- published: 26 Jan 2018
- views: 54260
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remove the playlistPiano Concerto No. 10 (mozart)
- remove the playlistPiano Concerto No. 10 (mozart)
Piano Concerto No. 10 (Mozart)
It is not known when Mozart completed this concerto for two pianos in E-flat major, K. 365/316a, but research by Alan Tyson shows that cadenzas for the first and third movements are written in his and his father's handwriting on a type of paper used between August 1775 and January 1777. However, most sources, including Alan Tyson's book "Mozart: Studies of the Autograph Scores" (1987) or more recent Lindeman's "The Concerto: A Research and Information Guide" (2006) indicate that it was composed in 1779. This date was retained on Wikipedia pages for K.365/316a in any other language. It is presumed that Mozart wrote it to play with his sister Maria Anna (“Nannerl”). Years later he performed it in a private concert with pupil Josepha Barbara von Auernhammer.
The concerto was originally scored for the two pianos together with two oboes, two bassoons; two horns; and strings. Mozart later expanded the score with pairs of clarinets, trumpets and timpani in E flat and B flat. The piece is in three movements:
This page contains text from Wikipedia, the Free Encyclopedia - https://wn.com/Piano_Concerto_No._10_(Mozart)
Podcasts:
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Mozart Piano Concerto No. 10 for two pianos in E-flat major K. 365/316a III. Rondeau. Allegro
Wolfgang Amadeus Mozart Piano Concerto No. 10 for two pianos in E-flat major K. 365/316a III. Rondeau. Allegro 1st movement https://www.youtube.com/watch?v=foHlx9uGNT0 2nd mov - https://www.youtube.com/watch?v=MCSjhAYyywE Martina Filjak, piano #martinafiljak Pedja Mužijević, piano #piano ZAGREB PHILHARMONIC ORCHESTRA TONČI BILIĆ, conductor Vatroslav Lisinski - Concert Hall - Zagreb 20. JANUARY 2018 Art of Sound and Vision #ArtofSoundandVision Video Marko Pletikosa
published: 26 Jan 2018 -
Wolfgang Amadeus Mozart - Piano Concerto No. 10 in E-flat major, K. 365/316a
Wolfgang Amadeus Mozart (1756 - 1791) - Piano Concerto No. 10 in E-flat major for 2 pianos, K. 365/316a (1779) I. Allegro [0:00] II. Andante [9:36] III. Rondeau. Allegro [16:45] (Cadenzas: Wolfgang Amadeus Mozart) Radu Lupu & Murray Perahia, piano English Chamber Orchestra (1988) Mozart's concerto for two pianos was presumably written for him and his sister Maria Anna ("Nannerl") to perform. It is in three movements and lasts around 25 minutes. "Mozart's musically gifted sister, Nannerl, figured prominently in several of his compositions. Some accounts insist she was at least as gifted a keyboard performer as her younger brother, and as early as 1764, when Wolfgang was eight and Nannerl was thirteen, they toured and performed together at either one or two keyboard instruments. Thus, s...
published: 06 Oct 2019 -
W.A.Mozart Concerto for Two pianos and Orchestra KV.365
Ani & Nia Sulkhanishvili Bavarian Radio symphony orchestra conductor Jun Märkl
published: 08 Oct 2016 -
Yuja Wang/Lahav Shani - Mozart Concerto No.10, K.365 (316a) - HD
2016.12.31 IPO(the Israel Philharmonic Orchestra) 80th Anniversary Concert, Special Concert. Mozart - Concerto No.10 in E flat major for Two Pianos and Orchestra, K.365 (316a) Encore: Tchaikovsky - The Nutcracker-Dance de la Fee Dragee (4 hands) Pianist, Yuja Wang; Conductor/Pianist, Lahav Shani; Israel Philharmonic Orchestra.
published: 11 Jan 2017 -
Mozart - Concerto for Two Pianos (No. 10), K. 365 (Brendel, Cooper)
Concerto for Two Pianos in E flat major, K. 365/316a (Piano Concerto No. 10) I. Allegro [0:00] II. Andante [9:52] III. Rondo (Allegro) [17:57] The concerto for two pianos by Wolfgang Amadeus Mozart (1756-1791), performed by pianists Alfred Brendel and Imogen Cooper, with conductor Neville Marriner and the Academy of St. Martin-in-the-Fields.
published: 19 Dec 2010 -
Mozart: Piano Concerto No. 10 in E♭ Major (Daniel Barenboim/Vladimir Ashkenazy, 1966) {{HQ AUDIO}}
I. Allegro 0:00 II. Andante 9:45 III. Rondeau: Allegro 17:49 Daniel Barenboim is an Israeli pianist and conductor who was noted for—apart from his musical talents—his bold efforts to promote peace through music in the Middle East. As a pianist, Barenboim was admired particularly for his artistic interpretations of the works of Mozart and Beethoven. As a conductor, he was recognized especially for his leadership of the Chicago Symphony Orchestra. Barenboim’s parents were both pianists, and his father, Enrique Barenboim, was also a noted music professor. The family moved from Argentina to Salzburg, Austria, when Daniel was nine and then on to Israel in 1952. Barenboim had already debuted as a pianist at age seven, and in Europe he became known as something of a child prodigy. He made his ...
published: 15 Apr 2021 -
Mozart - Piano Concerto No. 10 K 365
Wolfgang Amadeus Mozart It is not known when Mozart completed his Concerto for Two Pianos and Orchestra in E-flat major, K. 365/316a, but research by Alan Tyson shows that cadenzas for the first and third movements are written in his and his father's handwriting on a type of paper used between August 1775 and January 1777. However, most sources, including Alan Tyson's book Mozart: Studies of the Autograph Scores or more recently Lindeman's The Concerto: A Research and Information Guide (2006) indicate that it was composed in 1779. It is presumed that Mozart wrote it to play with his sister Maria Anna ("Nannerl"). Years later he performed it in a private concert with pupil Josepha Barbara Auernhammer. The concerto was originally scored for the two pianos together with two oboes, two bassoo...
published: 17 Apr 2015 -
[Kocsis-Ránki] Mozart: Concerto for Two Pianos in E flat, K365
Wolfgang Amadeus Mozart (1756-1791) Concerto for Two Pianos and Orchestra in E flat major, K365 KOCSIS Zoltán - RÁNKI Dezső (pianos) Hungarian State Orchestra Dirigent: FERENCSIK János Recording Date: 1972 00:00 Allegro 09:42 Andante 17:52 Allegro
published: 31 Dec 2012
developed with YouTube
7:43
Mozart Piano Concerto No. 10 for two pianos in E-flat major K. 365/316a III. Rondeau. Allegro
- Order: Reorder
- Duration: 7:43
- Uploaded Date: 26 Jan 2018
- views: 54260
Wolfgang Amadeus Mozart
Piano Concerto No. 10 for two pianos in E-flat major K. 365/316a
III. Rondeau. Allegro
1st movement https://www.youtube.com/watch?v=foH...
Wolfgang Amadeus Mozart
Piano Concerto No. 10 for two pianos in E-flat major K. 365/316a
III. Rondeau. Allegro
1st movement https://www.youtube.com/watch?v=foHlx9uGNT0
2nd mov - https://www.youtube.com/watch?v=MCSjhAYyywE
Martina Filjak, piano
#martinafiljak
Pedja Mužijević, piano #piano
ZAGREB PHILHARMONIC ORCHESTRA
TONČI BILIĆ, conductor
Vatroslav Lisinski - Concert Hall - Zagreb
20. JANUARY 2018
Art of Sound and Vision
#ArtofSoundandVision
Video
Marko Pletikosa
https://wn.com/Mozart_Piano_Concerto_No._10_For_Two_Pianos_In_E_Flat_Major_K._365_316A_Iii._Rondeau._Allegro
Wolfgang Amadeus Mozart
Piano Concerto No. 10 for two pianos in E-flat major K. 365/316a
III. Rondeau. Allegro
1st movement https://www.youtube.com/watch?v=foHlx9uGNT0
2nd mov - https://www.youtube.com/watch?v=MCSjhAYyywE
Martina Filjak, piano
#martinafiljak
Pedja Mužijević, piano #piano
ZAGREB PHILHARMONIC ORCHESTRA
TONČI BILIĆ, conductor
Vatroslav Lisinski - Concert Hall - Zagreb
20. JANUARY 2018
Art of Sound and Vision
#ArtofSoundandVision
Video
Marko Pletikosa
23:24
Wolfgang Amadeus Mozart - Piano Concerto No. 10 in E-flat major, K. 365/316a
- Order: Reorder
- Duration: 23:24
- Uploaded Date: 06 Oct 2019
- views: 52965
Wolfgang Amadeus Mozart (1756 - 1791) - Piano Concerto No. 10 in E-flat major for 2 pianos, K. 365/316a (1779)
I. Allegro [0:00]
II. Andante [9:36]
III. Rondea...
Wolfgang Amadeus Mozart (1756 - 1791) - Piano Concerto No. 10 in E-flat major for 2 pianos, K. 365/316a (1779)
I. Allegro [0:00]
II. Andante [9:36]
III. Rondeau. Allegro [16:45]
(Cadenzas: Wolfgang Amadeus Mozart)
Radu Lupu & Murray Perahia, piano
English Chamber Orchestra (1988)
Mozart's concerto for two pianos was presumably written for him and his sister Maria Anna ("Nannerl") to perform. It is in three movements and lasts around 25 minutes.
"Mozart's musically gifted sister, Nannerl, figured prominently in several of his compositions. Some accounts insist she was at least as gifted a keyboard performer as her younger brother, and as early as 1764, when Wolfgang was eight and Nannerl was thirteen, they toured and performed together at either one or two keyboard instruments. Thus, several years later, the idea of a concerto for two pianos likely came naturally to Wolfgang. No specific circumstances of this work's creation have been unearthed, however.
In 1779, the young composer had thrashed his way through the shoals and pitfalls of adolescence and endured his first heartbreak. After an extended tour of Europe, he reluctantly accepted the forgiveness and employ of the Archbishop of Salzburg and although the man was a Philistine when it came to music, Wolfgang set about trying to please him. With both the French and Italian styles still fresh in his mind, he set down two fine works in the double concerto format. The second of these was the Sinfonia Concertante for Violin and Viola in E flat, K.364 and the first was the present piece. While there is some evidence that fragments of the work were set down as early as 1775, the piece is generally considered to have been finally assembled and finished in early 1779.
In three movements, and relatively long at 25 minutes, the work is challenging for both soloists. The parts are also equally assigned so that there is not a first solo and a second solo. Passages intermingle, and the piece in general is a tour de force for performers and listeners alike. The first movement, a ten-minute Allegro, opens with a lengthy orchestral introduction containing an ambitious theme. Both pianos finally enter together, and after briefly alternating introductory phrases, join together in the first theme. A second theme is more ominous, and sounds as if it could be the basis for early silent film dramatic accompaniment. The orchestra puts a stop to this with a repeat of the brusque opening; after a gentle recapitulation, the movement ends in a tripping double cadenza and coda.
The second movement, an eight-minute Andante, begins as a stately Minuet in the orchestra. When the theme appears in the pianos, it is divided into two solo passages. The two soon seem to flow together, and passages alternate between soloists and orchestra, nicely leading and accompanying each other. The movement also offers one of the mature Mozart's first uses of surprise dissonance, as unexpected notes appear in exposed piano passages. The movement ends abruptly. The finale is a marvelous rondo. Although it is appropriately scored for the instruments and orchestra of his day, the size and power of it make one wonder what Mozart might have crafted with modern concert grand pianos at his disposal.
The genius of the work lies in its seamlessness. Even the casual listener will discern that there are too many notes to be played by a single instrument, yet without visual reinforcement it is essentially impossible for the hearer to separate the solo parts. Mozart created here a large work for four perfectly coordinated hands and two full-size keyboards. It is significant in his output as standing among the first works of his maturity following his return to Salzburg and the death of his mother."
(source: AllMusic)
https://wn.com/Wolfgang_Amadeus_Mozart_Piano_Concerto_No._10_In_E_Flat_Major,_K._365_316A
Wolfgang Amadeus Mozart (1756 - 1791) - Piano Concerto No. 10 in E-flat major for 2 pianos, K. 365/316a (1779)
I. Allegro [0:00]
II. Andante [9:36]
III. Rondeau. Allegro [16:45]
(Cadenzas: Wolfgang Amadeus Mozart)
Radu Lupu & Murray Perahia, piano
English Chamber Orchestra (1988)
Mozart's concerto for two pianos was presumably written for him and his sister Maria Anna ("Nannerl") to perform. It is in three movements and lasts around 25 minutes.
"Mozart's musically gifted sister, Nannerl, figured prominently in several of his compositions. Some accounts insist she was at least as gifted a keyboard performer as her younger brother, and as early as 1764, when Wolfgang was eight and Nannerl was thirteen, they toured and performed together at either one or two keyboard instruments. Thus, several years later, the idea of a concerto for two pianos likely came naturally to Wolfgang. No specific circumstances of this work's creation have been unearthed, however.
In 1779, the young composer had thrashed his way through the shoals and pitfalls of adolescence and endured his first heartbreak. After an extended tour of Europe, he reluctantly accepted the forgiveness and employ of the Archbishop of Salzburg and although the man was a Philistine when it came to music, Wolfgang set about trying to please him. With both the French and Italian styles still fresh in his mind, he set down two fine works in the double concerto format. The second of these was the Sinfonia Concertante for Violin and Viola in E flat, K.364 and the first was the present piece. While there is some evidence that fragments of the work were set down as early as 1775, the piece is generally considered to have been finally assembled and finished in early 1779.
In three movements, and relatively long at 25 minutes, the work is challenging for both soloists. The parts are also equally assigned so that there is not a first solo and a second solo. Passages intermingle, and the piece in general is a tour de force for performers and listeners alike. The first movement, a ten-minute Allegro, opens with a lengthy orchestral introduction containing an ambitious theme. Both pianos finally enter together, and after briefly alternating introductory phrases, join together in the first theme. A second theme is more ominous, and sounds as if it could be the basis for early silent film dramatic accompaniment. The orchestra puts a stop to this with a repeat of the brusque opening; after a gentle recapitulation, the movement ends in a tripping double cadenza and coda.
The second movement, an eight-minute Andante, begins as a stately Minuet in the orchestra. When the theme appears in the pianos, it is divided into two solo passages. The two soon seem to flow together, and passages alternate between soloists and orchestra, nicely leading and accompanying each other. The movement also offers one of the mature Mozart's first uses of surprise dissonance, as unexpected notes appear in exposed piano passages. The movement ends abruptly. The finale is a marvelous rondo. Although it is appropriately scored for the instruments and orchestra of his day, the size and power of it make one wonder what Mozart might have crafted with modern concert grand pianos at his disposal.
The genius of the work lies in its seamlessness. Even the casual listener will discern that there are too many notes to be played by a single instrument, yet without visual reinforcement it is essentially impossible for the hearer to separate the solo parts. Mozart created here a large work for four perfectly coordinated hands and two full-size keyboards. It is significant in his output as standing among the first works of his maturity following his return to Salzburg and the death of his mother."
(source: AllMusic)
- published: 06 Oct 2019
- views: 52965
26:34
W.A.Mozart Concerto for Two pianos and Orchestra KV.365
- Order: Reorder
- Duration: 26:34
- Uploaded Date: 08 Oct 2016
- views: 207694
Ani & Nia Sulkhanishvili
Bavarian Radio symphony orchestra
conductor Jun Märkl
Ani & Nia Sulkhanishvili
Bavarian Radio symphony orchestra
conductor Jun Märkl
https://wn.com/W.A.Mozart_Concerto_For_Two_Pianos_And_Orchestra_Kv.365
Ani & Nia Sulkhanishvili
Bavarian Radio symphony orchestra
conductor Jun Märkl
- published: 08 Oct 2016
- views: 207694
33:13
Yuja Wang/Lahav Shani - Mozart Concerto No.10, K.365 (316a) - HD
- Order: Reorder
- Duration: 33:13
- Uploaded Date: 11 Jan 2017
- views: 85540
2016.12.31
IPO(the Israel Philharmonic Orchestra) 80th Anniversary Concert, Special Concert.
Mozart - Concerto No.10 in E flat major for Two Pianos and Orchest...
2016.12.31
IPO(the Israel Philharmonic Orchestra) 80th Anniversary Concert, Special Concert.
Mozart - Concerto No.10 in E flat major for Two Pianos and Orchestra, K.365 (316a)
Encore: Tchaikovsky - The Nutcracker-Dance de la Fee Dragee (4 hands)
Pianist, Yuja Wang; Conductor/Pianist, Lahav Shani; Israel Philharmonic Orchestra.
https://wn.com/Yuja_Wang_Lahav_Shani_Mozart_Concerto_No.10,_K.365_(316A)_Hd
2016.12.31
IPO(the Israel Philharmonic Orchestra) 80th Anniversary Concert, Special Concert.
Mozart - Concerto No.10 in E flat major for Two Pianos and Orchestra, K.365 (316a)
Encore: Tchaikovsky - The Nutcracker-Dance de la Fee Dragee (4 hands)
Pianist, Yuja Wang; Conductor/Pianist, Lahav Shani; Israel Philharmonic Orchestra.
- published: 11 Jan 2017
- views: 85540
24:50
Mozart - Concerto for Two Pianos (No. 10), K. 365 (Brendel, Cooper)
- Order: Reorder
- Duration: 24:50
- Uploaded Date: 19 Dec 2010
- views: 332030
Concerto for Two Pianos in E flat major, K. 365/316a (Piano Concerto No. 10)
I. Allegro [0:00]
II. Andante [9:52]
III. Rondo (Allegro) [17:57]
The concerto fo...
Concerto for Two Pianos in E flat major, K. 365/316a (Piano Concerto No. 10)
I. Allegro [0:00]
II. Andante [9:52]
III. Rondo (Allegro) [17:57]
The concerto for two pianos by Wolfgang Amadeus Mozart (1756-1791), performed by pianists Alfred Brendel and Imogen Cooper, with conductor Neville Marriner and the Academy of St. Martin-in-the-Fields.
https://wn.com/Mozart_Concerto_For_Two_Pianos_(No._10),_K._365_(Brendel,_Cooper)
Concerto for Two Pianos in E flat major, K. 365/316a (Piano Concerto No. 10)
I. Allegro [0:00]
II. Andante [9:52]
III. Rondo (Allegro) [17:57]
The concerto for two pianos by Wolfgang Amadeus Mozart (1756-1791), performed by pianists Alfred Brendel and Imogen Cooper, with conductor Neville Marriner and the Academy of St. Martin-in-the-Fields.
- published: 19 Dec 2010
- views: 332030
24:46
Mozart: Piano Concerto No. 10 in E♭ Major (Daniel Barenboim/Vladimir Ashkenazy, 1966) {{HQ AUDIO}}
- Order: Reorder
- Duration: 24:46
- Uploaded Date: 15 Apr 2021
- views: 4474
I. Allegro 0:00
II. Andante 9:45
III. Rondeau: Allegro 17:49
Daniel Barenboim is an Israeli pianist and conductor who was noted for—apart from his musical tal...
I. Allegro 0:00
II. Andante 9:45
III. Rondeau: Allegro 17:49
Daniel Barenboim is an Israeli pianist and conductor who was noted for—apart from his musical talents—his bold efforts to promote peace through music in the Middle East. As a pianist, Barenboim was admired particularly for his artistic interpretations of the works of Mozart and Beethoven. As a conductor, he was recognized especially for his leadership of the Chicago Symphony Orchestra.
Barenboim’s parents were both pianists, and his father, Enrique Barenboim, was also a noted music professor. The family moved from Argentina to Salzburg, Austria, when Daniel was nine and then on to Israel in 1952. Barenboim had already debuted as a pianist at age seven, and in Europe he became known as something of a child prodigy. He made his debut in London (with the Royal Philharmonic Orchestra) in 1956 and in the United States (at Carnegie Hall) in 1957. As a pianist, he became especially known for his somewhat colourful interpretations of the works of Mozart, Beethoven, and other Classical and Romantic composers.
Barenboim started conducting professionally in 1962, first in Israel and then in Australia with the Melbourne and Sydney symphony orchestras. He thereafter was guest conductor in several cities in European countries as well as in Israel and the United States. He served as music director of the Orchestre de Paris from 1975 to 1989. In 1987 he signed to become musical and artistic director of the new Bastille Opera in Paris, but he fell into disputes with representatives of the socialist government in Paris and was dismissed (in January 1989) before the first season was to commence, in 1990. Almost immediately, in January 1989, he accepted the post of music director of the Chicago Symphony Orchestra in succession to Sir Georg Solti. Barenboim took over his full duties as music director there when Solti retired in 1991, and he held the post until 2006. He also became music director of the Berlin State Opera in 1992. In Jerusalem in 2001 Barenboim sparked controversy by conducting the Prelude to the opera Tristan und Isolde by Richard Wagner; Wagner’s music had been unofficially banned in Israel because of his anti-Semitic beliefs and the fact that he was Adolf Hitler’s favourite composer. Barenboim also conducted Tristan und Isolde when he made his debut at the Metropolitan Opera in New York City in 2008.
VLADIMIR ASHKENAZY: Vladimir Ashkenazy, is a Russian-born Icelandic pianist and conductor whose extensive piano repertoire included works by Wolfgang Amadeus Mozart, Ludwig van Beethoven, Frédéric Chopin, Franz Liszt, and Sergey Rachmaninoff.
Both of Ashkenazy’s parents were professional pianists. Beginning piano lessons at age six, Ashkenazy studied for 10 years at the Moscow Central School of Music and entered the Moscow Conservatory in 1955. He attained international prominence when he won the gold medal at the Queen Elisabeth of Belgium International Competition in Brussels in 1956; he also shared first prize at the second Tchaikovsky Competition in 1962. In 1963 he emigrated to the West, assuming Icelandic citizenship in 1972.
In the mid-1970s Ashkenazy became active as a conductor. He was noted for his ability to communicate with both orchestra and audience. From 1987 to 1994 he was music director of the Royal Philharmonic Orchestra (in London), and in 1989 he was named music director of the Berlin Radio Symphony Orchestra (renamed as German Symphony Orchestra in 1994). Ashkenazy later served as chief conductor of the Czech Philharmonic Orchestra (1998–2003) and of the Sydney Symphony Orchestra (2009–13). In 2020 it was announced that he would no longer perform in public."
Remastered By: Wayne Yang, USA - Taiwan
https://wn.com/Mozart_Piano_Concerto_No._10_In_E♭_Major_(Daniel_Barenboim_Vladimir_Ashkenazy,_1966)_Hq_Audio
I. Allegro 0:00
II. Andante 9:45
III. Rondeau: Allegro 17:49
Daniel Barenboim is an Israeli pianist and conductor who was noted for—apart from his musical talents—his bold efforts to promote peace through music in the Middle East. As a pianist, Barenboim was admired particularly for his artistic interpretations of the works of Mozart and Beethoven. As a conductor, he was recognized especially for his leadership of the Chicago Symphony Orchestra.
Barenboim’s parents were both pianists, and his father, Enrique Barenboim, was also a noted music professor. The family moved from Argentina to Salzburg, Austria, when Daniel was nine and then on to Israel in 1952. Barenboim had already debuted as a pianist at age seven, and in Europe he became known as something of a child prodigy. He made his debut in London (with the Royal Philharmonic Orchestra) in 1956 and in the United States (at Carnegie Hall) in 1957. As a pianist, he became especially known for his somewhat colourful interpretations of the works of Mozart, Beethoven, and other Classical and Romantic composers.
Barenboim started conducting professionally in 1962, first in Israel and then in Australia with the Melbourne and Sydney symphony orchestras. He thereafter was guest conductor in several cities in European countries as well as in Israel and the United States. He served as music director of the Orchestre de Paris from 1975 to 1989. In 1987 he signed to become musical and artistic director of the new Bastille Opera in Paris, but he fell into disputes with representatives of the socialist government in Paris and was dismissed (in January 1989) before the first season was to commence, in 1990. Almost immediately, in January 1989, he accepted the post of music director of the Chicago Symphony Orchestra in succession to Sir Georg Solti. Barenboim took over his full duties as music director there when Solti retired in 1991, and he held the post until 2006. He also became music director of the Berlin State Opera in 1992. In Jerusalem in 2001 Barenboim sparked controversy by conducting the Prelude to the opera Tristan und Isolde by Richard Wagner; Wagner’s music had been unofficially banned in Israel because of his anti-Semitic beliefs and the fact that he was Adolf Hitler’s favourite composer. Barenboim also conducted Tristan und Isolde when he made his debut at the Metropolitan Opera in New York City in 2008.
VLADIMIR ASHKENAZY: Vladimir Ashkenazy, is a Russian-born Icelandic pianist and conductor whose extensive piano repertoire included works by Wolfgang Amadeus Mozart, Ludwig van Beethoven, Frédéric Chopin, Franz Liszt, and Sergey Rachmaninoff.
Both of Ashkenazy’s parents were professional pianists. Beginning piano lessons at age six, Ashkenazy studied for 10 years at the Moscow Central School of Music and entered the Moscow Conservatory in 1955. He attained international prominence when he won the gold medal at the Queen Elisabeth of Belgium International Competition in Brussels in 1956; he also shared first prize at the second Tchaikovsky Competition in 1962. In 1963 he emigrated to the West, assuming Icelandic citizenship in 1972.
In the mid-1970s Ashkenazy became active as a conductor. He was noted for his ability to communicate with both orchestra and audience. From 1987 to 1994 he was music director of the Royal Philharmonic Orchestra (in London), and in 1989 he was named music director of the Berlin Radio Symphony Orchestra (renamed as German Symphony Orchestra in 1994). Ashkenazy later served as chief conductor of the Czech Philharmonic Orchestra (1998–2003) and of the Sydney Symphony Orchestra (2009–13). In 2020 it was announced that he would no longer perform in public."
Remastered By: Wayne Yang, USA - Taiwan
- published: 15 Apr 2021
- views: 4474
23:45
Mozart - Piano Concerto No. 10 K 365
- Order: Reorder
- Duration: 23:45
- Uploaded Date: 17 Apr 2015
- views: 58595
Wolfgang Amadeus Mozart
It is not known when Mozart completed his Concerto for Two Pianos and Orchestra in E-flat major, K. 365/316a, but research by Alan Tyso...
Wolfgang Amadeus Mozart
It is not known when Mozart completed his Concerto for Two Pianos and Orchestra in E-flat major, K. 365/316a, but research by Alan Tyson shows that cadenzas for the first and third movements are written in his and his father's handwriting on a type of paper used between August 1775 and January 1777. However, most sources, including Alan Tyson's book Mozart: Studies of the Autograph Scores or more recently Lindeman's The Concerto: A Research and Information Guide (2006) indicate that it was composed in 1779. It is presumed that Mozart wrote it to play with his sister Maria Anna ("Nannerl"). Years later he performed it in a private concert with pupil Josepha Barbara Auernhammer.
The concerto was originally scored for the two pianos together with two oboes, two bassoons; two horns; and strings. Mozart later expanded the score with pairs of clarinets, trumpets and timpani in E flat and B flat. However, the authenticity of the additions is not beyond question; they do not appear in the score. The piece is in three movements:
1. Allegro, common time
2. Andante, B-flat major 3/4
3. Rondo: Allegro 2/4
The concerto departs from the usual solo piano concerto with the dialogue between the two pianos as they exchange musical ideas. Mozart divides up the more striking passages quite evenly between the two pianos. Also, the orchestra is rather more quiet than in Mozart's other piano concertos, leaving much of the music to the soloists.
The first movement is lyrical and "wonderfully spacious, as if Mozart is thoroughly enjoying himself and letting his ideas flow freely", as Ledbetter has noted. The middle movement is slow and refined; the orchestra stays in the background behind the pair of playful pianists. The finale is a rondo filled with rhythmic drive and, after passages of lyrical grace, there is an exuberant return to the main rondo theme.
Piano Concerto No. 10 K 365
1. Allegro 10:02
2. Andante 7:03
3. Rondò, Allegro 6:42
For more:
http://www.melhoresmusicasclassicas.blogspot.com
#MusicHistory
#ClassicalMusic
#Mozart
https://wn.com/Mozart_Piano_Concerto_No._10_K_365
Wolfgang Amadeus Mozart
It is not known when Mozart completed his Concerto for Two Pianos and Orchestra in E-flat major, K. 365/316a, but research by Alan Tyson shows that cadenzas for the first and third movements are written in his and his father's handwriting on a type of paper used between August 1775 and January 1777. However, most sources, including Alan Tyson's book Mozart: Studies of the Autograph Scores or more recently Lindeman's The Concerto: A Research and Information Guide (2006) indicate that it was composed in 1779. It is presumed that Mozart wrote it to play with his sister Maria Anna ("Nannerl"). Years later he performed it in a private concert with pupil Josepha Barbara Auernhammer.
The concerto was originally scored for the two pianos together with two oboes, two bassoons; two horns; and strings. Mozart later expanded the score with pairs of clarinets, trumpets and timpani in E flat and B flat. However, the authenticity of the additions is not beyond question; they do not appear in the score. The piece is in three movements:
1. Allegro, common time
2. Andante, B-flat major 3/4
3. Rondo: Allegro 2/4
The concerto departs from the usual solo piano concerto with the dialogue between the two pianos as they exchange musical ideas. Mozart divides up the more striking passages quite evenly between the two pianos. Also, the orchestra is rather more quiet than in Mozart's other piano concertos, leaving much of the music to the soloists.
The first movement is lyrical and "wonderfully spacious, as if Mozart is thoroughly enjoying himself and letting his ideas flow freely", as Ledbetter has noted. The middle movement is slow and refined; the orchestra stays in the background behind the pair of playful pianists. The finale is a rondo filled with rhythmic drive and, after passages of lyrical grace, there is an exuberant return to the main rondo theme.
Piano Concerto No. 10 K 365
1. Allegro 10:02
2. Andante 7:03
3. Rondò, Allegro 6:42
For more:
http://www.melhoresmusicasclassicas.blogspot.com
#MusicHistory
#ClassicalMusic
#Mozart
- published: 17 Apr 2015
- views: 58595
24:41
[Kocsis-Ránki] Mozart: Concerto for Two Pianos in E flat, K365
- Order: Reorder
- Duration: 24:41
- Uploaded Date: 31 Dec 2012
- views: 125422
Wolfgang Amadeus Mozart (1756-1791)
Concerto for Two Pianos and Orchestra in E flat major, K365
KOCSIS Zoltán - RÁNKI Dezső (pianos)
Hungarian State Orchestra
D...
Wolfgang Amadeus Mozart (1756-1791)
Concerto for Two Pianos and Orchestra in E flat major, K365
KOCSIS Zoltán - RÁNKI Dezső (pianos)
Hungarian State Orchestra
Dirigent: FERENCSIK János
Recording Date: 1972
00:00 Allegro
09:42 Andante
17:52 Allegro
https://wn.com/Kocsis_Ránki_Mozart_Concerto_For_Two_Pianos_In_E_Flat,_K365
Wolfgang Amadeus Mozart (1756-1791)
Concerto for Two Pianos and Orchestra in E flat major, K365
KOCSIS Zoltán - RÁNKI Dezső (pianos)
Hungarian State Orchestra
Dirigent: FERENCSIK János
Recording Date: 1972
00:00 Allegro
09:42 Andante
17:52 Allegro
- published: 31 Dec 2012
- views: 125422
7:43
Mozart Piano Concerto No. 10 for two pianos in E-flat major K. 365/316a III. Rondeau. Allegro
Wolfgang Amadeus Mozart
Piano Concerto No. 10 for two pianos in E-flat major K. 365/316a
I...
published: 26 Jan 2018
Mozart Piano Concerto No. 10 for two pianos in E-flat major K. 365/316a III. Rondeau. Allegro
Mozart Piano Concerto No. 10 for two pianos in E-flat major K. 365/316a III. Rondeau. Allegro
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- published: 26 Jan 2018
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Wolfgang Amadeus Mozart
Piano Concerto No. 10 for two pianos in E-flat major K. 365/316a
III. Rondeau. Allegro
1st movement https://www.youtube.com/watch?v=foHlx9uGNT0
2nd mov - https://www.youtube.com/watch?v=MCSjhAYyywE
Martina Filjak, piano
#martinafiljak
Pedja Mužijević, piano #piano
ZAGREB PHILHARMONIC ORCHESTRA
TONČI BILIĆ, conductor
Vatroslav Lisinski - Concert Hall - Zagreb
20. JANUARY 2018
Art of Sound and Vision
#ArtofSoundandVision
Video
Marko Pletikosa
23:24
Wolfgang Amadeus Mozart - Piano Concerto No. 10 in E-flat major, K. 365/316a
Wolfgang Amadeus Mozart (1756 - 1791) - Piano Concerto No. 10 in E-flat major for 2 pianos...
published: 06 Oct 2019
Wolfgang Amadeus Mozart - Piano Concerto No. 10 in E-flat major, K. 365/316a
Wolfgang Amadeus Mozart - Piano Concerto No. 10 in E-flat major, K. 365/316a
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- published: 06 Oct 2019
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Wolfgang Amadeus Mozart (1756 - 1791) - Piano Concerto No. 10 in E-flat major for 2 pianos, K. 365/316a (1779)
I. Allegro [0:00]
II. Andante [9:36]
III. Rondeau. Allegro [16:45]
(Cadenzas: Wolfgang Amadeus Mozart)
Radu Lupu & Murray Perahia, piano
English Chamber Orchestra (1988)
Mozart's concerto for two pianos was presumably written for him and his sister Maria Anna ("Nannerl") to perform. It is in three movements and lasts around 25 minutes.
"Mozart's musically gifted sister, Nannerl, figured prominently in several of his compositions. Some accounts insist she was at least as gifted a keyboard performer as her younger brother, and as early as 1764, when Wolfgang was eight and Nannerl was thirteen, they toured and performed together at either one or two keyboard instruments. Thus, several years later, the idea of a concerto for two pianos likely came naturally to Wolfgang. No specific circumstances of this work's creation have been unearthed, however.
In 1779, the young composer had thrashed his way through the shoals and pitfalls of adolescence and endured his first heartbreak. After an extended tour of Europe, he reluctantly accepted the forgiveness and employ of the Archbishop of Salzburg and although the man was a Philistine when it came to music, Wolfgang set about trying to please him. With both the French and Italian styles still fresh in his mind, he set down two fine works in the double concerto format. The second of these was the Sinfonia Concertante for Violin and Viola in E flat, K.364 and the first was the present piece. While there is some evidence that fragments of the work were set down as early as 1775, the piece is generally considered to have been finally assembled and finished in early 1779.
In three movements, and relatively long at 25 minutes, the work is challenging for both soloists. The parts are also equally assigned so that there is not a first solo and a second solo. Passages intermingle, and the piece in general is a tour de force for performers and listeners alike. The first movement, a ten-minute Allegro, opens with a lengthy orchestral introduction containing an ambitious theme. Both pianos finally enter together, and after briefly alternating introductory phrases, join together in the first theme. A second theme is more ominous, and sounds as if it could be the basis for early silent film dramatic accompaniment. The orchestra puts a stop to this with a repeat of the brusque opening; after a gentle recapitulation, the movement ends in a tripping double cadenza and coda.
The second movement, an eight-minute Andante, begins as a stately Minuet in the orchestra. When the theme appears in the pianos, it is divided into two solo passages. The two soon seem to flow together, and passages alternate between soloists and orchestra, nicely leading and accompanying each other. The movement also offers one of the mature Mozart's first uses of surprise dissonance, as unexpected notes appear in exposed piano passages. The movement ends abruptly. The finale is a marvelous rondo. Although it is appropriately scored for the instruments and orchestra of his day, the size and power of it make one wonder what Mozart might have crafted with modern concert grand pianos at his disposal.
The genius of the work lies in its seamlessness. Even the casual listener will discern that there are too many notes to be played by a single instrument, yet without visual reinforcement it is essentially impossible for the hearer to separate the solo parts. Mozart created here a large work for four perfectly coordinated hands and two full-size keyboards. It is significant in his output as standing among the first works of his maturity following his return to Salzburg and the death of his mother."
(source: AllMusic)
26:34
W.A.Mozart Concerto for Two pianos and Orchestra KV.365
Ani & Nia Sulkhanishvili
Bavarian Radio symphony orchestra
conductor Jun Märkl
published: 08 Oct 2016
W.A.Mozart Concerto for Two pianos and Orchestra KV.365
W.A.Mozart Concerto for Two pianos and Orchestra KV.365
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- published: 08 Oct 2016
- views: 207694
Ani & Nia Sulkhanishvili
Bavarian Radio symphony orchestra
conductor Jun Märkl
33:13
Yuja Wang/Lahav Shani - Mozart Concerto No.10, K.365 (316a) - HD
2016.12.31
IPO(the Israel Philharmonic Orchestra) 80th Anniversary Concert, Special Concer...
published: 11 Jan 2017
Yuja Wang/Lahav Shani - Mozart Concerto No.10, K.365 (316a) - HD
Yuja Wang/Lahav Shani - Mozart Concerto No.10, K.365 (316a) - HD
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- published: 11 Jan 2017
- views: 85540
2016.12.31
IPO(the Israel Philharmonic Orchestra) 80th Anniversary Concert, Special Concert.
Mozart - Concerto No.10 in E flat major for Two Pianos and Orchestra, K.365 (316a)
Encore: Tchaikovsky - The Nutcracker-Dance de la Fee Dragee (4 hands)
Pianist, Yuja Wang; Conductor/Pianist, Lahav Shani; Israel Philharmonic Orchestra.
24:50
Mozart - Concerto for Two Pianos (No. 10), K. 365 (Brendel, Cooper)
Concerto for Two Pianos in E flat major, K. 365/316a (Piano Concerto No. 10)
I. Allegro [...
published: 19 Dec 2010
Mozart - Concerto for Two Pianos (No. 10), K. 365 (Brendel, Cooper)
Mozart - Concerto for Two Pianos (No. 10), K. 365 (Brendel, Cooper)
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- published: 19 Dec 2010
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Concerto for Two Pianos in E flat major, K. 365/316a (Piano Concerto No. 10)
I. Allegro [0:00]
II. Andante [9:52]
III. Rondo (Allegro) [17:57]
The concerto for two pianos by Wolfgang Amadeus Mozart (1756-1791), performed by pianists Alfred Brendel and Imogen Cooper, with conductor Neville Marriner and the Academy of St. Martin-in-the-Fields.
24:46
Mozart: Piano Concerto No. 10 in E♭ Major (Daniel Barenboim/Vladimir Ashkenazy, 1966) {{HQ AUDIO}}
I. Allegro 0:00
II. Andante 9:45
III. Rondeau: Allegro 17:49
Daniel Barenboim is an Isra...
published: 15 Apr 2021
Mozart: Piano Concerto No. 10 in E♭ Major (Daniel Barenboim/Vladimir Ashkenazy, 1966) {{HQ AUDIO}}
Mozart: Piano Concerto No. 10 in E♭ Major (Daniel Barenboim/Vladimir Ashkenazy, 1966) {{HQ AUDIO}}
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- published: 15 Apr 2021
- views: 4474
I. Allegro 0:00
II. Andante 9:45
III. Rondeau: Allegro 17:49
Daniel Barenboim is an Israeli pianist and conductor who was noted for—apart from his musical talents—his bold efforts to promote peace through music in the Middle East. As a pianist, Barenboim was admired particularly for his artistic interpretations of the works of Mozart and Beethoven. As a conductor, he was recognized especially for his leadership of the Chicago Symphony Orchestra.
Barenboim’s parents were both pianists, and his father, Enrique Barenboim, was also a noted music professor. The family moved from Argentina to Salzburg, Austria, when Daniel was nine and then on to Israel in 1952. Barenboim had already debuted as a pianist at age seven, and in Europe he became known as something of a child prodigy. He made his debut in London (with the Royal Philharmonic Orchestra) in 1956 and in the United States (at Carnegie Hall) in 1957. As a pianist, he became especially known for his somewhat colourful interpretations of the works of Mozart, Beethoven, and other Classical and Romantic composers.
Barenboim started conducting professionally in 1962, first in Israel and then in Australia with the Melbourne and Sydney symphony orchestras. He thereafter was guest conductor in several cities in European countries as well as in Israel and the United States. He served as music director of the Orchestre de Paris from 1975 to 1989. In 1987 he signed to become musical and artistic director of the new Bastille Opera in Paris, but he fell into disputes with representatives of the socialist government in Paris and was dismissed (in January 1989) before the first season was to commence, in 1990. Almost immediately, in January 1989, he accepted the post of music director of the Chicago Symphony Orchestra in succession to Sir Georg Solti. Barenboim took over his full duties as music director there when Solti retired in 1991, and he held the post until 2006. He also became music director of the Berlin State Opera in 1992. In Jerusalem in 2001 Barenboim sparked controversy by conducting the Prelude to the opera Tristan und Isolde by Richard Wagner; Wagner’s music had been unofficially banned in Israel because of his anti-Semitic beliefs and the fact that he was Adolf Hitler’s favourite composer. Barenboim also conducted Tristan und Isolde when he made his debut at the Metropolitan Opera in New York City in 2008.
VLADIMIR ASHKENAZY: Vladimir Ashkenazy, is a Russian-born Icelandic pianist and conductor whose extensive piano repertoire included works by Wolfgang Amadeus Mozart, Ludwig van Beethoven, Frédéric Chopin, Franz Liszt, and Sergey Rachmaninoff.
Both of Ashkenazy’s parents were professional pianists. Beginning piano lessons at age six, Ashkenazy studied for 10 years at the Moscow Central School of Music and entered the Moscow Conservatory in 1955. He attained international prominence when he won the gold medal at the Queen Elisabeth of Belgium International Competition in Brussels in 1956; he also shared first prize at the second Tchaikovsky Competition in 1962. In 1963 he emigrated to the West, assuming Icelandic citizenship in 1972.
In the mid-1970s Ashkenazy became active as a conductor. He was noted for his ability to communicate with both orchestra and audience. From 1987 to 1994 he was music director of the Royal Philharmonic Orchestra (in London), and in 1989 he was named music director of the Berlin Radio Symphony Orchestra (renamed as German Symphony Orchestra in 1994). Ashkenazy later served as chief conductor of the Czech Philharmonic Orchestra (1998–2003) and of the Sydney Symphony Orchestra (2009–13). In 2020 it was announced that he would no longer perform in public."
Remastered By: Wayne Yang, USA - Taiwan
23:45
Mozart - Piano Concerto No. 10 K 365
Wolfgang Amadeus Mozart
It is not known when Mozart completed his Concerto for Two Pianos...
published: 17 Apr 2015
Mozart - Piano Concerto No. 10 K 365
Mozart - Piano Concerto No. 10 K 365
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- published: 17 Apr 2015
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Wolfgang Amadeus Mozart
It is not known when Mozart completed his Concerto for Two Pianos and Orchestra in E-flat major, K. 365/316a, but research by Alan Tyson shows that cadenzas for the first and third movements are written in his and his father's handwriting on a type of paper used between August 1775 and January 1777. However, most sources, including Alan Tyson's book Mozart: Studies of the Autograph Scores or more recently Lindeman's The Concerto: A Research and Information Guide (2006) indicate that it was composed in 1779. It is presumed that Mozart wrote it to play with his sister Maria Anna ("Nannerl"). Years later he performed it in a private concert with pupil Josepha Barbara Auernhammer.
The concerto was originally scored for the two pianos together with two oboes, two bassoons; two horns; and strings. Mozart later expanded the score with pairs of clarinets, trumpets and timpani in E flat and B flat. However, the authenticity of the additions is not beyond question; they do not appear in the score. The piece is in three movements:
1. Allegro, common time
2. Andante, B-flat major 3/4
3. Rondo: Allegro 2/4
The concerto departs from the usual solo piano concerto with the dialogue between the two pianos as they exchange musical ideas. Mozart divides up the more striking passages quite evenly between the two pianos. Also, the orchestra is rather more quiet than in Mozart's other piano concertos, leaving much of the music to the soloists.
The first movement is lyrical and "wonderfully spacious, as if Mozart is thoroughly enjoying himself and letting his ideas flow freely", as Ledbetter has noted. The middle movement is slow and refined; the orchestra stays in the background behind the pair of playful pianists. The finale is a rondo filled with rhythmic drive and, after passages of lyrical grace, there is an exuberant return to the main rondo theme.
Piano Concerto No. 10 K 365
1. Allegro 10:02
2. Andante 7:03
3. Rondò, Allegro 6:42
For more:
http://www.melhoresmusicasclassicas.blogspot.com
#MusicHistory
#ClassicalMusic
#Mozart
24:41
[Kocsis-Ránki] Mozart: Concerto for Two Pianos in E flat, K365
Wolfgang Amadeus Mozart (1756-1791)
Concerto for Two Pianos and Orchestra in E flat major,...
published: 31 Dec 2012
[Kocsis-Ránki] Mozart: Concerto for Two Pianos in E flat, K365
[Kocsis-Ránki] Mozart: Concerto for Two Pianos in E flat, K365
- Report rights infringement
- published: 31 Dec 2012
- views: 125422
Wolfgang Amadeus Mozart (1756-1791)
Concerto for Two Pianos and Orchestra in E flat major, K365
KOCSIS Zoltán - RÁNKI Dezső (pianos)
Hungarian State Orchestra
Dirigent: FERENCSIK János
Recording Date: 1972
00:00 Allegro
09:42 Andante
17:52 Allegro
Piano Concerto No. 10 (Mozart)
It is not known when Mozart completed this concerto for two pianos in E-flat major, K. 365/316a, but research by Alan Tyson shows that cadenzas for the first and third movements are written in his and his father's handwriting on a type of paper used between August 1775 and January 1777. However, most sources, including Alan Tyson's book "Mozart: Studies of the Autograph Scores" (1987) or more recent Lindeman's "The Concerto: A Research and Information Guide" (2006) indicate that it was composed in 1779. This date was retained on Wikipedia pages for K.365/316a in any other language. It is presumed that Mozart wrote it to play with his sister Maria Anna (“Nannerl”). Years later he performed it in a private concert with pupil Josepha Barbara von Auernhammer.
The concerto was originally scored for the two pianos together with two oboes, two bassoons; two horns; and strings. Mozart later expanded the score with pairs of clarinets, trumpets and timpani in E flat and B flat. The piece is in three movements:
This page contains text from Wikipedia, the Free Encyclopedia - https://wn.com/Piano_Concerto_No._10_(Mozart)
Mozart Piano Concerto No. 10 for two pianos in E-f...
Wolfgang Amadeus Mozart - Piano Concerto No. 10 in...
W.A.Mozart Concerto for Two pianos and Orchestra ...
Yuja Wang/Lahav Shani - Mozart Concerto No.10, K.3...
Mozart - Concerto for Two Pianos (No. 10), K. 365 ...
Mozart: Piano Concerto No. 10 in E♭ Major (Daniel ...
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