-
Caravaggio: His life and style in three paintings | National Gallery
Curator of Later Italian, Spanish, and French 17th-century Paintings, Letizia Treves, guides you through the tumultuous life of Caravaggio. She looks at how his innovative style developed from a focus on nature and expression in his early works to the sophistication of his mature works.
Would you like to attend our Lunchtime Talks? Take a look at our program:
https://www.nationalgallery.org.uk/lunchtime-talks
Paintings and timestamps mentioned in this video:
0:46 Introduction to Caravaggio's life
4:24 Boy bitten by Lizard, about 1594-5
https://www.nationalgallery.org.uk/paintings/michelangelo-merisi-da-caravaggio-boy-bitten-by-a-lizard
10:42 The Supper at Emmaus, 1601
https://www.nationalgallery.org.uk/paintings/michelangelo-merisi-da-caravaggio-the-supper-at-emmaus
20:55 Salome re...
published: 03 Mar 2016
-
Know the Artist: Caravaggio
Michelangelo Merisi da Caravaggio, otherwise known as Caravaggio (b. Caravaggio, Italy, 1571-1610) dominated the Italian Baroque period with his intense paintings of impassioned, dramatically-lit subjects.
This is Several Circles, where we tell the stories of extraordinary artists from across history and the present day. We believe art history content should be accessible—free of charge and impenetrable jargon, but abundant in fascinating facts, illuminating analyses, and entertaining anecdotes.
Each episode is written and hosted by Rachel, an art journalist-turned-copywriter at The Met, and produced by Jason, a New York City art technician. The fuzzy feline superstars are Jimmy (big and bushy) and Tallulah (small with thumbs).
We started this channel to indulge our fascination with w...
published: 15 Dec 2020
-
Caravaggio's Taking of Christ: Great Art Explained
My other channel, Great Books Explained here - https://www.youtube.com/@greatbooksexplained371
Please consider supporting this channel on Patreon (and getting exclusive content), thanks! https://www.patreon.com/user?u=53686503
or if you prefer a one-off donation - https://paypal.me/GreatArtExplained?country.x=GB&locale.x=en_GB
Alternatively, every video has a "thanks" button under it- I appreciate it!
Subscribe and click the bell icon to be notified! https://www.youtube.com/channel/UCePD...
The Taking of Christ is a painting by Michelangelo Merisi da Caravaggio. The subject is the moment that the son of God is betrayed with a kiss, and arrested in the garden of Gethsemane.
Caravaggio’s approach to religious art was shocking and controversial in his time, his work was censored, d...
published: 21 Feb 2021
-
Caravaggio: Master Of Light
GET MY BOOK: https://amzn.to/3ymfQPV
Support Nerdwriter videos: https://patreon.com/nerdwriter
Subscribe: http://bit.ly/SubNerdwriter
Facebook: https://facebook.com/The-Nerdwriter-314141501931192/
Twitter: https://twitter.com/TheeNerdwriter
SOURCES
https://www.mpg.de/9298461/F003_focus_032-038.pdf
https://www.bbc.com/culture/article/20161010-why-caravaggio-was-a-shocking-as-his-paintings
Kristina Herrmann Fiore, "Caravaggio's 'Taking of Christ' and Dürer's Woodcut of 1509"
The Burlington Magazine , Jan., 1995, Vol. 137, No. 1102 (Jan., 1995), pp. 24-27
http://www.jstor.com/stable/886401
Amelia Arenas, "Sex, Violence and Faith: The Art of Caravaggio"
Arion: A Journal of Humanities and the Classics , Vol. 23, No. 3 (Winter 2016), pp.
35-52
https://www.jstor.org/stable/10.2307/ar...
published: 01 Sep 2020
-
Caravaggio: The Murderous Artist Who Died In Mystery (Waldemar Januszczak Documentary)
Subscribe and click the bell icon to get more arts content every week:
https://tinyurl.com/yc3m7n4m
Boy Bitten by a Lizard by Caravaggio: As the only great artist to commit murder, Caravaggio knew a little about the impetuosity of youth, and he portrays his hard-won wisdom on canvas.
Perspective is YouTube's home for the arts. Come here to get your fill of great music, theatre, art and much, much more!
From Every Picture Tells a Story
Content licensed from DRG Rights to Little Dot Studios.
Any queries, please contact us at:
[email protected]
published: 21 May 2020
-
Why Did Caravaggio Behead Himself in This Painting?
David with the Head of Goliath is an intriguing painting, even more so when you learn that Caravaggio painted it with a very specific goal in mind. Why did he paint himself as a beheaded man?
Support us on Patreon: https://www.patreon.com/TheCanvas
#arthistory #art
published: 14 Aug 2022
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Caravaggio: An Overview
February 11, 2018
The J. Paul Getty Museum, The Getty Center, Los Angeles, California
Distinguished art historian Michael Fried, professor emeritus of humanities at Johns Hopkins University, takes off from each of the three great paintings that were on loan to the Getty Museum from the Galleria Borghese in Rome to provide an overview of Caravaggio's remarkable, world-transforming achievement.
Love Art? Hit Subscribe! (https://www.youtube.com/user/gettymuseum?sub_confirmation=1)
"Caravaggio: Masterpieces from the Galleria Borghese" (November 21, 2017 – February 21, 2018) at the Getty Museum: http://www.getty.edu/art/exhibitions/caravaggio/
Find out what's on now at the Getty:
http://www.getty.edu/360/
#gettytalks
published: 24 Apr 2018
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Caravaggio's Extremely Chaotic Life of Crime
Use code KAZ to get 30% off your first month at Scentbird https://sbird.co/3iX7VOd
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Michelangelo Merisi da Caravaggio is one of the most famous Italian painters of all time. He was also a lifelong criminal and murderer who terrorized Rome in the 16-17th century. What the heck was this guy's deal, anyway? Come learn with me about a talented and dangerous weird little man.
Find me on Twitter: https://twitter.com/KazRowe
I'm on TikTok @ kazrowe
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Read my webcom...
published: 22 Sep 2021
-
La Santa Messa di lunedì 3 febbraio 2025 in diretta dal Santuario di Caravaggio
Ogni giorno alle 7.00 in diretta dal Santuario di Santa Maria del Fonte di Caravaggio la Santa Messa feriale
published: 03 Feb 2025
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Caravaggio's Technique
How Caravaggio painted.
Oil painting in Italy at the beginning of the seventeenth century, the technique of Caravaggio.
The video traces the techniques used by Caravaggio to paint his works: from the use of engravings and red / brown preparations, to the practice of painting directly without drawing through the use of preliminary color sketches.
ARTEnet - https://artenet.it/caravaggio-technique-the-seventeenth-century-in-italy/
Works and sources consulted:
AA.VV., L’ultimo Caravaggio e la cultura artistica a Napoli, in Sicilia e a Malta, atti del convegno, Siracusa-Malta, aprile 1987, a cura di M. Calvesi col coordinamento di L. Striglia, Siracusa, Ediprint 1987
M. Gregori, Come dipingeva il Caravaggio, in Michelangelo Merisi da Caravaggio, come nascono i capolavori, a cura di M. Greg...
published: 02 Oct 2020
30:51
Caravaggio: His life and style in three paintings | National Gallery
Curator of Later Italian, Spanish, and French 17th-century Paintings, Letizia Treves, guides you through the tumultuous life of Caravaggio. She looks at how his...
Curator of Later Italian, Spanish, and French 17th-century Paintings, Letizia Treves, guides you through the tumultuous life of Caravaggio. She looks at how his innovative style developed from a focus on nature and expression in his early works to the sophistication of his mature works.
Would you like to attend our Lunchtime Talks? Take a look at our program:
https://www.nationalgallery.org.uk/lunchtime-talks
Paintings and timestamps mentioned in this video:
0:46 Introduction to Caravaggio's life
4:24 Boy bitten by Lizard, about 1594-5
https://www.nationalgallery.org.uk/paintings/michelangelo-merisi-da-caravaggio-boy-bitten-by-a-lizard
10:42 The Supper at Emmaus, 1601
https://www.nationalgallery.org.uk/paintings/michelangelo-merisi-da-caravaggio-the-supper-at-emmaus
20:55 Salome receives the Head of John the Baptist, about 1609-10
https://www.nationalgallery.org.uk/paintings/michelangelo-merisi-da-caravaggio-salome-receives-the-head-of-john-the-baptist
Follow us on social media:
Twitter: https://twitter.com/NationalGallery
Facebook: https://www.facebook.com/thenationalgallery/
Instagram: https://www.instagram.com/national_gallery/
Help keep the museum accessible for everyone by supporting us here:
https://www.nationalgallery.org.uk/support-us
The National Gallery houses the national collection of paintings in the Western European tradition from the 13th to the 19th centuries. The museum is free of charge and open 361 days per year, daily between 10.00 am - 6.00 pm and on Fridays between 10.00 am - 9.00 pm.
Trafalgar Square, London, WC2N 5DN
https://www.nationalgallery.org.uk
https://wn.com/Caravaggio_His_Life_And_Style_In_Three_Paintings_|_National_Gallery
Curator of Later Italian, Spanish, and French 17th-century Paintings, Letizia Treves, guides you through the tumultuous life of Caravaggio. She looks at how his innovative style developed from a focus on nature and expression in his early works to the sophistication of his mature works.
Would you like to attend our Lunchtime Talks? Take a look at our program:
https://www.nationalgallery.org.uk/lunchtime-talks
Paintings and timestamps mentioned in this video:
0:46 Introduction to Caravaggio's life
4:24 Boy bitten by Lizard, about 1594-5
https://www.nationalgallery.org.uk/paintings/michelangelo-merisi-da-caravaggio-boy-bitten-by-a-lizard
10:42 The Supper at Emmaus, 1601
https://www.nationalgallery.org.uk/paintings/michelangelo-merisi-da-caravaggio-the-supper-at-emmaus
20:55 Salome receives the Head of John the Baptist, about 1609-10
https://www.nationalgallery.org.uk/paintings/michelangelo-merisi-da-caravaggio-salome-receives-the-head-of-john-the-baptist
Follow us on social media:
Twitter: https://twitter.com/NationalGallery
Facebook: https://www.facebook.com/thenationalgallery/
Instagram: https://www.instagram.com/national_gallery/
Help keep the museum accessible for everyone by supporting us here:
https://www.nationalgallery.org.uk/support-us
The National Gallery houses the national collection of paintings in the Western European tradition from the 13th to the 19th centuries. The museum is free of charge and open 361 days per year, daily between 10.00 am - 6.00 pm and on Fridays between 10.00 am - 9.00 pm.
Trafalgar Square, London, WC2N 5DN
https://www.nationalgallery.org.uk
- published: 03 Mar 2016
- views: 2098053
13:18
Know the Artist: Caravaggio
Michelangelo Merisi da Caravaggio, otherwise known as Caravaggio (b. Caravaggio, Italy, 1571-1610) dominated the Italian Baroque period with his intense paintin...
Michelangelo Merisi da Caravaggio, otherwise known as Caravaggio (b. Caravaggio, Italy, 1571-1610) dominated the Italian Baroque period with his intense paintings of impassioned, dramatically-lit subjects.
This is Several Circles, where we tell the stories of extraordinary artists from across history and the present day. We believe art history content should be accessible—free of charge and impenetrable jargon, but abundant in fascinating facts, illuminating analyses, and entertaining anecdotes.
Each episode is written and hosted by Rachel, an art journalist-turned-copywriter at The Met, and produced by Jason, a New York City art technician. The fuzzy feline superstars are Jimmy (big and bushy) and Tallulah (small with thumbs).
We started this channel to indulge our fascination with what compels an artist to create the way they do, and we intend to grow it into a vast and celebratory archive of the weird and wonderful eccentrics who constitute the art history continuum.
Subscribe and click the bell to be notified whenever we publish a new video!
#Caravaggio #ArtHistory
https://wn.com/Know_The_Artist_Caravaggio
Michelangelo Merisi da Caravaggio, otherwise known as Caravaggio (b. Caravaggio, Italy, 1571-1610) dominated the Italian Baroque period with his intense paintings of impassioned, dramatically-lit subjects.
This is Several Circles, where we tell the stories of extraordinary artists from across history and the present day. We believe art history content should be accessible—free of charge and impenetrable jargon, but abundant in fascinating facts, illuminating analyses, and entertaining anecdotes.
Each episode is written and hosted by Rachel, an art journalist-turned-copywriter at The Met, and produced by Jason, a New York City art technician. The fuzzy feline superstars are Jimmy (big and bushy) and Tallulah (small with thumbs).
We started this channel to indulge our fascination with what compels an artist to create the way they do, and we intend to grow it into a vast and celebratory archive of the weird and wonderful eccentrics who constitute the art history continuum.
Subscribe and click the bell to be notified whenever we publish a new video!
#Caravaggio #ArtHistory
- published: 15 Dec 2020
- views: 114169
14:13
Caravaggio's Taking of Christ: Great Art Explained
My other channel, Great Books Explained here - https://www.youtube.com/@greatbooksexplained371
Please consider supporting this channel on Patreon (and getting...
My other channel, Great Books Explained here - https://www.youtube.com/@greatbooksexplained371
Please consider supporting this channel on Patreon (and getting exclusive content), thanks! https://www.patreon.com/user?u=53686503
or if you prefer a one-off donation - https://paypal.me/GreatArtExplained?country.x=GB&locale.x=en_GB
Alternatively, every video has a "thanks" button under it- I appreciate it!
Subscribe and click the bell icon to be notified! https://www.youtube.com/channel/UCePD...
The Taking of Christ is a painting by Michelangelo Merisi da Caravaggio. The subject is the moment that the son of God is betrayed with a kiss, and arrested in the garden of Gethsemane.
Caravaggio’s approach to religious art was shocking and controversial in his time, his work was censored, dismissed and criticised, but it would lead to an entirely new kind of Christian art.
The intensity of his paintings was matched only by his tempestuous lifestyle.
The same year he painted this picture, Caravaggio was imprisoned for libel. A year later he was arrested for throwing a plate of hot artichokes at a waiter, a year after that, he wounded an official, and then finally, in 1606 he killed a man… and would spend the rest of his life on the run.
More than any other painter in history, Caravaggio understood what it was like to be pursued by the authorities.
CREDITS
The Taking of Christ is on permanent loan to The National gallery of Ireland, Dublin
Caravaggio's paintings used in this film are in the public domain in its country of origin and other countries and areas where the copyright term is the author's life plus 100 years or fewer.
Caravaggio Techniques ©Artenet - https://www.youtube.com/watch?v=w0q2udIX0fs
Godfather Part II ©Paramount Pictures
Sunset Boulevard ©Paramount Pictures
Caravaggio ©cinevista and BFI films
royalty free Music by Giorgio Di Campo for FreeSound Music http://freesoundmusic.eu https://www.facebook.com/freemusicfor... https://youtube.com/freesoundmusic original video: https://youtu.be/IwBYlLnzYtc download mp3: https://link-to.net/49870/RockAroundT...
Intro music: Maria Callas sings "Casta Diva" (Bellini: Norma, Act 1)
"Theme" music: JS Bach “Sonata for violin solo No.1 in G Minor”
All the videos, songs, images, and graphics used in the video belong to their respective owners and I or this channel does not claim any right over them.
Copyright Disclaimer under section 107 of the Copyright Act of 1976, allowance is made for “fair use” for purposes such as criticism, comment, news reporting, teaching, scholarship, education and research. Fair use is a use permitted by copyright statute that might otherwise be infringing.
https://wn.com/Caravaggio's_Taking_Of_Christ_Great_Art_Explained
My other channel, Great Books Explained here - https://www.youtube.com/@greatbooksexplained371
Please consider supporting this channel on Patreon (and getting exclusive content), thanks! https://www.patreon.com/user?u=53686503
or if you prefer a one-off donation - https://paypal.me/GreatArtExplained?country.x=GB&locale.x=en_GB
Alternatively, every video has a "thanks" button under it- I appreciate it!
Subscribe and click the bell icon to be notified! https://www.youtube.com/channel/UCePD...
The Taking of Christ is a painting by Michelangelo Merisi da Caravaggio. The subject is the moment that the son of God is betrayed with a kiss, and arrested in the garden of Gethsemane.
Caravaggio’s approach to religious art was shocking and controversial in his time, his work was censored, dismissed and criticised, but it would lead to an entirely new kind of Christian art.
The intensity of his paintings was matched only by his tempestuous lifestyle.
The same year he painted this picture, Caravaggio was imprisoned for libel. A year later he was arrested for throwing a plate of hot artichokes at a waiter, a year after that, he wounded an official, and then finally, in 1606 he killed a man… and would spend the rest of his life on the run.
More than any other painter in history, Caravaggio understood what it was like to be pursued by the authorities.
CREDITS
The Taking of Christ is on permanent loan to The National gallery of Ireland, Dublin
Caravaggio's paintings used in this film are in the public domain in its country of origin and other countries and areas where the copyright term is the author's life plus 100 years or fewer.
Caravaggio Techniques ©Artenet - https://www.youtube.com/watch?v=w0q2udIX0fs
Godfather Part II ©Paramount Pictures
Sunset Boulevard ©Paramount Pictures
Caravaggio ©cinevista and BFI films
royalty free Music by Giorgio Di Campo for FreeSound Music http://freesoundmusic.eu https://www.facebook.com/freemusicfor... https://youtube.com/freesoundmusic original video: https://youtu.be/IwBYlLnzYtc download mp3: https://link-to.net/49870/RockAroundT...
Intro music: Maria Callas sings "Casta Diva" (Bellini: Norma, Act 1)
"Theme" music: JS Bach “Sonata for violin solo No.1 in G Minor”
All the videos, songs, images, and graphics used in the video belong to their respective owners and I or this channel does not claim any right over them.
Copyright Disclaimer under section 107 of the Copyright Act of 1976, allowance is made for “fair use” for purposes such as criticism, comment, news reporting, teaching, scholarship, education and research. Fair use is a use permitted by copyright statute that might otherwise be infringing.
- published: 21 Feb 2021
- views: 707857
7:05
Caravaggio: Master Of Light
GET MY BOOK: https://amzn.to/3ymfQPV
Support Nerdwriter videos: https://patreon.com/nerdwriter
Subscribe: http://bit.ly/SubNerdwriter
Facebook: https://faceb...
GET MY BOOK: https://amzn.to/3ymfQPV
Support Nerdwriter videos: https://patreon.com/nerdwriter
Subscribe: http://bit.ly/SubNerdwriter
Facebook: https://facebook.com/The-Nerdwriter-314141501931192/
Twitter: https://twitter.com/TheeNerdwriter
SOURCES
https://www.mpg.de/9298461/F003_focus_032-038.pdf
https://www.bbc.com/culture/article/20161010-why-caravaggio-was-a-shocking-as-his-paintings
Kristina Herrmann Fiore, "Caravaggio's 'Taking of Christ' and Dürer's Woodcut of 1509"
The Burlington Magazine , Jan., 1995, Vol. 137, No. 1102 (Jan., 1995), pp. 24-27
http://www.jstor.com/stable/886401
Amelia Arenas, "Sex, Violence and Faith: The Art of Caravaggio"
Arion: A Journal of Humanities and the Classics , Vol. 23, No. 3 (Winter 2016), pp.
35-52
https://www.jstor.org/stable/10.2307/arion.23.3.0035
https://www.academia.edu/37951774/Of_Life_and_Lighting_A_Study_of_the_Evolution_of_Light_in_Caravaggios_Painting
https://www.academia.edu/20718373/Out_of_Darkness_The_Path_to_Enlightenment_in_Caravaggios_Taking_of_Christ_and_Other_Religious_Narratives
https://static1.squarespace.com/static/59b42d6cd7bdce0ff51beb91/t/59e6cffdccc5c588c62bdc53/1508298789566/Carravaggio%2C+Taking+of+Christ+.pdf
https://publications.ias.edu/sites/default/files/Lavin_CaravaggioRevolutionary_2001.pdf
MUSIC
Chris Zabriskie, "Cylinder 2"
https://soundcloud.com/chriszabriskie/cylinder-two
Blue Wednesday – "Dusk"
https://open.spotify.com/artist/7185Q95lPFld0aoPqO6e0U
Music provided by Chillhop: http://chillhop.com/listen
Chillhop on Spotify: http://bit.ly/ChillhopSpotify
https://soundcloud.com/bluewednesday
Watch More Nerdwriter:
Latest Uploads: https://youtube.com/watch?v=gqlgf_q3nN4&list=PLwg4AG1KkgLxZ2RPuELOONAszjFfv5DvT
Understanding Art: https://youtube.com/watch?v=cLJAXu5OD-c&list=PLwg4AG1KkgLwP5FuUIiVEy-ILMD23AN1v
Essays About Art: https://youtube.com/watch?v=cLJAXu5OD-c&list=PLwg4AG1KkgLwv68sdgTCCK8F8OjhSjbMl
Essays About Social Science: https://youtube.com/watch?v=hBweUnkfQ2E&list=PLwg4AG1KkgLz2pLNCT97EbZgwCgnTV_kR
Popular Videos: https://youtube.com/watch?v=_aFo_BV-UzI&list=PLwg4AG1KkgLx18HrK7lCOjRXZFpmrdkvV
The Nerdwriter is a series of video essays about art, culture, politics, philosophy and more.
https://wn.com/Caravaggio_Master_Of_Light
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Subscribe: http://bit.ly/SubNerdwriter
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Twitter: https://twitter.com/TheeNerdwriter
SOURCES
https://www.mpg.de/9298461/F003_focus_032-038.pdf
https://www.bbc.com/culture/article/20161010-why-caravaggio-was-a-shocking-as-his-paintings
Kristina Herrmann Fiore, "Caravaggio's 'Taking of Christ' and Dürer's Woodcut of 1509"
The Burlington Magazine , Jan., 1995, Vol. 137, No. 1102 (Jan., 1995), pp. 24-27
http://www.jstor.com/stable/886401
Amelia Arenas, "Sex, Violence and Faith: The Art of Caravaggio"
Arion: A Journal of Humanities and the Classics , Vol. 23, No. 3 (Winter 2016), pp.
35-52
https://www.jstor.org/stable/10.2307/arion.23.3.0035
https://www.academia.edu/37951774/Of_Life_and_Lighting_A_Study_of_the_Evolution_of_Light_in_Caravaggios_Painting
https://www.academia.edu/20718373/Out_of_Darkness_The_Path_to_Enlightenment_in_Caravaggios_Taking_of_Christ_and_Other_Religious_Narratives
https://static1.squarespace.com/static/59b42d6cd7bdce0ff51beb91/t/59e6cffdccc5c588c62bdc53/1508298789566/Carravaggio%2C+Taking+of+Christ+.pdf
https://publications.ias.edu/sites/default/files/Lavin_CaravaggioRevolutionary_2001.pdf
MUSIC
Chris Zabriskie, "Cylinder 2"
https://soundcloud.com/chriszabriskie/cylinder-two
Blue Wednesday – "Dusk"
https://open.spotify.com/artist/7185Q95lPFld0aoPqO6e0U
Music provided by Chillhop: http://chillhop.com/listen
Chillhop on Spotify: http://bit.ly/ChillhopSpotify
https://soundcloud.com/bluewednesday
Watch More Nerdwriter:
Latest Uploads: https://youtube.com/watch?v=gqlgf_q3nN4&list=PLwg4AG1KkgLxZ2RPuELOONAszjFfv5DvT
Understanding Art: https://youtube.com/watch?v=cLJAXu5OD-c&list=PLwg4AG1KkgLwP5FuUIiVEy-ILMD23AN1v
Essays About Art: https://youtube.com/watch?v=cLJAXu5OD-c&list=PLwg4AG1KkgLwv68sdgTCCK8F8OjhSjbMl
Essays About Social Science: https://youtube.com/watch?v=hBweUnkfQ2E&list=PLwg4AG1KkgLz2pLNCT97EbZgwCgnTV_kR
Popular Videos: https://youtube.com/watch?v=_aFo_BV-UzI&list=PLwg4AG1KkgLx18HrK7lCOjRXZFpmrdkvV
The Nerdwriter is a series of video essays about art, culture, politics, philosophy and more.
- published: 01 Sep 2020
- views: 1114663
23:43
Caravaggio: The Murderous Artist Who Died In Mystery (Waldemar Januszczak Documentary)
Subscribe and click the bell icon to get more arts content every week:
https://tinyurl.com/yc3m7n4m
Boy Bitten by a Lizard by Caravaggio: As the only great art...
Subscribe and click the bell icon to get more arts content every week:
https://tinyurl.com/yc3m7n4m
Boy Bitten by a Lizard by Caravaggio: As the only great artist to commit murder, Caravaggio knew a little about the impetuosity of youth, and he portrays his hard-won wisdom on canvas.
Perspective is YouTube's home for the arts. Come here to get your fill of great music, theatre, art and much, much more!
From Every Picture Tells a Story
Content licensed from DRG Rights to Little Dot Studios.
Any queries, please contact us at:
[email protected]
https://wn.com/Caravaggio_The_Murderous_Artist_Who_Died_In_Mystery_(Waldemar_Januszczak_Documentary)
Subscribe and click the bell icon to get more arts content every week:
https://tinyurl.com/yc3m7n4m
Boy Bitten by a Lizard by Caravaggio: As the only great artist to commit murder, Caravaggio knew a little about the impetuosity of youth, and he portrays his hard-won wisdom on canvas.
Perspective is YouTube's home for the arts. Come here to get your fill of great music, theatre, art and much, much more!
From Every Picture Tells a Story
Content licensed from DRG Rights to Little Dot Studios.
Any queries, please contact us at:
[email protected]
- published: 21 May 2020
- views: 312776
6:46
Why Did Caravaggio Behead Himself in This Painting?
David with the Head of Goliath is an intriguing painting, even more so when you learn that Caravaggio painted it with a very specific goal in mind. Why did he p...
David with the Head of Goliath is an intriguing painting, even more so when you learn that Caravaggio painted it with a very specific goal in mind. Why did he paint himself as a beheaded man?
Support us on Patreon: https://www.patreon.com/TheCanvas
#arthistory #art
https://wn.com/Why_Did_Caravaggio_Behead_Himself_In_This_Painting
David with the Head of Goliath is an intriguing painting, even more so when you learn that Caravaggio painted it with a very specific goal in mind. Why did he paint himself as a beheaded man?
Support us on Patreon: https://www.patreon.com/TheCanvas
#arthistory #art
- published: 14 Aug 2022
- views: 205730
55:19
Caravaggio: An Overview
February 11, 2018
The J. Paul Getty Museum, The Getty Center, Los Angeles, California
Distinguished art historian Michael Fried, professor emeritus of humaniti...
February 11, 2018
The J. Paul Getty Museum, The Getty Center, Los Angeles, California
Distinguished art historian Michael Fried, professor emeritus of humanities at Johns Hopkins University, takes off from each of the three great paintings that were on loan to the Getty Museum from the Galleria Borghese in Rome to provide an overview of Caravaggio's remarkable, world-transforming achievement.
Love Art? Hit Subscribe! (https://www.youtube.com/user/gettymuseum?sub_confirmation=1)
"Caravaggio: Masterpieces from the Galleria Borghese" (November 21, 2017 – February 21, 2018) at the Getty Museum: http://www.getty.edu/art/exhibitions/caravaggio/
Find out what's on now at the Getty:
http://www.getty.edu/360/
#gettytalks
https://wn.com/Caravaggio_An_Overview
February 11, 2018
The J. Paul Getty Museum, The Getty Center, Los Angeles, California
Distinguished art historian Michael Fried, professor emeritus of humanities at Johns Hopkins University, takes off from each of the three great paintings that were on loan to the Getty Museum from the Galleria Borghese in Rome to provide an overview of Caravaggio's remarkable, world-transforming achievement.
Love Art? Hit Subscribe! (https://www.youtube.com/user/gettymuseum?sub_confirmation=1)
"Caravaggio: Masterpieces from the Galleria Borghese" (November 21, 2017 – February 21, 2018) at the Getty Museum: http://www.getty.edu/art/exhibitions/caravaggio/
Find out what's on now at the Getty:
http://www.getty.edu/360/
#gettytalks
- published: 24 Apr 2018
- views: 40881
27:50
Caravaggio's Extremely Chaotic Life of Crime
Use code KAZ to get 30% off your first month at Scentbird https://sbird.co/3iX7VOd
This month I received...
Fearless by Rachel Zoe https://sbird.co/3k1FPkl ...
Use code KAZ to get 30% off your first month at Scentbird https://sbird.co/3iX7VOd
This month I received...
Fearless by Rachel Zoe https://sbird.co/3k1FPkl
Let's Be Real by Confessions Of A Rebel https://sbird.co/3ARLCjf
Bright Crystal Absolu by Versace https://sbird.co/3mcW6W9
Michelangelo Merisi da Caravaggio is one of the most famous Italian painters of all time. He was also a lifelong criminal and murderer who terrorized Rome in the 16-17th century. What the heck was this guy's deal, anyway? Come learn with me about a talented and dangerous weird little man.
Find me on Twitter: https://twitter.com/KazRowe
I'm on TikTok @ kazrowe
Find me on IG: https://www.instagram.com/kaz.rowe
Buy my comics: https://gumroad.com/kazrowe
Send me a ko-fi: https://ko-fi.com/A347K4X
Read my webcomic: https://www.cunningfire.com/
Catch it on Tapas: https://tapas.io/series/cunning-fire
Line Webtoons: https://www.webtoons.com/en/challenge/cunning-fire/list?title_no=59016
Sources:
Caravaggio: A Life Sacred and Profane by Andrew Graham-Dixon
Caravaggio: A Passionate Life by Desmond Seward
Caravaggio: fury, food and fine art by Gillian Riley https://artuk.org/discover/stories/caravaggio-fury-food-and-fine-art
Unearthing Doubts About Caravaggio’s Remains By Elisabetta Povoledo https://www.nytimes.com/2010/07/05/world/europe/05italy.html
Life of Caravaggio by Francesco Susinno
Thoughts on Caravaggio by Michael Fried
Caravaggio's crimes exposed in Rome's police files By David Willey https://www.bbc.com/news/world-europe-12497978
Caravaggio by John T. Spike, Michelangelo Merisi Da Caravaggio, Michele K. Spike
Signature Killer: Caravaggio and the Poetics of Blood by David M. Stone
https://wn.com/Caravaggio's_Extremely_Chaotic_Life_Of_Crime
Use code KAZ to get 30% off your first month at Scentbird https://sbird.co/3iX7VOd
This month I received...
Fearless by Rachel Zoe https://sbird.co/3k1FPkl
Let's Be Real by Confessions Of A Rebel https://sbird.co/3ARLCjf
Bright Crystal Absolu by Versace https://sbird.co/3mcW6W9
Michelangelo Merisi da Caravaggio is one of the most famous Italian painters of all time. He was also a lifelong criminal and murderer who terrorized Rome in the 16-17th century. What the heck was this guy's deal, anyway? Come learn with me about a talented and dangerous weird little man.
Find me on Twitter: https://twitter.com/KazRowe
I'm on TikTok @ kazrowe
Find me on IG: https://www.instagram.com/kaz.rowe
Buy my comics: https://gumroad.com/kazrowe
Send me a ko-fi: https://ko-fi.com/A347K4X
Read my webcomic: https://www.cunningfire.com/
Catch it on Tapas: https://tapas.io/series/cunning-fire
Line Webtoons: https://www.webtoons.com/en/challenge/cunning-fire/list?title_no=59016
Sources:
Caravaggio: A Life Sacred and Profane by Andrew Graham-Dixon
Caravaggio: A Passionate Life by Desmond Seward
Caravaggio: fury, food and fine art by Gillian Riley https://artuk.org/discover/stories/caravaggio-fury-food-and-fine-art
Unearthing Doubts About Caravaggio’s Remains By Elisabetta Povoledo https://www.nytimes.com/2010/07/05/world/europe/05italy.html
Life of Caravaggio by Francesco Susinno
Thoughts on Caravaggio by Michael Fried
Caravaggio's crimes exposed in Rome's police files By David Willey https://www.bbc.com/news/world-europe-12497978
Caravaggio by John T. Spike, Michelangelo Merisi Da Caravaggio, Michele K. Spike
Signature Killer: Caravaggio and the Poetics of Blood by David M. Stone
- published: 22 Sep 2021
- views: 290123
44:47
La Santa Messa di lunedì 3 febbraio 2025 in diretta dal Santuario di Caravaggio
Ogni giorno alle 7.00 in diretta dal Santuario di Santa Maria del Fonte di Caravaggio la Santa Messa feriale
Ogni giorno alle 7.00 in diretta dal Santuario di Santa Maria del Fonte di Caravaggio la Santa Messa feriale
https://wn.com/La_Santa_Messa_Di_Lunedì_3_Febbraio_2025_In_Diretta_Dal_Santuario_Di_Caravaggio
Ogni giorno alle 7.00 in diretta dal Santuario di Santa Maria del Fonte di Caravaggio la Santa Messa feriale
- published: 03 Feb 2025
- views: 376
15:24
Caravaggio's Technique
How Caravaggio painted.
Oil painting in Italy at the beginning of the seventeenth century, the technique of Caravaggio.
The video traces the techniques used by ...
How Caravaggio painted.
Oil painting in Italy at the beginning of the seventeenth century, the technique of Caravaggio.
The video traces the techniques used by Caravaggio to paint his works: from the use of engravings and red / brown preparations, to the practice of painting directly without drawing through the use of preliminary color sketches.
ARTEnet - https://artenet.it/caravaggio-technique-the-seventeenth-century-in-italy/
Works and sources consulted:
AA.VV., L’ultimo Caravaggio e la cultura artistica a Napoli, in Sicilia e a Malta, atti del convegno, Siracusa-Malta, aprile 1987, a cura di M. Calvesi col coordinamento di L. Striglia, Siracusa, Ediprint 1987
M. Gregori, Come dipingeva il Caravaggio, in Michelangelo Merisi da Caravaggio, come nascono i capolavori, a cura di M. Gregori, Catalogo della mostra (Firenze, Roma 1992), Milano: Electa 1991, pp. 13-30;
R. Lapucci, La tecnica del Caravaggio: materiali e metodi, pp. 31-51;
S. Rinaldi, Qualità di superficie nelle due versioni della Buona ventura di Caravaggio, “Ricerche di Storia dell’arte”, 51, Roma, Bulzoni 1976, pp. 27-30;
AA.VV., Identificazione di un Caravaggio : nuove tecnologie per una rilettura del San Giovanni Battista, a cura di Gianpaolo Correale, Venezia, Marsilio 1990;
M. Calvesi, Le realtà del Caravaggio, Torino, G. Einaudi, 1990;
M. Cinotti, Caravaggio: la vita e l’opera, Bergamo, Bolis 1991;
AA.VV., Come dipingeva il Caravaggio : atti della Giornata di studio, a cura di M. Gregori, Milano, Electa 1996;
AA.VV., Il seppellimento di santa Lucia del Caravaggio: indagini radiografiche e riflettografiche, a cura di G. Barbera e R. Lapucci, Siracusa, Galleria regionale di Palazzo Bellomo 1996;
M. Gregori, R. Lapucci, Michelangelo Merisi da Caravaggio e i suoi primi seguaci, Fondazione di Studi di Storia dell’Arte Roberto Longhi, Arti Grafiche Aa 1997;
M. Gregori, Un nuovo ‘Davide e Golia’ del Caravaggio, in “Paragone”, LI , 603, 2001, pp. 11-22; M. T.
Schneider Per un nuovo ‘Davide’ del Caravaggio: relazione tecnica, in “Paragone”, LI , 603, 2001, pp. 23-28;
AA.VV., Caravaggio e i Giustiniani: toccar con mano una collezione del Seicento, a cura di S. Danesi Squarzina, Milano, Electa 2001;
AA.VV., Sulle orme di Caravaggio: tra Roma e la Sicilia, a cura di V. Abbate, Venezia, Marsilio 2001
M. Cinotti, La mostra, in Novità sul Caravaggio, Saggi e contributi, a cura di M. Cinotti, Cinisello Balsamo (Milano) 1975, pp. 215-250
M. Cinotti, Michelangelo Merisi detto il Caravaggio. Tutte le opere, con saggio introduttivo di G. A. Dell’Acqua, Bergamo, Poligrafiche Bolis 1983
R. Longhi, Un originale del Caravaggio a Rouen e il problema delle copie caravaggesche, in “Paragone”, XI, n. 121, 1960, pp. 23-36
R. E. Spear, Caravaggio and His Followers, Cleveland, 1971
K. Christiansen, Caravaggio and “l’esempio davanti del naturale”, in “The Art Bullettin”, LXVIII, 3, 1986, pp. 421-445
G.B. Armenini, (1586), ed cons. a cura di P. Barocchi, Scritti d’arte del Cinquecento, Milano-Napoli, 1973, p. 2289
G. B. Volpato, in M. P. Merrifield, cit., 1849, p.737
G. P. Bellori, Le vite de’ pittori , scultori e architetti moderni(1672), ma si cita dall’ed. curata da E. Borea e G.
Previtali, cit., 1976, p. 209
G. Baglione, Le vite de’ pittori scultori et architetti. Dal Pontificato di Gregorio XIII del 1572 in fino a’ tempi di Papa Urbano Ottavo nel 1642, Roma 1642
G. P. Bellori (1672), ed. cons. E. Borea e G. Previtali, cit., 1976, p. 215
https://wn.com/Caravaggio's_Technique
How Caravaggio painted.
Oil painting in Italy at the beginning of the seventeenth century, the technique of Caravaggio.
The video traces the techniques used by Caravaggio to paint his works: from the use of engravings and red / brown preparations, to the practice of painting directly without drawing through the use of preliminary color sketches.
ARTEnet - https://artenet.it/caravaggio-technique-the-seventeenth-century-in-italy/
Works and sources consulted:
AA.VV., L’ultimo Caravaggio e la cultura artistica a Napoli, in Sicilia e a Malta, atti del convegno, Siracusa-Malta, aprile 1987, a cura di M. Calvesi col coordinamento di L. Striglia, Siracusa, Ediprint 1987
M. Gregori, Come dipingeva il Caravaggio, in Michelangelo Merisi da Caravaggio, come nascono i capolavori, a cura di M. Gregori, Catalogo della mostra (Firenze, Roma 1992), Milano: Electa 1991, pp. 13-30;
R. Lapucci, La tecnica del Caravaggio: materiali e metodi, pp. 31-51;
S. Rinaldi, Qualità di superficie nelle due versioni della Buona ventura di Caravaggio, “Ricerche di Storia dell’arte”, 51, Roma, Bulzoni 1976, pp. 27-30;
AA.VV., Identificazione di un Caravaggio : nuove tecnologie per una rilettura del San Giovanni Battista, a cura di Gianpaolo Correale, Venezia, Marsilio 1990;
M. Calvesi, Le realtà del Caravaggio, Torino, G. Einaudi, 1990;
M. Cinotti, Caravaggio: la vita e l’opera, Bergamo, Bolis 1991;
AA.VV., Come dipingeva il Caravaggio : atti della Giornata di studio, a cura di M. Gregori, Milano, Electa 1996;
AA.VV., Il seppellimento di santa Lucia del Caravaggio: indagini radiografiche e riflettografiche, a cura di G. Barbera e R. Lapucci, Siracusa, Galleria regionale di Palazzo Bellomo 1996;
M. Gregori, R. Lapucci, Michelangelo Merisi da Caravaggio e i suoi primi seguaci, Fondazione di Studi di Storia dell’Arte Roberto Longhi, Arti Grafiche Aa 1997;
M. Gregori, Un nuovo ‘Davide e Golia’ del Caravaggio, in “Paragone”, LI , 603, 2001, pp. 11-22; M. T.
Schneider Per un nuovo ‘Davide’ del Caravaggio: relazione tecnica, in “Paragone”, LI , 603, 2001, pp. 23-28;
AA.VV., Caravaggio e i Giustiniani: toccar con mano una collezione del Seicento, a cura di S. Danesi Squarzina, Milano, Electa 2001;
AA.VV., Sulle orme di Caravaggio: tra Roma e la Sicilia, a cura di V. Abbate, Venezia, Marsilio 2001
M. Cinotti, La mostra, in Novità sul Caravaggio, Saggi e contributi, a cura di M. Cinotti, Cinisello Balsamo (Milano) 1975, pp. 215-250
M. Cinotti, Michelangelo Merisi detto il Caravaggio. Tutte le opere, con saggio introduttivo di G. A. Dell’Acqua, Bergamo, Poligrafiche Bolis 1983
R. Longhi, Un originale del Caravaggio a Rouen e il problema delle copie caravaggesche, in “Paragone”, XI, n. 121, 1960, pp. 23-36
R. E. Spear, Caravaggio and His Followers, Cleveland, 1971
K. Christiansen, Caravaggio and “l’esempio davanti del naturale”, in “The Art Bullettin”, LXVIII, 3, 1986, pp. 421-445
G.B. Armenini, (1586), ed cons. a cura di P. Barocchi, Scritti d’arte del Cinquecento, Milano-Napoli, 1973, p. 2289
G. B. Volpato, in M. P. Merrifield, cit., 1849, p.737
G. P. Bellori, Le vite de’ pittori , scultori e architetti moderni(1672), ma si cita dall’ed. curata da E. Borea e G.
Previtali, cit., 1976, p. 209
G. Baglione, Le vite de’ pittori scultori et architetti. Dal Pontificato di Gregorio XIII del 1572 in fino a’ tempi di Papa Urbano Ottavo nel 1642, Roma 1642
G. P. Bellori (1672), ed. cons. E. Borea e G. Previtali, cit., 1976, p. 215
- published: 02 Oct 2020
- views: 1267640