-
FEHD BENCHEMSI - BABA MIMOUN
Fehd Benchemsi comes together with a stripped back cast of all-star musicians to perform, 'Baba Mimoun' from the classic Gnawa repertoire.
The Musicians:
Lead Vocals/Guembri: Fehd Benchemsi (http://www.instagram.com/fehdbenchemsi)
Percussion: Hamada Tiago (htttp://www.instagram.com/tiagotifinar)
Background Vocal 1/Violin: Lucy Clearwater (htttp://www.instagram.com/lucyclearwater)
Background Vocal 2: Brittnee "Fevah" Rutland (htttp://www.instagram.com/giveyafevah)
Produced by Alexander Nimier (http://www.instagram.com/antixofficial)
Executive Producer: Khalid Naitzehou (http://www.instagram.com/khalid_naitzehou)
Director of Photography: Scott Lehman (http://www.instagram.com/blowholesound)
Shot live at Baba Sale Synagogue. Special thanks to Mr. David Perez and Hassan Hamama for their he...
published: 12 Apr 2020
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Maalem Hamid El Kasri - Moulay Ahmed / Lalla Aicha
Live Recording of Traditional Gnawa Tracks "Moulay Ahmed" & "Lalla Aicha" at Studio Hiba
Recording and Live Mix by Mehdi Sli @ Studio Hiba, Casablanca
Video Recording and Editing by Hassan Ouazzani
Produced by Hamid El Kasri & Hicham El Kebbaj
published: 10 May 2018
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Innov Gnawa - Toura Toura
If you like this video, consider supporting the musicians and Remix ⟷ Culture by purchasing the album (digital download) and/or a limited edition 12" vinyl:
https://remixculture.bandcamp.com/album/innov-gnawa
We normally like to include translation subtitles. But in this case, Toura Toura is untranslatable. It is sung in “Bambara" which, in Moroccan Gnawa culture, has evolved to be a mixture of several sub-Saharan African languages, but is presently spoken or understood by no-one.
In present-day Mali, there are about 15 million people who speak “Bambara”, but they speak a very different Bambara than the one that we find in Moroccan Gnawa songs. In the early days of Gnawa, i.e. the early days of slavery in Morocco, slaves would find ways to sing songs in their native language in loc...
published: 16 Feb 2016
-
Gnawa music, legacy of enslaved Black Africans, surges in popularity | 60 Minutes
Hundreds of thousands of music fans visit Morocco each year for the Gnawa and World Music Festival. The ancient music, often dubbed Moroccan Blues, is the legacy of enslaved Black Africans in Morocco.
"60 Minutes" is the most successful television broadcast in history. Offering hard-hitting investigative reports, interviews, feature segments and profiles of people in the news, the broadcast began in 1968 and is still a hit, over 50 seasons later, regularly making Nielsen's Top 10.
Subscribe to the “60 Minutes” YouTube channel: http://bit.ly/1S7CLRu
Watch full episodes: http://cbsn.ws/1Qkjo1F
Get more “60 Minutes” from “60 Minutes: Overtime”: http://cbsn.ws/1KG3sdr
Follow “60 Minutes” on Instagram: http://bit.ly/23Xv8Ry
Like “60 Minutes” on Facebook: http://on.fb.me/1Xb1Dao
Follow “60 Min...
published: 18 Dec 2023
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Habib Belk - Sandiya (Official Video) | حبيب - سانديا
Subscribe to 𝗛𝗔𝗕𝗜𝗕 𝗕𝗘𝗟𝗞 Official Channel 📺
https://bit.ly/3oSnaL4
Stream or Download „Sandiya“ by Habib Belk here 🎧
"SANDIYA" on Spotify: https://spoti.fi/2Xx0Rhi
"SANDIYA" on iTunes: https://apple.co/2IZKsbZ
"SANDIYA" all links: http://bit.ly/2YaQMnG
▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬
Habib Belk - Sandiya (EXCLUSIVE Music Video) | 2o19
2o19 | حبيب - سانديا
Directed by Youssef Araba
https://www.instagram.com/youssef.araba
Music Production : Habib Belk
Recording & Mix : Habib Belk
Mastered by Volker Gebhardt
Guitar : Glenn Schmidt
Photography : Omar Amtiou
Lighting : Simo Benabderrazik
Styling : M.Amin Benohoud
ـــــــــــــ
❤ Follow Habib on...
➤Facebook: https://www.facebook.com/Habib.belk
➤Instagram: http://instagram.com/Habibelk
➤Twitter: https://twitter.com/Habib_belk
➤SoundCloud: ...
published: 12 Jun 2019
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Mahmoud Guenya-- La Ilha Illa Allah Samawi
published: 04 Mar 2011
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السمرة - طير الليل -SEMRA- Yassine Taireile - Gnawa (originale)
السمرة - طير الليل -SEMRA- Yassine Taireile - Gnawa (originale)
Semra est une original chanson poétique gnawi de Yassine tairelile inspirée de l'esprit africain
https://www.facebook.com/TRelile/
#semra
#tairelile
#gnawa #gnawamusic
published: 12 May 2019
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Al Hamdouchia - Maalem Hamid El Kasri
New recording of the Traditional Gnawa track Al Hamdouchia by Maalem Hamid El Kasri
Directed By Mehdi Nassouli
Edited by Mouad Ladouzi
Camera Crew:
Nabil Skily Hamdaoui
Oussama Meskine
Mohamed Ait El Ouarak
Location: Marrakech
Mixed by Mehdi Sli @ Studio Hiba, Casablanca
Produced by Maalem Hamid El Kasri & Hicham El Kebbaj
© Copyright Saha Koyou/Hamid El Kasri 2021. All rights reserved
القناة الرسمية للمعلم حميد القصري
تابعونا عبر مواقع التواصل الإجتماعية
فايسبوك : http://bit.ly/2UARVHn
يوتيوب : http://bit.ly/2IwrRFR
كل الأغاني والمقاطع الحصرية تجدونها على القناة الرسمية للمعلم حميد القصري
published: 30 Jan 2021
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Gnawa - Sandiya (D33pSoul Remix)
SUBSCRIBE to PalmTherapy and ACTIVATE the 🔔 to be sure not to miss our latest tracks :
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FOLLOW D33pSoul :
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published: 05 Sep 2018
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Mehdi Nassouli Gnawa live session - Jilala / Part I
Gnawa live session
- Performed by :
Mehdi Nassouli, Abdeslam El Wassif المرحوم, Mohamed El Gasmi, Anwar Bazdim, Yassine Gonzal, Rachid Bobros, Driss Yamdah
- Camera :
Saad Laafou, Chadi Ilias Bouasria, Anderson Paak
- Graphics and vidéo mapping :
Zakaria Nouih
- Sound recording :
Mehdi Sli, Mohamed Sebbane, Adam Bentriq
- Mix and master :
Mehdi Sli
- Directed by :
Mehdi Sli
Filmed, recorded, mixed and mastered @Studio Hiba
published: 19 Apr 2020
7:12
FEHD BENCHEMSI - BABA MIMOUN
Fehd Benchemsi comes together with a stripped back cast of all-star musicians to perform, 'Baba Mimoun' from the classic Gnawa repertoire.
The Musicians:
Lead...
Fehd Benchemsi comes together with a stripped back cast of all-star musicians to perform, 'Baba Mimoun' from the classic Gnawa repertoire.
The Musicians:
Lead Vocals/Guembri: Fehd Benchemsi (http://www.instagram.com/fehdbenchemsi)
Percussion: Hamada Tiago (htttp://www.instagram.com/tiagotifinar)
Background Vocal 1/Violin: Lucy Clearwater (htttp://www.instagram.com/lucyclearwater)
Background Vocal 2: Brittnee "Fevah" Rutland (htttp://www.instagram.com/giveyafevah)
Produced by Alexander Nimier (http://www.instagram.com/antixofficial)
Executive Producer: Khalid Naitzehou (http://www.instagram.com/khalid_naitzehou)
Director of Photography: Scott Lehman (http://www.instagram.com/blowholesound)
Shot live at Baba Sale Synagogue. Special thanks to Mr. David Perez and Hassan Hamama for their help and support in filming this video series.
https://wn.com/Fehd_Benchemsi_Baba_Mimoun
Fehd Benchemsi comes together with a stripped back cast of all-star musicians to perform, 'Baba Mimoun' from the classic Gnawa repertoire.
The Musicians:
Lead Vocals/Guembri: Fehd Benchemsi (http://www.instagram.com/fehdbenchemsi)
Percussion: Hamada Tiago (htttp://www.instagram.com/tiagotifinar)
Background Vocal 1/Violin: Lucy Clearwater (htttp://www.instagram.com/lucyclearwater)
Background Vocal 2: Brittnee "Fevah" Rutland (htttp://www.instagram.com/giveyafevah)
Produced by Alexander Nimier (http://www.instagram.com/antixofficial)
Executive Producer: Khalid Naitzehou (http://www.instagram.com/khalid_naitzehou)
Director of Photography: Scott Lehman (http://www.instagram.com/blowholesound)
Shot live at Baba Sale Synagogue. Special thanks to Mr. David Perez and Hassan Hamama for their help and support in filming this video series.
- published: 12 Apr 2020
- views: 8412505
12:08
Maalem Hamid El Kasri - Moulay Ahmed / Lalla Aicha
Live Recording of Traditional Gnawa Tracks "Moulay Ahmed" & "Lalla Aicha" at Studio Hiba
Recording and Live Mix by Mehdi Sli @ Studio Hiba, Casablanca
Video Rec...
Live Recording of Traditional Gnawa Tracks "Moulay Ahmed" & "Lalla Aicha" at Studio Hiba
Recording and Live Mix by Mehdi Sli @ Studio Hiba, Casablanca
Video Recording and Editing by Hassan Ouazzani
Produced by Hamid El Kasri & Hicham El Kebbaj
https://wn.com/Maalem_Hamid_El_Kasri_Moulay_Ahmed_Lalla_Aicha
Live Recording of Traditional Gnawa Tracks "Moulay Ahmed" & "Lalla Aicha" at Studio Hiba
Recording and Live Mix by Mehdi Sli @ Studio Hiba, Casablanca
Video Recording and Editing by Hassan Ouazzani
Produced by Hamid El Kasri & Hicham El Kebbaj
- published: 10 May 2018
- views: 11577716
8:48
Innov Gnawa - Toura Toura
If you like this video, consider supporting the musicians and Remix ⟷ Culture by purchasing the album (digital download) and/or a limited edition 12" vinyl:
ht...
If you like this video, consider supporting the musicians and Remix ⟷ Culture by purchasing the album (digital download) and/or a limited edition 12" vinyl:
https://remixculture.bandcamp.com/album/innov-gnawa
We normally like to include translation subtitles. But in this case, Toura Toura is untranslatable. It is sung in “Bambara" which, in Moroccan Gnawa culture, has evolved to be a mixture of several sub-Saharan African languages, but is presently spoken or understood by no-one.
In present-day Mali, there are about 15 million people who speak “Bambara”, but they speak a very different Bambara than the one that we find in Moroccan Gnawa songs. In the early days of Gnawa, i.e. the early days of slavery in Morocco, slaves would find ways to sing songs in their native language in locations where they might be heard by a relative or loved one, from whom they’ve been separated, in hopes of reuniting with them. The Amazigh (indigenous) and Arab populations of Morocco didn’t understand these languages. The Amazigh word for “gibberish” or “unintelligible” is “agnaw” (singular) “gnawa” (plural). This is the commonly accepted story of how the term first came in use. Over time, these different ‘unintelligible’ songs fused more and more into one shared history - one of forced displacement and spiritual yearning. There came a time when the song lyrics became completely unintelligible to the Gnawa musicians who inherited them via the oral tradition. That mostly unintelligible hodgepodge of a language is what Gnawa refer to as “Bambara”. For decades, possibly centuries, Gnawa musicians sang in Bambara, understanding less and less of the literal meaning of the words. But as Gnawa musicians became more and more integrated into a Moroccan society which identified more and more as Arab and Muslim, they evolved more and more into a Muslim (Sufi) order. Eventually (in the 20th century), Gnawa musicians began to replace more and more of the song lyrics with Arabic / Sufi devotional lyrics.
Having said that, we can provide a glimpse into the spirit of Toura Toura, in addition to what is already transmitted simply by listening to the music itself.
All Gnawa music has a role to fulfill in the healing ritual called the “Lila” which means “Night” in Arabic. A “lila” can last for more than 12 hours, and is usually conducted in intimate gatherings, for the purpose of creating a safe place for people to get into a trance and be healed by the music. A woman serves as a presenter (or M.C.) - she is called the “Mqedma” - which means "she who presents." A man serves as spiritual guide (through music) - he is called the “m3allem” or “master” and sings lead vocals while playing the guembri (or sintir, or hajhouj, or gogo, depending on where you are). Several other men play the rhythm section (with qraqeb) and sing the ‘responses’. The lila usually follows the following format:
1) DbiHa (sacrificing a lamb) - like in the Muslim “3id”, this is a commemoration of the biblical story when Abraham was tested by God to sacrifice his own son.
2) Al 3ada (the habit) - an opening that consecrates the space - usually starting with a drum procession and some acrobatics. This welcomes the spirits into the space.
3) Ouled Bambara (the sons of Bambara) - before diving into the world of spirits, there is a profane section of the evening, to loosen things up. Today, this is where you’ll find most of the songs sung in Bambara.
Toura Toura falls in this section - so it is light-hearted, meant to be a warm-up song, to get you in a joyful mood before the more intense world of trance comes around.
4) The 7 colors (each corresponding to a different spirit)
The “Mqedma” signals the beginning of each color by coming out in a different dress (matching the spirit color) - the musicians play several songs (sometimes hours) for each of the colors:
• White (truth, belief, happiness)
• Black (mystery, paradoxical power - secrecy / protection)
• Light Blue (skies, calming, elevation)
• Red (fire, passion, love)
• Dark blue (the sea, depth, fluidity)
• Green (nature’s healing power, rejuvenation)
• Saffron (feminine energy, fertility)
- - - - - - - - - - - - - - - -
For more on the Gnawa lila, check out these articles:
• http://www.sonispheric.net/the_gnawa_and_their_lila.htm
• http://www.lilagnaoua.com/En/history.html
For a more in-depth explanation of the gnawa history and context, check out this great article:
• http://www.afropop.org/9305/feature-gnawa-music-of-morocco/
https://wn.com/Innov_Gnawa_Toura_Toura
If you like this video, consider supporting the musicians and Remix ⟷ Culture by purchasing the album (digital download) and/or a limited edition 12" vinyl:
https://remixculture.bandcamp.com/album/innov-gnawa
We normally like to include translation subtitles. But in this case, Toura Toura is untranslatable. It is sung in “Bambara" which, in Moroccan Gnawa culture, has evolved to be a mixture of several sub-Saharan African languages, but is presently spoken or understood by no-one.
In present-day Mali, there are about 15 million people who speak “Bambara”, but they speak a very different Bambara than the one that we find in Moroccan Gnawa songs. In the early days of Gnawa, i.e. the early days of slavery in Morocco, slaves would find ways to sing songs in their native language in locations where they might be heard by a relative or loved one, from whom they’ve been separated, in hopes of reuniting with them. The Amazigh (indigenous) and Arab populations of Morocco didn’t understand these languages. The Amazigh word for “gibberish” or “unintelligible” is “agnaw” (singular) “gnawa” (plural). This is the commonly accepted story of how the term first came in use. Over time, these different ‘unintelligible’ songs fused more and more into one shared history - one of forced displacement and spiritual yearning. There came a time when the song lyrics became completely unintelligible to the Gnawa musicians who inherited them via the oral tradition. That mostly unintelligible hodgepodge of a language is what Gnawa refer to as “Bambara”. For decades, possibly centuries, Gnawa musicians sang in Bambara, understanding less and less of the literal meaning of the words. But as Gnawa musicians became more and more integrated into a Moroccan society which identified more and more as Arab and Muslim, they evolved more and more into a Muslim (Sufi) order. Eventually (in the 20th century), Gnawa musicians began to replace more and more of the song lyrics with Arabic / Sufi devotional lyrics.
Having said that, we can provide a glimpse into the spirit of Toura Toura, in addition to what is already transmitted simply by listening to the music itself.
All Gnawa music has a role to fulfill in the healing ritual called the “Lila” which means “Night” in Arabic. A “lila” can last for more than 12 hours, and is usually conducted in intimate gatherings, for the purpose of creating a safe place for people to get into a trance and be healed by the music. A woman serves as a presenter (or M.C.) - she is called the “Mqedma” - which means "she who presents." A man serves as spiritual guide (through music) - he is called the “m3allem” or “master” and sings lead vocals while playing the guembri (or sintir, or hajhouj, or gogo, depending on where you are). Several other men play the rhythm section (with qraqeb) and sing the ‘responses’. The lila usually follows the following format:
1) DbiHa (sacrificing a lamb) - like in the Muslim “3id”, this is a commemoration of the biblical story when Abraham was tested by God to sacrifice his own son.
2) Al 3ada (the habit) - an opening that consecrates the space - usually starting with a drum procession and some acrobatics. This welcomes the spirits into the space.
3) Ouled Bambara (the sons of Bambara) - before diving into the world of spirits, there is a profane section of the evening, to loosen things up. Today, this is where you’ll find most of the songs sung in Bambara.
Toura Toura falls in this section - so it is light-hearted, meant to be a warm-up song, to get you in a joyful mood before the more intense world of trance comes around.
4) The 7 colors (each corresponding to a different spirit)
The “Mqedma” signals the beginning of each color by coming out in a different dress (matching the spirit color) - the musicians play several songs (sometimes hours) for each of the colors:
• White (truth, belief, happiness)
• Black (mystery, paradoxical power - secrecy / protection)
• Light Blue (skies, calming, elevation)
• Red (fire, passion, love)
• Dark blue (the sea, depth, fluidity)
• Green (nature’s healing power, rejuvenation)
• Saffron (feminine energy, fertility)
- - - - - - - - - - - - - - - -
For more on the Gnawa lila, check out these articles:
• http://www.sonispheric.net/the_gnawa_and_their_lila.htm
• http://www.lilagnaoua.com/En/history.html
For a more in-depth explanation of the gnawa history and context, check out this great article:
• http://www.afropop.org/9305/feature-gnawa-music-of-morocco/
- published: 16 Feb 2016
- views: 7673894
22:11
Gnawa music, legacy of enslaved Black Africans, surges in popularity | 60 Minutes
Hundreds of thousands of music fans visit Morocco each year for the Gnawa and World Music Festival. The ancient music, often dubbed Moroccan Blues, is the legac...
Hundreds of thousands of music fans visit Morocco each year for the Gnawa and World Music Festival. The ancient music, often dubbed Moroccan Blues, is the legacy of enslaved Black Africans in Morocco.
"60 Minutes" is the most successful television broadcast in history. Offering hard-hitting investigative reports, interviews, feature segments and profiles of people in the news, the broadcast began in 1968 and is still a hit, over 50 seasons later, regularly making Nielsen's Top 10.
Subscribe to the “60 Minutes” YouTube channel: http://bit.ly/1S7CLRu
Watch full episodes: http://cbsn.ws/1Qkjo1F
Get more “60 Minutes” from “60 Minutes: Overtime”: http://cbsn.ws/1KG3sdr
Follow “60 Minutes” on Instagram: http://bit.ly/23Xv8Ry
Like “60 Minutes” on Facebook: http://on.fb.me/1Xb1Dao
Follow “60 Minutes” on Twitter: http://bit.ly/1KxUsqX
Subscribe to our newsletter: http://cbsn.ws/1RqHw7T
Download the CBS News app: http://cbsn.ws/1Xb1WC8
Try Paramount+ free: https://bit.ly/2OiW1kZ
For video licensing inquiries, contact:
[email protected]
https://wn.com/Gnawa_Music,_Legacy_Of_Enslaved_Black_Africans,_Surges_In_Popularity_|_60_Minutes
Hundreds of thousands of music fans visit Morocco each year for the Gnawa and World Music Festival. The ancient music, often dubbed Moroccan Blues, is the legacy of enslaved Black Africans in Morocco.
"60 Minutes" is the most successful television broadcast in history. Offering hard-hitting investigative reports, interviews, feature segments and profiles of people in the news, the broadcast began in 1968 and is still a hit, over 50 seasons later, regularly making Nielsen's Top 10.
Subscribe to the “60 Minutes” YouTube channel: http://bit.ly/1S7CLRu
Watch full episodes: http://cbsn.ws/1Qkjo1F
Get more “60 Minutes” from “60 Minutes: Overtime”: http://cbsn.ws/1KG3sdr
Follow “60 Minutes” on Instagram: http://bit.ly/23Xv8Ry
Like “60 Minutes” on Facebook: http://on.fb.me/1Xb1Dao
Follow “60 Minutes” on Twitter: http://bit.ly/1KxUsqX
Subscribe to our newsletter: http://cbsn.ws/1RqHw7T
Download the CBS News app: http://cbsn.ws/1Xb1WC8
Try Paramount+ free: https://bit.ly/2OiW1kZ
For video licensing inquiries, contact:
[email protected]
- published: 18 Dec 2023
- views: 141513
3:30
Habib Belk - Sandiya (Official Video) | حبيب - سانديا
Subscribe to 𝗛𝗔𝗕𝗜𝗕 𝗕𝗘𝗟𝗞 Official Channel 📺
https://bit.ly/3oSnaL4
Stream or Download „Sandiya“ by Habib Belk here 🎧
"SANDIYA" on Spotify: https://spoti.fi/2...
Subscribe to 𝗛𝗔𝗕𝗜𝗕 𝗕𝗘𝗟𝗞 Official Channel 📺
https://bit.ly/3oSnaL4
Stream or Download „Sandiya“ by Habib Belk here 🎧
"SANDIYA" on Spotify: https://spoti.fi/2Xx0Rhi
"SANDIYA" on iTunes: https://apple.co/2IZKsbZ
"SANDIYA" all links: http://bit.ly/2YaQMnG
▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬
Habib Belk - Sandiya (EXCLUSIVE Music Video) | 2o19
2o19 | حبيب - سانديا
Directed by Youssef Araba
https://www.instagram.com/youssef.araba
Music Production : Habib Belk
Recording & Mix : Habib Belk
Mastered by Volker Gebhardt
Guitar : Glenn Schmidt
Photography : Omar Amtiou
Lighting : Simo Benabderrazik
Styling : M.Amin Benohoud
ـــــــــــــ
❤ Follow Habib on...
➤Facebook: https://www.facebook.com/Habib.belk
➤Instagram: http://instagram.com/Habibelk
➤Twitter: https://twitter.com/Habib_belk
➤SoundCloud: https://soundcloud.com/Habibelk
➤Website: https://www.habib-belk.com/
✉ Management & Booking :
[email protected]
______________________
℗ & © 2019 Habibelk Production
All Rights reserved. Unauthorized copying, Reproduction, hiring, lending, public Performance and Broadcasting prohibited.
Made in Germany
https://wn.com/Habib_Belk_Sandiya_(Official_Video)_|_حبيب_سانديا
Subscribe to 𝗛𝗔𝗕𝗜𝗕 𝗕𝗘𝗟𝗞 Official Channel 📺
https://bit.ly/3oSnaL4
Stream or Download „Sandiya“ by Habib Belk here 🎧
"SANDIYA" on Spotify: https://spoti.fi/2Xx0Rhi
"SANDIYA" on iTunes: https://apple.co/2IZKsbZ
"SANDIYA" all links: http://bit.ly/2YaQMnG
▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬
Habib Belk - Sandiya (EXCLUSIVE Music Video) | 2o19
2o19 | حبيب - سانديا
Directed by Youssef Araba
https://www.instagram.com/youssef.araba
Music Production : Habib Belk
Recording & Mix : Habib Belk
Mastered by Volker Gebhardt
Guitar : Glenn Schmidt
Photography : Omar Amtiou
Lighting : Simo Benabderrazik
Styling : M.Amin Benohoud
ـــــــــــــ
❤ Follow Habib on...
➤Facebook: https://www.facebook.com/Habib.belk
➤Instagram: http://instagram.com/Habibelk
➤Twitter: https://twitter.com/Habib_belk
➤SoundCloud: https://soundcloud.com/Habibelk
➤Website: https://www.habib-belk.com/
✉ Management & Booking :
[email protected]
______________________
℗ & © 2019 Habibelk Production
All Rights reserved. Unauthorized copying, Reproduction, hiring, lending, public Performance and Broadcasting prohibited.
Made in Germany
- published: 12 Jun 2019
- views: 9326213
6:32
السمرة - طير الليل -SEMRA- Yassine Taireile - Gnawa (originale)
السمرة - طير الليل -SEMRA- Yassine Taireile - Gnawa (originale)
Semra est une original chanson poétique gnawi de Yassine tairelile inspirée de l'esprit africa...
السمرة - طير الليل -SEMRA- Yassine Taireile - Gnawa (originale)
Semra est une original chanson poétique gnawi de Yassine tairelile inspirée de l'esprit africain
https://www.facebook.com/TRelile/
#semra
#tairelile
#gnawa #gnawamusic
https://wn.com/السمرة_طير_الليل_Semra_Yassine_Taireile_Gnawa_(Originale)
السمرة - طير الليل -SEMRA- Yassine Taireile - Gnawa (originale)
Semra est une original chanson poétique gnawi de Yassine tairelile inspirée de l'esprit africain
https://www.facebook.com/TRelile/
#semra
#tairelile
#gnawa #gnawamusic
- published: 12 May 2019
- views: 828591
13:04
Al Hamdouchia - Maalem Hamid El Kasri
New recording of the Traditional Gnawa track Al Hamdouchia by Maalem Hamid El Kasri
Directed By Mehdi Nassouli
Edited by Mouad Ladouzi
Camera Crew:
Nabil Skil...
New recording of the Traditional Gnawa track Al Hamdouchia by Maalem Hamid El Kasri
Directed By Mehdi Nassouli
Edited by Mouad Ladouzi
Camera Crew:
Nabil Skily Hamdaoui
Oussama Meskine
Mohamed Ait El Ouarak
Location: Marrakech
Mixed by Mehdi Sli @ Studio Hiba, Casablanca
Produced by Maalem Hamid El Kasri & Hicham El Kebbaj
© Copyright Saha Koyou/Hamid El Kasri 2021. All rights reserved
القناة الرسمية للمعلم حميد القصري
تابعونا عبر مواقع التواصل الإجتماعية
فايسبوك : http://bit.ly/2UARVHn
يوتيوب : http://bit.ly/2IwrRFR
كل الأغاني والمقاطع الحصرية تجدونها على القناة الرسمية للمعلم حميد القصري
https://wn.com/Al_Hamdouchia_Maalem_Hamid_El_Kasri
New recording of the Traditional Gnawa track Al Hamdouchia by Maalem Hamid El Kasri
Directed By Mehdi Nassouli
Edited by Mouad Ladouzi
Camera Crew:
Nabil Skily Hamdaoui
Oussama Meskine
Mohamed Ait El Ouarak
Location: Marrakech
Mixed by Mehdi Sli @ Studio Hiba, Casablanca
Produced by Maalem Hamid El Kasri & Hicham El Kebbaj
© Copyright Saha Koyou/Hamid El Kasri 2021. All rights reserved
القناة الرسمية للمعلم حميد القصري
تابعونا عبر مواقع التواصل الإجتماعية
فايسبوك : http://bit.ly/2UARVHn
يوتيوب : http://bit.ly/2IwrRFR
كل الأغاني والمقاطع الحصرية تجدونها على القناة الرسمية للمعلم حميد القصري
- published: 30 Jan 2021
- views: 6510804
2:56
Gnawa - Sandiya (D33pSoul Remix)
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- published: 05 Sep 2018
- views: 3396100
7:38
Mehdi Nassouli Gnawa live session - Jilala / Part I
Gnawa live session
- Performed by :
Mehdi Nassouli, Abdeslam El Wassif المرحوم, Mohamed El Gasmi, Anwar Bazdim, Yassine Gonzal, Rachid Bobros, Driss Yamdah
...
Gnawa live session
- Performed by :
Mehdi Nassouli, Abdeslam El Wassif المرحوم, Mohamed El Gasmi, Anwar Bazdim, Yassine Gonzal, Rachid Bobros, Driss Yamdah
- Camera :
Saad Laafou, Chadi Ilias Bouasria, Anderson Paak
- Graphics and vidéo mapping :
Zakaria Nouih
- Sound recording :
Mehdi Sli, Mohamed Sebbane, Adam Bentriq
- Mix and master :
Mehdi Sli
- Directed by :
Mehdi Sli
Filmed, recorded, mixed and mastered @Studio Hiba
https://wn.com/Mehdi_Nassouli_Gnawa_Live_Session_Jilala_Part_I
Gnawa live session
- Performed by :
Mehdi Nassouli, Abdeslam El Wassif المرحوم, Mohamed El Gasmi, Anwar Bazdim, Yassine Gonzal, Rachid Bobros, Driss Yamdah
- Camera :
Saad Laafou, Chadi Ilias Bouasria, Anderson Paak
- Graphics and vidéo mapping :
Zakaria Nouih
- Sound recording :
Mehdi Sli, Mohamed Sebbane, Adam Bentriq
- Mix and master :
Mehdi Sli
- Directed by :
Mehdi Sli
Filmed, recorded, mixed and mastered @Studio Hiba
- published: 19 Apr 2020
- views: 1289524