This key is often popular with jazz or blues influenced keyboard players as, using all the black keys along with the F, it allows for an easily playable blues scale.
In classical music
Despite the key rarely being used in orchestral music other than to modulate, it is encountered in a small fraction of keyboard music, and has been most popular in Russian pieces. For orchestration of piano music, some theorists recommend transposing to D minor or E minor.
In Book 1 of The Well-Tempered Clavier by Johann Sebastian Bach, Prelude No. 8 is written in E-flat minor while the following fugue is written in D-sharp minor. In Book 2, both movements are in D-sharp minor.
J.S. BACH: WTC, B.I: Prelude and Fugue in E flat minor No.8, BWV 853. Sviatoslav RICHTER!
JOHANN SEBASTIAN BACH, the BEST, my playlist -- https://www.youtube.com/playlist?list=PL7Ya_z08dGHnGQ3JUysfcMyHH3K_eiu2h&disable_polymer=true
& Światosław RICHTER u CzarMuzyki, my playlist: http://www.youtube.com/playlist?list=PL7Ya_z08dGHnW1jzlDH-jdYcXtBgVa1ly & The Beauty of Old Cemeteries -- Gniezno. Poland : https://www.youtube.com/playlist?list=PL7Ya_z08dGHmCeC593qNCE8OXafm-fLNt.
.....................................
-- The Well-Tempered Clavier, Book 1: Prelude and Fugue No. 8 in E flat minor, BWV 853 Playlist -- https://www.youtube.com/playlist?list=PL7Ya_z08dGHl--ydBZp9qZQfixQOgQKR-
--------------
~ Video & photography by Ewa Chamiec ("CzarMuzyki").
--------------------------------
~ Sviatoslav Richter (...The late Russian virtuoso's 1970's interpretations of Bach's Well Tempere...
published: 29 Oct 2013
"E" Flat Minor Scale On Piano - Piano Scale Lessons (Right and Left hand)
Learn how to play the E flat minor scale in this piano lesson with Thomas Lemmon. Learning how to play scales will improve your piano playing!
published: 06 Aug 2013
How To Play the Ebm Chord On Guitar (E flat minor)
Quick lesson on how to play the Ebm Chord (E flat minor) on the guitar.
The strings I refer to as 123456 (1 being the bottom string, and the 6 being the top string)
Check out the Fender American Telecaster on Amazon http://www.amazon.com/gp/product/B0015ZBMK6/ref=as_li_ss_tl?ie=UTF8&tag=radiohead09-20&linkCode=as2&camp=217145&creative=399373&creativeASIN=B0015ZBMK6
published: 23 Nov 2011
Frédéric Chopin - Etude in E flat Minor, Op. 10, No. 6
Étude Op. 10, No. 6, in E♭ minor, is a study for solo piano composed by Frédéric Chopin in 1830. It was preceded by the relative key. It was first published in 1833 in France, Germany, and England as the sixth piece of his Études, Op. 10. The tempo Andante in 6/8 and con molto espressione indicate a more moderate playing speed than Chopin's other études with the exception of Op. 10, No. 3 and Op. 25, No. 7. This étude focuses on expressivity and chromatic structuring of the melody as well as polyphonic texture.
Musicologist Hugo Leichtentritt (1874–1951) describes the three- (and sometimes four-) voice texture thus: "A melody of painful, elegiac expression over a slow, almost sluggish, bass, in-between a winding middle voice [in sixteenth notes] which, despite its narrow range adds a grea...
published: 12 Sep 2018
Rachmaninoff: Etude-Tableaux Op.39 No.5 in E-flat Minor (Lugansky)
A darkly brooding study in maintaining melodic clarity over thunderous chords. As always, Lugansky is excellent with counterpoint, and the chantlike melody sings beautifully.
published: 10 Jul 2014
How to play a E Flat minor (Guitar Chord Tutorial!!)
Thank you for checking out this tutorial!! I hope it helped you out. Remember to subscribe to stay notified with my latest videos.
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People I think you should listen to:
HEYITSLUKA
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Ferris
https://soundcloud.com/ferrisofficial
Me (Danny Millan)
https://soundcloud.com/dannymillan1
Check these website’s:
www.dannymillanmusic.com
www.heyitsluka.com
www.ferryferris.com
published: 31 Jan 2017
Majestic Rock Ballad Guitar Backing Track Jam in Eb Minor
Download the music - https://elevatedjamtracks.bandcamp.com
Support EJT on Patreon - http://bit.ly/Patreonnow
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Elevate your playing with Fender Play - http://bit.ly/ElevatedFender
---------------------------------
The gear I use to create the tracks:
Guitars and Tones:
♪ Fender American Pro Strat
https://www.thomann.de/gb/fender_fender_american_pro_strat_car.htm?offid=1&affid=387
♪ Epiphone ES-339 Pro
https://www.thomann.de/gb/epiphone_es_339_ch.htm?offid=1&affid=387
♪ Martin D-15M Acoustic
https://www.thomann.de/gb/martin_guitars_d15m_nt.htm?offid=1&affid=387
♪ Epiphone Hummingbird Pro
https://www.thomann.de/gb/epiphone_hummingbird_pro_fcb.htm?offid=1&affid=387
♪ IK Multimedia AmpliTube - Guitar tone...
published: 16 Apr 2019
Chopin - Nocturne in E Flat Major (Op. 9 No. 2)
Chopin - Nocturne in E Flat Major (Op. 9 No. 2)
Click the 🔔bell to always be notified on new uploads!
♫ Listen on Apple Music Classical: http://apple.co/Rousseau
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Hope you enjoy my performance of Chopin's Nocturne in Eb Major.
Sheet music & MIDI: https://www.patreon.com/posts/sheet-music-in-e-18188962
Outro: Beethoven - Für Elise
Hello, I'm Rousseau, I make piano covers of classical and pop songs with a reactive visualizer. New videos every Monday!
#Rousseau #Piano #PianoCover
JOHANN SEBASTIAN BACH, the BEST, my playlist -- https://www.youtube.com/playlist?list=PL7Ya_z08dGHnGQ3JUysfcMyHH3K_eiu2h&disable_polymer=true
& Światosław RICH...
JOHANN SEBASTIAN BACH, the BEST, my playlist -- https://www.youtube.com/playlist?list=PL7Ya_z08dGHnGQ3JUysfcMyHH3K_eiu2h&disable_polymer=true
& Światosław RICHTER u CzarMuzyki, my playlist: http://www.youtube.com/playlist?list=PL7Ya_z08dGHnW1jzlDH-jdYcXtBgVa1ly & The Beauty of Old Cemeteries -- Gniezno. Poland : https://www.youtube.com/playlist?list=PL7Ya_z08dGHmCeC593qNCE8OXafm-fLNt.
.....................................
-- The Well-Tempered Clavier, Book 1: Prelude and Fugue No. 8 in E flat minor, BWV 853 Playlist -- https://www.youtube.com/playlist?list=PL7Ya_z08dGHl--ydBZp9qZQfixQOgQKR-
--------------
~ Video & photography by Ewa Chamiec ("CzarMuzyki").
--------------------------------
~ Sviatoslav Richter (...The late Russian virtuoso's 1970's interpretations of Bach's Well Tempered Clavier are among the most revered recordings of the work. The four discs of this CD set collect the entire work in one package. Richter's passionate, thoughtful treatment is an absolutely breathtaking experience and essential for any lover of great music...)..
-------------------
Sound 1600 kb/s.
==========================
JOHANN SEBASTIAN BACH, the BEST, my playlist -- https://www.youtube.com/playlist?list=PL7Ya_z08dGHnGQ3JUysfcMyHH3K_eiu2h&disable_polymer=true
& Światosław RICHTER u CzarMuzyki, my playlist: http://www.youtube.com/playlist?list=PL7Ya_z08dGHnW1jzlDH-jdYcXtBgVa1ly & The Beauty of Old Cemeteries -- Gniezno. Poland : https://www.youtube.com/playlist?list=PL7Ya_z08dGHmCeC593qNCE8OXafm-fLNt.
.....................................
-- The Well-Tempered Clavier, Book 1: Prelude and Fugue No. 8 in E flat minor, BWV 853 Playlist -- https://www.youtube.com/playlist?list=PL7Ya_z08dGHl--ydBZp9qZQfixQOgQKR-
--------------
~ Video & photography by Ewa Chamiec ("CzarMuzyki").
--------------------------------
~ Sviatoslav Richter (...The late Russian virtuoso's 1970's interpretations of Bach's Well Tempered Clavier are among the most revered recordings of the work. The four discs of this CD set collect the entire work in one package. Richter's passionate, thoughtful treatment is an absolutely breathtaking experience and essential for any lover of great music...)..
-------------------
Sound 1600 kb/s.
==========================
Quick lesson on how to play the Ebm Chord (E flat minor) on the guitar.
The strings I refer to as 123456 (1 being the bottom string, and the 6 being the top ...
Quick lesson on how to play the Ebm Chord (E flat minor) on the guitar.
The strings I refer to as 123456 (1 being the bottom string, and the 6 being the top string)
Check out the Fender American Telecaster on Amazon http://www.amazon.com/gp/product/B0015ZBMK6/ref=as_li_ss_tl?ie=UTF8&tag=radiohead09-20&linkCode=as2&camp=217145&creative=399373&creativeASIN=B0015ZBMK6
Quick lesson on how to play the Ebm Chord (E flat minor) on the guitar.
The strings I refer to as 123456 (1 being the bottom string, and the 6 being the top string)
Check out the Fender American Telecaster on Amazon http://www.amazon.com/gp/product/B0015ZBMK6/ref=as_li_ss_tl?ie=UTF8&tag=radiohead09-20&linkCode=as2&camp=217145&creative=399373&creativeASIN=B0015ZBMK6
Étude Op. 10, No. 6, in E♭ minor, is a study for solo piano composed by Frédéric Chopin in 1830. It was preceded by the relative key. It was first published in ...
Étude Op. 10, No. 6, in E♭ minor, is a study for solo piano composed by Frédéric Chopin in 1830. It was preceded by the relative key. It was first published in 1833 in France, Germany, and England as the sixth piece of his Études, Op. 10. The tempo Andante in 6/8 and con molto espressione indicate a more moderate playing speed than Chopin's other études with the exception of Op. 10, No. 3 and Op. 25, No. 7. This étude focuses on expressivity and chromatic structuring of the melody as well as polyphonic texture.
Musicologist Hugo Leichtentritt (1874–1951) describes the three- (and sometimes four-) voice texture thus: "A melody of painful, elegiac expression over a slow, almost sluggish, bass, in-between a winding middle voice [in sixteenth notes] which, despite its narrow range adds a great inner agitation." A characteristic trait of the melody are the chromatic auxiliary notes played on the beat and approached by disjunct motion.
Like all of Chopin's other études, this work is in ternary form A–B–A. The strict periodic structure contains eight-bar periods—two in the A section, forming a regular 16-bar period, three in the middle one and in the final A section a single eight-bar period expanded by five bars. The harmonic relationships in the first eight bars, marked by a deceptive twist to bar 4 and a Neapolitan chord in bar 7, are shown in a harmonic reduction. Bars 9–16 repeat the same progression, ending with an E♭ minor perfect cadence.
The three eight-bar periods of the middle section do each have a particular design. The first one is marked by a rise to the middle and a corresponding descent of the consequent. The irregular second one, leading to the climax, reveals its excited rhythmic nature especially in the consequent, while the third one is a steady chromatic descent from the climax. The effect of the harmonic progression of this middle section is described thus by Leichtentritt: "A magnificent transition from E♭ minor (bar 16) to the mildly shining E major (bar 22) [Chopin has changed the key signature here]; the exciting chains of sequences with their cross-relations (bars 29–32); the wonderfully sonorous decline to E♭ minor so delicately shaded with accents of timbre (bars 33–41)."
The final A section is a shortened repeat of the first one. In the last seven bars a most beautiful effect is produced by the repeated use of the chord of the Neapolitan sixth to delay the final cadence and especially by the "unexpected gleaming" of A major (bar 49) in the E♭ minor cadence. This A major enchantingly reflects the E major of the middle section (bar 24). The piece closes with a Picardy third, in E♭ major.
Étude Op. 10, No. 6, in E♭ minor, is a study for solo piano composed by Frédéric Chopin in 1830. It was preceded by the relative key. It was first published in 1833 in France, Germany, and England as the sixth piece of his Études, Op. 10. The tempo Andante in 6/8 and con molto espressione indicate a more moderate playing speed than Chopin's other études with the exception of Op. 10, No. 3 and Op. 25, No. 7. This étude focuses on expressivity and chromatic structuring of the melody as well as polyphonic texture.
Musicologist Hugo Leichtentritt (1874–1951) describes the three- (and sometimes four-) voice texture thus: "A melody of painful, elegiac expression over a slow, almost sluggish, bass, in-between a winding middle voice [in sixteenth notes] which, despite its narrow range adds a great inner agitation." A characteristic trait of the melody are the chromatic auxiliary notes played on the beat and approached by disjunct motion.
Like all of Chopin's other études, this work is in ternary form A–B–A. The strict periodic structure contains eight-bar periods—two in the A section, forming a regular 16-bar period, three in the middle one and in the final A section a single eight-bar period expanded by five bars. The harmonic relationships in the first eight bars, marked by a deceptive twist to bar 4 and a Neapolitan chord in bar 7, are shown in a harmonic reduction. Bars 9–16 repeat the same progression, ending with an E♭ minor perfect cadence.
The three eight-bar periods of the middle section do each have a particular design. The first one is marked by a rise to the middle and a corresponding descent of the consequent. The irregular second one, leading to the climax, reveals its excited rhythmic nature especially in the consequent, while the third one is a steady chromatic descent from the climax. The effect of the harmonic progression of this middle section is described thus by Leichtentritt: "A magnificent transition from E♭ minor (bar 16) to the mildly shining E major (bar 22) [Chopin has changed the key signature here]; the exciting chains of sequences with their cross-relations (bars 29–32); the wonderfully sonorous decline to E♭ minor so delicately shaded with accents of timbre (bars 33–41)."
The final A section is a shortened repeat of the first one. In the last seven bars a most beautiful effect is produced by the repeated use of the chord of the Neapolitan sixth to delay the final cadence and especially by the "unexpected gleaming" of A major (bar 49) in the E♭ minor cadence. This A major enchantingly reflects the E major of the middle section (bar 24). The piece closes with a Picardy third, in E♭ major.
A darkly brooding study in maintaining melodic clarity over thunderous chords. As always, Lugansky is excellent with counterpoint, and the chantlike melody sing...
A darkly brooding study in maintaining melodic clarity over thunderous chords. As always, Lugansky is excellent with counterpoint, and the chantlike melody sings beautifully.
A darkly brooding study in maintaining melodic clarity over thunderous chords. As always, Lugansky is excellent with counterpoint, and the chantlike melody sings beautifully.
Thank you for checking out this tutorial!! I hope it helped you out. Remember to subscribe to stay notified with my latest videos.
Other YouTube Channels
VLOG ...
Thank you for checking out this tutorial!! I hope it helped you out. Remember to subscribe to stay notified with my latest videos.
Other YouTube Channels
VLOG CHANNEL: https://www.youtube.com/channel/UCe3CZ5WvM851btYz5QLXXGw
SPANISH CHANNEL: https://www.youtube.com/channel/UCnsj42tWOB9ceDzJ6C75FbQ
BANGCATALOG (Submit Music Here):
https://www.youtube.com/channel/UCnrmDhfuzDDKYj2I3fpJp4Q
Social Media Links
INSTAGRAM: https://www.instagram.com/dannymillan96/
TWITTER: https://twitter.com/dannymillan96
SNAPCHAT: dshorty79
People I think you should listen to:
HEYITSLUKA
https://soundcloud.com/heyitsluka
Ferris
https://soundcloud.com/ferrisofficial
Me (Danny Millan)
https://soundcloud.com/dannymillan1
Check these website’s:
www.dannymillanmusic.com
www.heyitsluka.com
www.ferryferris.com
Thank you for checking out this tutorial!! I hope it helped you out. Remember to subscribe to stay notified with my latest videos.
Other YouTube Channels
VLOG CHANNEL: https://www.youtube.com/channel/UCe3CZ5WvM851btYz5QLXXGw
SPANISH CHANNEL: https://www.youtube.com/channel/UCnsj42tWOB9ceDzJ6C75FbQ
BANGCATALOG (Submit Music Here):
https://www.youtube.com/channel/UCnrmDhfuzDDKYj2I3fpJp4Q
Social Media Links
INSTAGRAM: https://www.instagram.com/dannymillan96/
TWITTER: https://twitter.com/dannymillan96
SNAPCHAT: dshorty79
People I think you should listen to:
HEYITSLUKA
https://soundcloud.com/heyitsluka
Ferris
https://soundcloud.com/ferrisofficial
Me (Danny Millan)
https://soundcloud.com/dannymillan1
Check these website’s:
www.dannymillanmusic.com
www.heyitsluka.com
www.ferryferris.com
Download the music - https://elevatedjamtracks.bandcamp.com
Support EJT on Patreon - http://bit.ly/Patreonnow
Elevated Merchandise - https://teespring.com/en-GB...
Chopin - Nocturne in E Flat Major (Op. 9 No. 2)
Click the 🔔bell to always be notified on new uploads!
♫ Listen on Apple Music Classical: http://apple.co/Roussea...
Chopin - Nocturne in E Flat Major (Op. 9 No. 2)
Click the 🔔bell to always be notified on new uploads!
♫ Listen on Apple Music Classical: http://apple.co/Rousseau
♫ MIDI: https://patreon.com/rousseau
♫ Facebook: http://bit.ly/rousseaufb
♫ Instagram: http://bit.ly/rousseauig
♫ Twitter: http://bit.ly/rousseautw
♫ Buy me a coffee: http://buymeacoff.ee/rousseau
Hope you enjoy my performance of Chopin's Nocturne in Eb Major.
Sheet music & MIDI: https://www.patreon.com/posts/sheet-music-in-e-18188962
Outro: Beethoven - Für Elise
Hello, I'm Rousseau, I make piano covers of classical and pop songs with a reactive visualizer. New videos every Monday!
#Rousseau #Piano #PianoCover
Chopin - Nocturne in E Flat Major (Op. 9 No. 2)
Click the 🔔bell to always be notified on new uploads!
♫ Listen on Apple Music Classical: http://apple.co/Rousseau
♫ MIDI: https://patreon.com/rousseau
♫ Facebook: http://bit.ly/rousseaufb
♫ Instagram: http://bit.ly/rousseauig
♫ Twitter: http://bit.ly/rousseautw
♫ Buy me a coffee: http://buymeacoff.ee/rousseau
Hope you enjoy my performance of Chopin's Nocturne in Eb Major.
Sheet music & MIDI: https://www.patreon.com/posts/sheet-music-in-e-18188962
Outro: Beethoven - Für Elise
Hello, I'm Rousseau, I make piano covers of classical and pop songs with a reactive visualizer. New videos every Monday!
#Rousseau #Piano #PianoCover
JOHANN SEBASTIAN BACH, the BEST, my playlist -- https://www.youtube.com/playlist?list=PL7Ya_z08dGHnGQ3JUysfcMyHH3K_eiu2h&disable_polymer=true
& Światosław RICHTER u CzarMuzyki, my playlist: http://www.youtube.com/playlist?list=PL7Ya_z08dGHnW1jzlDH-jdYcXtBgVa1ly & The Beauty of Old Cemeteries -- Gniezno. Poland : https://www.youtube.com/playlist?list=PL7Ya_z08dGHmCeC593qNCE8OXafm-fLNt.
.....................................
-- The Well-Tempered Clavier, Book 1: Prelude and Fugue No. 8 in E flat minor, BWV 853 Playlist -- https://www.youtube.com/playlist?list=PL7Ya_z08dGHl--ydBZp9qZQfixQOgQKR-
--------------
~ Video & photography by Ewa Chamiec ("CzarMuzyki").
--------------------------------
~ Sviatoslav Richter (...The late Russian virtuoso's 1970's interpretations of Bach's Well Tempered Clavier are among the most revered recordings of the work. The four discs of this CD set collect the entire work in one package. Richter's passionate, thoughtful treatment is an absolutely breathtaking experience and essential for any lover of great music...)..
-------------------
Sound 1600 kb/s.
==========================
Quick lesson on how to play the Ebm Chord (E flat minor) on the guitar.
The strings I refer to as 123456 (1 being the bottom string, and the 6 being the top string)
Check out the Fender American Telecaster on Amazon http://www.amazon.com/gp/product/B0015ZBMK6/ref=as_li_ss_tl?ie=UTF8&tag=radiohead09-20&linkCode=as2&camp=217145&creative=399373&creativeASIN=B0015ZBMK6
Étude Op. 10, No. 6, in E♭ minor, is a study for solo piano composed by Frédéric Chopin in 1830. It was preceded by the relative key. It was first published in 1833 in France, Germany, and England as the sixth piece of his Études, Op. 10. The tempo Andante in 6/8 and con molto espressione indicate a more moderate playing speed than Chopin's other études with the exception of Op. 10, No. 3 and Op. 25, No. 7. This étude focuses on expressivity and chromatic structuring of the melody as well as polyphonic texture.
Musicologist Hugo Leichtentritt (1874–1951) describes the three- (and sometimes four-) voice texture thus: "A melody of painful, elegiac expression over a slow, almost sluggish, bass, in-between a winding middle voice [in sixteenth notes] which, despite its narrow range adds a great inner agitation." A characteristic trait of the melody are the chromatic auxiliary notes played on the beat and approached by disjunct motion.
Like all of Chopin's other études, this work is in ternary form A–B–A. The strict periodic structure contains eight-bar periods—two in the A section, forming a regular 16-bar period, three in the middle one and in the final A section a single eight-bar period expanded by five bars. The harmonic relationships in the first eight bars, marked by a deceptive twist to bar 4 and a Neapolitan chord in bar 7, are shown in a harmonic reduction. Bars 9–16 repeat the same progression, ending with an E♭ minor perfect cadence.
The three eight-bar periods of the middle section do each have a particular design. The first one is marked by a rise to the middle and a corresponding descent of the consequent. The irregular second one, leading to the climax, reveals its excited rhythmic nature especially in the consequent, while the third one is a steady chromatic descent from the climax. The effect of the harmonic progression of this middle section is described thus by Leichtentritt: "A magnificent transition from E♭ minor (bar 16) to the mildly shining E major (bar 22) [Chopin has changed the key signature here]; the exciting chains of sequences with their cross-relations (bars 29–32); the wonderfully sonorous decline to E♭ minor so delicately shaded with accents of timbre (bars 33–41)."
The final A section is a shortened repeat of the first one. In the last seven bars a most beautiful effect is produced by the repeated use of the chord of the Neapolitan sixth to delay the final cadence and especially by the "unexpected gleaming" of A major (bar 49) in the E♭ minor cadence. This A major enchantingly reflects the E major of the middle section (bar 24). The piece closes with a Picardy third, in E♭ major.
A darkly brooding study in maintaining melodic clarity over thunderous chords. As always, Lugansky is excellent with counterpoint, and the chantlike melody sings beautifully.
Thank you for checking out this tutorial!! I hope it helped you out. Remember to subscribe to stay notified with my latest videos.
Other YouTube Channels
VLOG CHANNEL: https://www.youtube.com/channel/UCe3CZ5WvM851btYz5QLXXGw
SPANISH CHANNEL: https://www.youtube.com/channel/UCnsj42tWOB9ceDzJ6C75FbQ
BANGCATALOG (Submit Music Here):
https://www.youtube.com/channel/UCnrmDhfuzDDKYj2I3fpJp4Q
Social Media Links
INSTAGRAM: https://www.instagram.com/dannymillan96/
TWITTER: https://twitter.com/dannymillan96
SNAPCHAT: dshorty79
People I think you should listen to:
HEYITSLUKA
https://soundcloud.com/heyitsluka
Ferris
https://soundcloud.com/ferrisofficial
Me (Danny Millan)
https://soundcloud.com/dannymillan1
Check these website’s:
www.dannymillanmusic.com
www.heyitsluka.com
www.ferryferris.com
Chopin - Nocturne in E Flat Major (Op. 9 No. 2)
Click the 🔔bell to always be notified on new uploads!
♫ Listen on Apple Music Classical: http://apple.co/Rousseau
♫ MIDI: https://patreon.com/rousseau
♫ Facebook: http://bit.ly/rousseaufb
♫ Instagram: http://bit.ly/rousseauig
♫ Twitter: http://bit.ly/rousseautw
♫ Buy me a coffee: http://buymeacoff.ee/rousseau
Hope you enjoy my performance of Chopin's Nocturne in Eb Major.
Sheet music & MIDI: https://www.patreon.com/posts/sheet-music-in-e-18188962
Outro: Beethoven - Für Elise
Hello, I'm Rousseau, I make piano covers of classical and pop songs with a reactive visualizer. New videos every Monday!
#Rousseau #Piano #PianoCover
This key is often popular with jazz or blues influenced keyboard players as, using all the black keys along with the F, it allows for an easily playable blues scale.
In classical music
Despite the key rarely being used in orchestral music other than to modulate, it is encountered in a small fraction of keyboard music, and has been most popular in Russian pieces. For orchestration of piano music, some theorists recommend transposing to D minor or E minor.
In Book 1 of The Well-Tempered Clavier by Johann Sebastian Bach, Prelude No. 8 is written in E-flat minor while the following fugue is written in D-sharp minor. In Book 2, both movements are in D-sharp minor.
I forgot something of younger days When there were no cares And clouds appear lit that Made me ask how their Lives could have been spent Carelessly wasting our day Inquires of what is the way With no reply And when you were young There's a lightness surrounds you The world turns When you take back All the things that you've earned You found nothing at all Carelessly wasting our day Inquires of what is the way With no reply Where did it go now All that you thought was well defined It's all but become just A passing thought in spite Don't let it go now Our lives could be much more than this