María Pagés (born 1963) is a modern Spanish flamenco dancer and choreographer based in Madrid, Spain.
Life and career
María Jesús Pagés Madrigal was born in Seville, Spain, and began dancing professionally with the Antonio Gades Company. She choreographed for films including Carmen, El Amor Brujo and Flamenco by Carlos Saura, and in 1990 she established the Maria Pagès Company. Her work is described as incorporating the national flamenco style with outside influences.
María Pagés and her company have toured internationally, appearing in the United States at the Baryshnikov Arts Center in New York City and The Kennedy Center in Washington, D.C., among other venues. In 1995 the expanded version of the Riverdance show included performance by the company to music of Irish style composed by Bill Whelan. In 2000 she provided choreography for the Hispanic Heritage Awards. Pagés serves on the Board of the Cultural Council in Madrid.
Frédéric Pagès (French:[paʒɛs]; born 1950) is a French journalist noted for his work with the satirical weekly, Le Canard enchaîné.
Pagès studied philosophy at University and worked as a high school teacher until 1985.
At Le Canard enchaîné, his humorous columns included Le Journal de Xavière T, a spoof diary of Xavière Tiberi, the wife of Jean Tiberi, then mayor of Paris, and, from December 2007, Le Journal de Carla B, a spoof diary of Carla Bruni, wife of President Nicolas Sarkozy.
The last of these was the subject of controversy when Karl Laske and Laurent Valdiguié published a book Vrai Canard, which alleged that the spoof diary was written by Pierre Charon, a political advisor to the French government, and used to pass on political messages. The editor of Le Canard enchaîné, Michel Gaillard, quickly debunked this claim by naming Frédéric Pagès as the writer.
"Botulism"
Pagès has written two books of spoof philosophy under the name Jean-Baptiste Botul:
La vie sexuelle d'Emmanuel Kant[The Sex Life of Emmanuel Kant]. Éditions Mille et une nuits. 1999. ISBN2-84205-424-5.
Maria is a maleToulouse Goose (Anser anser), formerly living in Echo Park, Los Angeles who became the subject of news reports in 2011 after forming an unusual association with a local resident, named Dominic Ehrler.
Maria, named by locals and assumed to be female, was familiar to users of the park for several years as a goose which preferred the company of humans to that of his own species, often pecking at homeless people or following walkers and runners around.
Ehrler, a retired salesman, first encountered Maria at Echo Park lake in the summer of 2010 when the bird began to follow him on his daily walks around the lake, readily accepting food from him and soon becoming so attached that he would wait beside the road every morning for Ehrler to arrive at the park. Maria would walk alongside and possessively 'protect' Ehrler from other park users and their dogs and would also attempt to follow him from the park, flying closely behind him as he rode away on his scooter, necessitating attempts to distract the goose, or lock him behind a fence when leaving, to avoid being followed all the way home.
The game's story centers on four youths whose parents were killed during an army invasion by the empire of Palamecia, who are using hellspawn to conquer the world. Three of the four main characters join a rebellion against the empire, embarking on missions to gain new magic and weapons, destroy enemy superweapons, and rescue leading members of the resistance. The Game Boy Advance remake adds a bonus story after the game is completed.
María Pagés shows her art in “An Ode to Time” at Expo 2020 Dubai
On February 23, flamenco dancer and choreographer María Pagés and the writer, poet, playwright and professor El Arbi El Harti presented the flamenco show “An Ode to Time” in the Spain Pavilion at Expo 2020 Dubai.
“An Ode to Time” is a flamenco choreography on the ephemeral, permanence and eternity, which includes observations by Plato, Jorge Luis Borges and Octavio Paz, among others. The artist reflects on the inevitable irreversibility of time, on the body, desire, art and life.
For El Arbi El Harti, the Sevillian choreographer, tradition has always been his source and his agora. He conceives art listening and observing the cultural heritage of all those who have dedicated themselves to it.
#MariaPages #ElHarbiElHarti #SpainPavilion
Discover other interesting projects of the Spain ...
published: 23 Mar 2022
Maria Pages version Shostakovich.wmv
Maria Pages y su compañia.
published: 02 Mar 2012
4048 Utopia Maria Pages hd mp4e=1359068400&h=27f1e4da9a7506d33b1ae206a7d7b062
intégrale concert Nuits de Fourvière du 24 juillet 2012
published: 30 Sep 2012
Flamenco Festival Miami 2020: María Pagés Compañía: Yo, Carmen at the Adrienne Arsht Center
“You had to admire Ms. Pages’ sinuous and almost serpentine arms, her quick feet and her juxtapositions of smooth and jaggedly staccato steps.” – The New York Times
“Fearless flamenco. The leading innovator of modern flamenco let’s her imagination soar...” – The New York Times
María Pagés returns to Flamenco Festival Miami with a new work deeply rooted in her desire to talk about women – embarking on a genuinely feminine adventure that tells a different story about what real women feel and live. Pagés aspires to transcend the myth of the ‘femme fatale’ – as originally sculpted by French novelist Mérimée and, since then, by many other masculine interpretations. This is not the story of Carmen we know: Yo, Carmen is about the emergence of the feminine voice – the voice of all women, long h...
published: 22 Jul 2019
María Pagés "De Sheherazade"
Video del equipo de comunicación de los Teatros del Canal.
Más información: https://www.deflamenco.com/revista/noticias/maria-pages-trae-de-sheherazade-a-los-teatros-del-canal.html
¡Gracias por compartir el video desde el enlace de Youtube! NO descargar el video para subirlo a vuestros canales de Youtube, Facebook, IGTV u otras redes sociales! Gracias por respetar nuestro trabajo.
Suscríbete a nuestro canal! - https://www.youtube.com/deflamencoplus?sub_confirmation=1 - Sigue la actualidad del Flamenco a través de nuestros videos.
Siguenos en nuestras redes sociales:
Facebook: https://www.facebook.com/paginadeflamenco
Twitter: @deflamenco_com
Instagram: https://www.instagram.com/deflamenco
Pinterest: https://www.pinterest.com/deflamenco
https://www.deflamenco.com
published: 17 Jun 2022
Compañía María Pagés - An Ode to Time - Trailer
Searching for meaning in the art of flamenco, María Pagés beautifully blends art and life in her in-depth explorations of the genre itself. An Ode to Time is a journey of reflection, an allegory of the time we live in filled with infinite possibilities. Her powerful, emotive gestures and ferocious footwork combine to create a performance that is theatrical and passionate, whilst also reflective.
Accompanied by eight dancers and a delicate original score, An Ode to Time looks at darkness and light, the chance of happiness in uncertain times and the nature of time itself. Working with her long-time collaborator El Arbi El Harti, Pagés’s swift and incisive choreography draws from a variety of flamenco styles and inspirations.
10 - 12 July 2020
More info & tickets: https://sadl.rs/3bTzhzh
...
published: 06 Feb 2020
Maria Pages, flamenco dancer extraordinaire, in India
María Pagés (born 1963) is a modern Spanish flamenco dancer and choreographer based in Madrid, Spain.
María Jesús Pagés Madrigal was born in Seville, Spain, and began dancing professionally with the Antonio Gades Company. She choreographed for films including Carmen, El Amor Brujo and Flamenco by Carlos Saura, and in 1990 she established the Maria Pagès Company. Her work is described as incorporating the national flamenco style with outside influences.
María Pagés and her company have toured internationally, appearing in the United States at the Baryshnikov Arts Center in New York City and The Kennedy Center in Washington, D.C., among other venues. In 1995 the expanded version of the Riverdance show included performance by the company to music of Irish style composed by Bill Whelan. In 2...
published: 28 May 2013
Tarantos. María Pagés. 2005
Palo: Tarantos
Bailaora: María Pagés
Programa: La Llama Viva (2005)
¡¡El Flamenco como nunca lo has vivido antes...visita nuestra Web y disfruta del mejor arte!!
http://canalandaluciaflamenco.es
LF_2018_178 11
On February 23, flamenco dancer and choreographer María Pagés and the writer, poet, playwright and professor El Arbi El Harti presented the flamenco show “An Od...
On February 23, flamenco dancer and choreographer María Pagés and the writer, poet, playwright and professor El Arbi El Harti presented the flamenco show “An Ode to Time” in the Spain Pavilion at Expo 2020 Dubai.
“An Ode to Time” is a flamenco choreography on the ephemeral, permanence and eternity, which includes observations by Plato, Jorge Luis Borges and Octavio Paz, among others. The artist reflects on the inevitable irreversibility of time, on the body, desire, art and life.
For El Arbi El Harti, the Sevillian choreographer, tradition has always been his source and his agora. He conceives art listening and observing the cultural heritage of all those who have dedicated themselves to it.
#MariaPages #ElHarbiElHarti #SpainPavilion
Discover other interesting projects of the Spain Pavilion cultural program: https://www.youtube.com/playlist?list=PLf9cqr64vP_eQAADkN9ikswEt6vLg1jVv
On February 23, flamenco dancer and choreographer María Pagés and the writer, poet, playwright and professor El Arbi El Harti presented the flamenco show “An Ode to Time” in the Spain Pavilion at Expo 2020 Dubai.
“An Ode to Time” is a flamenco choreography on the ephemeral, permanence and eternity, which includes observations by Plato, Jorge Luis Borges and Octavio Paz, among others. The artist reflects on the inevitable irreversibility of time, on the body, desire, art and life.
For El Arbi El Harti, the Sevillian choreographer, tradition has always been his source and his agora. He conceives art listening and observing the cultural heritage of all those who have dedicated themselves to it.
#MariaPages #ElHarbiElHarti #SpainPavilion
Discover other interesting projects of the Spain Pavilion cultural program: https://www.youtube.com/playlist?list=PLf9cqr64vP_eQAADkN9ikswEt6vLg1jVv
“You had to admire Ms. Pages’ sinuous and almost serpentine arms, her quick feet and her juxtapositions of smooth and jaggedly staccato steps.” – The New York T...
“You had to admire Ms. Pages’ sinuous and almost serpentine arms, her quick feet and her juxtapositions of smooth and jaggedly staccato steps.” – The New York Times
“Fearless flamenco. The leading innovator of modern flamenco let’s her imagination soar...” – The New York Times
María Pagés returns to Flamenco Festival Miami with a new work deeply rooted in her desire to talk about women – embarking on a genuinely feminine adventure that tells a different story about what real women feel and live. Pagés aspires to transcend the myth of the ‘femme fatale’ – as originally sculpted by French novelist Mérimée and, since then, by many other masculine interpretations. This is not the story of Carmen we know: Yo, Carmen is about the emergence of the feminine voice – the voice of all women, long hidden because of their gender.
The show’s potent narrative is stitched together through choreography expressing Pagés’ wisdom and contradictions, her loves and heartbreaks, her strength and weakness, her insecurity and dissatisfaction, her loneliness, her sensuality and unattained gender equality, her maternity… all coming together with a company of eight dancers – both female and male – and seven musicians, both classical and Flamenco, playing live.
The score for Yo, Carmen incorporates adaptations of Bizet’s famous opera fused with reinterpretations of classical music influences and original Flamenco compositions by Rubén Levaniegos, Sergio Menem, and David Moñiz – performed by a string quartet: Flamenco guitar players, a cellist and a violinist, as well as a percussionist. The songs (‘el cante’) are interpreted by two female singers using original poetry written by women from different cultures and geographical spaces, united by the same concerns. Singular voices. Universal voices.
“You had to admire Ms. Pages’ sinuous and almost serpentine arms, her quick feet and her juxtapositions of smooth and jaggedly staccato steps.” – The New York Times
“Fearless flamenco. The leading innovator of modern flamenco let’s her imagination soar...” – The New York Times
María Pagés returns to Flamenco Festival Miami with a new work deeply rooted in her desire to talk about women – embarking on a genuinely feminine adventure that tells a different story about what real women feel and live. Pagés aspires to transcend the myth of the ‘femme fatale’ – as originally sculpted by French novelist Mérimée and, since then, by many other masculine interpretations. This is not the story of Carmen we know: Yo, Carmen is about the emergence of the feminine voice – the voice of all women, long hidden because of their gender.
The show’s potent narrative is stitched together through choreography expressing Pagés’ wisdom and contradictions, her loves and heartbreaks, her strength and weakness, her insecurity and dissatisfaction, her loneliness, her sensuality and unattained gender equality, her maternity… all coming together with a company of eight dancers – both female and male – and seven musicians, both classical and Flamenco, playing live.
The score for Yo, Carmen incorporates adaptations of Bizet’s famous opera fused with reinterpretations of classical music influences and original Flamenco compositions by Rubén Levaniegos, Sergio Menem, and David Moñiz – performed by a string quartet: Flamenco guitar players, a cellist and a violinist, as well as a percussionist. The songs (‘el cante’) are interpreted by two female singers using original poetry written by women from different cultures and geographical spaces, united by the same concerns. Singular voices. Universal voices.
Video del equipo de comunicación de los Teatros del Canal.
Más información: https://www.deflamenco.com/revista/noticias/maria-pages-trae-de-sheherazade-a-los-te...
Video del equipo de comunicación de los Teatros del Canal.
Más información: https://www.deflamenco.com/revista/noticias/maria-pages-trae-de-sheherazade-a-los-teatros-del-canal.html
¡Gracias por compartir el video desde el enlace de Youtube! NO descargar el video para subirlo a vuestros canales de Youtube, Facebook, IGTV u otras redes sociales! Gracias por respetar nuestro trabajo.
Suscríbete a nuestro canal! - https://www.youtube.com/deflamencoplus?sub_confirmation=1 - Sigue la actualidad del Flamenco a través de nuestros videos.
Siguenos en nuestras redes sociales:
Facebook: https://www.facebook.com/paginadeflamenco
Twitter: @deflamenco_com
Instagram: https://www.instagram.com/deflamenco
Pinterest: https://www.pinterest.com/deflamenco
https://www.deflamenco.com
Video del equipo de comunicación de los Teatros del Canal.
Más información: https://www.deflamenco.com/revista/noticias/maria-pages-trae-de-sheherazade-a-los-teatros-del-canal.html
¡Gracias por compartir el video desde el enlace de Youtube! NO descargar el video para subirlo a vuestros canales de Youtube, Facebook, IGTV u otras redes sociales! Gracias por respetar nuestro trabajo.
Suscríbete a nuestro canal! - https://www.youtube.com/deflamencoplus?sub_confirmation=1 - Sigue la actualidad del Flamenco a través de nuestros videos.
Siguenos en nuestras redes sociales:
Facebook: https://www.facebook.com/paginadeflamenco
Twitter: @deflamenco_com
Instagram: https://www.instagram.com/deflamenco
Pinterest: https://www.pinterest.com/deflamenco
https://www.deflamenco.com
Searching for meaning in the art of flamenco, María Pagés beautifully blends art and life in her in-depth explorations of the genre itself. An Ode to Time is a ...
Searching for meaning in the art of flamenco, María Pagés beautifully blends art and life in her in-depth explorations of the genre itself. An Ode to Time is a journey of reflection, an allegory of the time we live in filled with infinite possibilities. Her powerful, emotive gestures and ferocious footwork combine to create a performance that is theatrical and passionate, whilst also reflective.
Accompanied by eight dancers and a delicate original score, An Ode to Time looks at darkness and light, the chance of happiness in uncertain times and the nature of time itself. Working with her long-time collaborator El Arbi El Harti, Pagés’s swift and incisive choreography draws from a variety of flamenco styles and inspirations.
10 - 12 July 2020
More info & tickets: https://sadl.rs/3bTzhzh
Subscribe: http://www.youtube.com/subscription_center?add_user=sadlerswells
Website: http://www.sadlerswells.com
Twitter: http://twitter.com/sadlers_wells
Facebook: http://www.facebook.com/SadlersWells
Blog: http://blog.sadlerswells.com/
Instagram: http://instagram.com/sadlers_wells/
Searching for meaning in the art of flamenco, María Pagés beautifully blends art and life in her in-depth explorations of the genre itself. An Ode to Time is a journey of reflection, an allegory of the time we live in filled with infinite possibilities. Her powerful, emotive gestures and ferocious footwork combine to create a performance that is theatrical and passionate, whilst also reflective.
Accompanied by eight dancers and a delicate original score, An Ode to Time looks at darkness and light, the chance of happiness in uncertain times and the nature of time itself. Working with her long-time collaborator El Arbi El Harti, Pagés’s swift and incisive choreography draws from a variety of flamenco styles and inspirations.
10 - 12 July 2020
More info & tickets: https://sadl.rs/3bTzhzh
Subscribe: http://www.youtube.com/subscription_center?add_user=sadlerswells
Website: http://www.sadlerswells.com
Twitter: http://twitter.com/sadlers_wells
Facebook: http://www.facebook.com/SadlersWells
Blog: http://blog.sadlerswells.com/
Instagram: http://instagram.com/sadlers_wells/
María Pagés (born 1963) is a modern Spanish flamenco dancer and choreographer based in Madrid, Spain.
María Jesús Pagés Madrigal was born in Seville, Spain, an...
María Pagés (born 1963) is a modern Spanish flamenco dancer and choreographer based in Madrid, Spain.
María Jesús Pagés Madrigal was born in Seville, Spain, and began dancing professionally with the Antonio Gades Company. She choreographed for films including Carmen, El Amor Brujo and Flamenco by Carlos Saura, and in 1990 she established the Maria Pagès Company. Her work is described as incorporating the national flamenco style with outside influences.
María Pagés and her company have toured internationally, appearing in the United States at the Baryshnikov Arts Center in New York City and The Kennedy Center in Washington, D.C., among other venues. In 1995 the expanded version of the Riverdance show included performance by the company to music of Irish style composed by Bill Whelan. In 2000 she provided choreography for the Hispanic Heritage Awards. Pagés serves on the Board of the Cultural Council in Madrid.
Flamenco is a genre of Spanish music, song, and dance from Andalusia, in southern Spain, that includes cante (singing), toque (guitar playing), baile (dance) and palmas (handclaps). First mentioned in literature in 1774, the genre grew out of Andalusian and Romani music and dance styles. In recent years flamenco has become popular all over the world and is taught in many countries: in Japan there are more academies than there are in Spain. On November 16, 2010 UNESCO declared flamenco one of the Masterpieces of the Oral and Intangible Heritage of Humanity.
Flamenco performance has evolved during the history of this musical genre. In the beginning (the 18th century at the latest), songs were sung without any guitar accompaniment; during the 19th century, the guitar was used to accompany songs, and since the second half of the 19th century, the solo guitar is played in flamenco concerts. From flamenco's beginning in the 18th century most performers have been professionals. For most of the genuine life of flamenco, a folk art that has remarkably conserved an extraordinary level of conservatism within the caucus of European folk music, with its unmistakable rhythmic patterns and tones that mark its varied forms, or 'palos', flamenco has actually been the concern, like speech itself, of non-professionals in the countryside.
Source: Wikipedia
This footage is part of the professionally-shot broadcast stock footage archive of Wilderness Films India Ltd., the largest collection of HD imagery from South Asia. The Wilderness Films India collection comprises of tens of thousands of hours of high quality broadcast imagery, mostly shot on HDCAM 1080i High Definition, HDV and XDCAM. Write to us for licensing this footage on a broadcast format, for use in your production! We are happy to be commissioned to film for you or else provide you with broadcast crewing and production solutions across South Asia. We pride ourselves in bringing the best of India and South Asia to the world... Reach us at rupindang [at] gmail [dot] com and [email protected].
María Pagés (born 1963) is a modern Spanish flamenco dancer and choreographer based in Madrid, Spain.
María Jesús Pagés Madrigal was born in Seville, Spain, and began dancing professionally with the Antonio Gades Company. She choreographed for films including Carmen, El Amor Brujo and Flamenco by Carlos Saura, and in 1990 she established the Maria Pagès Company. Her work is described as incorporating the national flamenco style with outside influences.
María Pagés and her company have toured internationally, appearing in the United States at the Baryshnikov Arts Center in New York City and The Kennedy Center in Washington, D.C., among other venues. In 1995 the expanded version of the Riverdance show included performance by the company to music of Irish style composed by Bill Whelan. In 2000 she provided choreography for the Hispanic Heritage Awards. Pagés serves on the Board of the Cultural Council in Madrid.
Flamenco is a genre of Spanish music, song, and dance from Andalusia, in southern Spain, that includes cante (singing), toque (guitar playing), baile (dance) and palmas (handclaps). First mentioned in literature in 1774, the genre grew out of Andalusian and Romani music and dance styles. In recent years flamenco has become popular all over the world and is taught in many countries: in Japan there are more academies than there are in Spain. On November 16, 2010 UNESCO declared flamenco one of the Masterpieces of the Oral and Intangible Heritage of Humanity.
Flamenco performance has evolved during the history of this musical genre. In the beginning (the 18th century at the latest), songs were sung without any guitar accompaniment; during the 19th century, the guitar was used to accompany songs, and since the second half of the 19th century, the solo guitar is played in flamenco concerts. From flamenco's beginning in the 18th century most performers have been professionals. For most of the genuine life of flamenco, a folk art that has remarkably conserved an extraordinary level of conservatism within the caucus of European folk music, with its unmistakable rhythmic patterns and tones that mark its varied forms, or 'palos', flamenco has actually been the concern, like speech itself, of non-professionals in the countryside.
Source: Wikipedia
This footage is part of the professionally-shot broadcast stock footage archive of Wilderness Films India Ltd., the largest collection of HD imagery from South Asia. The Wilderness Films India collection comprises of tens of thousands of hours of high quality broadcast imagery, mostly shot on HDCAM 1080i High Definition, HDV and XDCAM. Write to us for licensing this footage on a broadcast format, for use in your production! We are happy to be commissioned to film for you or else provide you with broadcast crewing and production solutions across South Asia. We pride ourselves in bringing the best of India and South Asia to the world... Reach us at rupindang [at] gmail [dot] com and [email protected].
Palo: Tarantos
Bailaora: María Pagés
Programa: La Llama Viva (2005)
¡¡El Flamenco como nunca lo has vivido antes...visita nuestra Web y disfruta del mejor arte...
Palo: Tarantos
Bailaora: María Pagés
Programa: La Llama Viva (2005)
¡¡El Flamenco como nunca lo has vivido antes...visita nuestra Web y disfruta del mejor arte!!
http://canalandaluciaflamenco.es
LF_2018_178 11
Palo: Tarantos
Bailaora: María Pagés
Programa: La Llama Viva (2005)
¡¡El Flamenco como nunca lo has vivido antes...visita nuestra Web y disfruta del mejor arte!!
http://canalandaluciaflamenco.es
LF_2018_178 11
On February 23, flamenco dancer and choreographer María Pagés and the writer, poet, playwright and professor El Arbi El Harti presented the flamenco show “An Ode to Time” in the Spain Pavilion at Expo 2020 Dubai.
“An Ode to Time” is a flamenco choreography on the ephemeral, permanence and eternity, which includes observations by Plato, Jorge Luis Borges and Octavio Paz, among others. The artist reflects on the inevitable irreversibility of time, on the body, desire, art and life.
For El Arbi El Harti, the Sevillian choreographer, tradition has always been his source and his agora. He conceives art listening and observing the cultural heritage of all those who have dedicated themselves to it.
#MariaPages #ElHarbiElHarti #SpainPavilion
Discover other interesting projects of the Spain Pavilion cultural program: https://www.youtube.com/playlist?list=PLf9cqr64vP_eQAADkN9ikswEt6vLg1jVv
“You had to admire Ms. Pages’ sinuous and almost serpentine arms, her quick feet and her juxtapositions of smooth and jaggedly staccato steps.” – The New York Times
“Fearless flamenco. The leading innovator of modern flamenco let’s her imagination soar...” – The New York Times
María Pagés returns to Flamenco Festival Miami with a new work deeply rooted in her desire to talk about women – embarking on a genuinely feminine adventure that tells a different story about what real women feel and live. Pagés aspires to transcend the myth of the ‘femme fatale’ – as originally sculpted by French novelist Mérimée and, since then, by many other masculine interpretations. This is not the story of Carmen we know: Yo, Carmen is about the emergence of the feminine voice – the voice of all women, long hidden because of their gender.
The show’s potent narrative is stitched together through choreography expressing Pagés’ wisdom and contradictions, her loves and heartbreaks, her strength and weakness, her insecurity and dissatisfaction, her loneliness, her sensuality and unattained gender equality, her maternity… all coming together with a company of eight dancers – both female and male – and seven musicians, both classical and Flamenco, playing live.
The score for Yo, Carmen incorporates adaptations of Bizet’s famous opera fused with reinterpretations of classical music influences and original Flamenco compositions by Rubén Levaniegos, Sergio Menem, and David Moñiz – performed by a string quartet: Flamenco guitar players, a cellist and a violinist, as well as a percussionist. The songs (‘el cante’) are interpreted by two female singers using original poetry written by women from different cultures and geographical spaces, united by the same concerns. Singular voices. Universal voices.
Video del equipo de comunicación de los Teatros del Canal.
Más información: https://www.deflamenco.com/revista/noticias/maria-pages-trae-de-sheherazade-a-los-teatros-del-canal.html
¡Gracias por compartir el video desde el enlace de Youtube! NO descargar el video para subirlo a vuestros canales de Youtube, Facebook, IGTV u otras redes sociales! Gracias por respetar nuestro trabajo.
Suscríbete a nuestro canal! - https://www.youtube.com/deflamencoplus?sub_confirmation=1 - Sigue la actualidad del Flamenco a través de nuestros videos.
Siguenos en nuestras redes sociales:
Facebook: https://www.facebook.com/paginadeflamenco
Twitter: @deflamenco_com
Instagram: https://www.instagram.com/deflamenco
Pinterest: https://www.pinterest.com/deflamenco
https://www.deflamenco.com
Searching for meaning in the art of flamenco, María Pagés beautifully blends art and life in her in-depth explorations of the genre itself. An Ode to Time is a journey of reflection, an allegory of the time we live in filled with infinite possibilities. Her powerful, emotive gestures and ferocious footwork combine to create a performance that is theatrical and passionate, whilst also reflective.
Accompanied by eight dancers and a delicate original score, An Ode to Time looks at darkness and light, the chance of happiness in uncertain times and the nature of time itself. Working with her long-time collaborator El Arbi El Harti, Pagés’s swift and incisive choreography draws from a variety of flamenco styles and inspirations.
10 - 12 July 2020
More info & tickets: https://sadl.rs/3bTzhzh
Subscribe: http://www.youtube.com/subscription_center?add_user=sadlerswells
Website: http://www.sadlerswells.com
Twitter: http://twitter.com/sadlers_wells
Facebook: http://www.facebook.com/SadlersWells
Blog: http://blog.sadlerswells.com/
Instagram: http://instagram.com/sadlers_wells/
María Pagés (born 1963) is a modern Spanish flamenco dancer and choreographer based in Madrid, Spain.
María Jesús Pagés Madrigal was born in Seville, Spain, and began dancing professionally with the Antonio Gades Company. She choreographed for films including Carmen, El Amor Brujo and Flamenco by Carlos Saura, and in 1990 she established the Maria Pagès Company. Her work is described as incorporating the national flamenco style with outside influences.
María Pagés and her company have toured internationally, appearing in the United States at the Baryshnikov Arts Center in New York City and The Kennedy Center in Washington, D.C., among other venues. In 1995 the expanded version of the Riverdance show included performance by the company to music of Irish style composed by Bill Whelan. In 2000 she provided choreography for the Hispanic Heritage Awards. Pagés serves on the Board of the Cultural Council in Madrid.
Flamenco is a genre of Spanish music, song, and dance from Andalusia, in southern Spain, that includes cante (singing), toque (guitar playing), baile (dance) and palmas (handclaps). First mentioned in literature in 1774, the genre grew out of Andalusian and Romani music and dance styles. In recent years flamenco has become popular all over the world and is taught in many countries: in Japan there are more academies than there are in Spain. On November 16, 2010 UNESCO declared flamenco one of the Masterpieces of the Oral and Intangible Heritage of Humanity.
Flamenco performance has evolved during the history of this musical genre. In the beginning (the 18th century at the latest), songs were sung without any guitar accompaniment; during the 19th century, the guitar was used to accompany songs, and since the second half of the 19th century, the solo guitar is played in flamenco concerts. From flamenco's beginning in the 18th century most performers have been professionals. For most of the genuine life of flamenco, a folk art that has remarkably conserved an extraordinary level of conservatism within the caucus of European folk music, with its unmistakable rhythmic patterns and tones that mark its varied forms, or 'palos', flamenco has actually been the concern, like speech itself, of non-professionals in the countryside.
Source: Wikipedia
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Palo: Tarantos
Bailaora: María Pagés
Programa: La Llama Viva (2005)
¡¡El Flamenco como nunca lo has vivido antes...visita nuestra Web y disfruta del mejor arte!!
http://canalandaluciaflamenco.es
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María Pagés (born 1963) is a modern Spanish flamenco dancer and choreographer based in Madrid, Spain.
Life and career
María Jesús Pagés Madrigal was born in Seville, Spain, and began dancing professionally with the Antonio Gades Company. She choreographed for films including Carmen, El Amor Brujo and Flamenco by Carlos Saura, and in 1990 she established the Maria Pagès Company. Her work is described as incorporating the national flamenco style with outside influences.
María Pagés and her company have toured internationally, appearing in the United States at the Baryshnikov Arts Center in New York City and The Kennedy Center in Washington, D.C., among other venues. In 1995 the expanded version of the Riverdance show included performance by the company to music of Irish style composed by Bill Whelan. In 2000 she provided choreography for the Hispanic Heritage Awards. Pagés serves on the Board of the Cultural Council in Madrid.