'+pages+''); $('.stream > div:odd').addClass('bgr_color'); updateHeight('#history'); }); window.activateTabArea = ensure(function(tab, areas){ var parsed = false; var parts = (areas || '').split('/'); window.fsonload = $.inArray('fs', parts) >= 0; if(fsonload){ parts.splice(parts.indexOf('fs'), 1); } var replayMode = false; if($.inArray('replay', parts)>=0){ replayMode = 'replay'; } var noSoundMode = false; if($.inArray('nosound', parts)>=0){ noSoundMode = 'nosound'; } if($.inArray('ns', parts)>=0){ noSoundMode = 'ns'; } var previewMode = null; if($.inArray('p', parts)>=0){ previewMode = 'p'; } if($.inArray('preview', parts)>=0){ previewMode = 'preview'; } if($.inArray('repeat', parts)>=0){ replayMode = 'repeat'; } if($.inArray('r', parts)>=0 || $.inArray('ro', parts)>=0){ replayMode = 'r'; } if(replayMode){ parts.splice(parts.indexOf(replayMode), 1); } if(noSoundMode){ parts.splice(parts.indexOf(noSoundMode), 1); } if(previewMode){ parts.splice(parts.indexOf(previewMode), 1); } if(previewMode){ if(!parts.length){ parts = ['1-14', '999:59']; } } var area = parts[0]; if(tab == 'history' && false){ var page = parseInt(area || '1') || 1; $.ajax({ url: 'https://login.wn.com/recent/json/?pp='+history_pp+'&skip='+history_pp*(page-1), dataType: 'jsonp', success: function(response){ $ensure(function(){ renderHistory(response, page); }); } }); return true; } if(tab == 'global_history' && false){ var page = parseInt(area || '1') || 1; globalHistory.fetchStream(page, '', function(){ updateHeight('#global_history'); }); return true; } if(tab == 'my_playlists' && false){ var page = parseInt(area || '1') || 1; myPlaylists.fetchStream(page, '', function(){ updateHeight('#my_playlists'); }); return true; } if(tab == 'my_videos' && false){ var page = parseInt(area || '1') || 1; myVideos.fetchStream(page, '', function(){ updateHeight('#my_videos'); }); return true; } if(tab == 'related_sites' && areas && matchPosition(areas)){ var seconds = parsePosition(areas); scrollRelated(seconds); return false; } if(matchPosition(area) || matchAction(area)){ parts.unshift('1'); area = parts[0]; } if(tab == 'expand' && area && area.match(/\d+/)) { var num = parseInt(area); if(num < 100){ //FIX ME. Load news page with ajax here } else if(num > 1900){ //FIX ME. Load timeline page with ajax here } } else if(tab.match(/^playlist\d+$/)){ var playerId = parseInt(tab.substring(8)); var vp = videoplayers[playerId]; window.descriptionsholder = $('.descriptionsplace'); if(!vp) return; // why? no player? if(replayMode){ $('.replaycurrent'+playerId).attr('checked', true); vp.setReplayCurrent(true); } var playQueue = []; window.playQueue = playQueue; var playQueuePosition = 0; var playShouldStart = null; var playShouldStop = null; var parseList = function(x){ var items = x.split(/;|,/g); var results = []; for (i in items){ try{ var action = parseAction(vp, items[i]); if(!action.video){ if(window.console && console.log) console.log("Warning: No video for queued entry: " + items[i]); }else{ results.push(action); } }catch(e){ if(window.console && console.log) console.log("Warning: Can''t parse queue entry: " + items[i]); } } return results; }; var scrollToPlaylistPosition = function(vp){ var ppos = vp.getPlaylistPosition(); var el = vp.playlistContainer.find('>li').eq(ppos); var par = el.closest('.playlist_scrollarea'); par.scrollTop(el.offset().top-par.height()/2); } var updateVolumeState = function(){ if(noSoundMode){ if(noSoundMode == 'turn-on'){ clog("Sound is on, vsid="+vp.vsid); vp.setVolumeUnMute(); noSoundMode = false; }else{ clog("Sound is off, vsid="+vp.vsid); vp.setVolumeMute(); noSoundMode = 'turn-on'; } } } var playQueueUpdate = function(){ var playPosition = playQueue[playQueuePosition]; vp.playFromPlaylist(playPosition.video); scrollToPlaylistPosition(vp); playShouldStart = playPosition.start; playShouldStop = playPosition.stop; }; var playQueueAdvancePosition = function(){ clog("Advancing play position..."); playQueuePosition ++; while(playQueuePosition < playQueue.length && !playQueue[playQueuePosition].video){ playQueuePosition ++; } if(playQueuePosition < playQueue.length){ playQueueUpdate(); }else if(vp.getReplayCurrent()){ playQueuePosition = 0; playQueueUpdate(); vp.seekTo(playShouldStart); vp.playVideo(); }else{ vp.pauseVideo(); playShouldStop = null; playShouldStart = null; } }; function loadMoreVideos(playerId, vp, start, finish, callback){ var playlistInfo = playlists[playerId-1]; if(playlistInfo.loading >= finish) return; playlistInfo.loading = finish; $.ajax({ url: '/api/upge/cheetah-photo-search/query_videos2', dataType: 'json', data: { query: playlistInfo.query, orderby: playlistInfo.orderby, start: start, count: finish-start }, success: function(response){ var pl = vp.getPlaylist().slice(0); pl.push.apply(pl, response); vp.setPlaylist(pl); callback(); } }); } if(parts.length == 1 && matchDash(parts[0])){ var pl = vp.getActualPlaylist(); var vids = parseDash(parts[0]); parts = []; for(var i = 0; i < vids.length; i++){ playQueue.push({ 'video': pl[vids[i]-1], 'start': 0, 'stop': null }) } if(vids.length){ if(vids[vids.length-1]-1>=pl.length){ loadMoreVideos(playerId, vp, pl.length, vids[vids.length-1], function(){ if(fsonload){ activateTabArea(tab, parts[0]+'/fs'); }else{ activateTabArea(tab, parts[0]); } var pls = vp.getPlaylist(); vp.playFromPlaylist(pls[pls.length-1]); vp.playVideo(); scrollToPlaylistPosition(vp); }); return true; } } if(playQueue){ playQueueUpdate(); vp.playVideo(); parsed = true; playShouldStart = 0; } } if(previewMode){ var vids = []; var dur = 0; var pl = vp.getActualPlaylist(); area = parts[0]; if(parts.length == 1 && matchPosition(parts[0])){ vids = parseDash('1-'+pl.length); dur = parsePosition(parts[0]); parts = []; }else if(parts.length == 1 && matchDash(parts[0])){ vids = parseDash(parts[0]); dur = parsePosition("999:59"); parts = []; } if(parts.length == 2 && matchDash(parts[0]) && matchPosition(parts[1])){ vids = parseDash(parts[0]); dur = parsePosition(parts[1]); parts = []; } for(var i = 0; i < vids.length; i++){ playQueue.push({ 'video': pl[vids[i]-1], 'start': 0, 'stop': dur }) } if(playQueue){ playQueueUpdate(); vp.playVideo(); parsed = true; } } if(parts.length>1){ for(var i = 0; i < parts.length; i++){ var sel = findMatchingVideo(vp, parts[i]); if(sel){ playQueue.push({ 'video': sel, 'start': 0, 'stop': null }) } } if(playQueue){ playQueueUpdate(); vp.playVideo(); parsed = true; } }else if(area){ var sel = findMatchingVideo(vp, area); if(sel){ vp.playFromPlaylist(sel); playShouldStart = 0; parsed = true; } } if(fsonload || replayMode){ playShouldStart = 0; } if(document.location.search.match('at=|queue=')){ var opts = document.location.search.replace(/^\?/,'').split(/&/g); for(var o in opts){ if(opts[o].match(/^at=(\d+:)?(\d+:)?\d+$/)){ playShouldStart = parsePosition(opts[o].substr(3)) } if(opts[o].match(/^queue=/)){ playQueue = parseList(opts[o].substr(6)); if(playQueue){ playQueuePosition = 0; playQueueUpdate(); } } } } if(matchPosition(parts[1])){ playShouldStart = parsePosition(parts[1]); parsed = true; } if(matchAction(parts[1])){ var action = parseAction(vp, area+'/'+parts[1]); playShouldStart = action.start; playShouldStop = action.stop; parsed = true; } if(playShouldStart !== null && !playQueue.length){ playQueue.push({ video: vp.getCurrentVideo(), start: playShouldStart, stop: playShouldStop }); } if(playShouldStart != null){ setInterval(function(){ if(playShouldStop && vp.currentPlayer && vp.currentPlayer.getCurrentTime() > playShouldStop){ playShouldStop = null; if(vp.getCurrentVideo() == playQueue[playQueuePosition].video){ playQueueAdvancePosition(); }else{ playShouldStart = null; } } }, 500); vp.playerContainer.bind('videoplayer.player.statechange', function(e, state){ if(state == 'ended'){ // advance to the next video playQueueAdvancePosition(); } }); vp.playerContainer.bind('videoplayer.player.readychange', function(e, state){ if(state){ updateVolumeState(); if(playShouldStart !== null){ vp.seekTo(playShouldStart); playShouldStart = null; }else{ playShouldStop = null; // someone started other video, stop playing from playQueue } } if(fsonload) { triggerFullscreen(playerId); fsonload = false; } }); } } else if(tab.match(/^wiki\d+$/)){ if(firstTimeActivate){ load_wiki($('#'+tab), function(){ if(area){ var areaNode = $('#'+area); if(areaNode.length>0){ $('html, body').scrollTop(areaNode.offset().top + 10); return true; } } }); } } return parsed; }) window.activateTab = ensure(function(tab, area){ window.activeArea = null; if(tab == 'import_videos'){ if(area){ import_videos(area); }else{ start_import(); } return true; } if(tab == 'chat'){ update_chat_position($('.chat').eq(0)); window.activeArea = 'chat'; jQuery('.tabtrigger').offscreentabs('activateTab', 'chat'); return true; } if(tab in rev_names){ tab = rev_names[tab]; } if(tab.match(':')){ return false; } var sup = $('ul li a[id=#'+tab+']'); if(sup && sup.length>0){ window.activeArea = area; sup.first().click(); if(!window.activateTabArea(tab, area)){ window.activeArea = null; } window.activeArea = null; return true; }else{ var have_tabs = $('#playlist_menu li').length; if(tab.match(/^playlists?\d+$/)){ var to_add = +tab.substring(8).replace(/^s/,'')-have_tabs; if(to_add>0 && have_tabs){ add_more_videos(to_add); return true; } } } return false; }); window.currentPath = ensure(function(){ return window.lastHistory.replace(basepath, '').split('?')[0]; }); window.main_tab = window.main_tab || 'videos'; window.addHistory = ensure(function(path){ if(window.console && console.log) console.log("Adding to history: "+path); if(window.history && history.replaceState && document.location.hostname.match(/^(youtube\.)?(\w{2,3}\.)?wn\.com$/)){ if(path == main_tab || path == main_tab+'/' || path == '' || path == '/') { path = basepath; } else if( path.match('^'+main_tab+'/') ){ path = basepath + '/' + path.replace(main_tab+'/', '').replace('--','/'); } else { path = basepath + '/' + path.replace('--','/'); } if(document.location.search){ path += document.location.search; } if(window.lastHistory) { history.pushState(null, null, path); } else if(window.lastHistory != path){ history.replaceState(null, null, path); window.lastHistory = path; } } else{ path = path.replace('--','/'); if(path == main_tab || path == main_tab+'/' || path == '' || path == '/') { path = ''; } if(window.lastHistory != '/'+path){ window.location.hash = path? '/'+path : ''; window.lastHistory = '/'+path; } } }); $('.tabtrigger li a').live('click', ensure(function() { var tab = $(this).attr('id'); if(tab.substring(0,1) == '#'){ var name = tab.substring(1); if(name in menu_names){ name = menu_names[name][0]; } realTab = rev_names[name]; $('#'+realTab).show(); if(window.console && console.log) console.log("Triggering tab: "+name+(window.activeArea?" activeArea="+window.activeArea:'')); var path = name; if(window.activeArea){ path = path + '/' + window.activeArea; } if(tab.match(/#playlist\d+/) || tab.match(/#details\d+/)){ $('.multiple-playlists').show(); $('.related_playlist').show(); $('.longest_videos_playlist').show(); }else { $('.multiple-playlists').hide(); $('.related_playlist').hide(); $('.longest_videos_playlist').hide(); } // start the related script only when the tab is on screen showing if (tab.match(/related_sites/)) { if (mc) { mc.startCredits(); } } window.activeTab = realTab; addHistory(path); setTimeout(ensure(function(){ if(tab.match(/language--/)){ $('.tabtrigger').offscreentabs('activateTab', 'language'); } if(tab.match(/weather/)) { $('.tabtrigger').offscreentabs('activateTab', 'weather'); loadContinent(); } updateMenus(tab); updateHeight(); }), 10); } return false; })); }); -->

Hard Times

Hard Times – For These Times (commonly known as Hard Times) is the tenth novel by Charles Dickens, first published in 1854. The book appraises English society and highlights the social and economic pressures of the times.

Background

Hard Times is unusual in several respects. It is by far the shortest of Dickens' novels, barely a quarter of the length of those written immediately before and after it. Also, unlike all but one of his other novels, Hard Times has neither a preface nor illustrations. Moreover, it is his only novel not to have scenes set in London. Instead the story is set in the fictitious Victorian industrial Coketown, a generic Northern English mill-town, in some ways similar to Manchester, though smaller. Coketown may be partially based on 19th-century Preston.

One of Dickens's reasons for writing Hard Times was that sales of his weekly periodical, Household Words, were low, and it was hoped the novel's publication in instalments would boost circulation – as indeed proved to be the case. Since publication it has received a mixed response from critics. Critics such as George Bernard Shaw and Thomas Macaulay have mainly focused on Dickens's treatment of trade unions and his post–Industrial Revolution pessimism regarding the divide between capitalist mill owners and undervalued workers during the Victorian era. F. R. Leavis, a great admirer of the book, included it--but not Dickens' work as a whole--as part of his Great Tradition of English novels.

Hard Times (1975 film)

Hard Times is a 1975 film starring Charles Bronson as Chaney, a drifter who travels to Louisiana during the Great Depression and begins competing in illegal bare-knuckled boxing matches. The movie was Walter Hill's directorial debut.

Plot

Chaney (Charles Bronson), a mysterious, down-on-his luck drifter during the Great Depression, arrives in town in the boxcar of a freight train. He comes upon a bare-knuckled street fight run by gamblers. After the bout, he approaches one of the fight's organizers, the fast-talking "Speed" (James Coburn), and asks Speed to set up a fight. Betting his few dollars on himself, Chaney wins with a single punch.

Speed wants to become Chaney's manager. They travel to New Orleans, where Speed intends to enter Chaney against local fighters at long odds. Chaney takes a cheap sleeping room. At a diner, he meets Lucy Simpson (Jill Ireland), a lonely woman whose husband is in prison. They begin an uneasy affair.

Chaney cautions Speed that he wants to make a little money to "fill a few in-betweens," and then move on. Speed recruits a cutman, the medical school dropout Poe (Strother Martin). An opium addict ("a dyed in the wool hophead") Poe is relieved when Chaney accepts him.

Hard Times (1915 film)

Hard Times is a 1915 British silent drama film directed by Thomas Bentley and starring Bransby Williams, Leon M. Lion and Dorothy Bellew. It is based on the 1854 novel Hard Times by Charles Dickens.

Cast

  • Bransby Williams as Gradgrind
  • Leon M. Lion as Tom Gradgrind
  • Dorothy Bellew as Louisa
  • Madge Tree as Rachael
  • Mr. Forrest as Stephen Blackpool
  • F. Lymons as Josiah Bounderby
  • Will Corrie as Sleary
  • Clara Cooper as Cissie Jupe
  • J. Wynn Slater as James Harthouse
  • Bibliography

  • Giddings, Robert & Sheen, Erica. From Page To Screen: Adaptations of the Classic Novel . Manchester University Press, 5 May 2000
  • Mee, John. The Cambridge Introduction to Charles Dickens. Cambridge University Press, 2010.
  • External links

  • Hard Times at the Internet Movie Database

  • Hardcourt

    A hardcourt (or hard court) is a surface or floor on which a sport is played, most usually in reference to tennis courts. They are typically made of rigid materials such as asphalt or concrete, and covered with acrylic material to seal the surface and mark the playing lines, while providing some cushioning. Historically, hardwood surfaces were also in use in indoor settings, similar to an indoor basketball court, but these are now rare.

    Tennis

    Tennis hard courts are made of synthetic/acrylic layers on top of a concrete or asphalt foundation and can vary in color. These courts tend to play medium-fast to fast because there is little energy absorption by the court, like in grass courts. The ball tends to bounce high and players are able to apply many types of spin during play. Flat balls are favored on hard courts because of the extremely quick play style. Speed of rebound after tennis balls bounce on hard courts is determined by how much sand is in the synthetic/acrylic layer placed on top of the asphalt foundation. More sand will result in a slower bounce due to more friction.

    T.H.E. (The Hardest Ever)

    "T.H.E. (The Hardest Ever)" is a song by American rapper will.i.am, featuring vocals from Mick Jagger and Jennifer Lopez. The song was released via the iTunes Store on November 20, 2011, just hours after its debut at the American Music Awards. The music video for the song was released on December 12, 2011. The song was originally released as part as the lead single of will.i.am's fourth studio album, #willpower, but was not included on the album.

    Background

    will.i.am first announced the song via his Twitter account, before announcing it via various online media. Links to a demo version of the song were made available via Dipdive and Google+. On November 18, Will released the cover art for the single, using it as his Twitter avatar and background. The song was premiered live on November 20, 2011, live at the 2011 American Music Awards at the Nokia Theater. The performance included will.i.am and Lopez performing live, and Jagger performing via video link. The song was made available on iTunes immediately following the AMA performance. The song was produced by Audiobot, Dallas Austin and will.i.am, as well as Jimmy Iovine. will.i.am originally presented the track to Iovine without the featured artists, as a finished work, and was caught off guard by his request to add performers to the song. In response, he threw out Jagger's name among possible collaborators because he thought it would never happen. Iovine ended up producing Jagger's vocals - it was the first time he had produced in decades. Immediately after the AMA performance, will.i.am thanked Fighting Gravity via Twitter. will.i.am also performed the song live at the American Giving Awards on December 10. Neither Lopez nor Jagger appeared.

    Hard (TV series)

    Hard is a French television series created and produced by Cathy Verney, airing since 9 May 2008 on Canal+ in France, and later internationally. The series focuses on the pornographic movie industry. It is part of the "New Trilogy" collection on Canal+.

    Synopsis

    After the sudden death of her husband, Sophie discovers through her mother-in-law, that her late husband did not run a successful software company, but instead produced pornographic films, with Soph'X being the legacy.

    Bewildered and dismayed, at discovering a world she couldn't conceive of in a thousand years, she hesitates between taking over the company or selling everything to resume her job as a lawyer. To pay the mortgage held by her husband before his death, she has to decide to modernize Soph'X, until a meeting with porn star and pillar of the company, Roy Lapoutre, forces her hand.

    Cast

  • Natacha Lindinger – Sophie
  • François Vincentelli – Jean-Marc Danel as Roy Lapoutre
  • Michèle Moretti – Louise
  • Katia Lewkowicz – Lucile
  • 100 Times

    100 Times is Avail's first release on Fat Wreck Chords, done so in 1999. It is a re-recording of five songs (plus a recording of one song of which a different recording would appear on their first full-length album for Fat Wreck Chords in 2000, One Wrench) that were originally released on previous Avail full-length albums by Lookout! Records.

    Track listing

  • "Order" [ from 4am Friday ]
  • "Union" [ later featured on One Wrench ]
  • "Song" [ from Dixie ]
  • "March" [ from Satiate ]
  • "Pinned Up" [ from Satiate ]
  • "Connection" [ from Satiate ]
  • Podcasts:

    • ROSÉ & Bruno Mars - APT. (Lyrics)

      ROSÉ & Bruno Mars - APT. Stream/Download: https://rosesarerosie.lnk.to/APTID Follow ROSÉ: https://x.com/numberonehq https://www.rosesarerosie.com/ https://www.instagram.com/roses_are_rosie/ (Lyrics): (Lyrics): [Intro] Joaneun geim Game start [Chorus] Apateu, apateu Apateu, apateu Apateu, apateu Uh, uh-huh, uh-huh Apateu, apateu Apateu, apateu Apateu, apateu Uh, uh-huh, uh-huh [Verse 1] Kissy face, kissy face Sent to your phone but I'm trying to kiss your lips for real Red hearts, red hearts That’s what I’m on yeah Come give me something I can feel Oh oh oh [Pre-Chorus] Don't you want me like I want you, baby Don't you need me like I need you now Sleep tomorrow but tonight go crazy All you gotta do is just meet me at the [Chorus] Apateu, apateu Apateu, apateu Apateu, apateu Uh, uh-hu...

      published: 18 Oct 2024
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    ROSÉ & Bruno Mars - APT. (Lyrics)
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    ROSÉ & Bruno Mars - APT. (Lyrics)

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    ROSÉ & Bruno Mars - APT. Stream/Download: https://rosesarerosie.lnk.to/APTID Follow ROSÉ: https://x.com/numberonehq https://www.rosesarerosie.com/ https://www.instagram.com/roses_are_rosie/ (Lyrics): (Lyrics): [Intro] Joaneun geim Game start [Chorus] Apateu, apateu Apateu, apateu Apateu, apateu Uh, uh-huh, uh-huh Apateu, apateu Apateu, apateu Apateu, apateu Uh, uh-huh, uh-huh [Verse 1] Kissy face, kissy face Sent to your phone but I'm trying to kiss your lips for real Red hearts, red hearts That’s what I’m on yeah Come give me something I can feel Oh oh oh [Pre-Chorus] Don't you want me like I want you, baby Don't you need me like I need you now Sleep tomorrow but tonight go crazy All you gotta do is just meet me at the [Chorus] Apateu, apateu Apateu, apateu Apateu, apateu Uh, uh-huh, uh-huh Apateu, apatеu Apateu, apateu Apateu, apatеu Uh, uh-huh, uh-huh [Verse 2] It’s whatever it’s whatever it’s whatever you like Turn this apateu into a club I’m talking drink, dance, smoke, freak, party all night Geonbae geonbae girl what’s up Oh-oh-oh [Pre-Chorus] Don't you want me like I want you, baby Don't you need me like I need you now Sleep tomorrow but tonight go crazy All you gotta do is just meet me at the [Chorus] Apateu, apateu Apateu, apateu Apateu, apateu Uh, uh-huh, uh-huh Apateu, apateu Apateu, apateu Apateu, apateu Uh, uh-huh, uh-huh [Bridge] Hey so now you know the game Are you ready? Cause I’m comin to get ya Get ya, get ya Hold on, hold on I’m on my way Yeah yeah yeah yeah yeah I’m on my way Hold on, hold on I’m on my way Yeah yeah yeah yeah yeah I’m on my way [Pre-Chorus] Don't you want me like I want you, baby Don't you need me like I need you now Sleep tomorrow but tonight go crazy All you gotta do is just meet me at the [Chorus] Apateu, apateu Apateu, apateu Apateu, apateu Just meet me at the (Uh, uh-huh, uh-huh) Apateu, apateu Apateu, apateu Apateu, apateu Just meet me at the (Uh, uh-huh, uh-huh) Apateu, apateu Apateu, apateu Apateu, apateu Just meet me at the (Uh, uh-huh, uh-huh) Apateu, apateu Apateu, apateu Apateu, apateu Uh, uh-huh, uh-huh Tags: Apt Lyrics Rose Apt Apt Rose Bruno Mars Apt Apt Bruno Mars ROSÉ Apateu Apateu ROSÉ Don't you want me like I want you baby Don't you need me like I need you now Sleep tomorrow but tonight go crazy All you gotta do is just meet me at the apateu Just meet me at the apateu Apateu Apt #APT #ROSÉ #BrunoMars #Lyrics Contact: droppinglyricsvibe@gmail.com
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    • ROSÉ & Bruno Mars - APT. (Lyrics)
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    PLAYLIST TIME:

    ROSÉ & Bruno Mars - APT. (Lyrics)

    ROSÉ & Bruno Mars - APT. Stream/Download: https://rosesarerosie.lnk.to/APTID Follow ROSÉ: https://x.com/numberonehq https://www.rosesarerosie.com/ https://www.instagram.com/roses_are_rosie/ (Lyrics): (Lyrics): [Intro] Joaneun geim Game start [Chorus] Apateu, apateu Apateu, apateu Apateu, apateu Uh, uh-huh, uh-huh Apateu, apateu Apateu, apateu Apateu, apateu Uh, uh-huh, uh-huh [Verse 1] Kissy face, kissy face Sent to your phone but I'm trying to kiss your lips for real Red hearts, red hearts That’s what I’m on yeah Come give me something I can feel Oh oh oh [Pre-Chorus] Don't you want me like I want you, baby Don't you need me like I need you now Sleep tomorrow but tonight go crazy All you gotta do is just meet me at the [Chorus] Apateu, apateu Apateu, apateu Apateu, apateu Uh, uh-huh, uh-huh Apateu, apatеu Apateu, apateu Apateu, apatеu Uh, uh-huh, uh-huh [Verse 2] It’s whatever it’s whatever it’s whatever you like Turn this apateu into a club I’m talking drink, dance, smoke, freak, party all night Geonbae geonbae girl what’s up Oh-oh-oh [Pre-Chorus] Don't you want me like I want you, baby Don't you need me like I need you now Sleep tomorrow but tonight go crazy All you gotta do is just meet me at the [Chorus] Apateu, apateu Apateu, apateu Apateu, apateu Uh, uh-huh, uh-huh Apateu, apateu Apateu, apateu Apateu, apateu Uh, uh-huh, uh-huh [Bridge] Hey so now you know the game Are you ready? Cause I’m comin to get ya Get ya, get ya Hold on, hold on I’m on my way Yeah yeah yeah yeah yeah I’m on my way Hold on, hold on I’m on my way Yeah yeah yeah yeah yeah I’m on my way [Pre-Chorus] Don't you want me like I want you, baby Don't you need me like I need you now Sleep tomorrow but tonight go crazy All you gotta do is just meet me at the [Chorus] Apateu, apateu Apateu, apateu Apateu, apateu Just meet me at the (Uh, uh-huh, uh-huh) Apateu, apateu Apateu, apateu Apateu, apateu Just meet me at the (Uh, uh-huh, uh-huh) Apateu, apateu Apateu, apateu Apateu, apateu Just meet me at the (Uh, uh-huh, uh-huh) Apateu, apateu Apateu, apateu Apateu, apateu Uh, uh-huh, uh-huh Tags: Apt Lyrics Rose Apt Apt Rose Bruno Mars Apt Apt Bruno Mars ROSÉ Apateu Apateu ROSÉ Don't you want me like I want you baby Don't you need me like I need you now Sleep tomorrow but tonight go crazy All you gotta do is just meet me at the apateu Just meet me at the apateu Apateu Apt #APT #ROSÉ #BrunoMars #Lyrics Contact: droppinglyricsvibe@gmail.com
    2:51
    ROSÉ & Bruno Mars - APT. (Lyrics)
    ROSÉ & Bruno Mars - APT. Stream/Download: https://rosesarerosie.lnk.to/APTID Follow ROSÉ...
    published: 18 Oct 2024
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    Hard Times

    Hard Times – For These Times (commonly known as Hard Times) is the tenth novel by Charles Dickens, first published in 1854. The book appraises English society and highlights the social and economic pressures of the times.

    Background

    Hard Times is unusual in several respects. It is by far the shortest of Dickens' novels, barely a quarter of the length of those written immediately before and after it. Also, unlike all but one of his other novels, Hard Times has neither a preface nor illustrations. Moreover, it is his only novel not to have scenes set in London. Instead the story is set in the fictitious Victorian industrial Coketown, a generic Northern English mill-town, in some ways similar to Manchester, though smaller. Coketown may be partially based on 19th-century Preston.

    One of Dickens's reasons for writing Hard Times was that sales of his weekly periodical, Household Words, were low, and it was hoped the novel's publication in instalments would boost circulation – as indeed proved to be the case. Since publication it has received a mixed response from critics. Critics such as George Bernard Shaw and Thomas Macaulay have mainly focused on Dickens's treatment of trade unions and his post–Industrial Revolution pessimism regarding the divide between capitalist mill owners and undervalued workers during the Victorian era. F. R. Leavis, a great admirer of the book, included it--but not Dickens' work as a whole--as part of his Great Tradition of English novels.

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