D12, an initialism for The Dirty Dozen, is an American hip hop group from Detroit, Michigan. D12 has had chart-topping albums in the United States, United Kingdom, and Australia. D12 was formed in 1996, and achieved mainstream success after Eminem rose to international fame. D12 released the album Devil's Night in 2001 and D12 World in 2004, spawning numerous hits such as "Fight Music", "Purple Pills", "My Band", "How Come" and "Shit on You" throughout that period. Since 2006, Eminem's hiatus and the death of the member Proof resulted in them being less active in subsequent years.
History
Early career (1996–98)
In order to make up the dozen, it was decided the six members at the time would each create an alter-ego. Proof's was Dirty Harry, Bizarre's was Peter S. Bizarre, Kuniva's was Hannz G. (which later became Rondell Beene), Kon Artis's was Mr. Porter, Bugz' was Robert Beck and Eminem created the famous character Slim Shady.
In 1997, they released their debut album, The Underground EP, which was recorded between 1996 and 1997. In 1997 and through 1998, its members began establishing reputations locally. Bizarre was named Inner City Entertainment's "Flava of the Week" and went on to release an album called Attack of the Weirdos. Along with Eminem, Rah Digga and Young Zee, he became an honorary member of The Outsidaz. Proof won a freestyling competition run by The Source. In 1999, Bugz released an EP called These Streets EP, and made several appearances on other rapper's songs.
When a comet passed by Earth, it activated a genetic quirk in some people that would manifest into superpowers either naturally or through special Seedlings called Activators. Swift was one such Seedling. Swift was brought into Stormwatch as a rookie, with her powers only partially activated. Weatherman Henry Bendix later reconfigured the Stormwatch teams, assigning her to Stormwatch Black, Stormwatch's black ops team, alongside Jenny Sparks (with whom she had a brief romance) and Jack Hawksmoor. It was then that Christine Trelane offered to fully activate Swift's powers, bringing out their full potential, and she accepted.
After Stormwatch disbanded, Swift joined former teammates in The Authority. Formerly a pacifist, she has put aside those beliefs to fight for a better world regardless of the cost. She has fought all over the world, from Moscow to Mexico to Gamora Island. During the Transfer of Power storyline, Swift was replaced by Rush from Canada after being taken out of a fight by radioactive feces. Swift was brainwashed into becoming the obedient trophy wife of a television mogul who had been part of the conspiracy to replace her and her team. She was insulted at every opportunity, from having her cooking ignored to the implications she could not remember large words. Eventually she overheard the "off-button" code of the monster Three-Willied Seth and proceeded to free herself. She literally took the heads of the television mogul and his software billionaire co-conspirator. She also saved her friend Angela Spica, the Engineer, and killed the man who had been abusing Angela.
In user interface design, a mode is a distinct setting within a computer program or any physical machine interface, in which the same user input will produce perceived different results than it would in other settings.
The best-known modal interface components are probably the Caps lock and Insert keys on the standard computer keyboard, both of which put the user's typing into a different mode after being pressed, then return it to the regular mode after being re-pressed.
An interface that uses no modes is known as a modeless interface. Modeless interfaces intend to avoid mode errors by making it impossible for the user to commit them.
"An human-machine interface is modal with respect to a given gesture
when (1) the current state of the interface is not the user's locus of
attention and (2) the interface will execute one among several
different responses to the gesture, depending on the system's current
state." (Page 42).
In literature, a mode is an employed method or approach, identifiable within a written work. As descriptive terms, form and genre are often used inaccurately instead of mode; for example, the pastoral mode is often mistakenly identified as a genre. The Writers Web site feature, A List of Important Literary Terms, defines mode thus:
History of mode
In his Poetics, the ancient GreekphilosopherAristotle uses 'mode' in a more specific sense. Kinds of 'poetry' (the term includes drama, flutemusic, and lyre music for Aristotle), he writes, may be differentiated in three ways: according to their medium of imitation, according to their objects of imitation, and according to their mode or 'manner' of imitation (section I). "For the medium being the same, and the objects the same, the poet may imitate by narration—in which case he can either take another personality as Homer does, or speak in his own person, unchanged—or he may present all his characters as living and moving before us" (section III). According to this definition, 'narrative' and 'dramatic' are modes of fiction:
In the theory of Western music, mode (from Latin modus, "measure, standard, manner, way, size, limit of quantity, method") (Powers 2001, Introduction; OED) generally refers to a type of scale, coupled with a set of characteristic melodic behaviours. This use, still the most common in recent years, reflects a tradition dating to the Middle Ages, itself inspired by the theory of ancient Greek music.
Mode as a general concept
Regarding the concept of mode as applied to pitch relationships generally, Harold S. Powers proposed mode as a general term but limited for melody types, which were based on the modal interpretation of ancient Greek octave species called tonos (τόνος) or harmonia (ἁρμονία), with "most of the area between ... being in the domain of mode" (Powers 2001, §I,3). This synthesis between tonus as a church tone and the older meaning associated with an octave species was done by medieval theorists for the Western monodic plainchant tradition (see Hucbald and Aurelian). It is generally assumed that Carolingian theorists imported monastic Octoechos propagated in the patriarchates of Jerusalem (Mar Saba) and Constantinople (Stoudios Monastery) which meant the eight echoi they used for the composition of hymns (e.g., Wellesz 1954, 41 ff.), though direct adaptations of Byzantine chants in the survived Gregorian repertoire are extremely rare.
D12 - Purple Pills Explicit Uncensored HQ HD
d12 purple pills dirty version
Music video by D-12 performing Purple Hills. (C) 2001 Interscope Records
#D12 #PURPLEHILLS #EMINEM
D12 - Purple Pills Explicit Uncensored HQ HD
d12 purple pills dirty version
Music video by D-12 performing Purple Hills. (C) 2001 Interscope Records
#D12 #PURP...
D12 - Purple Pills Explicit Uncensored HQ HD
d12 purple pills dirty version
Music video by D-12 performing Purple Hills. (C) 2001 Interscope Records
#D12 #PURPLEHILLS #EMINEM
D12 - Purple Pills Explicit Uncensored HQ HD
d12 purple pills dirty version
Music video by D-12 performing Purple Hills. (C) 2001 Interscope Records
#D12 #PURPLEHILLS #EMINEM
D12 - Purple Pills Explicit Uncensored HQ HD
d12 purple pills dirty version
Music video by D-12 performing Purple Hills. (C) 2001 Interscope Records
#D12 #PURPLEHILLS #EMINEM