Pumping Iron II: The Women (1985) is a documentary film about female bodybuilding, focusing on several women as they prepare for and compete in the 1983 Caesars World Cup.
Background
Pumping Iron II was made as a follow-up to the groundbreaking 1977 film Pumping Iron. The Caesars World Cup was a contest created specifically for the film. The competitors were a mix of professional and amateur bodybuilders, which was actually a violation of IFBB rules. Charles Gaines, one of the writers of the film, was included on the contest's judging panel. He was interviewed for the movie but not identified, and had never previously seen a female bodybuilding contest.
Pumping Iron II has been criticized for not providing an honest look at the sport. The 1985 production focuses primarily on Bev Francis and Rachel McLish. Francis was actually a world champion powerlifter with no bodybuilding experience (though she later became one of the top competitors in the sport in the late 1980s). She arrived in the US and was trained during filming by 1972 AAU Mr. America, Steve Michalik, who also guest posed in the film. Francis was easily the most muscular woman in the contest, but lacked the "feminine" physique of female bodybuilders of the time, and finished only eighth. McLish, a two-time Ms. Olympia winner, was the most successful woman in the sport's history at that time. Though she had done more than any other woman to popularize the sport, the producers chose to portray her as the "villain".
Shot during the 100 days leading up to the Mr. Universe and Mr. Olympia competitions and during the competitions themselves, the filmmakers ran out of funds to finish production, and it stalled for two years. Ultimately, Schwarzenegger and other bodybuilders featured in the film helped to raise funds to complete production, and it was released in 1977. The film became a box office success, making Schwarzenegger a household name. The film also served to popularize the then somewhat niche culture of bodybuilding, helping to inspire the fitness craze of the 1980s; following the film's release, there was a marked increase in the number of commercial gyms in the United States. The film was released on CED, VHS, and then re-released on DVD in 2003 for the 25th Anniversary of the theatrical debut. The film inspired three sequels: George Butler's Pumping Iron II: The Women in 1985, a documentary about the world of female bodybuilding; and David and Scott McVeigh's Raw Iron in 2002, a documentary about the making of Pumping Iron and how the film affected the lives of those who appeared in it; and Vlad Yudin's 2013 documentary Generation Iron—Pumping Iron producer Jerome Gary also served as executive producer on Generation Iron.
Both shorts originally aired as part of Liquid Television and did not include music videos.
Season 1 (1993)
Mike Judge himself is highly critical of the animation and quality of these episodes, in particular the first two – "Blood Drive"/"Give Blood" and "Door to Door" – which he described as "awful, I don't know why anybody liked it... I was burying my head in the sand."
Season 2 (1993)
Season 3 (1993-94)
Season 4 (1994)
Season 5 (1994–95)
Season 6 (1995–96)
Season 7 (1997)
Starting this season, the show switched to a 7-minute short act, with most of the shorts running approximately 5 minutes with one music video at the end.
QR III is short for "Quiet Riot III". Despite the record's name, this is actually the band's fifth studio album. However, it is their third major label/worldwide release. The band's first two releases were also titled Quiet Riot and Quiet Riot II, suggesting this serves as a third self-titled album.
Following the massive success of Metal Health and the more modest reception of Condition Critical (which failed to duplicate Metal Health's success, but still went top 20 and receive a platinum certification), sales of QRIII were even lower, reaching only No. 31 on the US charts and has yet to achieve any certification at all. It marked Quiet Riot's final plunge away from stardom as the band's following releases would not enter the charts at all.
This marks the first Quiet Riot album to feature Chuck Wright, formerly of Giuffria, on bass as an official member - prior to this, he had performed some uncredited bass work on the band's earlier albums. He would rejoin the band on an on/off basis over the years, and is in the current version of the group.
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Beavis Gets a Note From a Girl – Mike Judge’s Beavis and Butt-Head
To Beavis and Butt-Head’s surprise, Beavis receives a note from a girl in their class, but the two mesmerizingly misinterpret its every word.
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Beavis Wants the Mean Butt-Head Back - Mike Judge's Beavis and Butt-Head
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Cravis and Bunghead
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To Beavis and Butt-Head’s surprise, Beavis receives a note from a girl in their class, but the two mesmerizingly misinterpret its every word.
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To Beavis and Butt-Head’s surprise, Beavis receives a note from a girl in their class, but the two mesmerizingly misinterpret its every word.
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To Beavis and Butt-Head’s surprise, Beavis receives a note from a girl in their class, but the two mesmerizingly misinterpret its every word.
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To Beavis and Butt-Head’s surprise, Beavis receives a note from a girl in their class, but the two mesmerizingly misinterpret its every word.
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Pumping Iron II: The Women (1985) is a documentary film about female bodybuilding, focusing on several women as they prepare for and compete in the 1983 Caesars World Cup.
Background
Pumping Iron II was made as a follow-up to the groundbreaking 1977 film Pumping Iron. The Caesars World Cup was a contest created specifically for the film. The competitors were a mix of professional and amateur bodybuilders, which was actually a violation of IFBB rules. Charles Gaines, one of the writers of the film, was included on the contest's judging panel. He was interviewed for the movie but not identified, and had never previously seen a female bodybuilding contest.
Pumping Iron II has been criticized for not providing an honest look at the sport. The 1985 production focuses primarily on Bev Francis and Rachel McLish. Francis was actually a world champion powerlifter with no bodybuilding experience (though she later became one of the top competitors in the sport in the late 1980s). She arrived in the US and was trained during filming by 1972 AAU Mr. America, Steve Michalik, who also guest posed in the film. Francis was easily the most muscular woman in the contest, but lacked the "feminine" physique of female bodybuilders of the time, and finished only eighth. McLish, a two-time Ms. Olympia winner, was the most successful woman in the sport's history at that time. Though she had done more than any other woman to popularize the sport, the producers chose to portray her as the "villain".
Get ready Hah! We got blind compassion Don't need discussion Think you know just what I mean Nowhere's a smokin' While the rules are broken Had to be seen to be believed As a preacher of lust You gotta do what you must Practice what you preach If you got an invitation We'll change the location Gotta have room to breathe I want love, huh! Whole lotta love, tons! Give me love Our love Well let's pump her, pump her Strike it rich what you're dreamin' of (The Pump) Let's pump her, pump her (Damn) We're gonna hunt for gold Gonna dig for love The more I get The more I want Love mushes out my brain She's gotta move real slow High and low The girl's gonna drive me insane She's got a real cool cat That know where it's at Has to be the ultimate find Have you heard the score Ready for more I knew that the pump was the prize I want love Give your love Wow! Love Love Well let's pump her, pump her Strike it rich what you're dreamin' of Let's pump her, pump her (It's the way you find) We're gonna hunt for gold Gonna dig for love Oh get down Ooh! Ooh! Ow! C'mon Push it baby Give it to me Oh yeah! I want love All your love Whole lotta love Cheap chime for love Well let's pump her, pump her (You know what I'm saying baby) Strike it rich what you're dreamin' of (C'mon give it to me) Let's pump her, pump her We're gonna hunt for gold Gonna dig for love One more Get down Oh yeah yeah yeah yeah yeah! Push it, push it, push it, push it Oh! Oh! Oh! C'mon