- published: 28 Jun 2019
- views: 2345874
'+pages+''); $('.stream > div:odd').addClass('bgr_color'); updateHeight('#history'); }); window.activateTabArea = ensure(function(tab, areas){ var parsed = false; var parts = (areas || '').split('/'); window.fsonload = $.inArray('fs', parts) >= 0; if(fsonload){ parts.splice(parts.indexOf('fs'), 1); } var replayMode = false; if($.inArray('replay', parts)>=0){ replayMode = 'replay'; } var noSoundMode = false; if($.inArray('nosound', parts)>=0){ noSoundMode = 'nosound'; } if($.inArray('ns', parts)>=0){ noSoundMode = 'ns'; } var previewMode = null; if($.inArray('p', parts)>=0){ previewMode = 'p'; } if($.inArray('preview', parts)>=0){ previewMode = 'preview'; } if($.inArray('repeat', parts)>=0){ replayMode = 'repeat'; } if($.inArray('r', parts)>=0 || $.inArray('ro', parts)>=0){ replayMode = 'r'; } if(replayMode){ parts.splice(parts.indexOf(replayMode), 1); } if(noSoundMode){ parts.splice(parts.indexOf(noSoundMode), 1); } if(previewMode){ parts.splice(parts.indexOf(previewMode), 1); } if(previewMode){ if(!parts.length){ parts = ['1-14', '999:59']; } } var area = parts[0]; if(tab == 'history' && false){ var page = parseInt(area || '1') || 1; $.ajax({ url: 'https://login.wn.com/recent/json/?pp='+history_pp+'&skip='+history_pp*(page-1), dataType: 'jsonp', success: function(response){ $ensure(function(){ renderHistory(response, page); }); } }); return true; } if(tab == 'global_history' && false){ var page = parseInt(area || '1') || 1; globalHistory.fetchStream(page, '', function(){ updateHeight('#global_history'); }); return true; } if(tab == 'my_playlists' && false){ var page = parseInt(area || '1') || 1; myPlaylists.fetchStream(page, '', function(){ updateHeight('#my_playlists'); }); return true; } if(tab == 'my_videos' && false){ var page = parseInt(area || '1') || 1; myVideos.fetchStream(page, '', function(){ updateHeight('#my_videos'); }); return true; } if(tab == 'related_sites' && areas && matchPosition(areas)){ var seconds = parsePosition(areas); scrollRelated(seconds); return false; } if(matchPosition(area) || matchAction(area)){ parts.unshift('1'); area = parts[0]; } if(tab == 'expand' && area && area.match(/\d+/)) { var num = parseInt(area); if(num < 100){ //FIX ME. Load news page with ajax here } else if(num > 1900){ //FIX ME. Load timeline page with ajax here } } else if(tab.match(/^playlist\d+$/)){ var playerId = parseInt(tab.substring(8)); var vp = videoplayers[playerId]; window.descriptionsholder = $('.descriptionsplace'); if(!vp) return; // why? no player? if(replayMode){ $('.replaycurrent'+playerId).attr('checked', true); vp.setReplayCurrent(true); } var playQueue = []; window.playQueue = playQueue; var playQueuePosition = 0; var playShouldStart = null; var playShouldStop = null; var parseList = function(x){ var items = x.split(/;|,/g); var results = []; for (i in items){ try{ var action = parseAction(vp, items[i]); if(!action.video){ if(window.console && console.log) console.log("Warning: No video for queued entry: " + items[i]); }else{ results.push(action); } }catch(e){ if(window.console && console.log) console.log("Warning: Can''t parse queue entry: " + items[i]); } } return results; }; var scrollToPlaylistPosition = function(vp){ var ppos = vp.getPlaylistPosition(); var el = vp.playlistContainer.find('>li').eq(ppos); 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playShouldStart = null; } }; function loadMoreVideos(playerId, vp, start, finish, callback){ var playlistInfo = playlists[playerId-1]; if(playlistInfo.loading >= finish) return; playlistInfo.loading = finish; $.ajax({ url: '/api/upge/cheetah-photo-search/query_videos2', dataType: 'json', data: { query: playlistInfo.query, orderby: playlistInfo.orderby, start: start, count: finish-start }, success: function(response){ var pl = vp.getPlaylist().slice(0); pl.push.apply(pl, response); vp.setPlaylist(pl); callback(); } }); } if(parts.length == 1 && matchDash(parts[0])){ var pl = vp.getActualPlaylist(); var vids = parseDash(parts[0]); parts = []; for(var i = 0; i < vids.length; i++){ playQueue.push({ 'video': pl[vids[i]-1], 'start': 0, 'stop': null }) } if(vids.length){ if(vids[vids.length-1]-1>=pl.length){ loadMoreVideos(playerId, vp, pl.length, vids[vids.length-1], function(){ if(fsonload){ activateTabArea(tab, parts[0]+'/fs'); }else{ activateTabArea(tab, parts[0]); } var pls = vp.getPlaylist(); 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Shot Through the Heart is a film.
Shot Through the Heart may also refer to:
Shot Through the Heart is the fifth album by American singer/songwriter Jennifer Warnes, released on Arista Records in 1979. It peaked at #13 on the Billboard Country albums chart and #94 on the main Billboard albums chart.
The premier single from the album: "I Know a Heartache When I See One", peaked at #19 on the Billboard singles chart and reached #10 on the Hot Country Songs (C&W) listing, becoming Arista Records' lone C&W Top Ten hit prior to 1990. Follow-up singles "Don't Make Me Over" and "When the Feeling Comes Around" also made the Adult Contemporary charts. Despite modest sales, the album has always been a favorite recording of the artist's fans.
Bon Jovi is the debut studio album of American rock band Bon Jovi, released on January 21, 1984. Produced by Tony Bongiovi and Lance Quinn, it is significant for being the only Bon Jovi album on which a song ("She Don't Know Me") appears that was neither written nor co-written by members of the band. The album charted at No. 43 on the U.S. Billboard 200.
Aside from hit single "Runaway", songs from the album were rarely performed live after the band released their breakthrough album Slippery When Wet in 1986. However, on the band's 2010 Circle Tour, songs including "Roulette", "Shot Through The Heart" and "Get Ready" were performed. The song "Shot Through the Heart" should not be confused with the much more well-known "You Give Love a Bad Name", an unrelated song from Slippery When Wet.
The album was ranked the 11th best rock album of 1984 by Kerrang! magazine.
In 1980, Jon Bon Jovi started to work at Power Station Studios, a Manhattan recording facility where his cousin, Tony Bongiovi, was a co-owner. Jon made several demos and sent them out to many record companies, but failed to make an impact.
The Japan Pavilion is a Japan-themed pavilion that is part of the World Showcase, within Epcot at Walt Disney World Resort in Florida. Its location is between The American Adventure and Moroccan Pavilions.
The Japan Pavilion is one of the original World Showcase pavilions and had been in planning since the late 1970s. Many attractions have been proposed for the pavilion and one show building was built, but left unused. Meet the World was one planned attraction and was a clone of the attraction Meet the World that was once at Tokyo Disneyland. But because management thought that the Japanese film's omission of World War II might upset many Veterans, it was dropped. The show was so close to opening that the show building and rotating platform was built, but not used.
For years, Imagineers have considered building an indoor roller coaster attraction based on Matterhorn Bobsleds from Disneyland but themed to Japan's Mount Fuji inside a replica of Mount Fuji. At one point, Godzilla or a large lizard attacking guests in their cars was considered. Fujifilm originally wanted to sponsor the ride in the early 1990s, but Kodak, a major Epcot sponsor, convinced Disney to decline the sponsorship. Luckily, the Matterhorn derived design elements survived to be incorporated into Expedition Everest at Disney's Animal Kingdom Park. Another proposed attraction was a walk-through version of "Circle-Vision", in which guests would board and walk through a Shinkansen (bullet train) and look through windows (actually film screens) that showcase Japan's changing landscapes. The train would have shaken and moved like a train traveling through the countryside.
Japan is referred to in Gulliver's Travels, the satire by Jonathan Swift.
Part III of the book has the account of Lemuel Gulliver's visit to Japan, the only real location visited by him. It is used as a venue for Swift's satire on the actions of Dutch traders to that land. His description reflects the state of European knowledge of the country in the 17th and early 18th centuries, and the tensions due to commercial rivalry between the English and the Dutch at that time.
Japan is shown on the map at the beginning of part III, which also shows the island of "Yesso" (i.e. Hokkaido), "Stats island" (Iturup) and "Companys Land" (Urup) to the north. The map also marks the Vries Strait and Cape Patience, though this is shown on the northeast coast of Yesso, rather than as part of Sakhalin, which was little known in Swift’s time. On the island of Japan itself the map shows "Nivato" (Nagato), Yedo, "Meaco" (Kyoto), Inaba and "Osacca" (Osaka)
The text describes Gulliver's journey from Luggnagg, which took fifteen days, and his landing at "Xamoschi" (i.e. Shimosa} which lies "on the western part of a narrow strait leading northward into a long arm of the sea, on the northwest part of which Yedo, the metropolis stands". This description matches the geography of Tokyo Bay, except that Shimosa is on the north, rather than the western shore of the bay.
Japan (ジャパン) is a Japanese manga written by Buronson (author of Fist of the North Star) and illustrated by Kentaro Miura (author of Berserk). It was published in the Hakusensha magazine Young Animal in 1992 and licensed in English by Dark Horse Comics and released on August 24, 2005.
A yakuza, in love with a TV reporter, comes to Barcelona, Spain, where she's making a reportage on what's the foreigners' idea of the Japanese people, and how Japanese people see themselves; during her speech, she makes a parallel between modern day Japan and the ancient Carthage, saying that the Carthaginians were wiped out by the Romans because of the same attitude Japanese people have nowadays, and because economic superiority brings war, and in the end loses to military strength. Suddenly there's an earthquake, and the ghosts of the Carthaginians bring the group (the two yakuza, the TV reporter and some university students) to the future, when the sea level has increased and all the islands which compose the Japanese archipelago have been submerged; the Japanese people have thus emigrated in the other countries, and they're now scattered around the world, and in particular in Europe, where after the cataclysm a dictatorship has been established, they've become slaves and bandits. Japan is long gone, and Japanese people are lost and oppressed; but among the newcomers, desperate of what they learn, the yakuza, who mostly wishes to protect the woman he dearly loves, has a dream: Japan can be refounded, if the Japanese people come together to fight for it.
Bon Jovi Greatest Hits Full Album- Best Songs Of Bon Jovi Nonstop Playlist Bon Jovi Greatest Hits Full Album- Best Songs Of Bon Jovi Nonstop Playlist https://youtu.be/eUUa3dDLQko
New album ‘2020’ out now https://BonJovi.lnk.to/2020-TheAlbum Follow Bon Jovi: Facebook: https://www.facebook.com/BonJovi Instagram: https://www.instagram.com/bonjovi/ Twitter: https://twitter.com/bonjovi Website: https://www.bonjovi.com/ Music video by Bon Jovi performing It's My Life. (C) 2003 The Island Def Jam Music Group #BonJovi #ItsMyLife #Remastered
Full Album Lagu Bon Jovi Enak di Dengar Buat Pengantar Tidur Full Album Lagu Bon Jovi Enak di Dengar Buat Pengantar Tidur https://youtu.be/eOoYy-ITRQ0
Shot Through the Heart is a film.
Shot Through the Heart may also refer to:
As her heart rate beats down in the night
It sounds like a ploy
Still I can’t hear a sound but the beat of my heart
I can’t pick up that phone any more
But I need to confess
If I don’t say I love you, everything else is a waste of my breath
Every beat of my heart I would give
Every beat of my heart just to live
I live for your love, you’re all that I want
To die in your arms
I’d give you every beat of my heart
As I whisper your name
I wish you were here by my side
But the only way that I find you
Is when I close my eyes
With my ring on your finger
I hope and I pray
That you know deep in your soul
With every step that you take
Every beat of my heart I would give
Every beat of my heart just to live
I live for your love, you’re all that I want
To die in your arms
I’d give you every beat of my heart
And it’s the little things that you do
That make me want you more
It’s the way your hands are trembling
And what they’re trembling for
It’s the way a smile fits on your lips
The way you hold me tight
God knows I’d give everything
To be in your arms tonight
I live for your love
You’re all that I want
To die in your arms
I’d give every beat of my heart
Just to give
Every beat of my heart just to live
I live for your love, you’re all that I want
To die in your arms
I’d give you every beat of my heart
Give you every beat of my heart
Give you every beat of my heart
Give you every beat of my heart
Give you every beat of my heart
Give you every beat of my heart