- published: 30 Aug 2016
- views: 10829
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Sir Malcolm Henry Arnold, CBE (21 October 1921 – 23 September 2006) was an English composer. His output of works features music in many genres, including a cycle of nine symphonies, numerous concertos, concert works, chamber music, choral music and music for brass band and wind band. He wrote extensively for the theatre, with five ballets specially commissioned by the Royal Ballet, as well as two operas and a musical. He also produced scores for more than a hundred films, among these The Bridge on the River Kwai (1957), for which he won an Oscar.
Malcolm Arnold was born in Northampton, England, the youngest of five children from a prosperous Northampton family of shoemakers. After seeing Louis Armstrong play in Bournemouth, he took up the trumpet at the age of 12 and five years later won a scholarship to the Royal College of Music (R.C.M.).
At the RCM he studied composition with Gordon Jacob and the trumpet with Ernest Hall. In 1941 he joined the London Philharmonic Orchestra (LPO) as second trumpet and became principal trumpet in 1943.
Malcolm Arnold OBE is an athletics coach working for UK Athletics and its predecessors since 1974. Currently, he is the National Event Coach for Hurdles and Senior Performance Coach for UK Athletics. He has attended every Olympic Games since Mexico City in 1968, 12 in all, as a coach to National Teams. He has been responsible for coaching athletes to more than 70 major medals over a 46-year coaching career.
Born in Northwich, England on 4 April 1940. Graduate of Loughborough University (1958–1961). Teacher of Physical Education, Marple Hall Grammar School 1961 - 1964. Head of Physical Education, Rodway School, Bristol, 1964 - 1968. Director of Coaching, Uganda 1968 - 1972. While Director of Coaching in Uganda, he moved John Akii-Bua from 110M hurdles to 400m hurdles. After finishing 4th in the 1970 Commonwealth Games and running the fastest season time in 1971, he was not a big favourite for the 1972 Summer Olympics in Munich, having limited competition experience. Nevertheless, he won the final there, running the inside lane, setting a world record time of 47.82 seconds. UK National Coach, Wales, 1974 - 1994. Director of Coaching and Development UK Athletics and Head Coach, UK Athletics 1994-1997. Head Coach Great Britain Team, Atlanta Olympic Games 1996. Head Coach, UK Athletics Regional Performance Centre at the University of Bath from 1998 to date. Since 1998, 14 athletes who have trained at the Bath Regional Performance Centre have won 41 medals at major championships at Commonwealth, European, World and Olympic levels.
Vernon George "Tod" Handley CBE (11 November 1930 – 10 September 2008) was a British conductor, known in particular for his support of British composers. He was born of a Welsh father and an Irish mother into a musical family in Enfield, London. He acquired the nickname "Tod" because his feet were turned in at his birth, which his father simply summarised: "They toddle". Handley preferred the use of the name "Tod" throughout his life over his given names.
Handley attended Enfield Grammar School. While in school, he watched the BBC Symphony Orchestra in its studio in Maida Vale, where by his own account he learned some of his conducting technique by observing Sir Adrian Boult. Later the two corresponded in the early 1950s and met around 1958. He spent a period in the Armed Forces and then attended Balliol College, Oxford, where he read English philology and became musical director of the University Dramatic Society. He also studied at the Guildhall School of Music in London, where his performing instrument was the double bass (in addition to the trombone and violin). After graduating he worked as a nursery gardener, bricklayer and petrol pump attendant during the day, studying and conducting amateur orchestras and choirs in the evening. He then became Sir Adrian Boult's pupil. During their first meeting he "was put through the worst two hours of counterpoint and harmony that I've ever faced" and was then asked how he would conduct a page of a score that Boult put in front of him, Sir Arnold Bax's Third Symphony, which Handley happened to have studied. Handley later conducted that work in the first concert he gave in London, with the symphony orchestra of Morley College. Handley remained a devoted champion of the music of Bax throughout his career.
Relaxing wildflower footage....to music by :- Malcolm Arnold 1921 - 2006 - Prolific and amazingly brilliant, stylistically diverse English composer known mainly for his many film scores, primarily the epic 'Bridge Over the River Kwai'. On this video six minutes of relaxing wild flower footage set to an extended version of Malcolm Arnold's lovely poignant orchestral theme from the 1961 film 'Whistle Down the Wind'. From a 'BBC Records' 1976 vinyl album... 'My Personal Choice' by Norrie Paramor. Norrie Paramor and the 'Midland Radio Orchestra'
Malcolm Arnold: A Grand Grand Overture ----------------------------------------------------------- NOVA filharmonija dirigent: Simon Perčič Novoletni capriccio Slovenska filharmonija, Ljubljana, 23.12.2013 NOVA philharmonic conductor: Simon Perčič New year's capriccio Slovenian Philharmonic, Ljubljana, 23.12.2013 Website: http://www.gdnova.si/
Gervase De Peyer (clar.), Gwenneth Pryor (piano).
Julian Bream playing the Malcolm Arnold Guitar Concerto at the Royal Albert Hall on 20 July 1991, with the BBC Concert Orchestra, conducted by Barry Wordsworth. Composed and premiered in 1959, this was its first Proms performance. At the end, Malcolm Arnold performs some worrying antics with Julian's guitar! 00:00 Interview with Julian Bream 3:20 Allegro 9:45 Lento 20:50 Con brio
The 2nd Set of Malcolm Arnold's 'English Dances' was uploaded here a while ago and now here's the 1st Set. It comes from the same splendid 1954 LP of English Music that Boult recorded with the London Philharmonic, as reissued by 'Pristine Audio' on PASC 193. Here's the link to Set 2 ... https://www.youtube.com/watch?v=DeL_vhMpIgA
Beautiful piece by Sir Malcolm Arnold: Four Scottish Dances, Op. 59. Performed by the London Philharmonic Orchestra, conducted by Sir Arnold himself, 1959. Movement 1: Pesante 0:00 Movement 2: Vivace 2:28 Movement 3: Allegretto 4:36 Movement 4: Con Brio 8:23 DISCLAIMER I own nothing in this video, nor do I claim to. All credit goes to Sir Malcolm Arnold and the London Philharmonic Orchestra for this magnificent piece.
Berlin Brass Quintet Trumpets: Timofej Stordeur, Dominik Gaus French Horn: Alexandre Zanetta Trombone: Vladimir Vereš Tuba: Mateusz Dudek Recorded in the concert hall of the Berlin University of the Arts (UdK) 2016 Sound Engineer: Benedikt Schröder Camera: Andreas Wolf, Juliane Richter, Wolfgang Loos Editor: Andreas Wolf, Juliane Richter 🔸 S U P P O R T this group https://www.paypal.com/donate?hosted_button_id=9DZPCLBVQ38FN 🔸 L I K E us on Facebook https://www.facebook.com/BerlinBrassQuintet 🔸 V I S I T our website http://www.berlinbrassquintet.com
Sir Malcolm Henry Arnold, CBE (21 October 1921 – 23 September 2006) was an English composer. His output of works features music in many genres, including a cycle of nine symphonies, numerous concertos, concert works, chamber music, choral music and music for brass band and wind band. He wrote extensively for the theatre, with five ballets specially commissioned by the Royal Ballet, as well as two operas and a musical. He also produced scores for more than a hundred films, among these The Bridge on the River Kwai (1957), for which he won an Oscar.
Malcolm Arnold was born in Northampton, England, the youngest of five children from a prosperous Northampton family of shoemakers. After seeing Louis Armstrong play in Bournemouth, he took up the trumpet at the age of 12 and five years later won a scholarship to the Royal College of Music (R.C.M.).
At the RCM he studied composition with Gordon Jacob and the trumpet with Ernest Hall. In 1941 he joined the London Philharmonic Orchestra (LPO) as second trumpet and became principal trumpet in 1943.
Honte à toi qui la première m'a appris la trahison,
Et d'horreur et de colère m'a fait perdre la raison,
Et d'horreur et de colère m'a fait perdre la raison.
Honte à toi femme à l'oeil sombre, dont les funestes amours,
Ont enseveli dans l'ombre mon printemps et mes beaux jours,
Ont enseveli dans l'ombre mon printemps et mes beaux jours.
C'est ta voix, c'est ton sourire, c'est ton regard corrupteur,
Qui m'ont appris à maudire jusqu'au semblant du bonheur,
Qui m'ont appris à maudire jusqu'au semblant du bonheur.
C'est ta jeunesse, c'est tes charmes qui m'ont fait desespérer,
Et si je doute des larmes c'est que je t'ai vu pleurer,
Et si je doute des larmes c'est que je t'ai vu pleurer.
Honte à toi, j'étais encore, aussi simple qu'un enfant,
Comme une fleur à l'aurore mon coeur s'ouvrait en t'aimant,
Comme une fleur à l'aurore mon coeur s'ouvrait en t'aimant.
Certes ce coeur sans défense, pu sans peine être abusé,
Mais lui laisser l'innocence etait encore plus aisé,
Mais lui laisser l'innocence etait encore plus aisé.
Honte à toi, qui fut la mer de mes premieres douleurs,
Et tu fis de ma paupiere jaillir la source des pleurs,
Et tu fis de ma paupiere jaillir la source des pleurs.
Elle coule sois en sûr et rien ne la tarira,
Elle sort d'une blessure qui jamais ne guerira,
Elle sort d'une blessure qui jamais ne guerira.
Mais dans cette source amere, du moins je me laverais,
Et j'y laisserai j'espere ton souvenir aborré,
Et j'y laisserai j'espere ton souvenir aborré,
Et j'y laisserai j'espere ton souvenir aborré.