-
J O H N Coltrane - Greatest Hits | The Best Of J O H N Coltrane
J O H N Coltrane - Greatest Hits | The Best Of J O H N Coltrane
Thanks for watching! Do not forget to SUBCRIBE, I like and share my video if you enjoy it! You have a good day!
© Suger: Youtube → https://bom.to/dixhjwClQDD4Nv
Playlist → https://youtu.be/QzzQh4vfcTs
🚫 If you have any problem with copyright, please CONTACT US DIRECTLY before doing anything, or question please write to me in the email
Email → [email protected]
published: 21 Aug 2021
-
John Coltrane - In A Sentimental Mood
John Coltrane - In A Sentimental Mood
published: 13 Oct 2009
-
My Favorite Things (Stereo) (2022 Remaster)
Provided to YouTube by Rhino Atlantic
My Favorite Things (Stereo) (2022 Remaster) · John Coltrane
My Favorite Things
℗ 1961, 2021 Atlantic Recording Corporation.
Drums: Elvin Jones
Soprano Saxophone: John Coltrane
Tenor Saxophone: John Coltrane
Piano: McCoy Tyner
Producer, Supervisor: Nesuhi Ertegun
Unknown: Phil Iehle
Bass: Steve Davis
Unknown: Tom Dowd
Writer: Oscar Hammerstein II
Writer: Richard Rodgers
Auto-generated by YouTube.
published: 19 May 2022
-
Blue Train (Remastered 2003/Rudy Van Gelder Edition)
Provided to YouTube by Universal Music Group
Blue Train (Remastered 2003/Rudy Van Gelder Edition) · John Coltrane
Blue Train
℗ 1957 Capitol Records, LLC
Released on: 1957-11-01
Producer: Alfred Lion
Studio Personnel, Mastering Engineer: Rudy Van Gelder
Associated Performer, Tenor Saxophone: John Coltrane
Associated Performer, Bass ( Vocal): Paul Chambers
Associated Performer, Drums: Philly Joe Jones
Associated Performer, Piano: Kenny Drew
Associated Performer, Trombone: Curtis Fuller
Associated Performer, Trumpet: Lee Morgan
Composer: John Coltrane
Auto-generated by YouTube.
published: 25 Mar 2017
-
John Coltrane - Giant Steps (2020 Remaster) [Full Album]
GIANT STEPS: 60th ANNIVERSARY DELUXE EDITION is available as a 180g 2-LP set and as a 2-CD set, both featuring a remastered version of the landmark album plus 8 alternate takes. The super deluxe edition, available to download and stream, includes an additional 20 outtakes: https://Rhino.lnk.to/giantsteps60
Tracklisting:
1. Giant Steps 00:00
2. Cousin Mary 04:47
3. Countdown 10:37
4. Spiral 13:03
5. Syeeda’s Song Flute 19:02
6. Naima 26:08
7. Mr. P.C. 30:33
published: 18 Sep 2020
-
My Favorite Things - John Coltrane [FULL VERSION] HQ
My Favorite things by John Coltrane from the album "My Favorite Things".
published: 10 Jun 2011
-
John Coltrane - Equinox (Original)
John Coltrane — Tenor Saxophone McCoy Tyner — Piano
Steve Davis — Bass Elvin Jones — Drums
From: Coltrane's Sound released in 1964 on Atlantic Records, catalogue SD 1419. It was recorded at Atlantic Studios (Recorded on October 24 & 26, 1960) during the sessions for My Favorite Things.
***Coltrane’s wife Naima named the song "Equinox". The equinox occurs twice a year when the tilt of the Earth’s axis is inclined neither away from nor towards the sun. John Coltrane was born on September 23, 1926, the day of the official autumn equinox of that year.
The release of "Equinox" was delayed until 1964 when Atlantic issued the album Coltrane’s Sound. Before he recorded it, Coltrane performed "Equinox" several times in live venues, including a session with Miles D...
published: 22 Nov 2009
-
John Coltrane Quartet My Favorite Things Live in Comblain-La-Tour 1965
Soprano Saxophone - John Coltrane
Piano - Mccoy Tyner
Bass - Jimmy Garrison
Drum - Elvin Jones
Live in Comblain-La-Tour (Belgium) on August 1
published: 05 Aug 2022
-
Intro - Mr Pc - John Coltrane - guitar
Mr Pc - John Coltrane - guitar
#jazzstandards
#jazzguitar
#jazzmusic
published: 29 Jul 2024
-
Miles Davis with John Coltrane- March 21, 1960 Olympia Theatre, Paris
Historic concert featuring a fiery John Coltrane
March 21, 1960
Olympia Theatre, Paris, France
MILES DAVIS QUINTET
Miles Davis- trumpet
John Coltrane- tenor saxophone
Wynton Kelly- piano
Paul Chambers- bass
Jimmy Cobb- drums
1st set
All of You (C. Porter) 0:00
So What (M. Davis) 17:05
On Green Dolphin Street (N. Washington-B. Kaper) 30:31
2nd set
Walkin' (R. Carpenter) 45:11
Bye Bye Blackbird (R. Henderson-M. Dixon) 1:01:02
'Round Midnight (B. Hanighen-C. Williams-T. Monk) 1:15:00
Oleo (S. Rollins) 1:20:37
The Theme (M. Davis) 1:24:59
Concert recording, broadcast by Europe-1
Great bands often have sown within them the seeds of their own destruction. A talented sideman will spend their time with a leader gaining experience, confidence, plaudits, and fame. Generally, the next move is t...
published: 21 Mar 2016
2:16:59
J O H N Coltrane - Greatest Hits | The Best Of J O H N Coltrane
J O H N Coltrane - Greatest Hits | The Best Of J O H N Coltrane
Thanks for watching! Do not forget to SUBCRIBE, I like and share my video if you enjoy it! You h...
J O H N Coltrane - Greatest Hits | The Best Of J O H N Coltrane
Thanks for watching! Do not forget to SUBCRIBE, I like and share my video if you enjoy it! You have a good day!
© Suger: Youtube → https://bom.to/dixhjwClQDD4Nv
Playlist → https://youtu.be/QzzQh4vfcTs
🚫 If you have any problem with copyright, please CONTACT US DIRECTLY before doing anything, or question please write to me in the email
Email →
[email protected]
https://wn.com/J_O_H_N_Coltrane_Greatest_Hits_|_The_Best_Of_J_O_H_N_Coltrane
J O H N Coltrane - Greatest Hits | The Best Of J O H N Coltrane
Thanks for watching! Do not forget to SUBCRIBE, I like and share my video if you enjoy it! You have a good day!
© Suger: Youtube → https://bom.to/dixhjwClQDD4Nv
Playlist → https://youtu.be/QzzQh4vfcTs
🚫 If you have any problem with copyright, please CONTACT US DIRECTLY before doing anything, or question please write to me in the email
Email →
[email protected]
- published: 21 Aug 2021
- views: 1097342
13:47
My Favorite Things (Stereo) (2022 Remaster)
Provided to YouTube by Rhino Atlantic
My Favorite Things (Stereo) (2022 Remaster) · John Coltrane
My Favorite Things
℗ 1961, 2021 Atlantic Recording Corporat...
Provided to YouTube by Rhino Atlantic
My Favorite Things (Stereo) (2022 Remaster) · John Coltrane
My Favorite Things
℗ 1961, 2021 Atlantic Recording Corporation.
Drums: Elvin Jones
Soprano Saxophone: John Coltrane
Tenor Saxophone: John Coltrane
Piano: McCoy Tyner
Producer, Supervisor: Nesuhi Ertegun
Unknown: Phil Iehle
Bass: Steve Davis
Unknown: Tom Dowd
Writer: Oscar Hammerstein II
Writer: Richard Rodgers
Auto-generated by YouTube.
https://wn.com/My_Favorite_Things_(Stereo)_(2022_Remaster)
Provided to YouTube by Rhino Atlantic
My Favorite Things (Stereo) (2022 Remaster) · John Coltrane
My Favorite Things
℗ 1961, 2021 Atlantic Recording Corporation.
Drums: Elvin Jones
Soprano Saxophone: John Coltrane
Tenor Saxophone: John Coltrane
Piano: McCoy Tyner
Producer, Supervisor: Nesuhi Ertegun
Unknown: Phil Iehle
Bass: Steve Davis
Unknown: Tom Dowd
Writer: Oscar Hammerstein II
Writer: Richard Rodgers
Auto-generated by YouTube.
- published: 19 May 2022
- views: 1023419
10:45
Blue Train (Remastered 2003/Rudy Van Gelder Edition)
Provided to YouTube by Universal Music Group
Blue Train (Remastered 2003/Rudy Van Gelder Edition) · John Coltrane
Blue Train
℗ 1957 Capitol Records, LLC
Rel...
Provided to YouTube by Universal Music Group
Blue Train (Remastered 2003/Rudy Van Gelder Edition) · John Coltrane
Blue Train
℗ 1957 Capitol Records, LLC
Released on: 1957-11-01
Producer: Alfred Lion
Studio Personnel, Mastering Engineer: Rudy Van Gelder
Associated Performer, Tenor Saxophone: John Coltrane
Associated Performer, Bass ( Vocal): Paul Chambers
Associated Performer, Drums: Philly Joe Jones
Associated Performer, Piano: Kenny Drew
Associated Performer, Trombone: Curtis Fuller
Associated Performer, Trumpet: Lee Morgan
Composer: John Coltrane
Auto-generated by YouTube.
https://wn.com/Blue_Train_(Remastered_2003_Rudy_Van_Gelder_Edition)
Provided to YouTube by Universal Music Group
Blue Train (Remastered 2003/Rudy Van Gelder Edition) · John Coltrane
Blue Train
℗ 1957 Capitol Records, LLC
Released on: 1957-11-01
Producer: Alfred Lion
Studio Personnel, Mastering Engineer: Rudy Van Gelder
Associated Performer, Tenor Saxophone: John Coltrane
Associated Performer, Bass ( Vocal): Paul Chambers
Associated Performer, Drums: Philly Joe Jones
Associated Performer, Piano: Kenny Drew
Associated Performer, Trombone: Curtis Fuller
Associated Performer, Trumpet: Lee Morgan
Composer: John Coltrane
Auto-generated by YouTube.
- published: 25 Mar 2017
- views: 5466637
37:33
John Coltrane - Giant Steps (2020 Remaster) [Full Album]
GIANT STEPS: 60th ANNIVERSARY DELUXE EDITION is available as a 180g 2-LP set and as a 2-CD set, both featuring a remastered version of the landmark album plus 8...
GIANT STEPS: 60th ANNIVERSARY DELUXE EDITION is available as a 180g 2-LP set and as a 2-CD set, both featuring a remastered version of the landmark album plus 8 alternate takes. The super deluxe edition, available to download and stream, includes an additional 20 outtakes: https://Rhino.lnk.to/giantsteps60
Tracklisting:
1. Giant Steps 00:00
2. Cousin Mary 04:47
3. Countdown 10:37
4. Spiral 13:03
5. Syeeda’s Song Flute 19:02
6. Naima 26:08
7. Mr. P.C. 30:33
https://wn.com/John_Coltrane_Giant_Steps_(2020_Remaster)_Full_Album
GIANT STEPS: 60th ANNIVERSARY DELUXE EDITION is available as a 180g 2-LP set and as a 2-CD set, both featuring a remastered version of the landmark album plus 8 alternate takes. The super deluxe edition, available to download and stream, includes an additional 20 outtakes: https://Rhino.lnk.to/giantsteps60
Tracklisting:
1. Giant Steps 00:00
2. Cousin Mary 04:47
3. Countdown 10:37
4. Spiral 13:03
5. Syeeda’s Song Flute 19:02
6. Naima 26:08
7. Mr. P.C. 30:33
- published: 18 Sep 2020
- views: 1346243
13:47
My Favorite Things - John Coltrane [FULL VERSION] HQ
My Favorite things by John Coltrane from the album "My Favorite Things".
My Favorite things by John Coltrane from the album "My Favorite Things".
https://wn.com/My_Favorite_Things_John_Coltrane_Full_Version_Hq
My Favorite things by John Coltrane from the album "My Favorite Things".
- published: 10 Jun 2011
- views: 14735263
8:33
John Coltrane - Equinox (Original)
John Coltrane — Tenor Saxophone McCoy Tyner — Piano
Steve Davis — Bass Elvin Jones — Drums
From: Coltrane's Sound released in 1...
John Coltrane — Tenor Saxophone McCoy Tyner — Piano
Steve Davis — Bass Elvin Jones — Drums
From: Coltrane's Sound released in 1964 on Atlantic Records, catalogue SD 1419. It was recorded at Atlantic Studios (Recorded on October 24 & 26, 1960) during the sessions for My Favorite Things.
***Coltrane’s wife Naima named the song "Equinox". The equinox occurs twice a year when the tilt of the Earth’s axis is inclined neither away from nor towards the sun. John Coltrane was born on September 23, 1926, the day of the official autumn equinox of that year.
The release of "Equinox" was delayed until 1964 when Atlantic issued the album Coltrane’s Sound. Before he recorded it, Coltrane performed "Equinox" several times in live venues, including a session with Miles Davis’ rhythm section and at the 1960 Monterey Jazz Festival. Unfortunately, the other Atlantic recordings of "Equinox" were lost in the 1978 warehouse fire before they were released.
https://wn.com/John_Coltrane_Equinox_(Original)
John Coltrane — Tenor Saxophone McCoy Tyner — Piano
Steve Davis — Bass Elvin Jones — Drums
From: Coltrane's Sound released in 1964 on Atlantic Records, catalogue SD 1419. It was recorded at Atlantic Studios (Recorded on October 24 & 26, 1960) during the sessions for My Favorite Things.
***Coltrane’s wife Naima named the song "Equinox". The equinox occurs twice a year when the tilt of the Earth’s axis is inclined neither away from nor towards the sun. John Coltrane was born on September 23, 1926, the day of the official autumn equinox of that year.
The release of "Equinox" was delayed until 1964 when Atlantic issued the album Coltrane’s Sound. Before he recorded it, Coltrane performed "Equinox" several times in live venues, including a session with Miles Davis’ rhythm section and at the 1960 Monterey Jazz Festival. Unfortunately, the other Atlantic recordings of "Equinox" were lost in the 1978 warehouse fire before they were released.
- published: 22 Nov 2009
- views: 20738020
20:48
John Coltrane Quartet My Favorite Things Live in Comblain-La-Tour 1965
Soprano Saxophone - John Coltrane
Piano - Mccoy Tyner
Bass - Jimmy Garrison
Drum - Elvin Jones
Live in Comblain-La-Tour (Belgium) on August 1
Soprano Saxophone - John Coltrane
Piano - Mccoy Tyner
Bass - Jimmy Garrison
Drum - Elvin Jones
Live in Comblain-La-Tour (Belgium) on August 1
https://wn.com/John_Coltrane_Quartet_My_Favorite_Things_Live_In_Comblain_La_Tour_1965
Soprano Saxophone - John Coltrane
Piano - Mccoy Tyner
Bass - Jimmy Garrison
Drum - Elvin Jones
Live in Comblain-La-Tour (Belgium) on August 1
- published: 05 Aug 2022
- views: 790143
0:33
Intro - Mr Pc - John Coltrane - guitar
Mr Pc - John Coltrane - guitar
#jazzstandards
#jazzguitar
#jazzmusic
Mr Pc - John Coltrane - guitar
#jazzstandards
#jazzguitar
#jazzmusic
https://wn.com/Intro_Mr_Pc_John_Coltrane_Guitar
Mr Pc - John Coltrane - guitar
#jazzstandards
#jazzguitar
#jazzmusic
- published: 29 Jul 2024
- views: 438
1:25:56
Miles Davis with John Coltrane- March 21, 1960 Olympia Theatre, Paris
Historic concert featuring a fiery John Coltrane
March 21, 1960
Olympia Theatre, Paris, France
MILES DAVIS QUINTET
Miles Davis- trumpet
John Coltrane- tenor s...
Historic concert featuring a fiery John Coltrane
March 21, 1960
Olympia Theatre, Paris, France
MILES DAVIS QUINTET
Miles Davis- trumpet
John Coltrane- tenor saxophone
Wynton Kelly- piano
Paul Chambers- bass
Jimmy Cobb- drums
1st set
All of You (C. Porter) 0:00
So What (M. Davis) 17:05
On Green Dolphin Street (N. Washington-B. Kaper) 30:31
2nd set
Walkin' (R. Carpenter) 45:11
Bye Bye Blackbird (R. Henderson-M. Dixon) 1:01:02
'Round Midnight (B. Hanighen-C. Williams-T. Monk) 1:15:00
Oleo (S. Rollins) 1:20:37
The Theme (M. Davis) 1:24:59
Concert recording, broadcast by Europe-1
Great bands often have sown within them the seeds of their own destruction. A talented sideman will spend their time with a leader gaining experience, confidence, plaudits, and fame. Generally, the next move is to form their own band. Great artistic statements are often made by groups on the brink of imploding.
So it proved with Miles Davis' _Kind of Blue_ sextet. First out was Bill Evans; indeed, he had already left by the time _KoB_ was recorded, replaced by Wynton Kelly. Miles invited his ex-pianist back for the session, having concieved of music based on Bill's impressionistic playing. Next to go was altoist Cannonball Adderley, who had often recorded and performed alongside his brother, cornettist Nat, since the pair arrived in New York in the summer of 1955. They decided the time was right to form a new working band.
John Coltrane, too, had recorded as a leader for Prestige, Roulette and Blue Note but signing to Atlantic Records in 1959 brought about a creative rebirth- less than two weeks after the final _KoB_ session, Trane started recording his classic _Giant Steps,_ followed later in the year by _Coltrane Jazz_ with the Davis rhythm section. He was ready to strike out on his own. Davis, however, was reluctant to lose another key player and persuaded Coltrane to stay for one final tour of Europe in the spring of 1960.
This was the first date of Norman Granz' three week Jazz At The Philharmonic package tour, where Davis shared the bill with Stan Getz and the Oscar Peterson Trio. The date was crisply recorded by Europe 1 radio, and the repertoire consists of some of Davis' recent hit recordings, plus two pieces from _Kind Of Blue,_ released the previous summer, So What and All Blues.
Davis plays superbly at this gig- he seems to be in a very good period for his chops and he plays with a great deal of expression, subtlety, strength and poise. A device often used on the standard tunes is an extended, repeated turnaround at the end of the form over which the soloist plays, ending it with a melodic cue to signal a break into the next soloist (an early version of the 'coded phrases' Davis would deploy to introduce the next tune in the continuous sets of the late 60s and 1970s). Wynton Kelly is also brilliant across these recordings, an often undervalued pianist in the pantheon of Davis accompanists; he plays with impeccable swing, taste and drive and his dialogues with Davis are consistently fascinating. And Chambers and Cobb are there every step of the way. One of the great rhythm sections in jazz.
But the real revelation is Coltrane. A reluctant participant in the tour he apparently remained in a sour mood, rarely conversing and spending his free time practicing obsessively. He brings this tension to the bandstand- he seems determined to experiment publicly, pushing the limits of the saxophone and of his own playing. This was different even to the advanced 'sheets of sound' one might have been familiar with from recent Coltrane records or _Kind Of Blue._ Here, Trane utilises melodic cells that repeat and mutate, there is overblowing, split tones, multiphonics, altissimo register phrases above the tenor's normal range, anguished cries, lightning fast arpeggios, purposely out of key phrases, harmonies stacked on harmonies.
Jazz relies on tension and release but here Trane is adding tension on top of tension, often at great length- Coltrane once said to Davis "it seems like when I get going, I just don't know how to stop," to which Miles replied, with typical dryness, "why don't you try taking the horn out of your mouth?". Still, Davis allowed Trane the space to conduct his experiments, perhaps sensing he was working towards something revolutionary. If Coltrane's intention was to provoke the audience it worked- often, parts of the crowd erupt with boos and catcalls, while others are cheering. Modern jazz is splitting into warring factions before our ears. More than sixty years on it remains viscerally exciting.
More than just a fortunate recording of the Davis quintet on a good night, this is a crucial document in modern jazz. And it's a blast to listen to.
If you enjoy these posts and would like to thank us for our efforts you can buy us a coffee:
https://ko-fi.com/milestonesarchive
Thank you!
https://wn.com/Miles_Davis_With_John_Coltrane_March_21,_1960_Olympia_Theatre,_Paris
Historic concert featuring a fiery John Coltrane
March 21, 1960
Olympia Theatre, Paris, France
MILES DAVIS QUINTET
Miles Davis- trumpet
John Coltrane- tenor saxophone
Wynton Kelly- piano
Paul Chambers- bass
Jimmy Cobb- drums
1st set
All of You (C. Porter) 0:00
So What (M. Davis) 17:05
On Green Dolphin Street (N. Washington-B. Kaper) 30:31
2nd set
Walkin' (R. Carpenter) 45:11
Bye Bye Blackbird (R. Henderson-M. Dixon) 1:01:02
'Round Midnight (B. Hanighen-C. Williams-T. Monk) 1:15:00
Oleo (S. Rollins) 1:20:37
The Theme (M. Davis) 1:24:59
Concert recording, broadcast by Europe-1
Great bands often have sown within them the seeds of their own destruction. A talented sideman will spend their time with a leader gaining experience, confidence, plaudits, and fame. Generally, the next move is to form their own band. Great artistic statements are often made by groups on the brink of imploding.
So it proved with Miles Davis' _Kind of Blue_ sextet. First out was Bill Evans; indeed, he had already left by the time _KoB_ was recorded, replaced by Wynton Kelly. Miles invited his ex-pianist back for the session, having concieved of music based on Bill's impressionistic playing. Next to go was altoist Cannonball Adderley, who had often recorded and performed alongside his brother, cornettist Nat, since the pair arrived in New York in the summer of 1955. They decided the time was right to form a new working band.
John Coltrane, too, had recorded as a leader for Prestige, Roulette and Blue Note but signing to Atlantic Records in 1959 brought about a creative rebirth- less than two weeks after the final _KoB_ session, Trane started recording his classic _Giant Steps,_ followed later in the year by _Coltrane Jazz_ with the Davis rhythm section. He was ready to strike out on his own. Davis, however, was reluctant to lose another key player and persuaded Coltrane to stay for one final tour of Europe in the spring of 1960.
This was the first date of Norman Granz' three week Jazz At The Philharmonic package tour, where Davis shared the bill with Stan Getz and the Oscar Peterson Trio. The date was crisply recorded by Europe 1 radio, and the repertoire consists of some of Davis' recent hit recordings, plus two pieces from _Kind Of Blue,_ released the previous summer, So What and All Blues.
Davis plays superbly at this gig- he seems to be in a very good period for his chops and he plays with a great deal of expression, subtlety, strength and poise. A device often used on the standard tunes is an extended, repeated turnaround at the end of the form over which the soloist plays, ending it with a melodic cue to signal a break into the next soloist (an early version of the 'coded phrases' Davis would deploy to introduce the next tune in the continuous sets of the late 60s and 1970s). Wynton Kelly is also brilliant across these recordings, an often undervalued pianist in the pantheon of Davis accompanists; he plays with impeccable swing, taste and drive and his dialogues with Davis are consistently fascinating. And Chambers and Cobb are there every step of the way. One of the great rhythm sections in jazz.
But the real revelation is Coltrane. A reluctant participant in the tour he apparently remained in a sour mood, rarely conversing and spending his free time practicing obsessively. He brings this tension to the bandstand- he seems determined to experiment publicly, pushing the limits of the saxophone and of his own playing. This was different even to the advanced 'sheets of sound' one might have been familiar with from recent Coltrane records or _Kind Of Blue._ Here, Trane utilises melodic cells that repeat and mutate, there is overblowing, split tones, multiphonics, altissimo register phrases above the tenor's normal range, anguished cries, lightning fast arpeggios, purposely out of key phrases, harmonies stacked on harmonies.
Jazz relies on tension and release but here Trane is adding tension on top of tension, often at great length- Coltrane once said to Davis "it seems like when I get going, I just don't know how to stop," to which Miles replied, with typical dryness, "why don't you try taking the horn out of your mouth?". Still, Davis allowed Trane the space to conduct his experiments, perhaps sensing he was working towards something revolutionary. If Coltrane's intention was to provoke the audience it worked- often, parts of the crowd erupt with boos and catcalls, while others are cheering. Modern jazz is splitting into warring factions before our ears. More than sixty years on it remains viscerally exciting.
More than just a fortunate recording of the Davis quintet on a good night, this is a crucial document in modern jazz. And it's a blast to listen to.
If you enjoy these posts and would like to thank us for our efforts you can buy us a coffee:
https://ko-fi.com/milestonesarchive
Thank you!
- published: 21 Mar 2016
- views: 3166210
-
J O H N Coltrane - Greatest Hits | The Best Of J O H N Coltrane
J O H N Coltrane - Greatest Hits | The Best Of J O H N Coltrane
Thanks for watching! Do not forget to SUBCRIBE, I like and share my video if you enjoy it! You have a good day!
© Suger: Youtube → https://bom.to/dixhjwClQDD4Nv
Playlist → https://youtu.be/QzzQh4vfcTs
🚫 If you have any problem with copyright, please CONTACT US DIRECTLY before doing anything, or question please write to me in the email
Email → [email protected]
published: 21 Aug 2021
-
Miles Davis with John Coltrane- March 21, 1960 Olympia Theatre, Paris
Historic concert featuring a fiery John Coltrane
March 21, 1960
Olympia Theatre, Paris, France
MILES DAVIS QUINTET
Miles Davis- trumpet
John Coltrane- tenor saxophone
Wynton Kelly- piano
Paul Chambers- bass
Jimmy Cobb- drums
1st set
All of You (C. Porter) 0:00
So What (M. Davis) 17:05
On Green Dolphin Street (N. Washington-B. Kaper) 30:31
2nd set
Walkin' (R. Carpenter) 45:11
Bye Bye Blackbird (R. Henderson-M. Dixon) 1:01:02
'Round Midnight (B. Hanighen-C. Williams-T. Monk) 1:15:00
Oleo (S. Rollins) 1:20:37
The Theme (M. Davis) 1:24:59
Concert recording, broadcast by Europe-1
Great bands often have sown within them the seeds of their own destruction. A talented sideman will spend their time with a leader gaining experience, confidence, plaudits, and fame. Generally, the next move is t...
published: 21 Mar 2016
-
John Coltrane - In A Sentimental Mood
John Coltrane - In A Sentimental Mood
published: 13 Oct 2009
-
John Coltrane - Giant Steps (2020 Remaster) [Full Album]
GIANT STEPS: 60th ANNIVERSARY DELUXE EDITION is available as a 180g 2-LP set and as a 2-CD set, both featuring a remastered version of the landmark album plus 8 alternate takes. The super deluxe edition, available to download and stream, includes an additional 20 outtakes: https://Rhino.lnk.to/giantsteps60
Tracklisting:
1. Giant Steps 00:00
2. Cousin Mary 04:47
3. Countdown 10:37
4. Spiral 13:03
5. Syeeda’s Song Flute 19:02
6. Naima 26:08
7. Mr. P.C. 30:33
published: 18 Sep 2020
-
My Favorite Things (Stereo) (2022 Remaster)
Provided to YouTube by Rhino Atlantic
My Favorite Things (Stereo) (2022 Remaster) · John Coltrane
My Favorite Things
℗ 1961, 2021 Atlantic Recording Corporation.
Drums: Elvin Jones
Soprano Saxophone: John Coltrane
Tenor Saxophone: John Coltrane
Piano: McCoy Tyner
Producer, Supervisor: Nesuhi Ertegun
Unknown: Phil Iehle
Bass: Steve Davis
Unknown: Tom Dowd
Writer: Oscar Hammerstein II
Writer: Richard Rodgers
Auto-generated by YouTube.
published: 19 May 2022
-
Blue Train (Remastered 2003/Rudy Van Gelder Edition)
Provided to YouTube by Universal Music Group
Blue Train (Remastered 2003/Rudy Van Gelder Edition) · John Coltrane
Blue Train
℗ 1957 Capitol Records, LLC
Released on: 1957-11-01
Producer: Alfred Lion
Studio Personnel, Mastering Engineer: Rudy Van Gelder
Associated Performer, Tenor Saxophone: John Coltrane
Associated Performer, Bass ( Vocal): Paul Chambers
Associated Performer, Drums: Philly Joe Jones
Associated Performer, Piano: Kenny Drew
Associated Performer, Trombone: Curtis Fuller
Associated Performer, Trumpet: Lee Morgan
Composer: John Coltrane
Auto-generated by YouTube.
published: 25 Mar 2017
-
John Coltrane Quartet My Favorite Things Live in Comblain-La-Tour 1965
Soprano Saxophone - John Coltrane
Piano - Mccoy Tyner
Bass - Jimmy Garrison
Drum - Elvin Jones
Live in Comblain-La-Tour (Belgium) on August 1
published: 05 Aug 2022
-
John Coltrane Quintet, in Dusseldorf, Germany, March 28th, 1960 (Colorized)
Colorized with AI program (Deoldify)
00:00 On Green Dolphin Street
08:47 Walkin’
16:05 The Theme
19:35 Autumn leaves/What’s New/Moonlight in Vermont
25:53 Hackensack
John Coltrane: tenor saxophone
Wynton Kelly: piano,
Paul Chambers: bass
Jimmy Cobb: drums
Stan Getz: tenor saxophone
Oscar Peterson: piano
Comment
In the first set, recorded on March 28, 1960 in Dusseldorf, Germany, Coltrane was unexpectedly thrust into the spotlight when Miles Davis was unable play that day. It’s basically a performance of the Miles Davis Quintet without Davis. The lineup includes Coltrane on tenor saxophone, Wynton Kelly on piano, Paul Chambers on bass and Jimmy Cobb on drums.
The film was made during a European tour billed as “Norman Granz’s Jazz at the Philharmonic Presents Jazz Winners of 1960.” Two...
published: 03 Aug 2021
-
Bass jazz giant steps John Coltrane ❤️🤩 #bassist #bassplayer #jazz #coltrane #basssolo
published: 25 Aug 2024
-
John Coltrane: My Favourite Things - East meets West -
John Coltrane's interpretation was influenced by music from the Indian subcontinent. This tribute therefore makes total sense. The Sachal Jazz ensemble from Lahore, Pakistan and the Wynton Marsalis quintet at The Marciac jazz festival, July 2013. #Makejazznotwar! The magic in this arrangement for me is Baqir Abbas on flute!
#BaqirAbbas #Bansuri #JohnColtrane #myfavouritethings #Jazz #eastmeetswest
published: 30 Apr 2015
2:16:59
J O H N Coltrane - Greatest Hits | The Best Of J O H N Coltrane
J O H N Coltrane - Greatest Hits | The Best Of J O H N Coltrane
Thanks for watching! Do not forget to SUBCRIBE, I like and share my video if you enjoy it! You h...
J O H N Coltrane - Greatest Hits | The Best Of J O H N Coltrane
Thanks for watching! Do not forget to SUBCRIBE, I like and share my video if you enjoy it! You have a good day!
© Suger: Youtube → https://bom.to/dixhjwClQDD4Nv
Playlist → https://youtu.be/QzzQh4vfcTs
🚫 If you have any problem with copyright, please CONTACT US DIRECTLY before doing anything, or question please write to me in the email
Email →
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https://wn.com/J_O_H_N_Coltrane_Greatest_Hits_|_The_Best_Of_J_O_H_N_Coltrane
J O H N Coltrane - Greatest Hits | The Best Of J O H N Coltrane
Thanks for watching! Do not forget to SUBCRIBE, I like and share my video if you enjoy it! You have a good day!
© Suger: Youtube → https://bom.to/dixhjwClQDD4Nv
Playlist → https://youtu.be/QzzQh4vfcTs
🚫 If you have any problem with copyright, please CONTACT US DIRECTLY before doing anything, or question please write to me in the email
Email →
[email protected]
- published: 21 Aug 2021
- views: 1097342
1:25:56
Miles Davis with John Coltrane- March 21, 1960 Olympia Theatre, Paris
Historic concert featuring a fiery John Coltrane
March 21, 1960
Olympia Theatre, Paris, France
MILES DAVIS QUINTET
Miles Davis- trumpet
John Coltrane- tenor s...
Historic concert featuring a fiery John Coltrane
March 21, 1960
Olympia Theatre, Paris, France
MILES DAVIS QUINTET
Miles Davis- trumpet
John Coltrane- tenor saxophone
Wynton Kelly- piano
Paul Chambers- bass
Jimmy Cobb- drums
1st set
All of You (C. Porter) 0:00
So What (M. Davis) 17:05
On Green Dolphin Street (N. Washington-B. Kaper) 30:31
2nd set
Walkin' (R. Carpenter) 45:11
Bye Bye Blackbird (R. Henderson-M. Dixon) 1:01:02
'Round Midnight (B. Hanighen-C. Williams-T. Monk) 1:15:00
Oleo (S. Rollins) 1:20:37
The Theme (M. Davis) 1:24:59
Concert recording, broadcast by Europe-1
Great bands often have sown within them the seeds of their own destruction. A talented sideman will spend their time with a leader gaining experience, confidence, plaudits, and fame. Generally, the next move is to form their own band. Great artistic statements are often made by groups on the brink of imploding.
So it proved with Miles Davis' _Kind of Blue_ sextet. First out was Bill Evans; indeed, he had already left by the time _KoB_ was recorded, replaced by Wynton Kelly. Miles invited his ex-pianist back for the session, having concieved of music based on Bill's impressionistic playing. Next to go was altoist Cannonball Adderley, who had often recorded and performed alongside his brother, cornettist Nat, since the pair arrived in New York in the summer of 1955. They decided the time was right to form a new working band.
John Coltrane, too, had recorded as a leader for Prestige, Roulette and Blue Note but signing to Atlantic Records in 1959 brought about a creative rebirth- less than two weeks after the final _KoB_ session, Trane started recording his classic _Giant Steps,_ followed later in the year by _Coltrane Jazz_ with the Davis rhythm section. He was ready to strike out on his own. Davis, however, was reluctant to lose another key player and persuaded Coltrane to stay for one final tour of Europe in the spring of 1960.
This was the first date of Norman Granz' three week Jazz At The Philharmonic package tour, where Davis shared the bill with Stan Getz and the Oscar Peterson Trio. The date was crisply recorded by Europe 1 radio, and the repertoire consists of some of Davis' recent hit recordings, plus two pieces from _Kind Of Blue,_ released the previous summer, So What and All Blues.
Davis plays superbly at this gig- he seems to be in a very good period for his chops and he plays with a great deal of expression, subtlety, strength and poise. A device often used on the standard tunes is an extended, repeated turnaround at the end of the form over which the soloist plays, ending it with a melodic cue to signal a break into the next soloist (an early version of the 'coded phrases' Davis would deploy to introduce the next tune in the continuous sets of the late 60s and 1970s). Wynton Kelly is also brilliant across these recordings, an often undervalued pianist in the pantheon of Davis accompanists; he plays with impeccable swing, taste and drive and his dialogues with Davis are consistently fascinating. And Chambers and Cobb are there every step of the way. One of the great rhythm sections in jazz.
But the real revelation is Coltrane. A reluctant participant in the tour he apparently remained in a sour mood, rarely conversing and spending his free time practicing obsessively. He brings this tension to the bandstand- he seems determined to experiment publicly, pushing the limits of the saxophone and of his own playing. This was different even to the advanced 'sheets of sound' one might have been familiar with from recent Coltrane records or _Kind Of Blue._ Here, Trane utilises melodic cells that repeat and mutate, there is overblowing, split tones, multiphonics, altissimo register phrases above the tenor's normal range, anguished cries, lightning fast arpeggios, purposely out of key phrases, harmonies stacked on harmonies.
Jazz relies on tension and release but here Trane is adding tension on top of tension, often at great length- Coltrane once said to Davis "it seems like when I get going, I just don't know how to stop," to which Miles replied, with typical dryness, "why don't you try taking the horn out of your mouth?". Still, Davis allowed Trane the space to conduct his experiments, perhaps sensing he was working towards something revolutionary. If Coltrane's intention was to provoke the audience it worked- often, parts of the crowd erupt with boos and catcalls, while others are cheering. Modern jazz is splitting into warring factions before our ears. More than sixty years on it remains viscerally exciting.
More than just a fortunate recording of the Davis quintet on a good night, this is a crucial document in modern jazz. And it's a blast to listen to.
If you enjoy these posts and would like to thank us for our efforts you can buy us a coffee:
https://ko-fi.com/milestonesarchive
Thank you!
https://wn.com/Miles_Davis_With_John_Coltrane_March_21,_1960_Olympia_Theatre,_Paris
Historic concert featuring a fiery John Coltrane
March 21, 1960
Olympia Theatre, Paris, France
MILES DAVIS QUINTET
Miles Davis- trumpet
John Coltrane- tenor saxophone
Wynton Kelly- piano
Paul Chambers- bass
Jimmy Cobb- drums
1st set
All of You (C. Porter) 0:00
So What (M. Davis) 17:05
On Green Dolphin Street (N. Washington-B. Kaper) 30:31
2nd set
Walkin' (R. Carpenter) 45:11
Bye Bye Blackbird (R. Henderson-M. Dixon) 1:01:02
'Round Midnight (B. Hanighen-C. Williams-T. Monk) 1:15:00
Oleo (S. Rollins) 1:20:37
The Theme (M. Davis) 1:24:59
Concert recording, broadcast by Europe-1
Great bands often have sown within them the seeds of their own destruction. A talented sideman will spend their time with a leader gaining experience, confidence, plaudits, and fame. Generally, the next move is to form their own band. Great artistic statements are often made by groups on the brink of imploding.
So it proved with Miles Davis' _Kind of Blue_ sextet. First out was Bill Evans; indeed, he had already left by the time _KoB_ was recorded, replaced by Wynton Kelly. Miles invited his ex-pianist back for the session, having concieved of music based on Bill's impressionistic playing. Next to go was altoist Cannonball Adderley, who had often recorded and performed alongside his brother, cornettist Nat, since the pair arrived in New York in the summer of 1955. They decided the time was right to form a new working band.
John Coltrane, too, had recorded as a leader for Prestige, Roulette and Blue Note but signing to Atlantic Records in 1959 brought about a creative rebirth- less than two weeks after the final _KoB_ session, Trane started recording his classic _Giant Steps,_ followed later in the year by _Coltrane Jazz_ with the Davis rhythm section. He was ready to strike out on his own. Davis, however, was reluctant to lose another key player and persuaded Coltrane to stay for one final tour of Europe in the spring of 1960.
This was the first date of Norman Granz' three week Jazz At The Philharmonic package tour, where Davis shared the bill with Stan Getz and the Oscar Peterson Trio. The date was crisply recorded by Europe 1 radio, and the repertoire consists of some of Davis' recent hit recordings, plus two pieces from _Kind Of Blue,_ released the previous summer, So What and All Blues.
Davis plays superbly at this gig- he seems to be in a very good period for his chops and he plays with a great deal of expression, subtlety, strength and poise. A device often used on the standard tunes is an extended, repeated turnaround at the end of the form over which the soloist plays, ending it with a melodic cue to signal a break into the next soloist (an early version of the 'coded phrases' Davis would deploy to introduce the next tune in the continuous sets of the late 60s and 1970s). Wynton Kelly is also brilliant across these recordings, an often undervalued pianist in the pantheon of Davis accompanists; he plays with impeccable swing, taste and drive and his dialogues with Davis are consistently fascinating. And Chambers and Cobb are there every step of the way. One of the great rhythm sections in jazz.
But the real revelation is Coltrane. A reluctant participant in the tour he apparently remained in a sour mood, rarely conversing and spending his free time practicing obsessively. He brings this tension to the bandstand- he seems determined to experiment publicly, pushing the limits of the saxophone and of his own playing. This was different even to the advanced 'sheets of sound' one might have been familiar with from recent Coltrane records or _Kind Of Blue._ Here, Trane utilises melodic cells that repeat and mutate, there is overblowing, split tones, multiphonics, altissimo register phrases above the tenor's normal range, anguished cries, lightning fast arpeggios, purposely out of key phrases, harmonies stacked on harmonies.
Jazz relies on tension and release but here Trane is adding tension on top of tension, often at great length- Coltrane once said to Davis "it seems like when I get going, I just don't know how to stop," to which Miles replied, with typical dryness, "why don't you try taking the horn out of your mouth?". Still, Davis allowed Trane the space to conduct his experiments, perhaps sensing he was working towards something revolutionary. If Coltrane's intention was to provoke the audience it worked- often, parts of the crowd erupt with boos and catcalls, while others are cheering. Modern jazz is splitting into warring factions before our ears. More than sixty years on it remains viscerally exciting.
More than just a fortunate recording of the Davis quintet on a good night, this is a crucial document in modern jazz. And it's a blast to listen to.
If you enjoy these posts and would like to thank us for our efforts you can buy us a coffee:
https://ko-fi.com/milestonesarchive
Thank you!
- published: 21 Mar 2016
- views: 3166210
37:33
John Coltrane - Giant Steps (2020 Remaster) [Full Album]
GIANT STEPS: 60th ANNIVERSARY DELUXE EDITION is available as a 180g 2-LP set and as a 2-CD set, both featuring a remastered version of the landmark album plus 8...
GIANT STEPS: 60th ANNIVERSARY DELUXE EDITION is available as a 180g 2-LP set and as a 2-CD set, both featuring a remastered version of the landmark album plus 8 alternate takes. The super deluxe edition, available to download and stream, includes an additional 20 outtakes: https://Rhino.lnk.to/giantsteps60
Tracklisting:
1. Giant Steps 00:00
2. Cousin Mary 04:47
3. Countdown 10:37
4. Spiral 13:03
5. Syeeda’s Song Flute 19:02
6. Naima 26:08
7. Mr. P.C. 30:33
https://wn.com/John_Coltrane_Giant_Steps_(2020_Remaster)_Full_Album
GIANT STEPS: 60th ANNIVERSARY DELUXE EDITION is available as a 180g 2-LP set and as a 2-CD set, both featuring a remastered version of the landmark album plus 8 alternate takes. The super deluxe edition, available to download and stream, includes an additional 20 outtakes: https://Rhino.lnk.to/giantsteps60
Tracklisting:
1. Giant Steps 00:00
2. Cousin Mary 04:47
3. Countdown 10:37
4. Spiral 13:03
5. Syeeda’s Song Flute 19:02
6. Naima 26:08
7. Mr. P.C. 30:33
- published: 18 Sep 2020
- views: 1346243
13:47
My Favorite Things (Stereo) (2022 Remaster)
Provided to YouTube by Rhino Atlantic
My Favorite Things (Stereo) (2022 Remaster) · John Coltrane
My Favorite Things
℗ 1961, 2021 Atlantic Recording Corporat...
Provided to YouTube by Rhino Atlantic
My Favorite Things (Stereo) (2022 Remaster) · John Coltrane
My Favorite Things
℗ 1961, 2021 Atlantic Recording Corporation.
Drums: Elvin Jones
Soprano Saxophone: John Coltrane
Tenor Saxophone: John Coltrane
Piano: McCoy Tyner
Producer, Supervisor: Nesuhi Ertegun
Unknown: Phil Iehle
Bass: Steve Davis
Unknown: Tom Dowd
Writer: Oscar Hammerstein II
Writer: Richard Rodgers
Auto-generated by YouTube.
https://wn.com/My_Favorite_Things_(Stereo)_(2022_Remaster)
Provided to YouTube by Rhino Atlantic
My Favorite Things (Stereo) (2022 Remaster) · John Coltrane
My Favorite Things
℗ 1961, 2021 Atlantic Recording Corporation.
Drums: Elvin Jones
Soprano Saxophone: John Coltrane
Tenor Saxophone: John Coltrane
Piano: McCoy Tyner
Producer, Supervisor: Nesuhi Ertegun
Unknown: Phil Iehle
Bass: Steve Davis
Unknown: Tom Dowd
Writer: Oscar Hammerstein II
Writer: Richard Rodgers
Auto-generated by YouTube.
- published: 19 May 2022
- views: 1023419
10:45
Blue Train (Remastered 2003/Rudy Van Gelder Edition)
Provided to YouTube by Universal Music Group
Blue Train (Remastered 2003/Rudy Van Gelder Edition) · John Coltrane
Blue Train
℗ 1957 Capitol Records, LLC
Rel...
Provided to YouTube by Universal Music Group
Blue Train (Remastered 2003/Rudy Van Gelder Edition) · John Coltrane
Blue Train
℗ 1957 Capitol Records, LLC
Released on: 1957-11-01
Producer: Alfred Lion
Studio Personnel, Mastering Engineer: Rudy Van Gelder
Associated Performer, Tenor Saxophone: John Coltrane
Associated Performer, Bass ( Vocal): Paul Chambers
Associated Performer, Drums: Philly Joe Jones
Associated Performer, Piano: Kenny Drew
Associated Performer, Trombone: Curtis Fuller
Associated Performer, Trumpet: Lee Morgan
Composer: John Coltrane
Auto-generated by YouTube.
https://wn.com/Blue_Train_(Remastered_2003_Rudy_Van_Gelder_Edition)
Provided to YouTube by Universal Music Group
Blue Train (Remastered 2003/Rudy Van Gelder Edition) · John Coltrane
Blue Train
℗ 1957 Capitol Records, LLC
Released on: 1957-11-01
Producer: Alfred Lion
Studio Personnel, Mastering Engineer: Rudy Van Gelder
Associated Performer, Tenor Saxophone: John Coltrane
Associated Performer, Bass ( Vocal): Paul Chambers
Associated Performer, Drums: Philly Joe Jones
Associated Performer, Piano: Kenny Drew
Associated Performer, Trombone: Curtis Fuller
Associated Performer, Trumpet: Lee Morgan
Composer: John Coltrane
Auto-generated by YouTube.
- published: 25 Mar 2017
- views: 5466637
20:48
John Coltrane Quartet My Favorite Things Live in Comblain-La-Tour 1965
Soprano Saxophone - John Coltrane
Piano - Mccoy Tyner
Bass - Jimmy Garrison
Drum - Elvin Jones
Live in Comblain-La-Tour (Belgium) on August 1
Soprano Saxophone - John Coltrane
Piano - Mccoy Tyner
Bass - Jimmy Garrison
Drum - Elvin Jones
Live in Comblain-La-Tour (Belgium) on August 1
https://wn.com/John_Coltrane_Quartet_My_Favorite_Things_Live_In_Comblain_La_Tour_1965
Soprano Saxophone - John Coltrane
Piano - Mccoy Tyner
Bass - Jimmy Garrison
Drum - Elvin Jones
Live in Comblain-La-Tour (Belgium) on August 1
- published: 05 Aug 2022
- views: 790143
34:02
John Coltrane Quintet, in Dusseldorf, Germany, March 28th, 1960 (Colorized)
Colorized with AI program (Deoldify)
00:00 On Green Dolphin Street
08:47 Walkin’
16:05 The Theme
19:35 Autumn leaves/What’s New/Moonlight in Vermont
25:53 Hack...
Colorized with AI program (Deoldify)
00:00 On Green Dolphin Street
08:47 Walkin’
16:05 The Theme
19:35 Autumn leaves/What’s New/Moonlight in Vermont
25:53 Hackensack
John Coltrane: tenor saxophone
Wynton Kelly: piano,
Paul Chambers: bass
Jimmy Cobb: drums
Stan Getz: tenor saxophone
Oscar Peterson: piano
Comment
In the first set, recorded on March 28, 1960 in Dusseldorf, Germany, Coltrane was unexpectedly thrust into the spotlight when Miles Davis was unable play that day. It’s basically a performance of the Miles Davis Quintet without Davis. The lineup includes Coltrane on tenor saxophone, Wynton Kelly on piano, Paul Chambers on bass and Jimmy Cobb on drums.
The film was made during a European tour billed as “Norman Granz’s Jazz at the Philharmonic Presents Jazz Winners of 1960.” Two of the other “Jazz Winners” were Stan Getz and Oscar Peterson, both of whom join Coltrane and the band near the end of the Dusseldorf set. Getz plays on the last few songs. It’s a historic session–the only known recording of the two great saxophone players performing together. At the beginning of the final song, Thelonious Monk’s “Hackensack,” Peterson taps Kelly on the shoulder and takes over on the piano. (Mark Springer/Openculture)
https://wn.com/John_Coltrane_Quintet,_In_Dusseldorf,_Germany,_March_28Th,_1960_(Colorized)
Colorized with AI program (Deoldify)
00:00 On Green Dolphin Street
08:47 Walkin’
16:05 The Theme
19:35 Autumn leaves/What’s New/Moonlight in Vermont
25:53 Hackensack
John Coltrane: tenor saxophone
Wynton Kelly: piano,
Paul Chambers: bass
Jimmy Cobb: drums
Stan Getz: tenor saxophone
Oscar Peterson: piano
Comment
In the first set, recorded on March 28, 1960 in Dusseldorf, Germany, Coltrane was unexpectedly thrust into the spotlight when Miles Davis was unable play that day. It’s basically a performance of the Miles Davis Quintet without Davis. The lineup includes Coltrane on tenor saxophone, Wynton Kelly on piano, Paul Chambers on bass and Jimmy Cobb on drums.
The film was made during a European tour billed as “Norman Granz’s Jazz at the Philharmonic Presents Jazz Winners of 1960.” Two of the other “Jazz Winners” were Stan Getz and Oscar Peterson, both of whom join Coltrane and the band near the end of the Dusseldorf set. Getz plays on the last few songs. It’s a historic session–the only known recording of the two great saxophone players performing together. At the beginning of the final song, Thelonious Monk’s “Hackensack,” Peterson taps Kelly on the shoulder and takes over on the piano. (Mark Springer/Openculture)
- published: 03 Aug 2021
- views: 118126
8:48
John Coltrane: My Favourite Things - East meets West -
John Coltrane's interpretation was influenced by music from the Indian subcontinent. This tribute therefore makes total sense. The Sachal Jazz ensemble from Lah...
John Coltrane's interpretation was influenced by music from the Indian subcontinent. This tribute therefore makes total sense. The Sachal Jazz ensemble from Lahore, Pakistan and the Wynton Marsalis quintet at The Marciac jazz festival, July 2013. #Makejazznotwar! The magic in this arrangement for me is Baqir Abbas on flute!
#BaqirAbbas #Bansuri #JohnColtrane #myfavouritethings #Jazz #eastmeetswest
https://wn.com/John_Coltrane_My_Favourite_Things_East_Meets_West
John Coltrane's interpretation was influenced by music from the Indian subcontinent. This tribute therefore makes total sense. The Sachal Jazz ensemble from Lahore, Pakistan and the Wynton Marsalis quintet at The Marciac jazz festival, July 2013. #Makejazznotwar! The magic in this arrangement for me is Baqir Abbas on flute!
#BaqirAbbas #Bansuri #JohnColtrane #myfavouritethings #Jazz #eastmeetswest
- published: 30 Apr 2015
- views: 3280588