-
Gabriel FAURE': Pavane, Op. 50 - Paintings By "CLAUDE MONET"
Passing Through: http://www.youtube.com/user/PassingThroughPT - Friends, Please visit my Poet friend "Passing Through's" YouTube channel: http://www.youtube.com/user/PassingThroughPT , and support him - Thanks :)
The Pavane in F-sharp minor, opus number 50, was a composition for orchestra and optional chorus written by the French composer Gabriel Fauré in 1887.
(We appreciate Wikipaedia's contributions in the descriptions here)
published: 03 Sep 2007
-
Gabriel Fauré - Sicilienne, for cello & piano, Op. 78
Painting: The Turn of the Road by John Atkinson Grimshaw.
published: 26 Dec 2010
-
Gabriel Faure's Requiem Op. 48 Complete (Best Recording)
Faure Requiem Op.48
Gabriel Fauré (Composer), Robert Shaw (Conductor), Atlanta Symphony Orchestra & Chorus (Orchestra), Judith Blegen (Soprano), James Morris (Baritone) | Format: Audio CD
1. Introït et Kyrie (D minor) 0:00
2. Offertoire (B minor) 6:24
3. Sanctus (E-flat major) 14:36
4. Pie Jesu (B-flat major) 18:07
5. Agnus Dei et Lux Aeterna (F major) 21:48
6. Libera Me (D minor) 27:55
7. In Paradisum (D major) 32:16
published: 05 Mar 2013
-
Gabriel Fauré – Pavane, Op. 50 conducted & arranged by Tomasz Chmiel, The Young Cracow Philharmonic
Info: https://gr.afit.pl
Polish Nationwide Music Schools' Symphonic Orchestras Competition.
Audience Award
The Young Cracow Philharmonic
Tomasz Chmiel - conductor
Ogólnopolski Konkurs Orkiestr Szkolnych Szkół Muzycznych II stopnia 2013,
Krakowska Młoda Filharmonia, Orkiestra Symfoniczna Zespołu Państwowych Szkół Muzycznych im. Mieczysława Karłowicza w Krakowie,
Gabriel Fauré - Pavana, Op. 50
arranged by Tomasz Chmiel
#TomaszChmiel #YoungCracowPhilharmonic #Fauré
published: 26 Aug 2013
-
The Best Of Gabriel Fauré
Subscribe and turn on notifications to be alerted of our uploads! https://bit.ly/3l3yzDc
00:00:00 Sicilienne, Op.78 - Andantino
00:04:19 3 Nocturnes, Op.33 - Nocturne No.1
00:14.15 Barcarolle No.1
00:23:15 Barcarolle No.4
00:30:30 Barcarolle No.7
00:38:39 8 Pièces brèves - Nocturne No.8
00:43:27 Barcarolle No.12
00:49:28 Nocturne No.10
00:57:35 Nocturne No.9
01:04:23 2 Pieces, Op.104 - Barcarolle
01:10:19 2 Pieces, Op.104 - Nocturne
01:16:20 3 Romances sans paroles - Romance No. 1
Leonardo Locatelli | Piano
(P)(C) 2021 Classical Tunes
All Rights Reserved
Gabriel Urbain Fauré was a French composer, organist, pianist and teacher. He was one of the foremost French composers of his generation, and his musical style influenced many 20th-century composers. Among his best-known works ar...
published: 23 Feb 2021
-
Fauré - Les 13 Nocturnes (Complete), Thème et variations Op.73 (Century's recording: Éric Heidsieck)
Gabriel Fauré (1845-1924) - Complete Nocturnes & Variations Op. 73
**Listen to our latest mastering update (2023)** : http://bit.ly/3jQ0FXJ
🎧 Qobuz http://bit.ly/3E5Mdll Tidal https://bit.ly/40NwAc1
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🎧 Amazon Music https://amzn.to/3RUZYcm Spotify https://spoti.fi/3lth1WM
🎧 Youtube Music http://bit.ly/3jQ0FXJ SoundCloud http://bit.ly/3HVZBJP
🎧 Naspter, Pandora, Anghami, LineMusic日本, Awa日本, QQ音乐 …
Click to activate the English subtitles for the presentation (00:00-01:33)
13 Nocturnes
No.1 en mi bémol mineur Op.33 No.1 (00:00)
No.2 en si majeur Op.33 No.2 (08:09)
No.3 en la bémol majeur Op.33 No.3 (13:33)
No.4 en mi bémol majeur Op.36 (18:39)
No.5 en si bémol majeur Op.37 (24:56)
No.6 en ré bémol majeur Op.63 (32:05)
No.7 en d...
published: 21 Apr 2021
-
VOCES8: Cantique de Jean Racine by Gabriel Fauré
VOCES8 performs Gabriel Fauré's 'Cantique de Jean Racine' with the English Chamber Orchestra, conducted by Barnaby Smith. The performance was filmed at Cadogan Hall, London in 2021 during the height of the pandemic, and this orchestration by Taylor Scott Davis was created especially for the concert.
TEXT
Verbe égal au Très-Haut, notre unique espérance,
Jour éternel de la terre et des cieux,
De la paisible nuit nous rompons le silence:
Divin Sauveur, jette sur nous les yeux.
Répands sur nous le feu de Ta grâce puissante;
Que tout l'enfer fuie au son de Ta voix;
Dissipe le sommeil d'une âme languissante
Qui la conduit à l'oubli de Tes lois!
Ô Christ! sois favorable à ce peuple fidèle,
Pour Te bénir maintenant rassemblé;
Reçois les chants qu'il offre à Ta gloire immortelle,
Et de Tes dons ...
published: 29 Apr 2023
-
Gabriel Fauré - Ballade Op. 19 (1881)
Gabriel Urbain Fauré (12 May 1845 – 4 November 1924) was a French composer, organist, pianist and teacher. He was one of the foremost French composers of his generation, and his musical style influenced many 20th-century composers. Among his best-known works are his Pavane, Requiem, nocturnes for piano and the songs "Après un rêve" and "Clair de lune". Although his best-known and most accessible compositions are generally his earlier ones, Fauré composed many of his most highly regarded works in his later years, in a more harmonically and melodically complex style.
Ballade for piano & orchestra (or piano solo) in F sharp major, Op. 19
Jean-Philippe Collard, piano
The two versions of Fauré's Ballade -- the first for solo piano, the second for piano and orchestra -- have very few bar-to-...
published: 27 Sep 2015
-
Gabriel Fauré, Après un rêve
Chest organ made by Quentin Requier
https://s9.imslp.org/files/imglnks/usimg/0/00/IMSLP356494-PMLP54610-Faure_Op.7no1_Apres_un_reve_Organ.pdf
published: 26 Mar 2024
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Gabriel Fauré - Requiem : 'In Paradisum'
Gabriel Fauré
Requiem op 48
VII. In Paradisum
La Chapelle Royale - Herreweghe
published: 15 Dec 2009
7:04
Gabriel FAURE': Pavane, Op. 50 - Paintings By "CLAUDE MONET"
Passing Through: http://www.youtube.com/user/PassingThroughPT - Friends, Please visit my Poet friend "Passing Through's" YouTube channel: http://www.youtube.com...
Passing Through: http://www.youtube.com/user/PassingThroughPT - Friends, Please visit my Poet friend "Passing Through's" YouTube channel: http://www.youtube.com/user/PassingThroughPT , and support him - Thanks :)
The Pavane in F-sharp minor, opus number 50, was a composition for orchestra and optional chorus written by the French composer Gabriel Fauré in 1887.
(We appreciate Wikipaedia's contributions in the descriptions here)
https://wn.com/Gabriel_Faure'_Pavane,_Op._50_Paintings_By_Claude_Monet
Passing Through: http://www.youtube.com/user/PassingThroughPT - Friends, Please visit my Poet friend "Passing Through's" YouTube channel: http://www.youtube.com/user/PassingThroughPT , and support him - Thanks :)
The Pavane in F-sharp minor, opus number 50, was a composition for orchestra and optional chorus written by the French composer Gabriel Fauré in 1887.
(We appreciate Wikipaedia's contributions in the descriptions here)
- published: 03 Sep 2007
- views: 10051740
36:00
Gabriel Faure's Requiem Op. 48 Complete (Best Recording)
Faure Requiem Op.48
Gabriel Fauré (Composer), Robert Shaw (Conductor), Atlanta Symphony Orchestra & Chorus (Orchestra), Judith Blegen (Soprano), James Morris ...
Faure Requiem Op.48
Gabriel Fauré (Composer), Robert Shaw (Conductor), Atlanta Symphony Orchestra & Chorus (Orchestra), Judith Blegen (Soprano), James Morris (Baritone) | Format: Audio CD
1. Introït et Kyrie (D minor) 0:00
2. Offertoire (B minor) 6:24
3. Sanctus (E-flat major) 14:36
4. Pie Jesu (B-flat major) 18:07
5. Agnus Dei et Lux Aeterna (F major) 21:48
6. Libera Me (D minor) 27:55
7. In Paradisum (D major) 32:16
https://wn.com/Gabriel_Faure's_Requiem_Op._48_Complete_(Best_Recording)
Faure Requiem Op.48
Gabriel Fauré (Composer), Robert Shaw (Conductor), Atlanta Symphony Orchestra & Chorus (Orchestra), Judith Blegen (Soprano), James Morris (Baritone) | Format: Audio CD
1. Introït et Kyrie (D minor) 0:00
2. Offertoire (B minor) 6:24
3. Sanctus (E-flat major) 14:36
4. Pie Jesu (B-flat major) 18:07
5. Agnus Dei et Lux Aeterna (F major) 21:48
6. Libera Me (D minor) 27:55
7. In Paradisum (D major) 32:16
- published: 05 Mar 2013
- views: 7366622
8:06
Gabriel Fauré – Pavane, Op. 50 conducted & arranged by Tomasz Chmiel, The Young Cracow Philharmonic
Info: https://gr.afit.pl
Polish Nationwide Music Schools' Symphonic Orchestras Competition.
Audience Award
The Young Cracow Philharmonic
Tomasz Chmiel - conduct...
Info: https://gr.afit.pl
Polish Nationwide Music Schools' Symphonic Orchestras Competition.
Audience Award
The Young Cracow Philharmonic
Tomasz Chmiel - conductor
Ogólnopolski Konkurs Orkiestr Szkolnych Szkół Muzycznych II stopnia 2013,
Krakowska Młoda Filharmonia, Orkiestra Symfoniczna Zespołu Państwowych Szkół Muzycznych im. Mieczysława Karłowicza w Krakowie,
Gabriel Fauré - Pavana, Op. 50
arranged by Tomasz Chmiel
#TomaszChmiel #YoungCracowPhilharmonic #Fauré
https://wn.com/Gabriel_Fauré_–_Pavane,_Op._50_Conducted_Arranged_By_Tomasz_Chmiel,_The_Young_Cracow_Philharmonic
Info: https://gr.afit.pl
Polish Nationwide Music Schools' Symphonic Orchestras Competition.
Audience Award
The Young Cracow Philharmonic
Tomasz Chmiel - conductor
Ogólnopolski Konkurs Orkiestr Szkolnych Szkół Muzycznych II stopnia 2013,
Krakowska Młoda Filharmonia, Orkiestra Symfoniczna Zespołu Państwowych Szkół Muzycznych im. Mieczysława Karłowicza w Krakowie,
Gabriel Fauré - Pavana, Op. 50
arranged by Tomasz Chmiel
#TomaszChmiel #YoungCracowPhilharmonic #Fauré
- published: 26 Aug 2013
- views: 3161042
1:21:19
The Best Of Gabriel Fauré
Subscribe and turn on notifications to be alerted of our uploads! https://bit.ly/3l3yzDc
00:00:00 Sicilienne, Op.78 - Andantino
00:04:19 3 Nocturnes, Op.33 - ...
Subscribe and turn on notifications to be alerted of our uploads! https://bit.ly/3l3yzDc
00:00:00 Sicilienne, Op.78 - Andantino
00:04:19 3 Nocturnes, Op.33 - Nocturne No.1
00:14.15 Barcarolle No.1
00:23:15 Barcarolle No.4
00:30:30 Barcarolle No.7
00:38:39 8 Pièces brèves - Nocturne No.8
00:43:27 Barcarolle No.12
00:49:28 Nocturne No.10
00:57:35 Nocturne No.9
01:04:23 2 Pieces, Op.104 - Barcarolle
01:10:19 2 Pieces, Op.104 - Nocturne
01:16:20 3 Romances sans paroles - Romance No. 1
Leonardo Locatelli | Piano
(P)(C) 2021 Classical Tunes
All Rights Reserved
Gabriel Urbain Fauré was a French composer, organist, pianist and teacher. He was one of the foremost French composers of his generation, and his musical style influenced many 20th-century composers. Among his best-known works are his Pavane, Requiem, Sicilienne, nocturnes for piano and the songs "Après un rêve" and "Clair de lune". Although his best-known and most accessible compositions are generally his earlier ones, Fauré composed many of his most highly regarded works in his later years, in a more harmonically and melodically complex style. Fauré was born into a cultured but not especially musical family. His talent became clear when he was a small boy. At the age of nine, he was sent to the Ecole Niedermeyer music college in Paris, where he was trained to be a church organist and choirmaster. The Ecole Neidermeyer's pedagogy differed greatly from that of the Paris Conservatoire. Among his teachers was Camille Saint-Saëns, who became a lifelong friend. After graduating from the college in 1865, Fauré earned a modest living as an organist and teacher, leaving him little time for composition. When he became successful in his middle age, holding the important posts of organist of the Église de la Madeleine and director of the Paris Conservatoire, he still lacked time for composing; he retreated to the countryside in the summer holidays to concentrate on composition. By his last years, Fauré was recognised in France as the leading French composer of his day. An unprecedented national musical tribute was held for him in Paris in 1922, headed by the president of the French Republic. Outside France, Fauré's music took decades to become widely accepted, except in Britain, where he had many admirers during his lifetime. Fauré's music has been described as linking the end of Romanticism with the Modernism of the second quarter of the 20th century. When he was born, Chopin was still composing, and by the time of Fauré's death, jazz and the atonal music of the Second Viennese School were being heard. The Grove Dictionary of Music and Musicians, which describes him as the most advanced composer of his generation in France, notes that his harmonic and melodic innovations influenced the teaching of harmony for later generations. During the last twenty years of his life, he suffered from increasing deafness. In contrast with the charm of his earlier music, his works from this period are sometimes elusive and withdrawn in character, and at other times turbulent and impassioned.
Check our Fantastic Selection with the best Classical Music for Relaxation, Meditation, Focus, Reading, Studying and Stress Relief:
https://www.youtube.com/playlist?list=PLeCgNh_ukabo3oZ8xmbCMEiCl1etWkEdr
https://www.youtube.com/playlist?list=PLeCgNh_ukabrG6_r9eD1BbJe9-X6Q4uny
https://www.youtube.com/playlist?list=PLeCgNh_ukabpJ687Nu6HKN3_HdSKpOckA
Check our channel including the best music from Grieg, Mozart, Beethoven, Bach, Vivaldi, Debussy, Brahms, Handel, Chopin, Schubert, Haydn, Dvorak, Schumann, Tchaikovsky and many more:
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We also have a fine selection with the best Baroque Music:
https://www.youtube.com/playlist?list=PLeCgNh_ukabrD2FqNob4itL_0Y2GC2QfI
https://www.youtube.com/playlist?list=PLeCgNh_ukabpJ687Nu6HKN3_HdSKpOckA
Follow us also on Spotify:
https://open.spotify.com/user/vvxi4nltuu9323n6vfilvi3nq?si=3hLGx102R0iAtk_elfxCcQ
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#Fauré #ClassicalMusic #Piano
https://wn.com/The_Best_Of_Gabriel_Fauré
Subscribe and turn on notifications to be alerted of our uploads! https://bit.ly/3l3yzDc
00:00:00 Sicilienne, Op.78 - Andantino
00:04:19 3 Nocturnes, Op.33 - Nocturne No.1
00:14.15 Barcarolle No.1
00:23:15 Barcarolle No.4
00:30:30 Barcarolle No.7
00:38:39 8 Pièces brèves - Nocturne No.8
00:43:27 Barcarolle No.12
00:49:28 Nocturne No.10
00:57:35 Nocturne No.9
01:04:23 2 Pieces, Op.104 - Barcarolle
01:10:19 2 Pieces, Op.104 - Nocturne
01:16:20 3 Romances sans paroles - Romance No. 1
Leonardo Locatelli | Piano
(P)(C) 2021 Classical Tunes
All Rights Reserved
Gabriel Urbain Fauré was a French composer, organist, pianist and teacher. He was one of the foremost French composers of his generation, and his musical style influenced many 20th-century composers. Among his best-known works are his Pavane, Requiem, Sicilienne, nocturnes for piano and the songs "Après un rêve" and "Clair de lune". Although his best-known and most accessible compositions are generally his earlier ones, Fauré composed many of his most highly regarded works in his later years, in a more harmonically and melodically complex style. Fauré was born into a cultured but not especially musical family. His talent became clear when he was a small boy. At the age of nine, he was sent to the Ecole Niedermeyer music college in Paris, where he was trained to be a church organist and choirmaster. The Ecole Neidermeyer's pedagogy differed greatly from that of the Paris Conservatoire. Among his teachers was Camille Saint-Saëns, who became a lifelong friend. After graduating from the college in 1865, Fauré earned a modest living as an organist and teacher, leaving him little time for composition. When he became successful in his middle age, holding the important posts of organist of the Église de la Madeleine and director of the Paris Conservatoire, he still lacked time for composing; he retreated to the countryside in the summer holidays to concentrate on composition. By his last years, Fauré was recognised in France as the leading French composer of his day. An unprecedented national musical tribute was held for him in Paris in 1922, headed by the president of the French Republic. Outside France, Fauré's music took decades to become widely accepted, except in Britain, where he had many admirers during his lifetime. Fauré's music has been described as linking the end of Romanticism with the Modernism of the second quarter of the 20th century. When he was born, Chopin was still composing, and by the time of Fauré's death, jazz and the atonal music of the Second Viennese School were being heard. The Grove Dictionary of Music and Musicians, which describes him as the most advanced composer of his generation in France, notes that his harmonic and melodic innovations influenced the teaching of harmony for later generations. During the last twenty years of his life, he suffered from increasing deafness. In contrast with the charm of his earlier music, his works from this period are sometimes elusive and withdrawn in character, and at other times turbulent and impassioned.
Check our Fantastic Selection with the best Classical Music for Relaxation, Meditation, Focus, Reading, Studying and Stress Relief:
https://www.youtube.com/playlist?list=PLeCgNh_ukabo3oZ8xmbCMEiCl1etWkEdr
https://www.youtube.com/playlist?list=PLeCgNh_ukabrG6_r9eD1BbJe9-X6Q4uny
https://www.youtube.com/playlist?list=PLeCgNh_ukabpJ687Nu6HKN3_HdSKpOckA
Check our channel including the best music from Grieg, Mozart, Beethoven, Bach, Vivaldi, Debussy, Brahms, Handel, Chopin, Schubert, Haydn, Dvorak, Schumann, Tchaikovsky and many more:
https://www.youtube.com/playlist?list=PLeCgNh_ukabqiFCLuq8UgpwRWG3TZ9bJH
We also have a fine selection with the best Baroque Music:
https://www.youtube.com/playlist?list=PLeCgNh_ukabrD2FqNob4itL_0Y2GC2QfI
https://www.youtube.com/playlist?list=PLeCgNh_ukabpJ687Nu6HKN3_HdSKpOckA
Follow us also on Spotify:
https://open.spotify.com/user/vvxi4nltuu9323n6vfilvi3nq?si=3hLGx102R0iAtk_elfxCcQ
Image Licensed From Shutterstock.com - All Rights Reserved
#Fauré #ClassicalMusic #Piano
- published: 23 Feb 2021
- views: 63904
1:31:33
Fauré - Les 13 Nocturnes (Complete), Thème et variations Op.73 (Century's recording: Éric Heidsieck)
Gabriel Fauré (1845-1924) - Complete Nocturnes & Variations Op. 73
**Listen to our latest mastering update (2023)** : http://bit.ly/3jQ0FXJ
🎧 Qobuz http://bit.l...
Gabriel Fauré (1845-1924) - Complete Nocturnes & Variations Op. 73
**Listen to our latest mastering update (2023)** : http://bit.ly/3jQ0FXJ
🎧 Qobuz http://bit.ly/3E5Mdll Tidal https://bit.ly/40NwAc1
🎧 Apple Music https://apple.co/3KBYP7B Deezer http://bit.ly/3IjrBsw
🎧 Amazon Music https://amzn.to/3RUZYcm Spotify https://spoti.fi/3lth1WM
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🎧 Naspter, Pandora, Anghami, LineMusic日本, Awa日本, QQ音乐 …
Click to activate the English subtitles for the presentation (00:00-01:33)
13 Nocturnes
No.1 en mi bémol mineur Op.33 No.1 (00:00)
No.2 en si majeur Op.33 No.2 (08:09)
No.3 en la bémol majeur Op.33 No.3 (13:33)
No.4 en mi bémol majeur Op.36 (18:39)
No.5 en si bémol majeur Op.37 (24:56)
No.6 en ré bémol majeur Op.63 (32:05)
No.7 en do dièse mineur Op.74 (40:53)
No.8 en ré bémol majeur / Pièces brèves (49:07)
No.9 en si mineur Op.97 (50:55)
No.10 en mi mineur Op.99 (55:14)
No.11 en fa dièse mineur Op.104 No.1 (59:16)
No.12 en mi mineur Op.107 (1:03:33)
No.13 en si mineur Op.119 (1:08:02)
Thème et variations en Do dièse mineur Op.73
Thème (1:15:47)
Variation I (1:18:03)
Variation II (1:19:15)
Variation III (1:20:04)
Variation IV (2:20:43)
Variation V (1:21:29)
Variation VI (1:22:21)
Variation VII (1:24:22)
Variation VIII (1:25:17)
Variation IX (1:26:25)
Variation X (1:27:59)
Variation XI (1:29:05)
Piano: Éric Heidsieck
Recorded in 1960-62, at Paris
🔊 Find CMRR's recordings on Spotify : https://spoti.fi/3016eVr
🔊 Download CMRR's recordings in High fidelity audio : https://bit.ly/2M1Eop2
❤️ If you like CM//RR content, please consider membership at our Patreon page.
Thank you :) https://www.patreon.com/cmrr
The 13 Nocturnes constitute the first major cycle of Fauré's work. They cover most of his output, from 1882 to 1921. They are only occasionally related to the characteristic form of Field's or Chopin's Nocturnes (ornate singing over an accompaniment of arpeggios), but they are imbued with the same quiet, sorrowful evening poetry. Éric Heidsieck, very young at the time of this recording, imposed himself by a kind of instinct in these magnificent poems that are the nocturnes of Fauré. The French school has spoiled us with a number of first-rate performers, but it is without doubt Eric Heidsieck who best conveys the dreamy and poetic aspect of these nocturnes. It is a very personal interpretation and it works wonderfully.
Handel - 16 Keyboard Suites (recording of the Century: Éric Heidsieck): https://www.youtube.com/watch?v=C6chFJaBAa8&list=OLAK5uy_kcnc7tWosIhRMVY43TE0uwH7Vak6QnnPY&index=1
Ravel - Ma Mère L’Oye, Gaspard de la Nuit, Valses nobles.. (Century’s rec.: Tania & Eric Heidsieck) : https://www.youtube.com/watch?v=0aO-inK-jtY&list=PL3UZpQL9LIxMn2Jpn2cTfi8HDvB5XMeQ5&index=3
Gabriel Fauré PLAYLIST (reference recordings) : https://www.youtube.com/playlist?list=PL3UZpQL9LIxPwwX_kYZ0ZyhcBsDttdtGC
https://wn.com/Fauré_Les_13_Nocturnes_(Complete),_Thème_Et_Variations_Op.73_(Century's_Recording_Éric_Heidsieck)
Gabriel Fauré (1845-1924) - Complete Nocturnes & Variations Op. 73
**Listen to our latest mastering update (2023)** : http://bit.ly/3jQ0FXJ
🎧 Qobuz http://bit.ly/3E5Mdll Tidal https://bit.ly/40NwAc1
🎧 Apple Music https://apple.co/3KBYP7B Deezer http://bit.ly/3IjrBsw
🎧 Amazon Music https://amzn.to/3RUZYcm Spotify https://spoti.fi/3lth1WM
🎧 Youtube Music http://bit.ly/3jQ0FXJ SoundCloud http://bit.ly/3HVZBJP
🎧 Naspter, Pandora, Anghami, LineMusic日本, Awa日本, QQ音乐 …
Click to activate the English subtitles for the presentation (00:00-01:33)
13 Nocturnes
No.1 en mi bémol mineur Op.33 No.1 (00:00)
No.2 en si majeur Op.33 No.2 (08:09)
No.3 en la bémol majeur Op.33 No.3 (13:33)
No.4 en mi bémol majeur Op.36 (18:39)
No.5 en si bémol majeur Op.37 (24:56)
No.6 en ré bémol majeur Op.63 (32:05)
No.7 en do dièse mineur Op.74 (40:53)
No.8 en ré bémol majeur / Pièces brèves (49:07)
No.9 en si mineur Op.97 (50:55)
No.10 en mi mineur Op.99 (55:14)
No.11 en fa dièse mineur Op.104 No.1 (59:16)
No.12 en mi mineur Op.107 (1:03:33)
No.13 en si mineur Op.119 (1:08:02)
Thème et variations en Do dièse mineur Op.73
Thème (1:15:47)
Variation I (1:18:03)
Variation II (1:19:15)
Variation III (1:20:04)
Variation IV (2:20:43)
Variation V (1:21:29)
Variation VI (1:22:21)
Variation VII (1:24:22)
Variation VIII (1:25:17)
Variation IX (1:26:25)
Variation X (1:27:59)
Variation XI (1:29:05)
Piano: Éric Heidsieck
Recorded in 1960-62, at Paris
🔊 Find CMRR's recordings on Spotify : https://spoti.fi/3016eVr
🔊 Download CMRR's recordings in High fidelity audio : https://bit.ly/2M1Eop2
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The 13 Nocturnes constitute the first major cycle of Fauré's work. They cover most of his output, from 1882 to 1921. They are only occasionally related to the characteristic form of Field's or Chopin's Nocturnes (ornate singing over an accompaniment of arpeggios), but they are imbued with the same quiet, sorrowful evening poetry. Éric Heidsieck, very young at the time of this recording, imposed himself by a kind of instinct in these magnificent poems that are the nocturnes of Fauré. The French school has spoiled us with a number of first-rate performers, but it is without doubt Eric Heidsieck who best conveys the dreamy and poetic aspect of these nocturnes. It is a very personal interpretation and it works wonderfully.
Handel - 16 Keyboard Suites (recording of the Century: Éric Heidsieck): https://www.youtube.com/watch?v=C6chFJaBAa8&list=OLAK5uy_kcnc7tWosIhRMVY43TE0uwH7Vak6QnnPY&index=1
Ravel - Ma Mère L’Oye, Gaspard de la Nuit, Valses nobles.. (Century’s rec.: Tania & Eric Heidsieck) : https://www.youtube.com/watch?v=0aO-inK-jtY&list=PL3UZpQL9LIxMn2Jpn2cTfi8HDvB5XMeQ5&index=3
Gabriel Fauré PLAYLIST (reference recordings) : https://www.youtube.com/playlist?list=PL3UZpQL9LIxPwwX_kYZ0ZyhcBsDttdtGC
- published: 21 Apr 2021
- views: 472187
5:21
VOCES8: Cantique de Jean Racine by Gabriel Fauré
VOCES8 performs Gabriel Fauré's 'Cantique de Jean Racine' with the English Chamber Orchestra, conducted by Barnaby Smith. The performance was filmed at Cadogan ...
VOCES8 performs Gabriel Fauré's 'Cantique de Jean Racine' with the English Chamber Orchestra, conducted by Barnaby Smith. The performance was filmed at Cadogan Hall, London in 2021 during the height of the pandemic, and this orchestration by Taylor Scott Davis was created especially for the concert.
TEXT
Verbe égal au Très-Haut, notre unique espérance,
Jour éternel de la terre et des cieux,
De la paisible nuit nous rompons le silence:
Divin Sauveur, jette sur nous les yeux.
Répands sur nous le feu de Ta grâce puissante;
Que tout l'enfer fuie au son de Ta voix;
Dissipe le sommeil d'une âme languissante
Qui la conduit à l'oubli de Tes lois!
Ô Christ! sois favorable à ce peuple fidèle,
Pour Te bénir maintenant rassemblé;
Reçois les chants qu'il offre à Ta gloire immortelle,
Et de Tes dons qu'il retourne comblé.
TRANSLATION
Word of the Highest, our only hope,
Eternal day of earth and the heavens,
We break the silence of the peaceful night;
Saviour Divine, cast your eyes upon us!
Pour on us the fire of your powerful grace,
That all hell may flee at the sound of your voice;
Banish the slumber of a weary soul,
That brings forgetfulness of your laws!
O Christ, look with favour upon your faithful people
Now gathered here to praise you;
Receive their hymns offered to your immortal glory;
May they go forth filled with your gifts.
https://wn.com/Voces8_Cantique_De_Jean_Racine_By_Gabriel_Fauré
VOCES8 performs Gabriel Fauré's 'Cantique de Jean Racine' with the English Chamber Orchestra, conducted by Barnaby Smith. The performance was filmed at Cadogan Hall, London in 2021 during the height of the pandemic, and this orchestration by Taylor Scott Davis was created especially for the concert.
TEXT
Verbe égal au Très-Haut, notre unique espérance,
Jour éternel de la terre et des cieux,
De la paisible nuit nous rompons le silence:
Divin Sauveur, jette sur nous les yeux.
Répands sur nous le feu de Ta grâce puissante;
Que tout l'enfer fuie au son de Ta voix;
Dissipe le sommeil d'une âme languissante
Qui la conduit à l'oubli de Tes lois!
Ô Christ! sois favorable à ce peuple fidèle,
Pour Te bénir maintenant rassemblé;
Reçois les chants qu'il offre à Ta gloire immortelle,
Et de Tes dons qu'il retourne comblé.
TRANSLATION
Word of the Highest, our only hope,
Eternal day of earth and the heavens,
We break the silence of the peaceful night;
Saviour Divine, cast your eyes upon us!
Pour on us the fire of your powerful grace,
That all hell may flee at the sound of your voice;
Banish the slumber of a weary soul,
That brings forgetfulness of your laws!
O Christ, look with favour upon your faithful people
Now gathered here to praise you;
Receive their hymns offered to your immortal glory;
May they go forth filled with your gifts.
- published: 29 Apr 2023
- views: 1390316
14:45
Gabriel Fauré - Ballade Op. 19 (1881)
Gabriel Urbain Fauré (12 May 1845 – 4 November 1924) was a French composer, organist, pianist and teacher. He was one of the foremost French composers of his ge...
Gabriel Urbain Fauré (12 May 1845 – 4 November 1924) was a French composer, organist, pianist and teacher. He was one of the foremost French composers of his generation, and his musical style influenced many 20th-century composers. Among his best-known works are his Pavane, Requiem, nocturnes for piano and the songs "Après un rêve" and "Clair de lune". Although his best-known and most accessible compositions are generally his earlier ones, Fauré composed many of his most highly regarded works in his later years, in a more harmonically and melodically complex style.
Ballade for piano & orchestra (or piano solo) in F sharp major, Op. 19
Jean-Philippe Collard, piano
The two versions of Fauré's Ballade -- the first for solo piano, the second for piano and orchestra -- have very few bar-to-bar discrepancies, but their effects are quite different. The solo version, using Chopin's Ballades as its obvious model, is thick, large-scaled, and passionate; the concerto version, by redistributing the thematic and harmonic strands, seems leaner and more elegant. Fauré showed an early version of the solo Ballade to Franz Liszt in 1877; the older composer played part of it, then asked Fauré to finish, saying, "I have no more fingers." The writing is elaborate and formidably difficult in the solo version. The more accessible version with orchestra, which the composer premiered with Edouard Colonne's orchestra in 1881, is no longer a display of virtuosity; this version seems more relaxed, even prettier. Debussy caustically dismissed it as overly charming and effeminate. The Ballade enjoys a very free form -- "somewhat outside what is usually done," in the composer's admission -- but essentially falls into three initial sections, each developing its own theme, followed by a fourth section that combines the second and third themes. In the version with orchestra, Fauré added a bar just before the flute solo that hints at the third theme, thus now incorporating some form of all the thematic material into the work's first 40 bars.
The opening Andante cantabile, in F sharp major, introduces the A theme, a lyrical melody over a gently palpitating left-hand accompaniment, with the orchestra delicately supporting and answering the piano's phrases. The piano part soon becomes more declamatory and intense, but then relaxes into the sorts of arpeggios and runs that the score's detractors deemed too frivolously decorative. Some unsettling modulations lead to the E flat minor Allegretto section, dominated by the B theme. This decadent, falling motif is more impetuous (by Fauré's gentle standards) and sends the pianist into long passages of runs and trills. The harmony brightens to B major for the Allegro section (framed by two short Andante interludes), which centers on the rocking and trilling C theme. The final section, Allegro molto moderato, returns to the opening tonality of F sharp major and gracefully intertwines the second and third themes with busy, sparkling piano writing. Fauré eschews a bravura ending, wrapping up the Ballade with a few quiet, arpeggiated flourishes.
https://wn.com/Gabriel_Fauré_Ballade_Op._19_(1881)
Gabriel Urbain Fauré (12 May 1845 – 4 November 1924) was a French composer, organist, pianist and teacher. He was one of the foremost French composers of his generation, and his musical style influenced many 20th-century composers. Among his best-known works are his Pavane, Requiem, nocturnes for piano and the songs "Après un rêve" and "Clair de lune". Although his best-known and most accessible compositions are generally his earlier ones, Fauré composed many of his most highly regarded works in his later years, in a more harmonically and melodically complex style.
Ballade for piano & orchestra (or piano solo) in F sharp major, Op. 19
Jean-Philippe Collard, piano
The two versions of Fauré's Ballade -- the first for solo piano, the second for piano and orchestra -- have very few bar-to-bar discrepancies, but their effects are quite different. The solo version, using Chopin's Ballades as its obvious model, is thick, large-scaled, and passionate; the concerto version, by redistributing the thematic and harmonic strands, seems leaner and more elegant. Fauré showed an early version of the solo Ballade to Franz Liszt in 1877; the older composer played part of it, then asked Fauré to finish, saying, "I have no more fingers." The writing is elaborate and formidably difficult in the solo version. The more accessible version with orchestra, which the composer premiered with Edouard Colonne's orchestra in 1881, is no longer a display of virtuosity; this version seems more relaxed, even prettier. Debussy caustically dismissed it as overly charming and effeminate. The Ballade enjoys a very free form -- "somewhat outside what is usually done," in the composer's admission -- but essentially falls into three initial sections, each developing its own theme, followed by a fourth section that combines the second and third themes. In the version with orchestra, Fauré added a bar just before the flute solo that hints at the third theme, thus now incorporating some form of all the thematic material into the work's first 40 bars.
The opening Andante cantabile, in F sharp major, introduces the A theme, a lyrical melody over a gently palpitating left-hand accompaniment, with the orchestra delicately supporting and answering the piano's phrases. The piano part soon becomes more declamatory and intense, but then relaxes into the sorts of arpeggios and runs that the score's detractors deemed too frivolously decorative. Some unsettling modulations lead to the E flat minor Allegretto section, dominated by the B theme. This decadent, falling motif is more impetuous (by Fauré's gentle standards) and sends the pianist into long passages of runs and trills. The harmony brightens to B major for the Allegro section (framed by two short Andante interludes), which centers on the rocking and trilling C theme. The final section, Allegro molto moderato, returns to the opening tonality of F sharp major and gracefully intertwines the second and third themes with busy, sparkling piano writing. Fauré eschews a bravura ending, wrapping up the Ballade with a few quiet, arpeggiated flourishes.
- published: 27 Sep 2015
- views: 269711
3:02
Gabriel Fauré, Après un rêve
Chest organ made by Quentin Requier
https://s9.imslp.org/files/imglnks/usimg/0/00/IMSLP356494-PMLP54610-Faure_Op.7no1_Apres_un_reve_Organ.pdf
Chest organ made by Quentin Requier
https://s9.imslp.org/files/imglnks/usimg/0/00/IMSLP356494-PMLP54610-Faure_Op.7no1_Apres_un_reve_Organ.pdf
https://wn.com/Gabriel_Fauré,_Après_Un_Rêve
Chest organ made by Quentin Requier
https://s9.imslp.org/files/imglnks/usimg/0/00/IMSLP356494-PMLP54610-Faure_Op.7no1_Apres_un_reve_Organ.pdf
- published: 26 Mar 2024
- views: 201
4:13
Gabriel Fauré - Requiem : 'In Paradisum'
Gabriel Fauré
Requiem op 48
VII. In Paradisum
La Chapelle Royale - Herreweghe
Gabriel Fauré
Requiem op 48
VII. In Paradisum
La Chapelle Royale - Herreweghe
https://wn.com/Gabriel_Fauré_Requiem_'In_Paradisum'
Gabriel Fauré
Requiem op 48
VII. In Paradisum
La Chapelle Royale - Herreweghe
- published: 15 Dec 2009
- views: 2720632