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William Shakespeare - Tomorrow, - Johnston Forbes Robertson - Poem Animation
Here's a virtual movie of the Victorian Shakespearean actor Johnston Forbes-Robertson Reciting "Tomorrow, and tomorrow, and tomorrow" From Macbeth. The sound recording of FForbes Robertson comes from a rare 78 rpm shellac record circa 1928.
Sir Johnston Forbes-Robertson (16 January 1853 – 6 November 1937[1]) was an English actor and theatre manager. He was considered the finest Hamlet of the Victorian era and one of the finest actors of his time, despite his dislike of the job and his lifelong belief that he was temperamentally unsuited to acting.
His many performances led him into, among other things, travel to the U.S., and work with Sir Henry Irving. He was hailed as one of the most individual and refined of English actors. He was a personal friend of the Duke of Sutherland and his fa...
published: 26 Mar 2016
-
Hamlet's Advice to the Players (Johnston Forbes-Robertson, 1930s)
"Speak the speech, I pray you, as I pronounced it to you." Johnston Forbes-Robertson (1853-1937), at the end of his career/life. Does this Hamlet follow his own advice? (You judge: not all of them do.) This is a one-off performance of the monologue, without a director, so all the blame and all the praise go to the same man.
Available (with other good stuff) here: http://www.amazon.com/dp/9626342005/
or here: http://www.amazon.com/dp/B00004W55A/
Read along: http://shakespeare.mit.edu/hamlet/hamlet.3.2.html
Compare other attempts:
Simon Russell Beale (1999, audio): http://www.youtube.com/watch?v=hTqwHSh_oFs&fmt=6
Kenneth Branagh (1992, audio): http://www.youtube.com/watch?v=YkrqhLTG7j4&fmt=6
Joan Hansen: http://www.youtube.com/watch?v=3dTzM22_Hfc&fmt=22
Harry E. Humphrey...
published: 19 Sep 2010
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Hamlet (1913)
Unused / unissued material - Shots from the 1913 version of Shakespeare's 'Hamlet' starring Sir Johnstone Forbes Robertson. Battlement scenes where Hamlet sees the ghost of his father.
Intertitle reads: "Hamlet.... Look, where it comes again! In the same figure, like the king that's dead." Double exposure shows the presence of the ghost as Hamlet looks shocked.
Please note we have been told: "If the intertitle is a guide, this is actually Act I, Scene 1 and so we're seeing Marcellus, Bernardo and the cloaked figure is Horatio, not Hamlet."
90,000 historic films, all SEARCHABLE on YouTube at: http://www.youtube.com/britishpathe
Join us on Facebook at: http://www.facebook.com/britishpathe
Tweet us @britishpathe
FILM ID:1828.06
A VIDEO FROM BRITISH PATHÉ. EXPLORE OUR ONLINE CHANNEL,...
published: 13 Apr 2014
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Shakespearean Recital & Lecture by Sir Johnston Forbes - Robertson C 1930 Pts 1 & 2 (of 4)
A wonderful lecture and recital by a great Shakespearean Actor.
published: 27 Feb 2010
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SIR JOHNSTON FORBES-ROBERTSON -Shakespeare recital Part 1/2 12" - HMV Gramophone 109
Here's side one of for sides of SIR JOHNSTON FORBES-ROBERTSON - Lecture 4 (part 1) Shakespearean Recital - Extracts from Richard 11 and Macbeth - Columbia Graphophone D40006
published: 26 Mar 2016
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Forbes-Robertson
Forbes-Robertson may refer to:
Eric Forbes-Robertson (1865–1935), British figure and landscape painter
Frances Forbes-Robertson (1866–1956), British novelist
James Forbes-Robertson VC, DSO & Bar, MC (1884–1955), Scottish recipient of the Victoria Cross
Jean Forbes-Robertson (1905–1962), English actress
John Forbes-Robertson (actor) (1928–2008), British actor, played the title role in the Hammer horror series of Dracula films
Johnston Forbes-Robertson (1853–1937), English actor and theatre manager
Norman Forbes-Robertson (1858–1932), actor and prominent member of London's exclusive Garrick Club
Peter Forbes-Robertson (1927–1995), appeared in three Doctor Who serials
Source: https://en.wikipedia.org/wiki/Forbes-Robertson
Created with WikipediaReaderReborn (c) WikipediaReader
published: 01 Jul 2021
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SIR JOHNSTON FORBES-ROBERTSON - Lecture 4 (part 3) Shakespearean Recital - Hamlet's advice
Here's SIR JOHNSTON FORBES-ROBERTSON - Lecture 4 (part 3) Shakespearean Recital - Hamlet's advice to the players "Hamlet" - 78rpm Columbia Graphophone D40007
published: 26 Mar 2016
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SIR JOHNSTON FORBES-ROBERTSON - Lecture 4 (part 4) Shakespeare - Buckingham's Farewell "Henry V111
Here's SIR JOHNSTON FORBES-ROBERTSON - Lecture 4 (part 4) Shakespearean Recital - Buckingham's Farewell "Henry V111" 12" D/S 78rpm Columbia Graphophone D40007
published: 26 Mar 2016
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SIR JOHNSTON FORBES-ROBERTSON - Shakespearean Lecture - Parts 1 - 4 - 78 rpm - Numark TTX
Here's SIR JOHNSTON FORBES-ROBERTSON Shakespearean Lecture and recitals Parts 1 - 4 from a set of two 78 rpm shellac record recorded in 1932 played on an ultra modern Numark TTX Record Player.
Sir Johnston Forbes-Robertson (16 January 1853 – 6 November 1937[1]) was an English actor and theatre manager. He was considered the finest Hamlet of the Victorian era and one of the finest actors of his time, despite his dislike of the job and his lifelong belief that he was temperamentally unsuited to acting.
published: 03 Jun 2017
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SIR JOHNSTON FORBES-ROBERTSON - Shakespeare recital Part 2/2 - Hamlet
Here's SIR JOHNSTON FORBES-ROBERTSON - Lecture 4 (part 2) Shakespearean Recital - Hamlet's Soliloquy after he had introduced the players (Hamlet) Columbia Graphophone D40006
published: 26 Mar 2016
0:51
William Shakespeare - Tomorrow, - Johnston Forbes Robertson - Poem Animation
Here's a virtual movie of the Victorian Shakespearean actor Johnston Forbes-Robertson Reciting "Tomorrow, and tomorrow, and tomorrow" From Macbeth. The sound re...
Here's a virtual movie of the Victorian Shakespearean actor Johnston Forbes-Robertson Reciting "Tomorrow, and tomorrow, and tomorrow" From Macbeth. The sound recording of FForbes Robertson comes from a rare 78 rpm shellac record circa 1928.
Sir Johnston Forbes-Robertson (16 January 1853 – 6 November 1937[1]) was an English actor and theatre manager. He was considered the finest Hamlet of the Victorian era and one of the finest actors of his time, despite his dislike of the job and his lifelong belief that he was temperamentally unsuited to acting.
His many performances led him into, among other things, travel to the U.S., and work with Sir Henry Irving. He was hailed as one of the most individual and refined of English actors. He was a personal friend of the Duke of Sutherland and his family and often stayed with them at Trentham Hall; he is known to have recommended to them various writers and musicians in dire need of assistance.
Forbes-Robertson first came to prominence playing second leads to Henry Irving before making his mark as the greatest interpreter of Hamlet of the nineteenth century, according to many critics.[according to whom?] One of his early successes was in W. S. Gilbert's Dan'l Druce, Blacksmith. In 1882, he starred with Lottie Venne and Marion Terry in G. W. Godfrey's comedy The Parvenu at the Court Theatre.[3] He was noted for his elocution, particularly by George Bernard Shaw who wrote the part of Caesar in Caesar and Cleopatra for him.[citation needed] Forbes-Robertson's other notable roles were Romeo, Othello, Leontes in The Winter's Tale, and the leading role in The Passing of the Third Floor Back; performed on Broadway 1908 (filmed in 1916, released 1918). He did not play Hamlet until he was 44 years old, but after his success in the part he continued playing it until 1916, including a surviving silent film (1913). Shaw considered him the greatest Hamlet he had ever seen.[citation needed]
He was also a talented painter who did a portrait of his mentor Samuel Phelps that currently hangs in the Garrick Club in London. Forbes-Robertson acted in plays with the gifted actress Mary Anderson in the 1880s. He became smitten with her, fell in love with her and asked her hand in marriage. She kindly turned him down though they remained friends. Later he and actress Beatrice Campbell enjoyed a brief affair during the time she starred with him in a series of Shakespearean plays in the mid-1890s.
Tomorrow, and tomorrow, and tomorrow...
(from Macbeth, spoken by Macbeth)
Tomorrow, and tomorrow, and tomorrow,
Creeps in this petty pace from day to day,
To the last syllable of recorded time;
And all our yesterdays have lighted fools
The way to dusty death. Out, out, brief candle!
Life's but a walking shadow, a poor player,
That struts and frets his hour upon the stage,
And then is heard no more. It is a tale
Told by an idiot, full of sound and fury,
Signifying nothing.
Kind Regards
Jim Clark
All rights are reserved on this video recording copyright Jim Clark 2016
https://wn.com/William_Shakespeare_Tomorrow,_Johnston_Forbes_Robertson_Poem_Animation
Here's a virtual movie of the Victorian Shakespearean actor Johnston Forbes-Robertson Reciting "Tomorrow, and tomorrow, and tomorrow" From Macbeth. The sound recording of FForbes Robertson comes from a rare 78 rpm shellac record circa 1928.
Sir Johnston Forbes-Robertson (16 January 1853 – 6 November 1937[1]) was an English actor and theatre manager. He was considered the finest Hamlet of the Victorian era and one of the finest actors of his time, despite his dislike of the job and his lifelong belief that he was temperamentally unsuited to acting.
His many performances led him into, among other things, travel to the U.S., and work with Sir Henry Irving. He was hailed as one of the most individual and refined of English actors. He was a personal friend of the Duke of Sutherland and his family and often stayed with them at Trentham Hall; he is known to have recommended to them various writers and musicians in dire need of assistance.
Forbes-Robertson first came to prominence playing second leads to Henry Irving before making his mark as the greatest interpreter of Hamlet of the nineteenth century, according to many critics.[according to whom?] One of his early successes was in W. S. Gilbert's Dan'l Druce, Blacksmith. In 1882, he starred with Lottie Venne and Marion Terry in G. W. Godfrey's comedy The Parvenu at the Court Theatre.[3] He was noted for his elocution, particularly by George Bernard Shaw who wrote the part of Caesar in Caesar and Cleopatra for him.[citation needed] Forbes-Robertson's other notable roles were Romeo, Othello, Leontes in The Winter's Tale, and the leading role in The Passing of the Third Floor Back; performed on Broadway 1908 (filmed in 1916, released 1918). He did not play Hamlet until he was 44 years old, but after his success in the part he continued playing it until 1916, including a surviving silent film (1913). Shaw considered him the greatest Hamlet he had ever seen.[citation needed]
He was also a talented painter who did a portrait of his mentor Samuel Phelps that currently hangs in the Garrick Club in London. Forbes-Robertson acted in plays with the gifted actress Mary Anderson in the 1880s. He became smitten with her, fell in love with her and asked her hand in marriage. She kindly turned him down though they remained friends. Later he and actress Beatrice Campbell enjoyed a brief affair during the time she starred with him in a series of Shakespearean plays in the mid-1890s.
Tomorrow, and tomorrow, and tomorrow...
(from Macbeth, spoken by Macbeth)
Tomorrow, and tomorrow, and tomorrow,
Creeps in this petty pace from day to day,
To the last syllable of recorded time;
And all our yesterdays have lighted fools
The way to dusty death. Out, out, brief candle!
Life's but a walking shadow, a poor player,
That struts and frets his hour upon the stage,
And then is heard no more. It is a tale
Told by an idiot, full of sound and fury,
Signifying nothing.
Kind Regards
Jim Clark
All rights are reserved on this video recording copyright Jim Clark 2016
- published: 26 Mar 2016
- views: 1780
3:24
Hamlet's Advice to the Players (Johnston Forbes-Robertson, 1930s)
"Speak the speech, I pray you, as I pronounced it to you." Johnston Forbes-Robertson (1853-1937), at the end of his career/life. Does this Hamlet follow his o...
"Speak the speech, I pray you, as I pronounced it to you." Johnston Forbes-Robertson (1853-1937), at the end of his career/life. Does this Hamlet follow his own advice? (You judge: not all of them do.) This is a one-off performance of the monologue, without a director, so all the blame and all the praise go to the same man.
Available (with other good stuff) here: http://www.amazon.com/dp/9626342005/
or here: http://www.amazon.com/dp/B00004W55A/
Read along: http://shakespeare.mit.edu/hamlet/hamlet.3.2.html
Compare other attempts:
Simon Russell Beale (1999, audio): http://www.youtube.com/watch?v=hTqwHSh_oFs&fmt=6
Kenneth Branagh (1992, audio): http://www.youtube.com/watch?v=YkrqhLTG7j4&fmt=6
Joan Hansen: http://www.youtube.com/watch?v=3dTzM22_Hfc&fmt=22
Harry E. Humphrey (1919, audio): http://www.youtube.com/watch?v=U-vXEyHPXHc&fmt=6
Kevin Klein (partial, with commentary): http://www.youtube.com/watch?v=ZRertO1ysDk
Anton Lesser (1996, audio): http://www.youtube.com/watch?v=jPjIx_70Oq4&fmt=6
Marlowe Society (1961, audio): http://www.youtube.com/watch?v=-Ce6MAGyMmc&fmt=6
Lawrence Olivier (1948, film): http://www.youtube.com/watch?v=FuCv6IBml1M&fmt=6
Paul Scofield (1963, audio): http://www.youtube.com/watch?v=kz1dEQBTk_Y&fmt=6
Michael Sheen (1999, audio): http://www.youtube.com/watch?v=RygTwYpx9_M&fmt=6
David Tenant (2009, film): http://www.youtube.com/watch?v=HtYCXO-jAJg&p=BA5AF82197EF7358&index=14
Speak the speech, I pray you, as I pronounced it to
you, trippingly on the tongue: but if you mouth it,
as many of your players do, I had as lief the
town-crier spoke my lines. Nor do not saw the air
too much with your hand, thus, but use all gently;
for in the very torrent, tempest, and, as I may say,
the whirlwind of passion, you must acquire and beget
a temperance that may give it smoothness. O, it
offends me to the soul to hear a robustious
periwig-pated fellow tear a passion to tatters, to
very rags, to split the ears of the groundlings, who
for the most part are capable of nothing but
inexplicable dumbshows and noise: I would have such
a fellow whipped for o'erdoing Termagant; it
out-herods Herod: pray you, avoid it.
FIRST PLAYER
I warrant your honour.
HAMLET
Be not too tame neither, but let your own discretion
be your tutor: suit the action to the word, the
word to the action; with this special o'erstep not
the modesty of nature: for any thing so overdone is
from the purpose of playing, whose end, both at the
first and now, was and is, to hold, as 'twere, the
mirror up to nature; to show virtue her own feature,
scorn her own image, and the very age and body of
the time his form and pressure. Now this overdone,
or come tardy off, though it make the unskilful
laugh, cannot but make the judicious grieve; the
censure of the which one must in your allowance
o'erweigh a whole theatre of others. O, there be
players that I have seen play, and heard others
praise, and that highly, not to speak it profanely,
that, neither having the accent of Christians nor
the gait of Christian, pagan, nor man, have so
strutted and bellowed that I have thought some of
nature's journeymen had made men and not made them
well, they imitated humanity so abominably.
FIRST PLAYER
I hope we have reformed that indifferently with us,
sir.
HAMLET
O, reform it altogether. And let those that play
your clowns speak no more than is set down for them;
for there be of them that will themselves laugh, to
set on some quantity of barren spectators to laugh
too; though, in the mean time, some necessary
question of the play be then to be considered:
that's villanous, and shows a most pitiful ambition
in the fool that uses it. Go, make you ready.
https://wn.com/Hamlet's_Advice_To_The_Players_(Johnston_Forbes_Robertson,_1930S)
"Speak the speech, I pray you, as I pronounced it to you." Johnston Forbes-Robertson (1853-1937), at the end of his career/life. Does this Hamlet follow his own advice? (You judge: not all of them do.) This is a one-off performance of the monologue, without a director, so all the blame and all the praise go to the same man.
Available (with other good stuff) here: http://www.amazon.com/dp/9626342005/
or here: http://www.amazon.com/dp/B00004W55A/
Read along: http://shakespeare.mit.edu/hamlet/hamlet.3.2.html
Compare other attempts:
Simon Russell Beale (1999, audio): http://www.youtube.com/watch?v=hTqwHSh_oFs&fmt=6
Kenneth Branagh (1992, audio): http://www.youtube.com/watch?v=YkrqhLTG7j4&fmt=6
Joan Hansen: http://www.youtube.com/watch?v=3dTzM22_Hfc&fmt=22
Harry E. Humphrey (1919, audio): http://www.youtube.com/watch?v=U-vXEyHPXHc&fmt=6
Kevin Klein (partial, with commentary): http://www.youtube.com/watch?v=ZRertO1ysDk
Anton Lesser (1996, audio): http://www.youtube.com/watch?v=jPjIx_70Oq4&fmt=6
Marlowe Society (1961, audio): http://www.youtube.com/watch?v=-Ce6MAGyMmc&fmt=6
Lawrence Olivier (1948, film): http://www.youtube.com/watch?v=FuCv6IBml1M&fmt=6
Paul Scofield (1963, audio): http://www.youtube.com/watch?v=kz1dEQBTk_Y&fmt=6
Michael Sheen (1999, audio): http://www.youtube.com/watch?v=RygTwYpx9_M&fmt=6
David Tenant (2009, film): http://www.youtube.com/watch?v=HtYCXO-jAJg&p=BA5AF82197EF7358&index=14
Speak the speech, I pray you, as I pronounced it to
you, trippingly on the tongue: but if you mouth it,
as many of your players do, I had as lief the
town-crier spoke my lines. Nor do not saw the air
too much with your hand, thus, but use all gently;
for in the very torrent, tempest, and, as I may say,
the whirlwind of passion, you must acquire and beget
a temperance that may give it smoothness. O, it
offends me to the soul to hear a robustious
periwig-pated fellow tear a passion to tatters, to
very rags, to split the ears of the groundlings, who
for the most part are capable of nothing but
inexplicable dumbshows and noise: I would have such
a fellow whipped for o'erdoing Termagant; it
out-herods Herod: pray you, avoid it.
FIRST PLAYER
I warrant your honour.
HAMLET
Be not too tame neither, but let your own discretion
be your tutor: suit the action to the word, the
word to the action; with this special o'erstep not
the modesty of nature: for any thing so overdone is
from the purpose of playing, whose end, both at the
first and now, was and is, to hold, as 'twere, the
mirror up to nature; to show virtue her own feature,
scorn her own image, and the very age and body of
the time his form and pressure. Now this overdone,
or come tardy off, though it make the unskilful
laugh, cannot but make the judicious grieve; the
censure of the which one must in your allowance
o'erweigh a whole theatre of others. O, there be
players that I have seen play, and heard others
praise, and that highly, not to speak it profanely,
that, neither having the accent of Christians nor
the gait of Christian, pagan, nor man, have so
strutted and bellowed that I have thought some of
nature's journeymen had made men and not made them
well, they imitated humanity so abominably.
FIRST PLAYER
I hope we have reformed that indifferently with us,
sir.
HAMLET
O, reform it altogether. And let those that play
your clowns speak no more than is set down for them;
for there be of them that will themselves laugh, to
set on some quantity of barren spectators to laugh
too; though, in the mean time, some necessary
question of the play be then to be considered:
that's villanous, and shows a most pitiful ambition
in the fool that uses it. Go, make you ready.
- published: 19 Sep 2010
- views: 8725
1:02
Hamlet (1913)
Unused / unissued material - Shots from the 1913 version of Shakespeare's 'Hamlet' starring Sir Johnstone Forbes Robertson. Battlement scenes where Hamlet sees ...
Unused / unissued material - Shots from the 1913 version of Shakespeare's 'Hamlet' starring Sir Johnstone Forbes Robertson. Battlement scenes where Hamlet sees the ghost of his father.
Intertitle reads: "Hamlet.... Look, where it comes again! In the same figure, like the king that's dead." Double exposure shows the presence of the ghost as Hamlet looks shocked.
Please note we have been told: "If the intertitle is a guide, this is actually Act I, Scene 1 and so we're seeing Marcellus, Bernardo and the cloaked figure is Horatio, not Hamlet."
90,000 historic films, all SEARCHABLE on YouTube at: http://www.youtube.com/britishpathe
Join us on Facebook at: http://www.facebook.com/britishpathe
Tweet us @britishpathe
FILM ID:1828.06
A VIDEO FROM BRITISH PATHÉ. EXPLORE OUR ONLINE CHANNEL, BRITISH PATHÉ TV. IT'S FULL OF GREAT DOCUMENTARIES, FASCINATING INTERVIEWS, AND CLASSIC MOVIES. http://www.britishpathe.tv/
FOR LICENSING ENQUIRIES VISIT http://www.britishpathe.com/
British Pathé also represents the Reuters historical collection, which includes more than 136,000 items from the news agencies Gaumont Graphic (1910-1932), Empire News Bulletin (1926-1930), British Paramount (1931-1957), and Gaumont British (1934-1959), as well as Visnews content from 1957 to the end of 1984. All footage can be viewed on the British Pathé website. https://www.britishpathe.com/
https://wn.com/Hamlet_(1913)
Unused / unissued material - Shots from the 1913 version of Shakespeare's 'Hamlet' starring Sir Johnstone Forbes Robertson. Battlement scenes where Hamlet sees the ghost of his father.
Intertitle reads: "Hamlet.... Look, where it comes again! In the same figure, like the king that's dead." Double exposure shows the presence of the ghost as Hamlet looks shocked.
Please note we have been told: "If the intertitle is a guide, this is actually Act I, Scene 1 and so we're seeing Marcellus, Bernardo and the cloaked figure is Horatio, not Hamlet."
90,000 historic films, all SEARCHABLE on YouTube at: http://www.youtube.com/britishpathe
Join us on Facebook at: http://www.facebook.com/britishpathe
Tweet us @britishpathe
FILM ID:1828.06
A VIDEO FROM BRITISH PATHÉ. EXPLORE OUR ONLINE CHANNEL, BRITISH PATHÉ TV. IT'S FULL OF GREAT DOCUMENTARIES, FASCINATING INTERVIEWS, AND CLASSIC MOVIES. http://www.britishpathe.tv/
FOR LICENSING ENQUIRIES VISIT http://www.britishpathe.com/
British Pathé also represents the Reuters historical collection, which includes more than 136,000 items from the news agencies Gaumont Graphic (1910-1932), Empire News Bulletin (1926-1930), British Paramount (1931-1957), and Gaumont British (1934-1959), as well as Visnews content from 1957 to the end of 1984. All footage can be viewed on the British Pathé website. https://www.britishpathe.com/
- published: 13 Apr 2014
- views: 3025
3:56
SIR JOHNSTON FORBES-ROBERTSON -Shakespeare recital Part 1/2 12" - HMV Gramophone 109
Here's side one of for sides of SIR JOHNSTON FORBES-ROBERTSON - Lecture 4 (part 1) Shakespearean Recital - Extracts from Richard 11 and Macbeth - Columbia Graph...
Here's side one of for sides of SIR JOHNSTON FORBES-ROBERTSON - Lecture 4 (part 1) Shakespearean Recital - Extracts from Richard 11 and Macbeth - Columbia Graphophone D40006
https://wn.com/Sir_Johnston_Forbes_Robertson_Shakespeare_Recital_Part_1_2_12_Hmv_Gramophone_109
Here's side one of for sides of SIR JOHNSTON FORBES-ROBERTSON - Lecture 4 (part 1) Shakespearean Recital - Extracts from Richard 11 and Macbeth - Columbia Graphophone D40006
- published: 26 Mar 2016
- views: 276
1:21
Forbes-Robertson
Forbes-Robertson may refer to:
Eric Forbes-Robertson (1865–1935), British figure and landscape painter
Frances Forbes-Robertson (1866–1956), British novelist
J...
Forbes-Robertson may refer to:
Eric Forbes-Robertson (1865–1935), British figure and landscape painter
Frances Forbes-Robertson (1866–1956), British novelist
James Forbes-Robertson VC, DSO & Bar, MC (1884–1955), Scottish recipient of the Victoria Cross
Jean Forbes-Robertson (1905–1962), English actress
John Forbes-Robertson (actor) (1928–2008), British actor, played the title role in the Hammer horror series of Dracula films
Johnston Forbes-Robertson (1853–1937), English actor and theatre manager
Norman Forbes-Robertson (1858–1932), actor and prominent member of London's exclusive Garrick Club
Peter Forbes-Robertson (1927–1995), appeared in three Doctor Who serials
Source: https://en.wikipedia.org/wiki/Forbes-Robertson
Created with WikipediaReaderReborn (c) WikipediaReader
https://wn.com/Forbes_Robertson
Forbes-Robertson may refer to:
Eric Forbes-Robertson (1865–1935), British figure and landscape painter
Frances Forbes-Robertson (1866–1956), British novelist
James Forbes-Robertson VC, DSO & Bar, MC (1884–1955), Scottish recipient of the Victoria Cross
Jean Forbes-Robertson (1905–1962), English actress
John Forbes-Robertson (actor) (1928–2008), British actor, played the title role in the Hammer horror series of Dracula films
Johnston Forbes-Robertson (1853–1937), English actor and theatre manager
Norman Forbes-Robertson (1858–1932), actor and prominent member of London's exclusive Garrick Club
Peter Forbes-Robertson (1927–1995), appeared in three Doctor Who serials
Source: https://en.wikipedia.org/wiki/Forbes-Robertson
Created with WikipediaReaderReborn (c) WikipediaReader
- published: 01 Jul 2021
- views: 62
3:44
SIR JOHNSTON FORBES-ROBERTSON - Lecture 4 (part 3) Shakespearean Recital - Hamlet's advice
Here's SIR JOHNSTON FORBES-ROBERTSON - Lecture 4 (part 3) Shakespearean Recital - Hamlet's advice to the players "Hamlet" - 78rpm Columbia Graphophone D40007
Here's SIR JOHNSTON FORBES-ROBERTSON - Lecture 4 (part 3) Shakespearean Recital - Hamlet's advice to the players "Hamlet" - 78rpm Columbia Graphophone D40007
https://wn.com/Sir_Johnston_Forbes_Robertson_Lecture_4_(Part_3)_Shakespearean_Recital_Hamlet's_Advice
Here's SIR JOHNSTON FORBES-ROBERTSON - Lecture 4 (part 3) Shakespearean Recital - Hamlet's advice to the players "Hamlet" - 78rpm Columbia Graphophone D40007
- published: 26 Mar 2016
- views: 158
4:52
SIR JOHNSTON FORBES-ROBERTSON - Lecture 4 (part 4) Shakespeare - Buckingham's Farewell "Henry V111
Here's SIR JOHNSTON FORBES-ROBERTSON - Lecture 4 (part 4) Shakespearean Recital - Buckingham's Farewell "Henry V111" 12" D/S 78rpm Columbia Graphophone D40007
Here's SIR JOHNSTON FORBES-ROBERTSON - Lecture 4 (part 4) Shakespearean Recital - Buckingham's Farewell "Henry V111" 12" D/S 78rpm Columbia Graphophone D40007
https://wn.com/Sir_Johnston_Forbes_Robertson_Lecture_4_(Part_4)_Shakespeare_Buckingham's_Farewell_Henry_V111
Here's SIR JOHNSTON FORBES-ROBERTSON - Lecture 4 (part 4) Shakespearean Recital - Buckingham's Farewell "Henry V111" 12" D/S 78rpm Columbia Graphophone D40007
- published: 26 Mar 2016
- views: 164
17:30
SIR JOHNSTON FORBES-ROBERTSON - Shakespearean Lecture - Parts 1 - 4 - 78 rpm - Numark TTX
Here's SIR JOHNSTON FORBES-ROBERTSON Shakespearean Lecture and recitals Parts 1 - 4 from a set of two 78 rpm shellac record recorded in 1932 played on an ultr...
Here's SIR JOHNSTON FORBES-ROBERTSON Shakespearean Lecture and recitals Parts 1 - 4 from a set of two 78 rpm shellac record recorded in 1932 played on an ultra modern Numark TTX Record Player.
Sir Johnston Forbes-Robertson (16 January 1853 – 6 November 1937[1]) was an English actor and theatre manager. He was considered the finest Hamlet of the Victorian era and one of the finest actors of his time, despite his dislike of the job and his lifelong belief that he was temperamentally unsuited to acting.
https://wn.com/Sir_Johnston_Forbes_Robertson_Shakespearean_Lecture_Parts_1_4_78_Rpm_Numark_Ttx
Here's SIR JOHNSTON FORBES-ROBERTSON Shakespearean Lecture and recitals Parts 1 - 4 from a set of two 78 rpm shellac record recorded in 1932 played on an ultra modern Numark TTX Record Player.
Sir Johnston Forbes-Robertson (16 January 1853 – 6 November 1937[1]) was an English actor and theatre manager. He was considered the finest Hamlet of the Victorian era and one of the finest actors of his time, despite his dislike of the job and his lifelong belief that he was temperamentally unsuited to acting.
- published: 03 Jun 2017
- views: 898
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SIR JOHNSTON FORBES-ROBERTSON - Shakespeare recital Part 2/2 - Hamlet
Here's SIR JOHNSTON FORBES-ROBERTSON - Lecture 4 (part 2) Shakespearean Recital - Hamlet's Soliloquy after he had introduced the players (Hamlet) Columbia Graph...
Here's SIR JOHNSTON FORBES-ROBERTSON - Lecture 4 (part 2) Shakespearean Recital - Hamlet's Soliloquy after he had introduced the players (Hamlet) Columbia Graphophone D40006
https://wn.com/Sir_Johnston_Forbes_Robertson_Shakespeare_Recital_Part_2_2_Hamlet
Here's SIR JOHNSTON FORBES-ROBERTSON - Lecture 4 (part 2) Shakespearean Recital - Hamlet's Soliloquy after he had introduced the players (Hamlet) Columbia Graphophone D40006
- published: 26 Mar 2016
- views: 1384