "And I will exalt him", chorus 46:02
22. "The Lord is a man of war", duo S. Varcoe & C. Stewart 48:58
23. "The depths have covered them", chorus 54:45
24. "Thy right hand", chorus 57:34
25. "And in the greatness", chorus 59:02
26. "Thou sentest forth", chorus 59:39
27. "And with the blast", chorus 1:01:42
28. "The enemy said", aria W. Kendall 1:04:44
29. "Thou didst blow", aria D. Greene 1:07:11
30. "Who is like unto Thee", chorus 1:09:35
31. "The earth swallowed them", chorus 1:11:10
32. "Thou is thy mercy", duo B. Gordon & P. Elliott 1:12:21
33. "The people shall hear", chorus 1:16:48
34. "Thou shalt bring", aria J. Clarkson 1:24:21
35. "The Lord shall reign", chorus 1:28:15
36. "For the horse of Pharoah", récitatifP. Elliott 1:28:58
37. "The Lord shall reign", chorus 1:29:24
38. "And Miriam the prophetess", récitatif P. Elliott 1:30:05
39. "Sing ye to the Lord, for he hath triumphed gloriusly ! The Lord shall reign...", 1:30:28
E. Priday & Chorus
N. Burrowes: Sopran
Ch. Brett: Counter-Tenor
M. Hill: Tenor
S. Varcoe: Bass
M. Levin: Theorbo
M. Hicks: Organ
Monteverdi Choir & Orchestra
Conductor: John Eliot Gardiner
Recorded in 1978, at London
Painting: Edward Poynter (1836-1919) Israel in Egypt
🔊 Find CMRR's recordings on Spotify : https://spoti.fi/3016eVr
🔊 Download CMRR's recordings in High fidelity audio : https://bit.ly/2M1Eop2
In 1859 Henry Chorley termed Israel in Egypt "something apart from, alone, above all other works existing in descriptive choral music". To approach this prodigious piece in any other way, or to attempt a strict comparison with Handel's other oratorios, is somewhat fruitless: for this is indeed a work apart, unique in its epic conception and in the dazzling variety of its choral and orchestral writing. Nowhere else except in Dixit Dominus (1707), the tour deforce of his youthful stay in Italy, did Handel make such sustained demands of his choral singers, stretching to the limit their range of dramatic expression, stamina and sheer virtuosity.
Georg Friedrich Haendel PLAYLIST (reference recordings): https://www.youtube.com/playlist?list=PL3UZpQL9LIxMj1UpsqX_ALRZ9ydo6UjNd
- published: 26 May 2021
- views: 216124
8:06
John Eliot: Translating the Bible for the Native Americans | Cody Crouch
- Order: Reorder
- Duration: 8:06
- Uploaded Date: 29 Jul 2021
- views: 1045
This Month in Christian History: Today, we celebrate the life and work of John Eliot! Eliot was on a mission to translate the Bible more Native Americans in the...
This Month in Christian History: Today, we celebrate the life and work of John Eliot! Eliot was on a mission to translate the Bible more Native Americans in the own language. Up until this point, the Bible had never been translated into a language that wasn't native to the translator.
Watch more full episodes on TBN On Demand: https://watch.tbn.org/videos/this-month-in-christian-history-july
This Month in Christian History aims to honor the significance of the past. We’ve identified saints, athletes, missionaries, and regular people who did extraordinary things in the corresponding month throughout history. These people and events impacted everything from the smallest towns to the entire world. Some of them may not have a day dedicated to them on the calendar but are definitely worth learning about and celebrating!
#CodyCrouch #ThisMonthInChristianHistory #JohnEliot
https://wn.com/John_Eliot_Translating_The_Bible_For_The_Native_Americans_|_Cody_Crouch
This Month in Christian History: Today, we celebrate the life and work of John Eliot! Eliot was on a mission to translate the Bible more Native Americans in the own language. Up until this point, the Bible had never been translated into a language that wasn't native to the translator.
Watch more full episodes on TBN On Demand: https://watch.tbn.org/videos/this-month-in-christian-history-july
This Month in Christian History aims to honor the significance of the past. We’ve identified saints, athletes, missionaries, and regular people who did extraordinary things in the corresponding month throughout history. These people and events impacted everything from the smallest towns to the entire world. Some of them may not have a day dedicated to them on the calendar but are definitely worth learning about and celebrating!
#CodyCrouch #ThisMonthInChristianHistory #JohnEliot
- published: 29 Jul 2021
- views: 1045
9:21
The art of conducting | Sir John Eliot Gardiner
- Order: Reorder
- Duration: 9:21
- Uploaded Date: 13 Oct 2022
- views: 10756
Ahead of his performance with the Orchestre Philharmonique du Luxembourg together with the Monteverdi Choir at the Philharmonie, we sat down with Sir John Eliot...
Ahead of his performance with the Orchestre Philharmonique du Luxembourg together with the Monteverdi Choir at the Philharmonie, we sat down with Sir John Eliot Gardiner for a new episode of our video series "The Art of Conducting"
He talked to us about how the repertoire affects the gestures of conducting and music making, the sound of «period instruments» in today's orchestras, about the similarities between managing a bio-farm & leading an orchestra and much more!
https://wn.com/The_Art_Of_Conducting_|_Sir_John_Eliot_Gardiner
Ahead of his performance with the Orchestre Philharmonique du Luxembourg together with the Monteverdi Choir at the Philharmonie, we sat down with Sir John Eliot Gardiner for a new episode of our video series "The Art of Conducting"
He talked to us about how the repertoire affects the gestures of conducting and music making, the sound of «period instruments» in today's orchestras, about the similarities between managing a bio-farm & leading an orchestra and much more!
- published: 13 Oct 2022
- views: 10756
1:00:59
Beethoven: Symphony no. 9 (2020) | John Eliot Gardiner & Monteverdi Choir
- Order: Reorder
- Duration: 1:00:59
- Uploaded Date: 09 Dec 2020
- views: 47318
__
Beethoven: Symphony no. 9 in D minor, op. 125
Lucy Crowe | Soprano
Jess Dandy | Contralto
Ed Lyon | Tenor
Tareq Nazmi | Bass
Orchestre Révolutionnaire et ...
__
Beethoven: Symphony no. 9 in D minor, op. 125
Lucy Crowe | Soprano
Jess Dandy | Contralto
Ed Lyon | Tenor
Tareq Nazmi | Bass
Orchestre Révolutionnaire et Romantique
Monteverdi Choir
Conducted by John Eliot Gardiner
__
https://wn.com/Beethoven_Symphony_No._9_(2020)_|_John_Eliot_Gardiner_Monteverdi_Choir
__
Beethoven: Symphony no. 9 in D minor, op. 125
Lucy Crowe | Soprano
Jess Dandy | Contralto
Ed Lyon | Tenor
Tareq Nazmi | Bass
Orchestre Révolutionnaire et Romantique
Monteverdi Choir
Conducted by John Eliot Gardiner
__
- published: 09 Dec 2020
- views: 47318
2:30:09
Sir John Eliot Gardiner Schumann - Symphonies
- Order: Reorder
- Duration: 2:30:09
- Uploaded Date: 02 Feb 2020
- views: 18258
Robert Schumann (1810 - 1856)
Symphony No.1 In B Flat, Op.38, 'Spring'
(00:00:00) 1. Andante Un Poco Maestoso
(00:10:54) 2. Larghetto
(00:17:16) 3. Scherzo- Mo...
Robert Schumann (1810 - 1856)
Symphony No.1 In B Flat, Op.38, 'Spring'
(00:00:00) 1. Andante Un Poco Maestoso
(00:10:54) 2. Larghetto
(00:17:16) 3. Scherzo- Molto Vivace
(00:22:31) 4. Allegro Animato E Grazioso
Symphony No.2 In C, Op.61
(00:30:23) 1. Sostenuto Assai
(00:42:35) 2. Scherzo- Allegro Vivace
(00:49:36) 3. Adagio Espressivo
(00:59:44) 4. Allegro Molto Vivace
Symphony No.3 In E Flat, 'Rhenish'
(01:08:12) 1. Lebhaft
(01:17:02) 2. Scherzo
(01:22:56) 3. Nicht Schnell
(01:27:33) 4. Feierlich
(01:32:28) 5. Lebhaft
Symphony No.4 In D Minor, Op.120 (revised version, 1851)
(01:38:14) 1. Ziemlich Langsam, Lebhaft
(01:48:12) 2. Romanze. Ziemlich langsam
(01:51:51) 3. Scherzo. Lebhaft
(01:56:42) 4. Etwas Zurückhaltend, Langsam
(01:58:14) 5. Lebhaft
Symphony No.4 In D Minor, Op.120 (original version, 1841)
(02:05:54) 1. Andante con moto- Allegro di molto
(02:14:13) 2. Romanze. Andante
(02:18:01) 3. Scherzo. Presto
(02:23:08) 4. Largo- Finale. Allegro vivace
Sir John Eliot Gardiner
The Orchestre Revolutionnaire et Romantique
May & October, 1997
https://wn.com/Sir_John_Eliot_Gardiner_Schumann_Symphonies
Robert Schumann (1810 - 1856)
Symphony No.1 In B Flat, Op.38, 'Spring'
(00:00:00) 1. Andante Un Poco Maestoso
(00:10:54) 2. Larghetto
(00:17:16) 3. Scherzo- Molto Vivace
(00:22:31) 4. Allegro Animato E Grazioso
Symphony No.2 In C, Op.61
(00:30:23) 1. Sostenuto Assai
(00:42:35) 2. Scherzo- Allegro Vivace
(00:49:36) 3. Adagio Espressivo
(00:59:44) 4. Allegro Molto Vivace
Symphony No.3 In E Flat, 'Rhenish'
(01:08:12) 1. Lebhaft
(01:17:02) 2. Scherzo
(01:22:56) 3. Nicht Schnell
(01:27:33) 4. Feierlich
(01:32:28) 5. Lebhaft
Symphony No.4 In D Minor, Op.120 (revised version, 1851)
(01:38:14) 1. Ziemlich Langsam, Lebhaft
(01:48:12) 2. Romanze. Ziemlich langsam
(01:51:51) 3. Scherzo. Lebhaft
(01:56:42) 4. Etwas Zurückhaltend, Langsam
(01:58:14) 5. Lebhaft
Symphony No.4 In D Minor, Op.120 (original version, 1841)
(02:05:54) 1. Andante con moto- Allegro di molto
(02:14:13) 2. Romanze. Andante
(02:18:01) 3. Scherzo. Presto
(02:23:08) 4. Largo- Finale. Allegro vivace
Sir John Eliot Gardiner
The Orchestre Revolutionnaire et Romantique
May & October, 1997
- published: 02 Feb 2020
- views: 18258
PLAYLIST TIME:
PLAYLIST TIME:
40:22
Handel - Dixit Dominus - Gardiner
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published: 05 Feb 2015
Handel - Dixit Dominus - Gardiner
Handel - Dixit Dominus - Gardiner
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George Frideric Handel
Dixit Dominus, HWV 232
Monteverdi Choir
English Baroque Soloists
Sir John Eliot Gardiner
June 2014
9:21
The art of conducting | Sir John Eliot Gardiner
Ahead of his performance with the Orchestre Philharmonique du Luxembourg together with the...
published: 13 Oct 2022
The art of conducting | Sir John Eliot Gardiner
The art of conducting | Sir John Eliot Gardiner
- Report rights infringement
- published: 13 Oct 2022
- views: 10756
Ahead of his performance with the Orchestre Philharmonique du Luxembourg together with the Monteverdi Choir at the Philharmonie, we sat down with Sir John Eliot Gardiner for a new episode of our video series "The Art of Conducting"
He talked to us about how the repertoire affects the gestures of conducting and music making, the sound of «period instruments» in today's orchestras, about the similarities between managing a bio-farm & leading an orchestra and much more!
6:06
John Eliot Gardiner: Bach's Habit of Imperfection | Big Think
John Eliot Gardiner: Bach's Habit of Imperfection
Watch the newest video from Big Think: h...
published: 03 Dec 2013
John Eliot Gardiner: Bach's Habit of Imperfection | Big Think
John Eliot Gardiner: Bach's Habit of Imperfection | Big Think
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John Eliot Gardiner: Bach's Habit of Imperfection
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----------------------------------------------------------------------------------
Gardiner, author of the new book, Bach: Music in the Castle of Heaven, has a unique perspective on Bach. He is both a historian and a world-renowned conductor who has throughout his career made hundreds of recordings on the prestigious Deutsche Grammophon label. Bach, the orphan rebel, had a suspicion of authority that ran deep throughout his life, and made him an often domineering and unpleasant person to deal with.
Gardiner doesn't see any contradiction here. "The very fact that this music is so profound and so uplifting and the man is clearly not a saint makes it all the more interesting," he says.
----------------------------------------------------------------------------------
JOHN ELIOT GARDINER:
Sir John Eliot Gardiner CBE FKC is an English conductor and the author of Bach: Music in the Castle of Heaven.
----------------------------------------------------------------------------------
TRANSCRIPT:
John Eliot Gardiner: I think there’s been a slightly deplorable tendency amongst Bach’s biographers to paint Bach the human being in a very complimentary light. To imply that great music requires a great man and a great human being and a great personality to be behind it. Well, of course great music requires a creator but it doesn’t have to be a paragon – he doesn’t have to be a paragon of virtue. And Bach certainly wasn’t.
The more that one discovers about him, the more one discovers that he was a deeply flawed character. That even though we have very, very few family records and letters to go on there are incidents that keep cropping up in his life at almost a repetitive pattern of antagonistic behavior between him and authority – the authorities for whom he worked. He was very combative. He really took them on.
But I think we can trace it back really to his earliest times. All right he started off in a presumably very happy family situation with both parents living but he didn’t go to school very often. We have a lot of records of truancy. Now, why? Why was he not at school? That’s one big question. Then comes the double shock of both parents dying before he’s ten. And his upheaval rooted as he was in Eisenach. He’s now uprooted and he goes to live with his elder brother, Johann Christoph, a few miles away in Ohrdruf.
And suddenly his grades shoot up, a reaction to his orphanhood – who knows. But the more I’ve been able to delve into the circumstances and the context of his schooling, the worse it becomes. It looks as if the schools – both the first two schools that he was involved in were prone to very modern sounding difficulties of, you know, overcrowding in classrooms, shortage of textbooks, hooliganism in the classroom, lobbing of bricks through windows, chasing of the girls, coming to school with daggers and spears and a good deal of unpleasant bullying and sadistic behavior.
There was one particular schoolmaster of Bach’s when he was in Ohrdruf and he was probably then only about 11 or 12 who was known as the bully and the sadist of the school. And eventually he got handed his cards and he left but not before inflicting God knows what damage on his pupils. And this is a theme that goes all the way through Bach’s schooling and we can’t say with assurance – well, he was damaged. But it does come out in certain ways.
For example, in his very first job that was when he was organist in Arnstadt. He gets into a quarrel with a bassoonist. He writes a piece of music with a rather difficult couple of riffs for the bassoon and the bassoonist obviously makes a complete mess of it, he can’t handle it. So Bach swears at him and calls him something pretty rude and the guy reacts by setting upon him in the market square. He comes up to him with a cudgel and Bach draws his sword and defends himself. And there’s tremendous fisticuffs which is only broken up by the onlookers.
And Bach goes off to his employers and says, “What’s all that? You know, you’ve got to protect me.” And they don’t. That leads to a feeling of suspicion of authority that runs right away through his life. And it comes up again and again and again. And that comes into the foreground when he’s working in Weimar for the two dukes – the Duke Wilhelm Ernest and his nephew who share the authority.
And Bach is unhappy there. He feels he’s been passed over for the succession to become Kapellmeister. He feels aggrieved. He looks for another job. He’s appointed, and he doesn’t get permission from the Dukes to leave. So they throw him into prison and for a month he’s disgraced and imprisoned.
Read the full transcript at https://bigthink.com/videos/bachs-habit-of-imperfection-2
1:58:38
Bach Mass in B minor, BWV 232 John Eliot Gardiner Monteverdi Choir English Baroque Soloists
published: 05 Jul 2020
Bach Mass in B minor, BWV 232 John Eliot Gardiner Monteverdi Choir English Baroque Soloists
Bach Mass in B minor, BWV 232 John Eliot Gardiner Monteverdi Choir English Baroque Soloists
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- published: 05 Jul 2020
- views: 470675
1:00:59
Beethoven: Symphony no. 9 (2020) | John Eliot Gardiner & Monteverdi Choir
__
Beethoven: Symphony no. 9 in D minor, op. 125
Lucy Crowe | Soprano
Jess Dandy | Contr...
published: 09 Dec 2020
Beethoven: Symphony no. 9 (2020) | John Eliot Gardiner & Monteverdi Choir
Beethoven: Symphony no. 9 (2020) | John Eliot Gardiner & Monteverdi Choir
- Report rights infringement
- published: 09 Dec 2020
- views: 47318
__
Beethoven: Symphony no. 9 in D minor, op. 125
Lucy Crowe | Soprano
Jess Dandy | Contralto
Ed Lyon | Tenor
Tareq Nazmi | Bass
Orchestre Révolutionnaire et Romantique
Monteverdi Choir
Conducted by John Eliot Gardiner
__
1:33:57
Handel - Israel in Egypt Oratorio (reference recording: John Eliot Gardiner, Monteverdi Choir & Or.)
Georg Friedrich Handel (1685-1759) Israel in Egypt Oratorio.
Click to activate the English...
published: 26 May 2021
Handel - Israel in Egypt Oratorio (reference recording: John Eliot Gardiner, Monteverdi Choir & Or.)
Handel - Israel in Egypt Oratorio (reference recording: John Eliot Gardiner, Monteverdi Choir & Or.)
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- published: 26 May 2021
- views: 216124
Georg Friedrich Handel (1685-1759) Israel in Egypt Oratorio.
Click to activate the English subtitles for the presentation (00:00-00:04:08)
Overture: Lamentations of the Israelites for the death of Joseph 00:00
Exodus
1. "Now here arose", récitatif P. Elliott 02:13
2. "And the children of Israel sighed by reason of the bondage: And their cry..." chorus 02:38
3. "Then sent He Moses", récitatif P. Elliott 06:34
4. "They loathed to drink", chorus 07:08
5. "Their land brought", aria A. Stafford 09:26
6. "He spake the word", chorus 11:43
7. "He gave them hailstones", chorus 13:51
8. "He sent a thick darkness", chorus 16:04
9. "He smote all the first-born", chorus 19:24
10. "But as for His people': chorus 21:51
11. "Egypt was glad", chorus 26:01
12. "He rebuked the Red Sea", chorus 29:04
13. "He led them", chorus 29:51
14. "But the waters", chorus 31:17
15. "And Israel saw", chorus 32:21
16. "And believed the Lord", chorus 33:19
Moses’ Song
17. "Moses, and the children': introitus - chorus 37:01
18. "I will sing", chorus 37:58
19. "The Lord is my strengh", duo J. Knibbs & M. Troth 40:35
20. "He is my God", chorus 45:12
21. "And I will exalt him", chorus 46:02
22. "The Lord is a man of war", duo S. Varcoe & C. Stewart 48:58
23. "The depths have covered them", chorus 54:45
24. "Thy right hand", chorus 57:34
25. "And in the greatness", chorus 59:02
26. "Thou sentest forth", chorus 59:39
27. "And with the blast", chorus 1:01:42
28. "The enemy said", aria W. Kendall 1:04:44
29. "Thou didst blow", aria D. Greene 1:07:11
30. "Who is like unto Thee", chorus 1:09:35
31. "The earth swallowed them", chorus 1:11:10
32. "Thou is thy mercy", duo B. Gordon & P. Elliott 1:12:21
33. "The people shall hear", chorus 1:16:48
34. "Thou shalt bring", aria J. Clarkson 1:24:21
35. "The Lord shall reign", chorus 1:28:15
36. "For the horse of Pharoah", récitatifP. Elliott 1:28:58
37. "The Lord shall reign", chorus 1:29:24
38. "And Miriam the prophetess", récitatif P. Elliott 1:30:05
39. "Sing ye to the Lord, for he hath triumphed gloriusly ! The Lord shall reign...", 1:30:28
E. Priday & Chorus
N. Burrowes: Sopran
Ch. Brett: Counter-Tenor
M. Hill: Tenor
S. Varcoe: Bass
M. Levin: Theorbo
M. Hicks: Organ
Monteverdi Choir & Orchestra
Conductor: John Eliot Gardiner
Recorded in 1978, at London
Painting: Edward Poynter (1836-1919) Israel in Egypt
🔊 Find CMRR's recordings on Spotify : https://spoti.fi/3016eVr
🔊 Download CMRR's recordings in High fidelity audio : https://bit.ly/2M1Eop2
In 1859 Henry Chorley termed Israel in Egypt "something apart from, alone, above all other works existing in descriptive choral music". To approach this prodigious piece in any other way, or to attempt a strict comparison with Handel's other oratorios, is somewhat fruitless: for this is indeed a work apart, unique in its epic conception and in the dazzling variety of its choral and orchestral writing. Nowhere else except in Dixit Dominus (1707), the tour deforce of his youthful stay in Italy, did Handel make such sustained demands of his choral singers, stretching to the limit their range of dramatic expression, stamina and sheer virtuosity.
Georg Friedrich Haendel PLAYLIST (reference recordings): https://www.youtube.com/playlist?list=PL3UZpQL9LIxMj1UpsqX_ALRZ9ydo6UjNd
2:14
John Eliot Gardiner – Bach: Johannes-Passion, BWV 245 / Part I: 1. Herr, unser Herrscher
Filmed and recorded in the Sheldonian Theatre’s architectural splendour, this acclaimed pe...
published: 13 Mar 2022
John Eliot Gardiner – Bach: Johannes-Passion, BWV 245 / Part I: 1. Herr, unser Herrscher
John Eliot Gardiner – Bach: Johannes-Passion, BWV 245 / Part I: 1. Herr, unser Herrscher
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- published: 13 Mar 2022
- views: 22559
Filmed and recorded in the Sheldonian Theatre’s architectural splendour, this acclaimed performance from Good Friday 2021 marked Sir John Eliot Gardiner’s return to live concerts. He says: “I recorded the piece for the first time for Archiv Produktion back in 1986 and it remains truly special to me. Bach conceived the piece as much as an act of worship as a work of religious art. Almost 300 years after it was heard for the first time, it continues to move listeners of all faiths and none.”
John Eliot Gardiner – Bach: Johannes-Passion, BWV 245 / Part I: 1. Herr, unser Herrscher
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9:58
Mendelssohn: Overture 'The Hebrides' | Sir John Eliot Gardiner
Listen to more Mendelssohn from Sir John Eliot Gardiner: https://smarturl.it/mendelssohnap...
published: 08 Feb 2017
Mendelssohn: Overture 'The Hebrides' | Sir John Eliot Gardiner
Mendelssohn: Overture 'The Hebrides' | Sir John Eliot Gardiner
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- published: 08 Feb 2017
- views: 616942
Listen to more Mendelssohn from Sir John Eliot Gardiner: https://smarturl.it/mendelssohnapple
Buy Gardiner's Mendelssohn CD box set: https://smarturl.it/mendelssohncycle
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John Eliot Gardiner
Sir John Eliot Gardiner, CBE (born 20 April 1943) is an English conductor.
Life and career
Born in Fontmell Magna, Dorset, Gardiner's early musical experience came largely through singing with his family and in a local church choir. A self-taught musician who also played the violin, he began to study conducting at the age of 15. He was educated at Bryanston School, then studied history, Arabic, and medieval Spanish at King's College, Cambridge.
While an undergraduate at Cambridge he launched his career as a conductor with a performance of Vespro della Beata Vergine by Monteverdi, in King's College Chapel on 5 March 1964. This either featured or led to the foundation of the Monteverdi Choir, with which he made his London conducting debut at the Wigmore Hall in 1966.
Whilst at Cambridge, he conducted the Oxford and Cambridge Singers on a concert tour of the Middle East.
After graduating with a master's degree in history, Gardiner continued his musical studies at King's College London under Thurston Dart and in Paris with Nadia Boulanger, whose music had been a very early influence. In 1968 he founded the Monteverdi Orchestra. Upon changing from modern instruments to period instruments in 1977, the orchestra changed its name to the English Baroque Soloists in 1978. In 1969 Gardiner made his opera debut with a performance of Mozart's The Magic Flute at the English National Opera. Four years later, in 1973, he made his first appearance at the Covent Garden conducting Gluck's Iphigénie en Tauride. The English Baroque Soloists made their opera debut with him in the 1977 Innsbruck Festival of Early Music, performing Handel's Acis and Galatea on period instruments. His American debut came in 1979 when he conducted the Dallas Symphony Orchestra. He then became the lead conductor of Canada's CBC Vancouver Orchestra from 1980 to 1983.
This page contains text from Wikipedia, the Free Encyclopedia - https://wn.com/John_Eliot_Gardiner
PLAYLIST TIME:
6:38
John Eliot: Translating the Bible for the Native Americans | Cody Crouch on TBN
This Month in Christian History: Today, Cody Crouch celebrates the life and work of John E...
published: 25 Jul 2022
John Eliot: Translating the Bible for the Native Americans | Cody Crouch on TBN
John Eliot: Translating the Bible for the Native Americans | Cody Crouch on TBN
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- published: 25 Jul 2022
- views: 2184
This Month in Christian History: Today, Cody Crouch celebrates the life and work of John Eliot! Eliot was on a mission to translate the Bible for Native Americans in their own language. Up until this point, the Bible had never been translated into a language that wasn't native to the translator.
Watch full episodes of This Month in Christian History on TBN: https://watch.tbn.org/this-month-in-christian-history
SUBSCRIBE: https://www.youtube.com/channel/UCyJAa_BaiG3N09hoUL8ZXlQ?sub_confirmation=1
This Month in Christian History aims to honor the significance of the past. We’ve identified saints, athletes, missionaries, and regular people who did extraordinary things in the corresponding month throughout history. These people and events impacted everything from the smallest towns to the entire world. Some of them may not have a day dedicated to them on the calendar but are definitely worth learning about and celebrating!
#thismonthinchristianhistory #johneliot #codycrouch
4:42
Elton John - Sacrifice
Elton John's new album The Lockdown Sessions: https://EltonJohn.lnk.to/TheLockdownSessions...
published: 01 Sep 2010
Elton John - Sacrifice
Elton John - Sacrifice
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- published: 01 Sep 2010
- views: 793530987
Elton John's new album The Lockdown Sessions: https://EltonJohn.lnk.to/TheLockdownSessionsID
Directed by Alek Keshishian and starring Yasmeen Ghauri and Chris Isaak, the video for "Sacrifice" was filmed in Los Angeles in 1989. This second single from Sleeping With The Past became Elton's first solo #1 in the UK.
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Elton John - Sacrifice
https://www.youtube.com/user/EltonJohn
2:43
John Eliot: first American missionary to the Indians
John Eliot was a Puritan missionary to the American Indians who some called "the apostle t...
published: 07 Aug 2023
John Eliot: first American missionary to the Indians
John Eliot: first American missionary to the Indians
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- published: 07 Aug 2023
- views: 275
John Eliot was a Puritan missionary to the American Indians who some called "the apostle to the Indians" and the founder of Roxbury Latin School in the Massachusetts Bay Colony in 1645.
In 1660 he completed the enormous task of translating the Eliot Indian Bible into the Massachusetts Indian language, producing more than two thousand completed copies.
33:04
Beethoven Symphony No 5 C minor John Eliot Gardiner Orchestre Revolutionnaire et Romantique 2016
published: 05 Apr 2017
Beethoven Symphony No 5 C minor John Eliot Gardiner Orchestre Revolutionnaire et Romantique 2016
Beethoven Symphony No 5 C minor John Eliot Gardiner Orchestre Revolutionnaire et Romantique 2016
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- published: 05 Apr 2017
- views: 183824
10:22
John Eliot and the Conversion of Native Peoples in Boston’s North End
In this episode of Illuminating the Unseen, Jaimie examines the efforts of missionaries in...
published: 14 Dec 2022
John Eliot and the Conversion of Native Peoples in Boston’s North End
John Eliot and the Conversion of Native Peoples in Boston’s North End
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- published: 14 Dec 2022
- views: 496
In this episode of Illuminating the Unseen, Jaimie examines the efforts of missionaries in the late 1700s and early 1800s to urge Indigenous people in Massachusetts to convert to Christianity. She focuses on Rev. John Eliot, a Congregational minister in Boston's North End, and his work with a prominent missionary group, the Society for Propagating the Gospel Among the Indians and Others in North America. Jaimie also considers the relationship between Congregational missionaries and Anglican missionaries as they both set out to impose their faith and cultural norms on Indigenous people.
1:33:57
Handel - Israel in Egypt Oratorio (reference recording: John Eliot Gardiner, Monteverdi Choir & Or.)
Georg Friedrich Handel (1685-1759) Israel in Egypt Oratorio.
Click to activate the English...
published: 26 May 2021
Handel - Israel in Egypt Oratorio (reference recording: John Eliot Gardiner, Monteverdi Choir & Or.)
Handel - Israel in Egypt Oratorio (reference recording: John Eliot Gardiner, Monteverdi Choir & Or.)
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- published: 26 May 2021
- views: 216124
Georg Friedrich Handel (1685-1759) Israel in Egypt Oratorio.
Click to activate the English subtitles for the presentation (00:00-00:04:08)
Overture: Lamentations of the Israelites for the death of Joseph 00:00
Exodus
1. "Now here arose", récitatif P. Elliott 02:13
2. "And the children of Israel sighed by reason of the bondage: And their cry..." chorus 02:38
3. "Then sent He Moses", récitatif P. Elliott 06:34
4. "They loathed to drink", chorus 07:08
5. "Their land brought", aria A. Stafford 09:26
6. "He spake the word", chorus 11:43
7. "He gave them hailstones", chorus 13:51
8. "He sent a thick darkness", chorus 16:04
9. "He smote all the first-born", chorus 19:24
10. "But as for His people': chorus 21:51
11. "Egypt was glad", chorus 26:01
12. "He rebuked the Red Sea", chorus 29:04
13. "He led them", chorus 29:51
14. "But the waters", chorus 31:17
15. "And Israel saw", chorus 32:21
16. "And believed the Lord", chorus 33:19
Moses’ Song
17. "Moses, and the children': introitus - chorus 37:01
18. "I will sing", chorus 37:58
19. "The Lord is my strengh", duo J. Knibbs & M. Troth 40:35
20. "He is my God", chorus 45:12
21. "And I will exalt him", chorus 46:02
22. "The Lord is a man of war", duo S. Varcoe & C. Stewart 48:58
23. "The depths have covered them", chorus 54:45
24. "Thy right hand", chorus 57:34
25. "And in the greatness", chorus 59:02
26. "Thou sentest forth", chorus 59:39
27. "And with the blast", chorus 1:01:42
28. "The enemy said", aria W. Kendall 1:04:44
29. "Thou didst blow", aria D. Greene 1:07:11
30. "Who is like unto Thee", chorus 1:09:35
31. "The earth swallowed them", chorus 1:11:10
32. "Thou is thy mercy", duo B. Gordon & P. Elliott 1:12:21
33. "The people shall hear", chorus 1:16:48
34. "Thou shalt bring", aria J. Clarkson 1:24:21
35. "The Lord shall reign", chorus 1:28:15
36. "For the horse of Pharoah", récitatifP. Elliott 1:28:58
37. "The Lord shall reign", chorus 1:29:24
38. "And Miriam the prophetess", récitatif P. Elliott 1:30:05
39. "Sing ye to the Lord, for he hath triumphed gloriusly ! The Lord shall reign...", 1:30:28
E. Priday & Chorus
N. Burrowes: Sopran
Ch. Brett: Counter-Tenor
M. Hill: Tenor
S. Varcoe: Bass
M. Levin: Theorbo
M. Hicks: Organ
Monteverdi Choir & Orchestra
Conductor: John Eliot Gardiner
Recorded in 1978, at London
Painting: Edward Poynter (1836-1919) Israel in Egypt
🔊 Find CMRR's recordings on Spotify : https://spoti.fi/3016eVr
🔊 Download CMRR's recordings in High fidelity audio : https://bit.ly/2M1Eop2
In 1859 Henry Chorley termed Israel in Egypt "something apart from, alone, above all other works existing in descriptive choral music". To approach this prodigious piece in any other way, or to attempt a strict comparison with Handel's other oratorios, is somewhat fruitless: for this is indeed a work apart, unique in its epic conception and in the dazzling variety of its choral and orchestral writing. Nowhere else except in Dixit Dominus (1707), the tour deforce of his youthful stay in Italy, did Handel make such sustained demands of his choral singers, stretching to the limit their range of dramatic expression, stamina and sheer virtuosity.
Georg Friedrich Haendel PLAYLIST (reference recordings): https://www.youtube.com/playlist?list=PL3UZpQL9LIxMj1UpsqX_ALRZ9ydo6UjNd
8:06
John Eliot: Translating the Bible for the Native Americans | Cody Crouch
This Month in Christian History: Today, we celebrate the life and work of John Eliot! Elio...
published: 29 Jul 2021
John Eliot: Translating the Bible for the Native Americans | Cody Crouch
John Eliot: Translating the Bible for the Native Americans | Cody Crouch
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- published: 29 Jul 2021
- views: 1045
This Month in Christian History: Today, we celebrate the life and work of John Eliot! Eliot was on a mission to translate the Bible more Native Americans in the own language. Up until this point, the Bible had never been translated into a language that wasn't native to the translator.
Watch more full episodes on TBN On Demand: https://watch.tbn.org/videos/this-month-in-christian-history-july
This Month in Christian History aims to honor the significance of the past. We’ve identified saints, athletes, missionaries, and regular people who did extraordinary things in the corresponding month throughout history. These people and events impacted everything from the smallest towns to the entire world. Some of them may not have a day dedicated to them on the calendar but are definitely worth learning about and celebrating!
#CodyCrouch #ThisMonthInChristianHistory #JohnEliot
9:21
The art of conducting | Sir John Eliot Gardiner
Ahead of his performance with the Orchestre Philharmonique du Luxembourg together with the...
published: 13 Oct 2022
The art of conducting | Sir John Eliot Gardiner
The art of conducting | Sir John Eliot Gardiner
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- published: 13 Oct 2022
- views: 10756
Ahead of his performance with the Orchestre Philharmonique du Luxembourg together with the Monteverdi Choir at the Philharmonie, we sat down with Sir John Eliot Gardiner for a new episode of our video series "The Art of Conducting"
He talked to us about how the repertoire affects the gestures of conducting and music making, the sound of «period instruments» in today's orchestras, about the similarities between managing a bio-farm & leading an orchestra and much more!
1:00:59
Beethoven: Symphony no. 9 (2020) | John Eliot Gardiner & Monteverdi Choir
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Beethoven: Symphony no. 9 in D minor, op. 125
Lucy Crowe | Soprano
Jess Dandy | Contr...
published: 09 Dec 2020
Beethoven: Symphony no. 9 (2020) | John Eliot Gardiner & Monteverdi Choir
Beethoven: Symphony no. 9 (2020) | John Eliot Gardiner & Monteverdi Choir
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- published: 09 Dec 2020
- views: 47318
__
Beethoven: Symphony no. 9 in D minor, op. 125
Lucy Crowe | Soprano
Jess Dandy | Contralto
Ed Lyon | Tenor
Tareq Nazmi | Bass
Orchestre Révolutionnaire et Romantique
Monteverdi Choir
Conducted by John Eliot Gardiner
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2:30:09
Sir John Eliot Gardiner Schumann - Symphonies
Robert Schumann (1810 - 1856)
Symphony No.1 In B Flat, Op.38, 'Spring'
(00:00:00) 1. Anda...
published: 02 Feb 2020
Sir John Eliot Gardiner Schumann - Symphonies
Sir John Eliot Gardiner Schumann - Symphonies
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- published: 02 Feb 2020
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Robert Schumann (1810 - 1856)
Symphony No.1 In B Flat, Op.38, 'Spring'
(00:00:00) 1. Andante Un Poco Maestoso
(00:10:54) 2. Larghetto
(00:17:16) 3. Scherzo- Molto Vivace
(00:22:31) 4. Allegro Animato E Grazioso
Symphony No.2 In C, Op.61
(00:30:23) 1. Sostenuto Assai
(00:42:35) 2. Scherzo- Allegro Vivace
(00:49:36) 3. Adagio Espressivo
(00:59:44) 4. Allegro Molto Vivace
Symphony No.3 In E Flat, 'Rhenish'
(01:08:12) 1. Lebhaft
(01:17:02) 2. Scherzo
(01:22:56) 3. Nicht Schnell
(01:27:33) 4. Feierlich
(01:32:28) 5. Lebhaft
Symphony No.4 In D Minor, Op.120 (revised version, 1851)
(01:38:14) 1. Ziemlich Langsam, Lebhaft
(01:48:12) 2. Romanze. Ziemlich langsam
(01:51:51) 3. Scherzo. Lebhaft
(01:56:42) 4. Etwas Zurückhaltend, Langsam
(01:58:14) 5. Lebhaft
Symphony No.4 In D Minor, Op.120 (original version, 1841)
(02:05:54) 1. Andante con moto- Allegro di molto
(02:14:13) 2. Romanze. Andante
(02:18:01) 3. Scherzo. Presto
(02:23:08) 4. Largo- Finale. Allegro vivace
Sir John Eliot Gardiner
The Orchestre Revolutionnaire et Romantique
May & October, 1997
John Eliot: Translating the Bible for the Native A...
Elton John - Sacrifice...
John Eliot: first American missionary to the India...
Beethoven Symphony No 5 C minor John Eliot Gardine...
John Eliot and the Conversion of Native Peoples in...
Handel - Israel in Egypt Oratorio (reference recor...
John Eliot: Translating the Bible for the Native A...
The art of conducting | Sir John Eliot Gardiner...
Beethoven: Symphony no. 9 (2020) | John Eliot Gard...
Sir John Eliot Gardiner Schumann - Symphonies...
-
by Tom Lehrer
Oedipus Rex
by: Tom LehrerIt seems that most of the songs that you hear these days on the radio played by the disc-jockeys, apart from rock-n-roll and other childrens' records, tend to be motion-picture title-songs. appa
Y producers feel that we will not attend their movies unless we have the titles well drilled into our heads in advance.
Of course, we don't go anyway, but at least this way they make back on the song some of what they've lost on the picture. with the rise of the motion-picture title-song, we've had such hits in t
St few years as the ten commandments mambo, brothers karamazov cha-cha, incredible shrinking man, I love you. I'm sure you're all familiar with these, but a few years ago a motion picture versio
Eared of sophocles' immortal tragedy oedipus rex. this picture played only in the so-called art theaters, and it was not a financial success. and I maintain that the reason it was not a financia
Cess...
(you're away ahead of me.) ...was, that it did not have a title tune, which the people could hum and which would make them actually eager to attend this particular play. so, I have attempted to
Y this and here then is the prospective title song from oedipus rex.
From the Bible to the popular song,
There's one theme that we find right along.
Of all ideals they hail as good,
The most sublime is motherhood.
There was a man, oh, who it seems,
Once carried this ideal to extremes.
He loved his mother and she loved him,
And yet his story is rather grim.
There once lived a man named oedipus rex.
You may have heard about his odd complex.
His name appears in freud's index
'cause he loved his mother.
His rivals used to say quite a bit,
That as a monarch he was most unfit.
But still in all they had to admit
That he loved his mother.
Yes he loved his mother like no other.
His daughter was his sister and his son was his brother.
One thing on which you can depend is,
He sure knew who a boy's best friend is!
When he found what he had done,
He tore his eyes out one by one.
A tragic end to a loyal son
Who loved his mother.
So be sweet and kind to mother,
Now and then have a chat.
Buy her candy or some flowers or a brand new hat.
But maybe you had better let it go at that!
Or you may find yourself with a quite complex complex,
And you may end up like oedipus.
I'd rather marry a duck-billed platypus,
Than end up like old oedipus rex.