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Beethoven | Piano Sonata No. 2 in A major | Daniel Barenboim
Español: Sonata para Piano nº2 en La Mayor, Op. 2 nº2
1st Movement (Allegro Vivace)
2nd Movement (Largo Appassionatto)
3rd Movement (Scherzo, Allegretto)
4th Movement (Rondó: Grazioso)
Work: Piano Sonata No. 2 in A major, Op. 2, No. 2
Composer: Ludwig van Beethoven
Soloist: Daniel Barenhoim
published: 10 Nov 2013
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Frédéric Chopin's Piano Sonata No 2 in B flat minor, Funeral March [HD]
Frédéric Chopin's Piano Sonata No. 2 in B-flat minor, Op. 35, commonly known as "The Funeral March".
Audio source: Youtube Audio Library
Picture source: http://en.wikipedia.org/wiki/File:Eug%C3%A8ne_Ferdinand_Victor_Delacroix_043.jpg
Picture license: public domain
Thank you for listening, and if you would like to discover more beautiful classical music, subscribe to our Youtube channel! :)
published: 16 Jan 2014
-
Rachmaninoff: Piano Sonata No.2, Op.36 (Lugansky, Kocsis)
Two stunning performances of Rachmaninoff’s Second Sonata, a true masterpiece of the form that is tragically underplayed and misunderstood. Reviewers will say some frankly absurd things along the lines of “too full of empty virtuoso transitions”, or “essentially an unending cadenza”, or even describe it as “noisy”. In fact – as I hope the formal analysis beneath will show – the sonata is extremely tightly constructed; *almost* all the material for the entire sonata is derived from its first 10 seconds, and many of the apparently transitionary passages are closely linked to its themes. The sonata’s form is cyclic – it is bound together by the first theme of the first movement, which recurs in many surprising forms through the entire piece in every movement (its cleverness of construction ri...
published: 08 Jan 2017
-
Rachmaninoff Piano Sonata No. 2, Op. 36
Rachmaninoff Piano Sonata No. 2, Op. 36
First Movement (Allegro agitato)
Subscribe and follow on social media. I would love to meet you!!
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I hope you all enjoy this channel! Please leave a comment if you have any pieces that you want to listen to.
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Donation
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Buy me a coffee https://www.b...
published: 23 Sep 2020
-
Ivo Pogorelich Plays Chopin Piano Sonata No. 2 in B-flat minor, Op. 35
I. Grave - Doppio movimento 00:20
II. Scherzo 09:06
III. Marche funèbre: Lento 17:18
IV. Finale: Presto 25:33
published: 25 Dec 2011
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Chopin - Sonata No.2 (1st Movement)
Chopin - Sonata No.2 (1st Movement)
F. Chopin - Piano Sonata No. 2 in B-flat minor, Op. 35 "Funeral March": I. Grave - Doppio movimento
🎧 Spotify: https://spoti.fi/38a8agH
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Thanks for watching. I hope you enjoy my music :)
I’m going to show various piano music including classical pieces.
I will upload a new video every week.
Please leave comments if there are pieces whi...
published: 31 Jul 2020
-
Seong-Jin Cho – Sonata B flat minor Op. 35 (second stage)
Narodowy Instytut Fryderyka Chopina/ The Fryderyk Chopin Institute
All rights reserved 2015
The Fryderyk Chopin Institute, Polish Television TVP
Zapraszamy do śledzenia transmisji z Konkursu na kanale/ Broadcasts from the Competition can be followed on the Chopin Institute's YouTube channel: http://youtube.com/chopin2015
Oficjalna strona Konkursu/ The official Competition website: http://chopincompetition2015.com
Oficjalna aplikacja iOS/ The official iOS app: https://appsto.re/pl/jBvv6.i
Oficjalna aplikacja Android/ The official Android app: http://goo.gl/u93t9T
Subscribe: http://www.youtube.com/channel/UCSTXol20Q01Uj-U5Yp3IqFg?sub_confirmation=1
published: 09 Oct 2015
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Beethoven: Sonata No. 2 in A major Op. 2 No. 2, - I. Allegro vivace
Murray Perahia, piano
Beethoven: Piano Sonata no. 2 in A major Op. 2 no. 2
I. Allegro vivace - http://www.youtube.com/watch?v=Uc15Ea1iXdw
II. Largo appasionato - http://www.youtube.com/watch?v=UhxeG2tAuYg
III. Scherzo. Allegretto - http://www.youtube.com/watch?v=EulIVulRt3Q
IV. Rondo. Grazioso - http://www.youtube.com/watch?v=bu13FKWDP_s
published: 10 Aug 2010
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Iconic jumps in Rachmaninov’s sonata no. 2 #rachmaninoff #pianist #classicalpiano
published: 12 Nov 2024
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Beethoven: Piano sonata no. 2 in A major | Rudolf Buchbinder
__
00:50 - Beethoven: Piano sonata no. 2 in A major
Rudolf Buchbinder | Piano
__
Classic Archive, 2020
published: 17 May 2020
25:07
Beethoven | Piano Sonata No. 2 in A major | Daniel Barenboim
Español: Sonata para Piano nº2 en La Mayor, Op. 2 nº2
1st Movement (Allegro Vivace)
2nd Movement (Largo Appassionatto)
3rd Movement (Scherzo, Allegretto)
4th M...
Español: Sonata para Piano nº2 en La Mayor, Op. 2 nº2
1st Movement (Allegro Vivace)
2nd Movement (Largo Appassionatto)
3rd Movement (Scherzo, Allegretto)
4th Movement (Rondó: Grazioso)
Work: Piano Sonata No. 2 in A major, Op. 2, No. 2
Composer: Ludwig van Beethoven
Soloist: Daniel Barenhoim
https://wn.com/Beethoven_|_Piano_Sonata_No._2_In_A_Major_|_Daniel_Barenboim
Español: Sonata para Piano nº2 en La Mayor, Op. 2 nº2
1st Movement (Allegro Vivace)
2nd Movement (Largo Appassionatto)
3rd Movement (Scherzo, Allegretto)
4th Movement (Rondó: Grazioso)
Work: Piano Sonata No. 2 in A major, Op. 2, No. 2
Composer: Ludwig van Beethoven
Soloist: Daniel Barenhoim
- published: 10 Nov 2013
- views: 563405
9:25
Frédéric Chopin's Piano Sonata No 2 in B flat minor, Funeral March [HD]
Frédéric Chopin's Piano Sonata No. 2 in B-flat minor, Op. 35, commonly known as "The Funeral March".
Audio source: Youtube Audio Library
Picture source: http:...
Frédéric Chopin's Piano Sonata No. 2 in B-flat minor, Op. 35, commonly known as "The Funeral March".
Audio source: Youtube Audio Library
Picture source: http://en.wikipedia.org/wiki/File:Eug%C3%A8ne_Ferdinand_Victor_Delacroix_043.jpg
Picture license: public domain
Thank you for listening, and if you would like to discover more beautiful classical music, subscribe to our Youtube channel! :)
https://wn.com/Frédéric_Chopin's_Piano_Sonata_No_2_In_B_Flat_Minor,_Funeral_March_Hd
Frédéric Chopin's Piano Sonata No. 2 in B-flat minor, Op. 35, commonly known as "The Funeral March".
Audio source: Youtube Audio Library
Picture source: http://en.wikipedia.org/wiki/File:Eug%C3%A8ne_Ferdinand_Victor_Delacroix_043.jpg
Picture license: public domain
Thank you for listening, and if you would like to discover more beautiful classical music, subscribe to our Youtube channel! :)
- published: 16 Jan 2014
- views: 4014705
47:25
Rachmaninoff: Piano Sonata No.2, Op.36 (Lugansky, Kocsis)
Two stunning performances of Rachmaninoff’s Second Sonata, a true masterpiece of the form that is tragically underplayed and misunderstood. Reviewers will say s...
Two stunning performances of Rachmaninoff’s Second Sonata, a true masterpiece of the form that is tragically underplayed and misunderstood. Reviewers will say some frankly absurd things along the lines of “too full of empty virtuoso transitions”, or “essentially an unending cadenza”, or even describe it as “noisy”. In fact – as I hope the formal analysis beneath will show – the sonata is extremely tightly constructed; *almost* all the material for the entire sonata is derived from its first 10 seconds, and many of the apparently transitionary passages are closely linked to its themes. The sonata’s form is cyclic – it is bound together by the first theme of the first movement, which recurs in many surprising forms through the entire piece in every movement (its cleverness of construction rivals Liszt’s great B Minor Sonata, which is something you can only otherwise say of Beethoven). And in terms of dramatic power, it’s hard to imagine a more effective sonata: that hair-raising plunge into the deep bass that opens the piece (and which is actually a lot more than a flourish), the chromatic wail of (part of) the first theme, the transfixed lyricism of the second movement, the towering surge of the finale, and the profusion of bell-like sounds throughout the work (trademarks of Rachmaninoff’s style, which I have indicated in the analysis where I could.)
Mvt 1:
EXPOSITION:
24:29 – Mvt 1, Theme 1 (abbreviated T.I-1) [The theme itself is divided into two components. T.I-1A is the downward third at 24:31, and T.I-1B is the snaking line in the LH at 24:34. Note that the opening arpeggio is actually identical to T.I-1B, with the chromatic E natural removed.]
25:14 – T.I-1A, developed
25:36 – T.I-1B, developed (shortened form in RH, long form in LH)
25:49 – T.I-1A in the downward semiquaver-quaver skips in RH, T-I-1B in the long arc of the melody (Gb-F-Eb-Bb etc), variant on opening arpeggio as middle voice.
26:10 – T.I-2 The second theme is itself derived from T.I-1B’s downward chromatic F-E-Eb. Also note how at 26:22 T-I-1B forms part of the LH accompaniment.
27:10 – T.I-1B in RH high voice
27:24 – T.I-1A in high voice
DEVELOPMENT:
27:55 – T.I-1B (counterpoint, in multiple registers)
28:42 – T.I-2, partial statement [BELLS]
29:06 – T.I-1A, RH (most obvious at 29:11 etc. Note how at 29:06 the LH also outlines the head of T.I-1B)
29:49 – BELLS in LH, joined by RH at 30:02. Lead-back to recapitulation.
RECAPITULATION: 30:17 [Note how the recapitulation does not repeat T.I-1 episodically, as the exposition did]
31:52 – T.I-1B, RH
32:01 – T.I-1A, RH
32:22 – T.I-1B, RH (chromaticism)
33:04 – CODA
33:19 – T.I-1B, LH
33:26 – T.I-1B
Mvt 2:
A SECTION
33:44 – Interlude
34:12 – T.II-1
34:36 – T.I-1A (falling third motif in upper voice)
34:57 – contrasting passage, with elements of T.I-1B in LH lower voice
35:45 – T.II-1, with decorative voice [BELLS]
36:04 – T.II-1, climax
36:40 – transition to ‘B’ section, with T.I-1A (falling third at 36:44 in upper voice, etc)
B SECTION
37:10 – development of T.I-1B (RH and LH)
38:19 – development T.I-1B in RH [BELLS in LH]
38:55 – [BELLS] modulation to E
A’ SECTION
39:14 – return to T.II-1, with shift of rhythmic emphasis (a very simple transformation that makes the theme almost unrecognisable)
[Lugansky – at 17:01 the 1931 version ends Mvt 2 with a reference to T.I-2]
Mvt 3
EXPOSITION
40:27 – Interlude, now in ¾
40:53 – T.III-1A, in Bb (downward arpeggio, with reference to T-I-1A at the beginning)
41:02 – T.III-1B, in Gb (with reference to T-I-1B in its melodic contour and a quote from T-I-1A at 41:05, and a quote from T-I-1B in the RH at 41:06. )
41:33 – T.I-1A/T.III-1A, then T.III-1B at 41:36
41:48 – Transition Theme (unusual 3rd group of themes in a Sonata-Allegro movment)
41:56 – Quotation of T.I-1B
42:21 – T.III-2
DEVELOPMENT
43:25 – T.III-1A (repeated)
43:36 – T.III-1B
43:42 – T.I-1B in RH high voice
[pattern of alternating T.III-1A & T.III-1B in different keys continues]
44:06 – combination of T.I-1A and T.III-1B
44:30 – T.I-1B (LH)
44:59 – T.III-1B & T.I-1A (inverted), RH
RECAPITULATION
45:15 – T.III-1A, in D
45:20 – T.III-1A, in Bb
45:27 – Transition
45:51 – T.III-1A, in Bb
45:46 – T.III-2 [climax]
46:50 – CODA [incorporating T.III-1A, I.1A+B]
https://wn.com/Rachmaninoff_Piano_Sonata_No.2,_Op.36_(Lugansky,_Kocsis)
Two stunning performances of Rachmaninoff’s Second Sonata, a true masterpiece of the form that is tragically underplayed and misunderstood. Reviewers will say some frankly absurd things along the lines of “too full of empty virtuoso transitions”, or “essentially an unending cadenza”, or even describe it as “noisy”. In fact – as I hope the formal analysis beneath will show – the sonata is extremely tightly constructed; *almost* all the material for the entire sonata is derived from its first 10 seconds, and many of the apparently transitionary passages are closely linked to its themes. The sonata’s form is cyclic – it is bound together by the first theme of the first movement, which recurs in many surprising forms through the entire piece in every movement (its cleverness of construction rivals Liszt’s great B Minor Sonata, which is something you can only otherwise say of Beethoven). And in terms of dramatic power, it’s hard to imagine a more effective sonata: that hair-raising plunge into the deep bass that opens the piece (and which is actually a lot more than a flourish), the chromatic wail of (part of) the first theme, the transfixed lyricism of the second movement, the towering surge of the finale, and the profusion of bell-like sounds throughout the work (trademarks of Rachmaninoff’s style, which I have indicated in the analysis where I could.)
Mvt 1:
EXPOSITION:
24:29 – Mvt 1, Theme 1 (abbreviated T.I-1) [The theme itself is divided into two components. T.I-1A is the downward third at 24:31, and T.I-1B is the snaking line in the LH at 24:34. Note that the opening arpeggio is actually identical to T.I-1B, with the chromatic E natural removed.]
25:14 – T.I-1A, developed
25:36 – T.I-1B, developed (shortened form in RH, long form in LH)
25:49 – T.I-1A in the downward semiquaver-quaver skips in RH, T-I-1B in the long arc of the melody (Gb-F-Eb-Bb etc), variant on opening arpeggio as middle voice.
26:10 – T.I-2 The second theme is itself derived from T.I-1B’s downward chromatic F-E-Eb. Also note how at 26:22 T-I-1B forms part of the LH accompaniment.
27:10 – T.I-1B in RH high voice
27:24 – T.I-1A in high voice
DEVELOPMENT:
27:55 – T.I-1B (counterpoint, in multiple registers)
28:42 – T.I-2, partial statement [BELLS]
29:06 – T.I-1A, RH (most obvious at 29:11 etc. Note how at 29:06 the LH also outlines the head of T.I-1B)
29:49 – BELLS in LH, joined by RH at 30:02. Lead-back to recapitulation.
RECAPITULATION: 30:17 [Note how the recapitulation does not repeat T.I-1 episodically, as the exposition did]
31:52 – T.I-1B, RH
32:01 – T.I-1A, RH
32:22 – T.I-1B, RH (chromaticism)
33:04 – CODA
33:19 – T.I-1B, LH
33:26 – T.I-1B
Mvt 2:
A SECTION
33:44 – Interlude
34:12 – T.II-1
34:36 – T.I-1A (falling third motif in upper voice)
34:57 – contrasting passage, with elements of T.I-1B in LH lower voice
35:45 – T.II-1, with decorative voice [BELLS]
36:04 – T.II-1, climax
36:40 – transition to ‘B’ section, with T.I-1A (falling third at 36:44 in upper voice, etc)
B SECTION
37:10 – development of T.I-1B (RH and LH)
38:19 – development T.I-1B in RH [BELLS in LH]
38:55 – [BELLS] modulation to E
A’ SECTION
39:14 – return to T.II-1, with shift of rhythmic emphasis (a very simple transformation that makes the theme almost unrecognisable)
[Lugansky – at 17:01 the 1931 version ends Mvt 2 with a reference to T.I-2]
Mvt 3
EXPOSITION
40:27 – Interlude, now in ¾
40:53 – T.III-1A, in Bb (downward arpeggio, with reference to T-I-1A at the beginning)
41:02 – T.III-1B, in Gb (with reference to T-I-1B in its melodic contour and a quote from T-I-1A at 41:05, and a quote from T-I-1B in the RH at 41:06. )
41:33 – T.I-1A/T.III-1A, then T.III-1B at 41:36
41:48 – Transition Theme (unusual 3rd group of themes in a Sonata-Allegro movment)
41:56 – Quotation of T.I-1B
42:21 – T.III-2
DEVELOPMENT
43:25 – T.III-1A (repeated)
43:36 – T.III-1B
43:42 – T.I-1B in RH high voice
[pattern of alternating T.III-1A & T.III-1B in different keys continues]
44:06 – combination of T.I-1A and T.III-1B
44:30 – T.I-1B (LH)
44:59 – T.III-1B & T.I-1A (inverted), RH
RECAPITULATION
45:15 – T.III-1A, in D
45:20 – T.III-1A, in Bb
45:27 – Transition
45:51 – T.III-1A, in Bb
45:46 – T.III-2 [climax]
46:50 – CODA [incorporating T.III-1A, I.1A+B]
- published: 08 Jan 2017
- views: 1695103
8:03
Rachmaninoff Piano Sonata No. 2, Op. 36
Rachmaninoff Piano Sonata No. 2, Op. 36
First Movement (Allegro agitato)
Subscribe and follow on social media. I would love to meet you!!
🔔Click the bell icon,...
Rachmaninoff Piano Sonata No. 2, Op. 36
First Movement (Allegro agitato)
Subscribe and follow on social media. I would love to meet you!!
🔔Click the bell icon, so you are notified of the next video🔔
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#HiddenFace #Pianist #Rachmaninoff #Sonata #No2
https://wn.com/Rachmaninoff_Piano_Sonata_No._2,_Op._36
Rachmaninoff Piano Sonata No. 2, Op. 36
First Movement (Allegro agitato)
Subscribe and follow on social media. I would love to meet you!!
🔔Click the bell icon, so you are notified of the next video🔔
🎧🎶 iTunes: https://apple.co/2HIGOX1
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I hope you all enjoy this channel! Please leave a comment if you have any pieces that you want to listen to.
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Thank you in advance for your generous contribution and I encourage you to participate in spreading happiness through beautiful classical music with Traum.
Donation
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Buy me a coffee https://www.buymeacoffee.com/Truam
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#HiddenFace #Pianist #Rachmaninoff #Sonata #No2
- published: 23 Sep 2020
- views: 208112
27:20
Ivo Pogorelich Plays Chopin Piano Sonata No. 2 in B-flat minor, Op. 35
I. Grave - Doppio movimento 00:20
II. Scherzo 09:06
III. Marche funèbre: Lento 17:18
IV. Finale: Presto 25:33
I. Grave - Doppio movimento 00:20
II. Scherzo 09:06
III. Marche funèbre: Lento 17:18
IV. Finale: Presto 25:33
https://wn.com/Ivo_Pogorelich_Plays_Chopin_Piano_Sonata_No._2_In_B_Flat_Minor,_Op._35
I. Grave - Doppio movimento 00:20
II. Scherzo 09:06
III. Marche funèbre: Lento 17:18
IV. Finale: Presto 25:33
- published: 25 Dec 2011
- views: 941610
5:25
Chopin - Sonata No.2 (1st Movement)
Chopin - Sonata No.2 (1st Movement)
F. Chopin - Piano Sonata No. 2 in B-flat minor, Op. 35 "Funeral March": I. Grave - Doppio movimento
🎧 Spotify: https://spot...
Chopin - Sonata No.2 (1st Movement)
F. Chopin - Piano Sonata No. 2 in B-flat minor, Op. 35 "Funeral March": I. Grave - Doppio movimento
🎧 Spotify: https://spoti.fi/38a8agH
🎧 Apple Music: https://apple.co/2KqLG1k
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🌸Don't forget to subscribe, like and comments! (Please click on the alarm! 🔔)
Thanks for watching. I hope you enjoy my music :)
I’m going to show various piano music including classical pieces.
I will upload a new video every week.
Please leave comments if there are pieces which you want to listen to :)
#Chopin #ChopinSonata #ChopinSonataNo2 #ChopinPianoSonata #FuneralMarch #Piano
https://wn.com/Chopin_Sonata_No.2_(1St_Movement)
Chopin - Sonata No.2 (1st Movement)
F. Chopin - Piano Sonata No. 2 in B-flat minor, Op. 35 "Funeral March": I. Grave - Doppio movimento
🎧 Spotify: https://spoti.fi/38a8agH
🎧 Apple Music: https://apple.co/2KqLG1k
🎧 Other Streaming Services: https://fanlink.tv/Kassia
🎼 Sheet Music: https://www.patreon.com/kassiapiano
💕Facebook: https://www.facebook.com/pianistkassia
💕Instagram: https://www.instagram.com/kassiapiano
💕Buy me a coffee: https://www.buymeacoffee.com/Z4KCvsNqU
💕Patreon: https://www.patreon.com/kassiapiano
🌸Don't forget to subscribe, like and comments! (Please click on the alarm! 🔔)
Thanks for watching. I hope you enjoy my music :)
I’m going to show various piano music including classical pieces.
I will upload a new video every week.
Please leave comments if there are pieces which you want to listen to :)
#Chopin #ChopinSonata #ChopinSonataNo2 #ChopinPianoSonata #FuneralMarch #Piano
- published: 31 Jul 2020
- views: 956661
21:04
Seong-Jin Cho – Sonata B flat minor Op. 35 (second stage)
Narodowy Instytut Fryderyka Chopina/ The Fryderyk Chopin Institute
All rights reserved 2015
The Fryderyk Chopin Institute, Polish Television TVP
Zapraszamy do...
Narodowy Instytut Fryderyka Chopina/ The Fryderyk Chopin Institute
All rights reserved 2015
The Fryderyk Chopin Institute, Polish Television TVP
Zapraszamy do śledzenia transmisji z Konkursu na kanale/ Broadcasts from the Competition can be followed on the Chopin Institute's YouTube channel: http://youtube.com/chopin2015
Oficjalna strona Konkursu/ The official Competition website: http://chopincompetition2015.com
Oficjalna aplikacja iOS/ The official iOS app: https://appsto.re/pl/jBvv6.i
Oficjalna aplikacja Android/ The official Android app: http://goo.gl/u93t9T
Subscribe: http://www.youtube.com/channel/UCSTXol20Q01Uj-U5Yp3IqFg?sub_confirmation=1
https://wn.com/Seong_Jin_Cho_–_Sonata_B_Flat_Minor_Op._35_(Second_Stage)
Narodowy Instytut Fryderyka Chopina/ The Fryderyk Chopin Institute
All rights reserved 2015
The Fryderyk Chopin Institute, Polish Television TVP
Zapraszamy do śledzenia transmisji z Konkursu na kanale/ Broadcasts from the Competition can be followed on the Chopin Institute's YouTube channel: http://youtube.com/chopin2015
Oficjalna strona Konkursu/ The official Competition website: http://chopincompetition2015.com
Oficjalna aplikacja iOS/ The official iOS app: https://appsto.re/pl/jBvv6.i
Oficjalna aplikacja Android/ The official Android app: http://goo.gl/u93t9T
Subscribe: http://www.youtube.com/channel/UCSTXol20Q01Uj-U5Yp3IqFg?sub_confirmation=1
- published: 09 Oct 2015
- views: 2439312
7:00
Beethoven: Sonata No. 2 in A major Op. 2 No. 2, - I. Allegro vivace
Murray Perahia, piano
Beethoven: Piano Sonata no. 2 in A major Op. 2 no. 2
I. Allegro vivace - http://www.youtube.com/watch?v=Uc15Ea1iXdw
II. Largo appasio...
Murray Perahia, piano
Beethoven: Piano Sonata no. 2 in A major Op. 2 no. 2
I. Allegro vivace - http://www.youtube.com/watch?v=Uc15Ea1iXdw
II. Largo appasionato - http://www.youtube.com/watch?v=UhxeG2tAuYg
III. Scherzo. Allegretto - http://www.youtube.com/watch?v=EulIVulRt3Q
IV. Rondo. Grazioso - http://www.youtube.com/watch?v=bu13FKWDP_s
https://wn.com/Beethoven_Sonata_No._2_In_A_Major_Op._2_No._2,_I._Allegro_Vivace
Murray Perahia, piano
Beethoven: Piano Sonata no. 2 in A major Op. 2 no. 2
I. Allegro vivace - http://www.youtube.com/watch?v=Uc15Ea1iXdw
II. Largo appasionato - http://www.youtube.com/watch?v=UhxeG2tAuYg
III. Scherzo. Allegretto - http://www.youtube.com/watch?v=EulIVulRt3Q
IV. Rondo. Grazioso - http://www.youtube.com/watch?v=bu13FKWDP_s
- published: 10 Aug 2010
- views: 335003
22:49
Beethoven: Piano sonata no. 2 in A major | Rudolf Buchbinder
__
00:50 - Beethoven: Piano sonata no. 2 in A major
Rudolf Buchbinder | Piano
__
Classic Archive, 2020
__
00:50 - Beethoven: Piano sonata no. 2 in A major
Rudolf Buchbinder | Piano
__
Classic Archive, 2020
https://wn.com/Beethoven_Piano_Sonata_No._2_In_A_Major_|_Rudolf_Buchbinder
__
00:50 - Beethoven: Piano sonata no. 2 in A major
Rudolf Buchbinder | Piano
__
Classic Archive, 2020
- published: 17 May 2020
- views: 19134
-
D.Kabalevsky : Piano Sonata No.2 in E-Flat Major, op.45
カバレフスキー ピアノソナタ第2番 変ホ長調 作品45
0:00 第1楽章 Allegro moderato, Festivamente
7:20 第2楽章 Andante sostenuto
14:23 第3楽章 Presto assai
【解説】
この曲のちゃんとした解説が日本語でネットに見つからないので、
かなり私見を交えてますが、解説を書かせていただきます。
この曲が作曲者の祖国(ソ連)が第二次世界大戦の渦中にあったことを留意すると、
曲全体の展開が理解しやすいと思います。
つまりはプロコフィエフのピアノソナタ第6~8番と同じ「戦争ソナタ」なのですが、
聴いて受ける印象はプロコフィエフのものとはかなり違うと思います。
第1楽章
序奏なし、コーダつきのソナタ形式。コーダは第1主題のテンポを落したもの。
変ホ長調で始まりますがが、第1主題の時点で変ホ短調との複調が使われており、
長調らしい明るさはほとんど感じられないが、派手でどこか素直に喜べないような喜びを感じる、
独特の雰囲気を持った出だしの後、一旦、曲が速度を落して暗い第2主題が現れます。
その後のAllegro moltoの展開部は非常にドラマティックで迫力満点です。
その後は通常のソナタ形式のように第1主題、次は第2主題と戻り(ただし調は変わってない)、
その後第1主題を強く重く演奏するコーダで曲を終えます。
第2楽章
暗く重い緩徐楽章。この類の曲は苦手な方も居るかもしれませんので無理して聴かず3楽章に飛ばすのも手です。
三部形式でロ短調-ト短調-(推移としての変ホ短調)-ロ短調の構成ですが、
ト短調の途中で第1主題に戻っています。
またちゃんと調性音楽として構成されているものの、かなり調性が不安定なため、
近代~現代の音楽に慣れてない方はところどころ無調と感じるかもしれません。
曲全体が戦争の残酷...
published: 12 Nov 2020
-
Dmitry Kabalevsky - Op.45 Piano Sonata No.2 in Eb major (1945) (Score, Analysis)
Вторая соната для фортепиано, соч.45
Dmitry Borisovich Kabalevsky (Дми́трий Бори́сович Кабале́вский) (1904-1987) was a Soviet composer, conductor, pianist, and pedagogue. A prolific composer, he is now primarily known for his pedagogical works, which includes his Violin concerto and Third piano concerto. He mostly composed in traditional, diatonic idioms, which allowed him to enjoy fame as a composer very fit to "Socialist Realism".
The second piano sonata of Kabalevsky is a war sonata. True to this, it is the darkest and longest out of the 3 piano sonatas of Kabalevsky. However, in my opinion, it is less profound than Prokofiev’s war sonatas. However, this piece would be a surprise to people familiar with Kabalevsky through his “youth” pieces like Op.39 or 3 student concertos.
(0:00)...
published: 05 Sep 2023
-
Kabalevsky Piano Sonata No. 2 Op.45 Movement 2&3
Kabalevsky Piano Sonata No. 2 Op.45 Movement 2-Andante sostenuto
Kabalevsky Piano Sonata No. 2 Op.45 Movement 3-Presto assai
published: 25 Oct 2019
-
Horowitz plays Kabalevsky, Sonata No.2
Sonata No.2 op. 45,
I. Movement, Allegro moderato
recorded in 1947
Dimitri Kabalevsky (1904-1987)
published: 13 Mar 2014
-
Dmitry Kabalevsky - Piano Sonata No.2 in Es-dur, Op.45 (Artur Pizarro, piano)
I. Allegro moderato - Festivamente
II. Andante sostenuto
III. Presto assai
published: 29 Aug 2017
-
Kabalevsky - Piano sonata n°2 - Gilels Leningrad 1959
Dmitri Kabalevsky
Piano sonata n°2 op.45
I. Allegro moderato. Festivamente 0:00
II. Andante sostenuto 7:07
III. Presto assai 13:42
Emil Gilels
Live recording, Leningrad, 6.XII.1959
published: 20 Jul 2014
-
Kabalevsky - Piano sonata No.2 Op.45 (I)
Dmitri Kabalevsky - Piano sonata no.2 Op.45 - First movement (Allegro moderato)
Fernando Cruz, piano
(Recorded in 2003)
published: 07 Dec 2009
-
Kabalevsky - Piano Sonata 2 in E-flat, Op 45 III Presto assai
published: 20 Jan 2012
-
Kabalevsky - Piano sonata No.2 Op.45 (II)
Dmitri Kabalevsky - Piano sonata no.2 Op.45 - Second movement (Andante sostenuto)
Fernando Cruz, piano
(Recorded in 2003)
published: 07 Dec 2009
-
Kabalevsky - Piano sonata No.2 Op.45 (III)
Dmitri Kabalevsky - Piano sonata no.2 Op.45 - Third movement (Presto assai)
Fernando Cruz, piano
(Recorded in 2003)
published: 07 Dec 2009
20:30
D.Kabalevsky : Piano Sonata No.2 in E-Flat Major, op.45
カバレフスキー ピアノソナタ第2番 変ホ長調 作品45
0:00 第1楽章 Allegro moderato, Festivamente
7:20 第2楽章 Andante sostenuto
14:23 第3楽章 Presto assai
【解説】
この曲のちゃんとした解説が日本語でネットに見つからないので、
か...
カバレフスキー ピアノソナタ第2番 変ホ長調 作品45
0:00 第1楽章 Allegro moderato, Festivamente
7:20 第2楽章 Andante sostenuto
14:23 第3楽章 Presto assai
【解説】
この曲のちゃんとした解説が日本語でネットに見つからないので、
かなり私見を交えてますが、解説を書かせていただきます。
この曲が作曲者の祖国(ソ連)が第二次世界大戦の渦中にあったことを留意すると、
曲全体の展開が理解しやすいと思います。
つまりはプロコフィエフのピアノソナタ第6~8番と同じ「戦争ソナタ」なのですが、
聴いて受ける印象はプロコフィエフのものとはかなり違うと思います。
第1楽章
序奏なし、コーダつきのソナタ形式。コーダは第1主題のテンポを落したもの。
変ホ長調で始まりますがが、第1主題の時点で変ホ短調との複調が使われており、
長調らしい明るさはほとんど感じられないが、派手でどこか素直に喜べないような喜びを感じる、
独特の雰囲気を持った出だしの後、一旦、曲が速度を落して暗い第2主題が現れます。
その後のAllegro moltoの展開部は非常にドラマティックで迫力満点です。
その後は通常のソナタ形式のように第1主題、次は第2主題と戻り(ただし調は変わってない)、
その後第1主題を強く重く演奏するコーダで曲を終えます。
第2楽章
暗く重い緩徐楽章。この類の曲は苦手な方も居るかもしれませんので無理して聴かず3楽章に飛ばすのも手です。
三部形式でロ短調-ト短調-(推移としての変ホ短調)-ロ短調の構成ですが、
ト短調の途中で第1主題に戻っています。
またちゃんと調性音楽として構成されているものの、かなり調性が不安定なため、
近代~現代の音楽に慣れてない方はところどころ無調と感じるかもしれません。
曲全体が戦争の残酷さや悲しさ、また死者への追悼といった表現に満ちていて、
特に第1主題の再現部で悲しみや憤りの感情が頂点に達します。
その後は静まっていき、最後はピアニニシモで静かに曲を終えます。
第3楽章
変ホ短調。疾走感あふれるこのソナタのトッカータ的なフィナーレです。
この楽章はインテンポで演奏するのが技巧的に難しいです(私はこの楽章だけ弾けません)。
この楽章は1,2楽章に比べると頻繁に転調するとはいえ調性の安定感が強く、
そういう意味でも20世紀の音楽としては聴きやすい部類です。
energico e ben ritmicoの変イ長調の部分からは勝利宣言のような明るい展開になります。
その後変ホ短調に戻りますが、最終的には(調号は変ホ短調のままだけど)事実上の変ホ長調になり、
フォルティティシモで華やかに曲が終わります。
この曲前全体を通して聴くと、戦争という過酷な時代を生き抜きながら、最後はやっぱりハッピーエンドがいい、
そんなことをカバレフスキーは考えてたように、私は感じます。
…初めて私見も交えて詳細な解説を書いてみたのですがどうでしょうかね…?
https://wn.com/D.Kabalevsky_Piano_Sonata_No.2_In_E_Flat_Major,_Op.45
カバレフスキー ピアノソナタ第2番 変ホ長調 作品45
0:00 第1楽章 Allegro moderato, Festivamente
7:20 第2楽章 Andante sostenuto
14:23 第3楽章 Presto assai
【解説】
この曲のちゃんとした解説が日本語でネットに見つからないので、
かなり私見を交えてますが、解説を書かせていただきます。
この曲が作曲者の祖国(ソ連)が第二次世界大戦の渦中にあったことを留意すると、
曲全体の展開が理解しやすいと思います。
つまりはプロコフィエフのピアノソナタ第6~8番と同じ「戦争ソナタ」なのですが、
聴いて受ける印象はプロコフィエフのものとはかなり違うと思います。
第1楽章
序奏なし、コーダつきのソナタ形式。コーダは第1主題のテンポを落したもの。
変ホ長調で始まりますがが、第1主題の時点で変ホ短調との複調が使われており、
長調らしい明るさはほとんど感じられないが、派手でどこか素直に喜べないような喜びを感じる、
独特の雰囲気を持った出だしの後、一旦、曲が速度を落して暗い第2主題が現れます。
その後のAllegro moltoの展開部は非常にドラマティックで迫力満点です。
その後は通常のソナタ形式のように第1主題、次は第2主題と戻り(ただし調は変わってない)、
その後第1主題を強く重く演奏するコーダで曲を終えます。
第2楽章
暗く重い緩徐楽章。この類の曲は苦手な方も居るかもしれませんので無理して聴かず3楽章に飛ばすのも手です。
三部形式でロ短調-ト短調-(推移としての変ホ短調)-ロ短調の構成ですが、
ト短調の途中で第1主題に戻っています。
またちゃんと調性音楽として構成されているものの、かなり調性が不安定なため、
近代~現代の音楽に慣れてない方はところどころ無調と感じるかもしれません。
曲全体が戦争の残酷さや悲しさ、また死者への追悼といった表現に満ちていて、
特に第1主題の再現部で悲しみや憤りの感情が頂点に達します。
その後は静まっていき、最後はピアニニシモで静かに曲を終えます。
第3楽章
変ホ短調。疾走感あふれるこのソナタのトッカータ的なフィナーレです。
この楽章はインテンポで演奏するのが技巧的に難しいです(私はこの楽章だけ弾けません)。
この楽章は1,2楽章に比べると頻繁に転調するとはいえ調性の安定感が強く、
そういう意味でも20世紀の音楽としては聴きやすい部類です。
energico e ben ritmicoの変イ長調の部分からは勝利宣言のような明るい展開になります。
その後変ホ短調に戻りますが、最終的には(調号は変ホ短調のままだけど)事実上の変ホ長調になり、
フォルティティシモで華やかに曲が終わります。
この曲前全体を通して聴くと、戦争という過酷な時代を生き抜きながら、最後はやっぱりハッピーエンドがいい、
そんなことをカバレフスキーは考えてたように、私は感じます。
…初めて私見も交えて詳細な解説を書いてみたのですがどうでしょうかね…?
- published: 12 Nov 2020
- views: 3019
23:51
Dmitry Kabalevsky - Op.45 Piano Sonata No.2 in Eb major (1945) (Score, Analysis)
Вторая соната для фортепиано, соч.45
Dmitry Borisovich Kabalevsky (Дми́трий Бори́сович Кабале́вский) (1904-1987) was a Soviet composer, conductor, pianist, and...
Вторая соната для фортепиано, соч.45
Dmitry Borisovich Kabalevsky (Дми́трий Бори́сович Кабале́вский) (1904-1987) was a Soviet composer, conductor, pianist, and pedagogue. A prolific composer, he is now primarily known for his pedagogical works, which includes his Violin concerto and Third piano concerto. He mostly composed in traditional, diatonic idioms, which allowed him to enjoy fame as a composer very fit to "Socialist Realism".
The second piano sonata of Kabalevsky is a war sonata. True to this, it is the darkest and longest out of the 3 piano sonatas of Kabalevsky. However, in my opinion, it is less profound than Prokofiev’s war sonatas. However, this piece would be a surprise to people familiar with Kabalevsky through his “youth” pieces like Op.39 or 3 student concertos.
(0:00) Mov.1 Allegro moderato. Festivamente - Some suggested that this movement is quite like Shostakovich’s Leningrad symphony in its ideas. It starts with the T1, a rather ambiguous fanfare.
(1:06) T2 is in D, but with much chromaticism.
(1:52) Transition
(2:51) Development. The development is very turbulent and aggressive.
(3:04) T1, varied.
(3:30) Change in tonality, T1
(3:55) T2, march-like
(4:23) A very aggressive section, filled with chromaticism, dissonances, and turbulence. T1
(5:31) Recap, T1. The fanfare is back, but arpeggios reminiscent of the development creates an ambiguous mood.
(6:38) T2, but darker.
(7:21) Coda, which concludes the movement in the brooding Eb minor.
(8:08) Mov.2 Andante sostenuto - The middle movement is in ABA form. The outer section is filled with hammer or bell-like sounds.
(10:40) The middle section in G minor has some Prokofiev-like passages, in a dark and ambiguous mood.
(13:45) The outer section returns in a climax, like alarum bells.
(14:27) It dissipates, and the movement concludes in a quiet ending.
(16:30) Mov.3 Presto assai - The last movement is in rondo form. The first section features toccata-like passages.
(17:12) B. Rather humorous.
(17:40) Second part of B.
(18:27) A
(19:10) C, a march-like melody - I think it sounds similar to Shostakovich’s B minor sonata’s 1st movement, 2nd theme?
(19:48) Anyway, this theme goes through some variations
(20:20) Reprise
(20:52) A
(21:52) B
(22:23) A
(22:54) Coda, which starts with the march melody (C). This concludes the piece in series of fanfares, but the tension is only resolved in the last measure, which gives the conclusion a bit of ambiguity.
Recording by Alexandre Dossin
This video is for a non-commercial purpose (I do not get any profit from this video), and I do not own the score or the music. If there is an advertisement, it is not by me; it is by Youtube. If you are the rightful owner and want this video removed, please contact me, and I will promptly remove it.
https://wn.com/Dmitry_Kabalevsky_Op.45_Piano_Sonata_No.2_In_Eb_Major_(1945)_(Score,_Analysis)
Вторая соната для фортепиано, соч.45
Dmitry Borisovich Kabalevsky (Дми́трий Бори́сович Кабале́вский) (1904-1987) was a Soviet composer, conductor, pianist, and pedagogue. A prolific composer, he is now primarily known for his pedagogical works, which includes his Violin concerto and Third piano concerto. He mostly composed in traditional, diatonic idioms, which allowed him to enjoy fame as a composer very fit to "Socialist Realism".
The second piano sonata of Kabalevsky is a war sonata. True to this, it is the darkest and longest out of the 3 piano sonatas of Kabalevsky. However, in my opinion, it is less profound than Prokofiev’s war sonatas. However, this piece would be a surprise to people familiar with Kabalevsky through his “youth” pieces like Op.39 or 3 student concertos.
(0:00) Mov.1 Allegro moderato. Festivamente - Some suggested that this movement is quite like Shostakovich’s Leningrad symphony in its ideas. It starts with the T1, a rather ambiguous fanfare.
(1:06) T2 is in D, but with much chromaticism.
(1:52) Transition
(2:51) Development. The development is very turbulent and aggressive.
(3:04) T1, varied.
(3:30) Change in tonality, T1
(3:55) T2, march-like
(4:23) A very aggressive section, filled with chromaticism, dissonances, and turbulence. T1
(5:31) Recap, T1. The fanfare is back, but arpeggios reminiscent of the development creates an ambiguous mood.
(6:38) T2, but darker.
(7:21) Coda, which concludes the movement in the brooding Eb minor.
(8:08) Mov.2 Andante sostenuto - The middle movement is in ABA form. The outer section is filled with hammer or bell-like sounds.
(10:40) The middle section in G minor has some Prokofiev-like passages, in a dark and ambiguous mood.
(13:45) The outer section returns in a climax, like alarum bells.
(14:27) It dissipates, and the movement concludes in a quiet ending.
(16:30) Mov.3 Presto assai - The last movement is in rondo form. The first section features toccata-like passages.
(17:12) B. Rather humorous.
(17:40) Second part of B.
(18:27) A
(19:10) C, a march-like melody - I think it sounds similar to Shostakovich’s B minor sonata’s 1st movement, 2nd theme?
(19:48) Anyway, this theme goes through some variations
(20:20) Reprise
(20:52) A
(21:52) B
(22:23) A
(22:54) Coda, which starts with the march melody (C). This concludes the piece in series of fanfares, but the tension is only resolved in the last measure, which gives the conclusion a bit of ambiguity.
Recording by Alexandre Dossin
This video is for a non-commercial purpose (I do not get any profit from this video), and I do not own the score or the music. If there is an advertisement, it is not by me; it is by Youtube. If you are the rightful owner and want this video removed, please contact me, and I will promptly remove it.
- published: 05 Sep 2023
- views: 4484
12:31
Kabalevsky Piano Sonata No. 2 Op.45 Movement 2&3
Kabalevsky Piano Sonata No. 2 Op.45 Movement 2-Andante sostenuto
Kabalevsky Piano Sonata No. 2 Op.45 Movement 3-Presto assai
Kabalevsky Piano Sonata No. 2 Op.45 Movement 2-Andante sostenuto
Kabalevsky Piano Sonata No. 2 Op.45 Movement 3-Presto assai
https://wn.com/Kabalevsky_Piano_Sonata_No._2_Op.45_Movement_2_3
Kabalevsky Piano Sonata No. 2 Op.45 Movement 2-Andante sostenuto
Kabalevsky Piano Sonata No. 2 Op.45 Movement 3-Presto assai
- published: 25 Oct 2019
- views: 410
8:20
Horowitz plays Kabalevsky, Sonata No.2
Sonata No.2 op. 45,
I. Movement, Allegro moderato
recorded in 1947
Dimitri Kabalevsky (1904-1987)
Sonata No.2 op. 45,
I. Movement, Allegro moderato
recorded in 1947
Dimitri Kabalevsky (1904-1987)
https://wn.com/Horowitz_Plays_Kabalevsky,_Sonata_No.2
Sonata No.2 op. 45,
I. Movement, Allegro moderato
recorded in 1947
Dimitri Kabalevsky (1904-1987)
- published: 13 Mar 2014
- views: 698
19:11
Kabalevsky - Piano sonata n°2 - Gilels Leningrad 1959
Dmitri Kabalevsky
Piano sonata n°2 op.45
I. Allegro moderato. Festivamente 0:00
II. Andante sostenuto 7:07
III. Presto assai 13:42
Emil Gilels
Live recording...
Dmitri Kabalevsky
Piano sonata n°2 op.45
I. Allegro moderato. Festivamente 0:00
II. Andante sostenuto 7:07
III. Presto assai 13:42
Emil Gilels
Live recording, Leningrad, 6.XII.1959
https://wn.com/Kabalevsky_Piano_Sonata_N°2_Gilels_Leningrad_1959
Dmitri Kabalevsky
Piano sonata n°2 op.45
I. Allegro moderato. Festivamente 0:00
II. Andante sostenuto 7:07
III. Presto assai 13:42
Emil Gilels
Live recording, Leningrad, 6.XII.1959
- published: 20 Jul 2014
- views: 8878
6:54
Kabalevsky - Piano sonata No.2 Op.45 (I)
Dmitri Kabalevsky - Piano sonata no.2 Op.45 - First movement (Allegro moderato)
Fernando Cruz, piano
(Recorded in 2003)
Dmitri Kabalevsky - Piano sonata no.2 Op.45 - First movement (Allegro moderato)
Fernando Cruz, piano
(Recorded in 2003)
https://wn.com/Kabalevsky_Piano_Sonata_No.2_Op.45_(I)
Dmitri Kabalevsky - Piano sonata no.2 Op.45 - First movement (Allegro moderato)
Fernando Cruz, piano
(Recorded in 2003)
- published: 07 Dec 2009
- views: 5870
6:30
Kabalevsky - Piano sonata No.2 Op.45 (II)
Dmitri Kabalevsky - Piano sonata no.2 Op.45 - Second movement (Andante sostenuto)
Fernando Cruz, piano
(Recorded in 2003)
Dmitri Kabalevsky - Piano sonata no.2 Op.45 - Second movement (Andante sostenuto)
Fernando Cruz, piano
(Recorded in 2003)
https://wn.com/Kabalevsky_Piano_Sonata_No.2_Op.45_(Ii)
Dmitri Kabalevsky - Piano sonata no.2 Op.45 - Second movement (Andante sostenuto)
Fernando Cruz, piano
(Recorded in 2003)
- published: 07 Dec 2009
- views: 1293
6:49
Kabalevsky - Piano sonata No.2 Op.45 (III)
Dmitri Kabalevsky - Piano sonata no.2 Op.45 - Third movement (Presto assai)
Fernando Cruz, piano
(Recorded in 2003)
Dmitri Kabalevsky - Piano sonata no.2 Op.45 - Third movement (Presto assai)
Fernando Cruz, piano
(Recorded in 2003)
https://wn.com/Kabalevsky_Piano_Sonata_No.2_Op.45_(Iii)
Dmitri Kabalevsky - Piano sonata no.2 Op.45 - Third movement (Presto assai)
Fernando Cruz, piano
(Recorded in 2003)
- published: 07 Dec 2009
- views: 4296