Pelog is one of the two essential scales of gamelan music native to Bali and Java, in Indonesia. In Javanese the term is said to be a variant of the word pelag meaning "fine" or "beautiful". The other, older, scale commonly used is called slendro. Pelog has seven notes, but many gamelan ensembles only have keys for five of the pitches. Even in ensembles that have all seven notes, many pieces only use a subset of five notes.
Tuning
Since the tuning varies so widely from island to island, village to village, and even gamelan to gamelan, it is difficult to characterize in terms of intervals. One rough approximation expresses the seven pitches of Central Javanese pelog as a subset of 9-tone equal temperament. An analysis of 27 Central Javanese gamelans by Surjodiningrat (1972) revealed a statistical preference for this system of tuning.
As in slendro, although the intervals vary from one gamelan to the next, the intervals between notes in a scale are very close to identical for different instruments within the same Javanese gamelan. This is not the case in Bali, where instruments are played in pairs which are tuned slightly apart so as to produce interference beating. The beating is ideally at a consistent speed for all pairs of notes in all registers. This contributes to the very "agitated" and "shimmering" sound of gamelan ensembles. In the religious ceremonies that contain gamelan, these interference beats are meant to give the listener a feeling of a god's presence or a stepping stone to a meditative state.
For more information please see www.inspire-works.co.uk
published: 06 Sep 2010
Gendhing Bondhèt kethuk 2 kerep minggah 4, laras pélog pathet nem
published: 25 Nov 2020
Pelog Musical Scale (Gamelan music of Bali/Java)
Pelog is one of the two essential scales of gamelan music native to Bali and Java, in Indonesia. In Javanese the term is said to be a variant of the word pelag meaning "fine" or "beautiful".
published: 22 Nov 2013
Tetalu Pelog Cirebonan ( Suara Bening ) DILARANG REUPLOAD!!!
DILARANG REUPLOAD!!!
tetalu laras pelog cirebonan dikemas dengan aransemen musik yang lebih modern dengan permainan kendang yang menawan, dengan kualitas audio yang jernih sehingga lebih enak untuk dinikmati
Terima kasih telah berkunjung dan menonton video kami, jangan lupa Coment, Like dan Subscribe yah...
published: 21 Oct 2017
AYAK TALU PELOG BARANG NURROSO SOLO (Terbaru)
CAKEPAN
AYAK :
Sigra nggelar mbabar kang wayang purwa
Amiwiti samekta ing gati
Puji sesanti muga tansah antuk rahmating Gusti.
* Kang pagelaran wus sawega
Dhalang sindhene pengrawite prabot pirantine
Ngangseg saya ndheseg
Kabeh penontone padha nggatekne
Iki mengko apa lakone
Kang becik ketitik kang ala ketara
Wayang wewayangan lakuning urip *
SREPEG :
Wayang anerawang lelakoning urip
Bungah apa susah, beja apa cilaka ginelar cetha ngégla
Ana sing kaya buta apa kaya satriya, uga gecul kumarucul
Mijil putri lanyap apa luruh lagak lagon lageyané
Utama apa nistha, ginelar kababar ginancar ing crita sinamuning semu lan sinamudana sinanggit lantip
SAMPAK :
Mahening suci hangesthi nyawiji
Golong geleng wus gumolong cipta rasa karsa
Konjuk mring Hyang Agung Murwa kandha Nggegancar carita.
SA...
Pelog is one of the two essential scales of gamelan music native to Bali and Java, in Indonesia. In Javanese the term is said to be a variant of the word pelag ...
Pelog is one of the two essential scales of gamelan music native to Bali and Java, in Indonesia. In Javanese the term is said to be a variant of the word pelag meaning "fine" or "beautiful".
Pelog is one of the two essential scales of gamelan music native to Bali and Java, in Indonesia. In Javanese the term is said to be a variant of the word pelag meaning "fine" or "beautiful".
DILARANG REUPLOAD!!!
tetalu laras pelog cirebonan dikemas dengan aransemen musik yang lebih modern dengan permainan kendang yang menawan, dengan kualitas audi...
DILARANG REUPLOAD!!!
tetalu laras pelog cirebonan dikemas dengan aransemen musik yang lebih modern dengan permainan kendang yang menawan, dengan kualitas audio yang jernih sehingga lebih enak untuk dinikmati
Terima kasih telah berkunjung dan menonton video kami, jangan lupa Coment, Like dan Subscribe yah...
DILARANG REUPLOAD!!!
tetalu laras pelog cirebonan dikemas dengan aransemen musik yang lebih modern dengan permainan kendang yang menawan, dengan kualitas audio yang jernih sehingga lebih enak untuk dinikmati
Terima kasih telah berkunjung dan menonton video kami, jangan lupa Coment, Like dan Subscribe yah...
CAKEPAN
AYAK :
Sigra nggelar mbabar kang wayang purwa
Amiwiti samekta ing gati
Puji sesanti muga tansah antuk rahmating Gusti.
* Kang pagelaran wus sawega
Dha...
CAKEPAN
AYAK :
Sigra nggelar mbabar kang wayang purwa
Amiwiti samekta ing gati
Puji sesanti muga tansah antuk rahmating Gusti.
* Kang pagelaran wus sawega
Dhalang sindhene pengrawite prabot pirantine
Ngangseg saya ndheseg
Kabeh penontone padha nggatekne
Iki mengko apa lakone
Kang becik ketitik kang ala ketara
Wayang wewayangan lakuning urip *
SREPEG :
Wayang anerawang lelakoning urip
Bungah apa susah, beja apa cilaka ginelar cetha ngégla
Ana sing kaya buta apa kaya satriya, uga gecul kumarucul
Mijil putri lanyap apa luruh lagak lagon lageyané
Utama apa nistha, ginelar kababar ginancar ing crita sinamuning semu lan sinamudana sinanggit lantip
SAMPAK :
Mahening suci hangesthi nyawiji
Golong geleng wus gumolong cipta rasa karsa
Konjuk mring Hyang Agung Murwa kandha Nggegancar carita.
SAMPAK SESEG :
Mangguwa kaweningan
Weninging pramana sejati
Jatining suksmana
SUWUKAN SAMPAK :
Pa: Awit saking purbaning purbaning Gusti Ingkang Maha Naksa
Pi: Awit awit saking purbaning purbaning Gusti Ingkang Maha Nasa.
Gendhing ini adalah gubahan dari Ki Blacius Subono. Mengacu pada Balungan Ayak Talu Manyura biasa, Ki B.Subono mengubahnya menjadi Ayak Talu Pelog Barang, Yang kemudian beliau menambahkan garapan vocal dan garap Balungan pada gendhing tersebut dengan gaya NURROSO SOLO
#ayaktalu
#karawitan
#nurrososolo
#aangwiyatmoko
#jaranan
CAKEPAN
AYAK :
Sigra nggelar mbabar kang wayang purwa
Amiwiti samekta ing gati
Puji sesanti muga tansah antuk rahmating Gusti.
* Kang pagelaran wus sawega
Dhalang sindhene pengrawite prabot pirantine
Ngangseg saya ndheseg
Kabeh penontone padha nggatekne
Iki mengko apa lakone
Kang becik ketitik kang ala ketara
Wayang wewayangan lakuning urip *
SREPEG :
Wayang anerawang lelakoning urip
Bungah apa susah, beja apa cilaka ginelar cetha ngégla
Ana sing kaya buta apa kaya satriya, uga gecul kumarucul
Mijil putri lanyap apa luruh lagak lagon lageyané
Utama apa nistha, ginelar kababar ginancar ing crita sinamuning semu lan sinamudana sinanggit lantip
SAMPAK :
Mahening suci hangesthi nyawiji
Golong geleng wus gumolong cipta rasa karsa
Konjuk mring Hyang Agung Murwa kandha Nggegancar carita.
SAMPAK SESEG :
Mangguwa kaweningan
Weninging pramana sejati
Jatining suksmana
SUWUKAN SAMPAK :
Pa: Awit saking purbaning purbaning Gusti Ingkang Maha Naksa
Pi: Awit awit saking purbaning purbaning Gusti Ingkang Maha Nasa.
Gendhing ini adalah gubahan dari Ki Blacius Subono. Mengacu pada Balungan Ayak Talu Manyura biasa, Ki B.Subono mengubahnya menjadi Ayak Talu Pelog Barang, Yang kemudian beliau menambahkan garapan vocal dan garap Balungan pada gendhing tersebut dengan gaya NURROSO SOLO
#ayaktalu
#karawitan
#nurrososolo
#aangwiyatmoko
#jaranan
Pelog is one of the two essential scales of gamelan music native to Bali and Java, in Indonesia. In Javanese the term is said to be a variant of the word pelag meaning "fine" or "beautiful".
DILARANG REUPLOAD!!!
tetalu laras pelog cirebonan dikemas dengan aransemen musik yang lebih modern dengan permainan kendang yang menawan, dengan kualitas audio yang jernih sehingga lebih enak untuk dinikmati
Terima kasih telah berkunjung dan menonton video kami, jangan lupa Coment, Like dan Subscribe yah...
CAKEPAN
AYAK :
Sigra nggelar mbabar kang wayang purwa
Amiwiti samekta ing gati
Puji sesanti muga tansah antuk rahmating Gusti.
* Kang pagelaran wus sawega
Dhalang sindhene pengrawite prabot pirantine
Ngangseg saya ndheseg
Kabeh penontone padha nggatekne
Iki mengko apa lakone
Kang becik ketitik kang ala ketara
Wayang wewayangan lakuning urip *
SREPEG :
Wayang anerawang lelakoning urip
Bungah apa susah, beja apa cilaka ginelar cetha ngégla
Ana sing kaya buta apa kaya satriya, uga gecul kumarucul
Mijil putri lanyap apa luruh lagak lagon lageyané
Utama apa nistha, ginelar kababar ginancar ing crita sinamuning semu lan sinamudana sinanggit lantip
SAMPAK :
Mahening suci hangesthi nyawiji
Golong geleng wus gumolong cipta rasa karsa
Konjuk mring Hyang Agung Murwa kandha Nggegancar carita.
SAMPAK SESEG :
Mangguwa kaweningan
Weninging pramana sejati
Jatining suksmana
SUWUKAN SAMPAK :
Pa: Awit saking purbaning purbaning Gusti Ingkang Maha Naksa
Pi: Awit awit saking purbaning purbaning Gusti Ingkang Maha Nasa.
Gendhing ini adalah gubahan dari Ki Blacius Subono. Mengacu pada Balungan Ayak Talu Manyura biasa, Ki B.Subono mengubahnya menjadi Ayak Talu Pelog Barang, Yang kemudian beliau menambahkan garapan vocal dan garap Balungan pada gendhing tersebut dengan gaya NURROSO SOLO
#ayaktalu
#karawitan
#nurrososolo
#aangwiyatmoko
#jaranan
Pelog is one of the two essential scales of gamelan music native to Bali and Java, in Indonesia. In Javanese the term is said to be a variant of the word pelag meaning "fine" or "beautiful". The other, older, scale commonly used is called slendro. Pelog has seven notes, but many gamelan ensembles only have keys for five of the pitches. Even in ensembles that have all seven notes, many pieces only use a subset of five notes.
Tuning
Since the tuning varies so widely from island to island, village to village, and even gamelan to gamelan, it is difficult to characterize in terms of intervals. One rough approximation expresses the seven pitches of Central Javanese pelog as a subset of 9-tone equal temperament. An analysis of 27 Central Javanese gamelans by Surjodiningrat (1972) revealed a statistical preference for this system of tuning.
As in slendro, although the intervals vary from one gamelan to the next, the intervals between notes in a scale are very close to identical for different instruments within the same Javanese gamelan. This is not the case in Bali, where instruments are played in pairs which are tuned slightly apart so as to produce interference beating. The beating is ideally at a consistent speed for all pairs of notes in all registers. This contributes to the very "agitated" and "shimmering" sound of gamelan ensembles. In the religious ceremonies that contain gamelan, these interference beats are meant to give the listener a feeling of a god's presence or a stepping stone to a meditative state.
I haven't fucked much with the past But I've fucked plenty with the future Over the skin of silk are scars From the splinters of stations and walls I've caressed A stage is like each bolt of wood Like a, like a log of Helen, is my pleasure I would measure the success of a night by the way, by the way I By the amount of piss and seed I could exude Over the columns that nestled the P.A. Some nights I'd surprise everybody by skipping off With a skirt of green net sewed over With flat metallic circles which dazzled and flashed The lights were violet and [Incomprehensible] white I had an ornamental veil, I can't bear to use it With the way my hair was cropped, I craved, craved covering But now that my hair itself is a veil And the scalp inside is a scalp of a crazy And a sleepy Comanche lies beneath this netting of skin I wake up, I am lying peacefully I am lying peacefully and my knees are open to the sun I desire him and he is absolutely ready to seize me In, in, in, in, in heart, I am a Moslem, in heart, I am an American In heart, I am Moslem, in heart, I'm an American artist and I have no guilt I seek pleasure, I seek the nerves under your skin The narrow archway, the layers, the scroll of ancient lettuce We worship the flaw, the belly, the belly The mole on the belly of an exquisite whore He spared the child and spoiled the rod