-
Debussy: Petite Suite ∙ hr-Sinfonieorchester ∙ François Leleux
Claude Debussy:
Petite Suite ∙
I. En bateau. Andantino 00:00 ∙
II. Cortège. Moderato 04:01 ∙
III. Menuet. Moderato 07:19 ∙
IV. Ballet. Allegro giusto 10:27 ∙
hr-Sinfonieorchester – Frankfurt Radio Symphony ∙
François Leleux, Dirigent ∙
Konzert ohne Publikum ∙
hr-Sendesaal Frankfurt, 5. Mai 2021 ∙
Website: http://www.hr-sinfonieorchester.de ∙
Facebook: http://www.facebook.com/hrsinfonieorchester ∙
ARD-Mediathek: https://www.ardmediathek.de/hr/sendung/hr-sinfonieorchester/Y3JpZDovL2hyLW9ubGluZS8zODIyMDAxOQ/ ∙
#4K
© 2021
Hessischer Rundfunk (hr)
published: 21 May 2021
-
Claude Debussy - Petite Suite for Piano 4 hands (1889)
Claude-Achille Debussy (22 August 1862 – 25 March 1918) was a French composer. Along with Maurice Ravel, he was one of the most prominent figures associated with Impressionist music, though he himself disliked the term when applied to his compositions. He was made Chevalier of the Legion of Honour in his native France in 1903. Debussy was among the most influential composers of the late 19th and early 20th centuries, and his use of non-traditional scales and chromaticism influenced many composers who followed.
Please support my channel:
https://ko-fi.com/bartjebartmans
Petite Suite for Piano 4-hands (1886-89)
I - En Bateau (0:00)
II - Cortège (3:11)
III - Menuet (6:15)
IV - Ballet (9:08)
Anastasia Gromoglasova (primo) and Liubov Gromoglasova (secondo) performing at their duo recital a...
published: 29 Aug 2015
-
Lang Lang & Eschenbach —— Debussy:Petite Suite
2012.8.25 ,ENCORE
published: 13 Aug 2013
-
Martha Argerich, Cristina Marton: Debussy Petite Suite 17 06 2013
Martha Argerich and Cristina Marton at Lugano - Martha Argerich Project
Claude Debussy, Petite Suite, for piano, 4 hands
All Rights Reserved to RSI, Lugano, Switzerland, 17.6.2013
published: 20 Jun 2013
-
Claude Debussy – Petite suite
Info: https://gr.afit.pl
0:00 Applause
0:32 En bateau
4:36 Сortège
8:10 Menuet
11:20 Ballet
14:35 Credits
La Folle Journée de Varsovie 2013, Szalone Dni Muzyki w Warszawie, The Grand Theatre in Warsaw, Poland, September 28 2013
Arthur Rubinstein School of Music Symphony Orchestra in Bydgoszcz, Poland
Henryk Wierzchoń - conductor
#HenrykWierzchon #debussy
published: 08 Jan 2014
-
Claude Debussy/Henri Büsser - Petite Suite, L. 65
Claude Debussy (1862 - 1918) / Henri Büsser (1872 - 1973) - Petite Suite, L. 65 (1886 - 1889, orch. 1907)
I. En bateau [0:00]
II. Cortège [3:48]
III. Menuet [6:58]
IV. Ballet [9:51]
Orchestra National de Lyon, Jun Märkl (2010)
Claude Debussy's Petite Suite is a set of four pieces for piano four-hands. The set was orchestrated, with Debussy's approval, by Henri Büsser. A typical performance lasts around 12 minutes.
"The Petite Suite of 1889 is probably the least characteristic work by Debussy to have found a place in the enduring repertory. Another year would pass before his personal sound became consistently imprinted—in, for example, the Deux Arabesques and Suite bergamasque for piano (both ca. 1890) on the route to such masterpieces of the ensuing decade as the Prélude à L’Après-midi...
published: 07 Jan 2021
-
Claude Debussy: Petite Suite - En Bateau (Baayon Duo)
Here more info:
https://www.facebook.com/baayon.duo/
Baayon Duo - Dorota Motyczyńska and Paweł Motyczyński
published: 14 May 2021
-
Debussy "Petite Suite" - En bateau
“Petite Suite”
by Claude Debussy
i. En bateau
performed by Drs. Ivona Kaminska
and Christopher Bowlby
http://www.kbpianoduo.com
http://www.chopinacademy.com
performed live, March 26, 2015
Louisiana Piano Series International
Northwestern State University,
Natchitoches, Louisiana
Dr. Ivona Kaminska and Dr. Christopher Bowlby are directors and artist-teachers of CAM in Issaquah, Seattle area. Chopin Academy provides unique and customized plans of study for those wishing to enter a life of music, whether as professional musicians, and for lifelong personal enjoyment.
Piano Lessons Issaquah, Piano Teachers Issaquah, Flute Teachers, Voice Teachers, Violin Teachers Issaquah, Mercer Island, Redmond, Sammamish.
Dr. Ivona Kaminska, and Dr. Christopher Bowlby, piano teachers in Issaquah: pia...
published: 30 Dec 2015
-
Debussy | Petite Suite | SoloDuo
Matteo Mela and Lorenzo Micheli (SoloDuo) perform “Petite Suite” by Claude Debussy (1862-1918)
I. En bateau 0:00
II. Cortège 3:45
III. Menuet 7:15
IV. Ballet 10:08
Recorded in Sarsfield, Ontario, Canada, on July 2023
Audio and Video by Drew Henderson
Recording assistants: Cheryll Chung, Alex Bougie
Guitars by Roberto De Miranda
Strings: D’Addario
Originally composed for piano four hands, the “Petite Suite” was premiered by Claude Debussy and pianist/publisher Jacques Durand in February 1889. The work enjoyed immediate success and soon became the object of numerous arrangements, complete or partial: an arrangement for solo piano by Durand himself (1907), one for orchestra by Henri Büsser (1907), one for harp by Henriette Renié (1908), as well as a few transcriptions for violin or cello...
published: 30 Sep 2024
-
Debussy: Petite Suite, Piano for Four Hands, L.65: I-IV (Balzaretti, Kumagai)
The Edition Peters has a nice preface describing the Petite Suite which I will quote here: "The Petite Suite—a loose sequence of genre and dance-like movements—was created in 1889. Surprisingly it contains no traces of Debussy's Wagner-experience. Some elements may be reminiscent of the music of Gabriel Fauré, Jules Massenet, Emanuel Chabrier or Léo Delibes, but the slender, atmospheric sound and elastic rhythm already indicate the new art of the subsequent piano music."
Performed by Carlo Balzaretti and Kuniko Kumagai.
00:00 - I. En Bateau
03:06 - II. Cortège
06:21 - III. Menuet
09:04 - IV. Ballet
published: 08 May 2020
13:57
Debussy: Petite Suite ∙ hr-Sinfonieorchester ∙ François Leleux
Claude Debussy:
Petite Suite ∙
I. En bateau. Andantino 00:00 ∙
II. Cortège. Moderato 04:01 ∙
III. Menuet. Moderato 07:19 ∙
IV. Ballet. Allegro giusto 10:...
Claude Debussy:
Petite Suite ∙
I. En bateau. Andantino 00:00 ∙
II. Cortège. Moderato 04:01 ∙
III. Menuet. Moderato 07:19 ∙
IV. Ballet. Allegro giusto 10:27 ∙
hr-Sinfonieorchester – Frankfurt Radio Symphony ∙
François Leleux, Dirigent ∙
Konzert ohne Publikum ∙
hr-Sendesaal Frankfurt, 5. Mai 2021 ∙
Website: http://www.hr-sinfonieorchester.de ∙
Facebook: http://www.facebook.com/hrsinfonieorchester ∙
ARD-Mediathek: https://www.ardmediathek.de/hr/sendung/hr-sinfonieorchester/Y3JpZDovL2hyLW9ubGluZS8zODIyMDAxOQ/ ∙
#4K
© 2021
Hessischer Rundfunk (hr)
https://wn.com/Debussy_Petite_Suite_∙_Hr_Sinfonieorchester_∙_François_Leleux
Claude Debussy:
Petite Suite ∙
I. En bateau. Andantino 00:00 ∙
II. Cortège. Moderato 04:01 ∙
III. Menuet. Moderato 07:19 ∙
IV. Ballet. Allegro giusto 10:27 ∙
hr-Sinfonieorchester – Frankfurt Radio Symphony ∙
François Leleux, Dirigent ∙
Konzert ohne Publikum ∙
hr-Sendesaal Frankfurt, 5. Mai 2021 ∙
Website: http://www.hr-sinfonieorchester.de ∙
Facebook: http://www.facebook.com/hrsinfonieorchester ∙
ARD-Mediathek: https://www.ardmediathek.de/hr/sendung/hr-sinfonieorchester/Y3JpZDovL2hyLW9ubGluZS8zODIyMDAxOQ/ ∙
#4K
© 2021
Hessischer Rundfunk (hr)
- published: 21 May 2021
- views: 305311
12:14
Claude Debussy - Petite Suite for Piano 4 hands (1889)
Claude-Achille Debussy (22 August 1862 – 25 March 1918) was a French composer. Along with Maurice Ravel, he was one of the most prominent figures associated wit...
Claude-Achille Debussy (22 August 1862 – 25 March 1918) was a French composer. Along with Maurice Ravel, he was one of the most prominent figures associated with Impressionist music, though he himself disliked the term when applied to his compositions. He was made Chevalier of the Legion of Honour in his native France in 1903. Debussy was among the most influential composers of the late 19th and early 20th centuries, and his use of non-traditional scales and chromaticism influenced many composers who followed.
Please support my channel:
https://ko-fi.com/bartjebartmans
Petite Suite for Piano 4-hands (1886-89)
I - En Bateau (0:00)
II - Cortège (3:11)
III - Menuet (6:15)
IV - Ballet (9:08)
Anastasia Gromoglasova (primo) and Liubov Gromoglasova (secondo) performing at their duo recital at the Small hall of the Moscow Conservatoire.
The suite, which was composed from 1886 to 1889, was first performed on 2 February 1889 by Debussy and pianist–publisher Jacques Durand at a salon in Paris. It may have been written due to a request – possibly from Durand – for a piece that would be accessible to skilled amateurs, as its simplicity is in stark contrast with the modernist works that Debussy was writing at the time.
The first two movements are settings of poems from the volume Fêtes galantes by Paul Verlaine
https://wn.com/Claude_Debussy_Petite_Suite_For_Piano_4_Hands_(1889)
Claude-Achille Debussy (22 August 1862 – 25 March 1918) was a French composer. Along with Maurice Ravel, he was one of the most prominent figures associated with Impressionist music, though he himself disliked the term when applied to his compositions. He was made Chevalier of the Legion of Honour in his native France in 1903. Debussy was among the most influential composers of the late 19th and early 20th centuries, and his use of non-traditional scales and chromaticism influenced many composers who followed.
Please support my channel:
https://ko-fi.com/bartjebartmans
Petite Suite for Piano 4-hands (1886-89)
I - En Bateau (0:00)
II - Cortège (3:11)
III - Menuet (6:15)
IV - Ballet (9:08)
Anastasia Gromoglasova (primo) and Liubov Gromoglasova (secondo) performing at their duo recital at the Small hall of the Moscow Conservatoire.
The suite, which was composed from 1886 to 1889, was first performed on 2 February 1889 by Debussy and pianist–publisher Jacques Durand at a salon in Paris. It may have been written due to a request – possibly from Durand – for a piece that would be accessible to skilled amateurs, as its simplicity is in stark contrast with the modernist works that Debussy was writing at the time.
The first two movements are settings of poems from the volume Fêtes galantes by Paul Verlaine
- published: 29 Aug 2015
- views: 883552
15:18
Martha Argerich, Cristina Marton: Debussy Petite Suite 17 06 2013
Martha Argerich and Cristina Marton at Lugano - Martha Argerich Project
Claude Debussy, Petite Suite, for piano, 4 hands
All Rights Reserved to RSI, Lugano, Sw...
Martha Argerich and Cristina Marton at Lugano - Martha Argerich Project
Claude Debussy, Petite Suite, for piano, 4 hands
All Rights Reserved to RSI, Lugano, Switzerland, 17.6.2013
https://wn.com/Martha_Argerich,_Cristina_Marton_Debussy_Petite_Suite_17_06_2013
Martha Argerich and Cristina Marton at Lugano - Martha Argerich Project
Claude Debussy, Petite Suite, for piano, 4 hands
All Rights Reserved to RSI, Lugano, Switzerland, 17.6.2013
- published: 20 Jun 2013
- views: 389535
15:11
Claude Debussy – Petite suite
Info: https://gr.afit.pl
0:00 Applause
0:32 En bateau
4:36 Сortège
8:10 Menuet
11:20 Ballet
14:35 Credits
La Folle Journée de Varsovie 2013, Szalone Dni Muzyki ...
Info: https://gr.afit.pl
0:00 Applause
0:32 En bateau
4:36 Сortège
8:10 Menuet
11:20 Ballet
14:35 Credits
La Folle Journée de Varsovie 2013, Szalone Dni Muzyki w Warszawie, The Grand Theatre in Warsaw, Poland, September 28 2013
Arthur Rubinstein School of Music Symphony Orchestra in Bydgoszcz, Poland
Henryk Wierzchoń - conductor
#HenrykWierzchon #debussy
https://wn.com/Claude_Debussy_–_Petite_Suite
Info: https://gr.afit.pl
0:00 Applause
0:32 En bateau
4:36 Сortège
8:10 Menuet
11:20 Ballet
14:35 Credits
La Folle Journée de Varsovie 2013, Szalone Dni Muzyki w Warszawie, The Grand Theatre in Warsaw, Poland, September 28 2013
Arthur Rubinstein School of Music Symphony Orchestra in Bydgoszcz, Poland
Henryk Wierzchoń - conductor
#HenrykWierzchon #debussy
- published: 08 Jan 2014
- views: 530082
13:08
Claude Debussy/Henri Büsser - Petite Suite, L. 65
Claude Debussy (1862 - 1918) / Henri Büsser (1872 - 1973) - Petite Suite, L. 65 (1886 - 1889, orch. 1907)
I. En bateau [0:00]
II. Cortège [3:48]
III. Menuet [6...
Claude Debussy (1862 - 1918) / Henri Büsser (1872 - 1973) - Petite Suite, L. 65 (1886 - 1889, orch. 1907)
I. En bateau [0:00]
II. Cortège [3:48]
III. Menuet [6:58]
IV. Ballet [9:51]
Orchestra National de Lyon, Jun Märkl (2010)
Claude Debussy's Petite Suite is a set of four pieces for piano four-hands. The set was orchestrated, with Debussy's approval, by Henri Büsser. A typical performance lasts around 12 minutes.
"The Petite Suite of 1889 is probably the least characteristic work by Debussy to have found a place in the enduring repertory. Another year would pass before his personal sound became consistently imprinted—in, for example, the Deux Arabesques and Suite bergamasque for piano (both ca. 1890) on the route to such masterpieces of the ensuing decade as the Prélude à L’Après-midi d’un faune (1891-94), Nocturnes (1897-99), and the opera Pelléas et Mélisande (1893-1902). We do, however, get a momentary glance toward the later Debussy in the opening movement of Petite Suite, En Bateau (In a Boat), where passing ripples of sixteenth notes trace the suggestion of a whole-tone scale. But in general these four movements seem more of a tribute to, or an impersonation of, other French masters of the time. The overall impression of En Bateau derives from its long-spanning melody that glides above rolled chords—a sound that evokes Gabriel Fauré more than it does the later Debussy. The title En Bateau must refer to the poem of that name that had appeared in 1869 in the collection Fêtes galantes by Paul Verlaine, Debussy’s favorite poet—an erotic text whose scene is set on a skiff that floats across dreamy, moonlit water.
'Cortège,' another poem from that Verlaine collection, pictures a genteel lady preceded by her pet monkey, the train of her dress carried by a helper. Debussy’s instrumental reaction is at once energized and insouciant, its melody perhaps suggesting the monkey and attendant, its little eruptions depicting the comic aspect of this ceremony. Whose music does this resemble? Surely it is the Georges Bizet of L’Arlésienne.
The third and fourth movements have no specific connection to Verlaine, although the Menuet inhabits the same enchanted Watteau-and-Fragonard landscape that informs much of Fêtes galantes. Here we sense the Classical elegance of Jules Massenet, who had summoned up eighteenth-century manners so effectively in his then-recent operatic hit Manon (1884). For his finale, Ballet, Debussy seems to pay obeisance to Léo Delibes, a distinguished ballet composer whose gravity-defying scores are filled with grace, and to Emmanuel Chabrier, the master of optimistic clarity.
Debussy’s Petite Suite was published in its original four-hands version in 1889, and transcriptions for solo piano and for violin and piano appeared in 1906. What catapulted it to true popularity, however, was its 1907 adaptation for chamber orchestra by Henri Büsser (1872-1973). Throughout his long life of 101 years, Büsser played an important supporting role in French musical life, remaining sharp and involved to the very end. As a youngster he had studied organ with César Franck and composition with Gounod, Massenet, and Guiraud. In 1905 he was named chief conductor of the Paris Opéra, and in 1939 he became director of the Opéra-Comique. He twice recorded his orchestral version of Debussy’s Petite Suite: in 1931 with the Orchestre Straram and in 1952 with the Orchestre National de la Radiodiffusion Française.
On the occasion of his hundredth birthday, Büsser gave a long filmed interview to the ORTF (Office National de Radiodiffusion Télévision Française) in which he recounted approaching Debussy: 'Dear Debussy, wouldn’t you be so good as to give me the right, the permission to orchestrate your Petite Suite? I have the orchestration already in my head!' 'Oh!' he said to me, 'you can’t know the joy you bring me; with my whole heart I authorize you to do this!'
The music takes on a vivid cast through Büsser’s orchestration. In En Bateau, a solo flute spins out the long melody against murmuring rolled chords in the harp—a quintessentially French (and Debussian) sound—and the flute also gives voice to the fleeting whole-tone allusions in the veiled timbre produced at the bottom of its range. In Cortège, woodwinds endow the lines with snappy gusto, and the brasses join in briefly to add a touch of brilliance. English horn adds its pungent tone to the Menuet, and tambourine adds a touch of pizzazz to the Ballet. Debussy was fond of this orchestration, and he programmed it himself as a touring conductor."
(source: https://www.sfsymphony.org/Data/Event-Data/Program-Notes/D/Debussy-Petite-Suite)
Original audio: https://www.youtube.com/watch?v=s0xLRvOvZVI
https://wn.com/Claude_Debussy_Henri_Büsser_Petite_Suite,_L._65
Claude Debussy (1862 - 1918) / Henri Büsser (1872 - 1973) - Petite Suite, L. 65 (1886 - 1889, orch. 1907)
I. En bateau [0:00]
II. Cortège [3:48]
III. Menuet [6:58]
IV. Ballet [9:51]
Orchestra National de Lyon, Jun Märkl (2010)
Claude Debussy's Petite Suite is a set of four pieces for piano four-hands. The set was orchestrated, with Debussy's approval, by Henri Büsser. A typical performance lasts around 12 minutes.
"The Petite Suite of 1889 is probably the least characteristic work by Debussy to have found a place in the enduring repertory. Another year would pass before his personal sound became consistently imprinted—in, for example, the Deux Arabesques and Suite bergamasque for piano (both ca. 1890) on the route to such masterpieces of the ensuing decade as the Prélude à L’Après-midi d’un faune (1891-94), Nocturnes (1897-99), and the opera Pelléas et Mélisande (1893-1902). We do, however, get a momentary glance toward the later Debussy in the opening movement of Petite Suite, En Bateau (In a Boat), where passing ripples of sixteenth notes trace the suggestion of a whole-tone scale. But in general these four movements seem more of a tribute to, or an impersonation of, other French masters of the time. The overall impression of En Bateau derives from its long-spanning melody that glides above rolled chords—a sound that evokes Gabriel Fauré more than it does the later Debussy. The title En Bateau must refer to the poem of that name that had appeared in 1869 in the collection Fêtes galantes by Paul Verlaine, Debussy’s favorite poet—an erotic text whose scene is set on a skiff that floats across dreamy, moonlit water.
'Cortège,' another poem from that Verlaine collection, pictures a genteel lady preceded by her pet monkey, the train of her dress carried by a helper. Debussy’s instrumental reaction is at once energized and insouciant, its melody perhaps suggesting the monkey and attendant, its little eruptions depicting the comic aspect of this ceremony. Whose music does this resemble? Surely it is the Georges Bizet of L’Arlésienne.
The third and fourth movements have no specific connection to Verlaine, although the Menuet inhabits the same enchanted Watteau-and-Fragonard landscape that informs much of Fêtes galantes. Here we sense the Classical elegance of Jules Massenet, who had summoned up eighteenth-century manners so effectively in his then-recent operatic hit Manon (1884). For his finale, Ballet, Debussy seems to pay obeisance to Léo Delibes, a distinguished ballet composer whose gravity-defying scores are filled with grace, and to Emmanuel Chabrier, the master of optimistic clarity.
Debussy’s Petite Suite was published in its original four-hands version in 1889, and transcriptions for solo piano and for violin and piano appeared in 1906. What catapulted it to true popularity, however, was its 1907 adaptation for chamber orchestra by Henri Büsser (1872-1973). Throughout his long life of 101 years, Büsser played an important supporting role in French musical life, remaining sharp and involved to the very end. As a youngster he had studied organ with César Franck and composition with Gounod, Massenet, and Guiraud. In 1905 he was named chief conductor of the Paris Opéra, and in 1939 he became director of the Opéra-Comique. He twice recorded his orchestral version of Debussy’s Petite Suite: in 1931 with the Orchestre Straram and in 1952 with the Orchestre National de la Radiodiffusion Française.
On the occasion of his hundredth birthday, Büsser gave a long filmed interview to the ORTF (Office National de Radiodiffusion Télévision Française) in which he recounted approaching Debussy: 'Dear Debussy, wouldn’t you be so good as to give me the right, the permission to orchestrate your Petite Suite? I have the orchestration already in my head!' 'Oh!' he said to me, 'you can’t know the joy you bring me; with my whole heart I authorize you to do this!'
The music takes on a vivid cast through Büsser’s orchestration. In En Bateau, a solo flute spins out the long melody against murmuring rolled chords in the harp—a quintessentially French (and Debussian) sound—and the flute also gives voice to the fleeting whole-tone allusions in the veiled timbre produced at the bottom of its range. In Cortège, woodwinds endow the lines with snappy gusto, and the brasses join in briefly to add a touch of brilliance. English horn adds its pungent tone to the Menuet, and tambourine adds a touch of pizzazz to the Ballet. Debussy was fond of this orchestration, and he programmed it himself as a touring conductor."
(source: https://www.sfsymphony.org/Data/Event-Data/Program-Notes/D/Debussy-Petite-Suite)
Original audio: https://www.youtube.com/watch?v=s0xLRvOvZVI
- published: 07 Jan 2021
- views: 38595
3:05
Claude Debussy: Petite Suite - En Bateau (Baayon Duo)
Here more info:
https://www.facebook.com/baayon.duo/
Baayon Duo - Dorota Motyczyńska and Paweł Motyczyński
Here more info:
https://www.facebook.com/baayon.duo/
Baayon Duo - Dorota Motyczyńska and Paweł Motyczyński
https://wn.com/Claude_Debussy_Petite_Suite_En_Bateau_(Baayon_Duo)
Here more info:
https://www.facebook.com/baayon.duo/
Baayon Duo - Dorota Motyczyńska and Paweł Motyczyński
- published: 14 May 2021
- views: 12694
4:01
Debussy "Petite Suite" - En bateau
“Petite Suite”
by Claude Debussy
i. En bateau
performed by Drs. Ivona Kaminska
and Christopher Bowlby
http://www.kbpianoduo.com
http://www.chopinacademy.com
...
“Petite Suite”
by Claude Debussy
i. En bateau
performed by Drs. Ivona Kaminska
and Christopher Bowlby
http://www.kbpianoduo.com
http://www.chopinacademy.com
performed live, March 26, 2015
Louisiana Piano Series International
Northwestern State University,
Natchitoches, Louisiana
Dr. Ivona Kaminska and Dr. Christopher Bowlby are directors and artist-teachers of CAM in Issaquah, Seattle area. Chopin Academy provides unique and customized plans of study for those wishing to enter a life of music, whether as professional musicians, and for lifelong personal enjoyment.
Piano Lessons Issaquah, Piano Teachers Issaquah, Flute Teachers, Voice Teachers, Violin Teachers Issaquah, Mercer Island, Redmond, Sammamish.
Dr. Ivona Kaminska, and Dr. Christopher Bowlby, piano teachers in Issaquah: piano lessons Sammamish, Issaquah, Redmond.
Directors: Chopin Academy of Music, Issaquah
Directors: Seattle International Piano Festival and Competition
https://wn.com/Debussy_Petite_Suite_En_Bateau
“Petite Suite”
by Claude Debussy
i. En bateau
performed by Drs. Ivona Kaminska
and Christopher Bowlby
http://www.kbpianoduo.com
http://www.chopinacademy.com
performed live, March 26, 2015
Louisiana Piano Series International
Northwestern State University,
Natchitoches, Louisiana
Dr. Ivona Kaminska and Dr. Christopher Bowlby are directors and artist-teachers of CAM in Issaquah, Seattle area. Chopin Academy provides unique and customized plans of study for those wishing to enter a life of music, whether as professional musicians, and for lifelong personal enjoyment.
Piano Lessons Issaquah, Piano Teachers Issaquah, Flute Teachers, Voice Teachers, Violin Teachers Issaquah, Mercer Island, Redmond, Sammamish.
Dr. Ivona Kaminska, and Dr. Christopher Bowlby, piano teachers in Issaquah: piano lessons Sammamish, Issaquah, Redmond.
Directors: Chopin Academy of Music, Issaquah
Directors: Seattle International Piano Festival and Competition
- published: 30 Dec 2015
- views: 102213
13:25
Debussy | Petite Suite | SoloDuo
Matteo Mela and Lorenzo Micheli (SoloDuo) perform “Petite Suite” by Claude Debussy (1862-1918)
I. En bateau 0:00
II. Cortège 3:45
III. Menuet 7:15
IV. Ballet 1...
Matteo Mela and Lorenzo Micheli (SoloDuo) perform “Petite Suite” by Claude Debussy (1862-1918)
I. En bateau 0:00
II. Cortège 3:45
III. Menuet 7:15
IV. Ballet 10:08
Recorded in Sarsfield, Ontario, Canada, on July 2023
Audio and Video by Drew Henderson
Recording assistants: Cheryll Chung, Alex Bougie
Guitars by Roberto De Miranda
Strings: D’Addario
Originally composed for piano four hands, the “Petite Suite” was premiered by Claude Debussy and pianist/publisher Jacques Durand in February 1889. The work enjoyed immediate success and soon became the object of numerous arrangements, complete or partial: an arrangement for solo piano by Durand himself (1907), one for orchestra by Henri Büsser (1907), one for harp by Henriette Renié (1908), as well as a few transcriptions for violin or cello and piano made by Gaston Choisnel (1906), Jean Jacques Gurt and Léon Roques (1904-1910).
This version for guitar duo was made by Lorenzo Micheli in 2021.
https://wn.com/Debussy_|_Petite_Suite_|_Soloduo
Matteo Mela and Lorenzo Micheli (SoloDuo) perform “Petite Suite” by Claude Debussy (1862-1918)
I. En bateau 0:00
II. Cortège 3:45
III. Menuet 7:15
IV. Ballet 10:08
Recorded in Sarsfield, Ontario, Canada, on July 2023
Audio and Video by Drew Henderson
Recording assistants: Cheryll Chung, Alex Bougie
Guitars by Roberto De Miranda
Strings: D’Addario
Originally composed for piano four hands, the “Petite Suite” was premiered by Claude Debussy and pianist/publisher Jacques Durand in February 1889. The work enjoyed immediate success and soon became the object of numerous arrangements, complete or partial: an arrangement for solo piano by Durand himself (1907), one for orchestra by Henri Büsser (1907), one for harp by Henriette Renié (1908), as well as a few transcriptions for violin or cello and piano made by Gaston Choisnel (1906), Jean Jacques Gurt and Léon Roques (1904-1910).
This version for guitar duo was made by Lorenzo Micheli in 2021.
- published: 30 Sep 2024
- views: 5624
12:01
Debussy: Petite Suite, Piano for Four Hands, L.65: I-IV (Balzaretti, Kumagai)
The Edition Peters has a nice preface describing the Petite Suite which I will quote here: "The Petite Suite—a loose sequence of genre and dance-like movements—...
The Edition Peters has a nice preface describing the Petite Suite which I will quote here: "The Petite Suite—a loose sequence of genre and dance-like movements—was created in 1889. Surprisingly it contains no traces of Debussy's Wagner-experience. Some elements may be reminiscent of the music of Gabriel Fauré, Jules Massenet, Emanuel Chabrier or Léo Delibes, but the slender, atmospheric sound and elastic rhythm already indicate the new art of the subsequent piano music."
Performed by Carlo Balzaretti and Kuniko Kumagai.
00:00 - I. En Bateau
03:06 - II. Cortège
06:21 - III. Menuet
09:04 - IV. Ballet
https://wn.com/Debussy_Petite_Suite,_Piano_For_Four_Hands,_L.65_I_Iv_(Balzaretti,_Kumagai)
The Edition Peters has a nice preface describing the Petite Suite which I will quote here: "The Petite Suite—a loose sequence of genre and dance-like movements—was created in 1889. Surprisingly it contains no traces of Debussy's Wagner-experience. Some elements may be reminiscent of the music of Gabriel Fauré, Jules Massenet, Emanuel Chabrier or Léo Delibes, but the slender, atmospheric sound and elastic rhythm already indicate the new art of the subsequent piano music."
Performed by Carlo Balzaretti and Kuniko Kumagai.
00:00 - I. En Bateau
03:06 - II. Cortège
06:21 - III. Menuet
09:04 - IV. Ballet
- published: 08 May 2020
- views: 54648