- published: 16 Jan 2020
- views: 5118144
Viol
The viol /ˈvaɪəl/ is any one of a family of bowed, fretted and stringed instruments that first appeared in Spain in the mid to late 15th century and was most popular in the Renaissance and Baroque periods. Early ancestors include the Arabic rebab and the medieval European Vielle, but later, more direct possible ancestors include the Venetian viole and the 15th- and 16th-century Spanish vihuela, a 6-course plucked instrument tuned like a lute (and also like a present-day viol) that looked like but was quite distinct from the (at that time) 4-course guitar (an earlier chordophone).
Although bass viols superficially resemble cellos, viols are different in numerous respects from instruments of the violin family: the viol family has flat rather than curved backs, sloped rather than rounded shoulders, c holes rather than f holes, and five to seven rather than four strings; some of the many additional differences are tuning strategy (in fourths with a third in the middle—similar to a lute—rather than in fifths), the presence of frets, and underhand ("German") rather than overhand ("French") bow grip.
This page contains text from Wikipedia, the Free Encyclopedia - https://wn.com/Viol
Podcasts:
-
Viol
Provided to YouTube by !K7 Music Viol · Gesaffelstein Conspiracy Pt.2 ℗ 2011 Turbo Recordings Released on: 2011-07-18 Producer: Mike Levy Music Publisher: Savoir Faire Composer: Mike Levy Auto-generated by YouTube.
published: 16 Jan 2020 -
Phantasm - Viol Consort
Phantasm, an award-winning consort of viols, was founded in 1994 by Laurence Dreyfus and has become recognised as the most exciting viol consort active on the world scene today. They are currently in New Zealand playing shows and caught up with RNZ to show us their instruments and share the history of their unique instruments.
published: 01 May 2018 -
Which viol for you?
There are so many questions when starting to learn the #violadagamba and the biggest one is "Which size?". Jacqui Robertson-Wade talks through the various things to consider in order to help you choose in our latest #earlymusic video.
published: 01 Jun 2020 -
William Byrd: Fantasia a 4 No. 1, The Voice of the Viol renaissance viola da gamba consort 8K
The Fantasia No. 1 by William Byrd, in honor of his 400th anniversary, performed on Elizabethan viols by The Voice of the Viol viola da gamba consort. Wendy Gillespie, Elisabeth Reed, Farley Pearce and William Skeen, viols. The Voice of the Viol, a program of Voices of Music, is directed by Elisabeth Reed. In his Fantasia, Byrd demonstrates his extraordinary command of counterpoint and texture. The initial countersubject, sounded only once in the piece, is a simple, bell-like four note pattern which was also used for Anne Boleyn's lament "O Death, rock me asleep." A lively and engaging musical conversation based on points of imitation resonates throughout. William Byrd was one of the most important composers at the English court, writing in a wide variety of sacred and secular styles durin...
published: 30 Sep 2023 -
J. Wood Treble Viol
View this instrument online at https://earlymusicshop.com/products/j-wood-treble-viol. For further information or advice about any of our instruments, please do not hesitate to contact us at [email protected] or on +44 1274 288100. www.earlymusicshop.com
published: 11 Mar 2024 -
ABOUT THE VIOL
Parthenia welcomes you to the wonderful world of viola da gamba! Also called the viol, this instrument and its music enriches our lives and we want you to become more familiar, and fall in love. Text by Wendy Steiner Compilation, animation and voiceover by Liu Light Parthenia is Beverly Au, Lawrence Lipnik, Rosamund Morley and Lisa Terry parthenia.org
published: 16 Feb 2021 -
PURCELL // Strike the Viol by Tim Mead, Les Musiciens de Saint-Julien, François Lazarevitch
Les Musiciens de Saint-Julien, guided by François Lazarevitch’s virtuoso flute, have already led us along the roads of Ireland and Scotland, notably the High Road to Kilkenny (ALPHA 234), a great success in 2016. This time, they venture into England with an essentially secular programme devoted to Henry Purcell (1659-95), varying the mood by alternating between instrumental dances and songs performed by the English countertenor Tim Mead, including ‘O Solitude’ and ‘What power art thou’. While Les Musiciens de Saint-Julien have chosen these celebrated pieces for pleasure above all, with this English programme they also fill in a new piece in their jigsaw map of the United Kingdom. At the same time, they demonstrate the musical porosity of Ireland, Scotland and England – and the atypical col...
published: 25 Sep 2018 -
Viol : pourquoi le cerveau empêche certaines victimes de réagir
Figées, bloquées, muettes… De nombreuses victimes de viol ou d'autres agressions sexuelles témoignent avoir été incapables de réagir face à leur agresseur. Selon une étude de l’institut suédois Karolinska publiée en 2017, 68 % des victimes de viol déclarent avoir été totalement paralysées face à leur agresseur. Une partie de la réponse se trouve du côté du cerveau et de ce que les chercheurs appellent la « sidération psychique » et la « dissociation traumatique ». De quoi s'agit-il ? Explication. Avec Muriel Salmona, psychiatre, Anne Bouillon, avocate spécialisée en droit des femmes, et le témoignage de Clara, Lara et Nouna. Pour suivre et comprendre l'actualité, abonnez-vous à la chaîne du Monde 🔔 : http://www.youtube.com/subscription_center?add_user=LeMonde _______ Sources de cette ...
published: 25 Jul 2021 -
#bach #violin #concerto #classicalmusic #gérardpoulet #credo #orchestra #music #livemusic
published: 07 Feb 2025 -
Gesaffelstein — Viol
Stream/Download here: https://turborec.lnk.to/Conspiracy2 Project « Ghostrider » was born from the desire of two fixed gear passionates who decided to film their night strolling in the french capital city. Fond of images (the first one is a film director, the other one a photographer) and fixies, Jérémy and Anto, aka // Les Darons //, catch the adrenalin spirit of the discipline inside their cameras. The first opus, « Ghostrider » is soon massively shared. A year later, it's time for « Ghostrider II », with only one leitmotiv : the search for danger that brings out the filthiest instincts. As a result, they created a mind blowing video you cannot look away from, since the mastered elegance of the black & white contrasts with a frightening visual reality, increased by the oppressive beat...
published: 11 Jul 2011
5:44
Viol
- Order: Reorder
- Duration: 5:44
- Uploaded Date: 16 Jan 2020
- views: 5118144
Provided to YouTube by !K7 Music
Viol · Gesaffelstein
Conspiracy Pt.2
℗ 2011 Turbo Recordings
Released on: 2011-07-18
Producer: Mike Levy
Music Publisher:...
Provided to YouTube by !K7 Music
Viol · Gesaffelstein
Conspiracy Pt.2
℗ 2011 Turbo Recordings
Released on: 2011-07-18
Producer: Mike Levy
Music Publisher: Savoir Faire
Composer: Mike Levy
Auto-generated by YouTube.
https://wn.com/Viol
Provided to YouTube by !K7 Music
Viol · Gesaffelstein
Conspiracy Pt.2
℗ 2011 Turbo Recordings
Released on: 2011-07-18
Producer: Mike Levy
Music Publisher: Savoir Faire
Composer: Mike Levy
Auto-generated by YouTube.
1:37
Phantasm - Viol Consort
- Order: Reorder
- Duration: 1:37
- Uploaded Date: 01 May 2018
- views: 94815
Phantasm, an award-winning consort of viols, was founded in 1994 by Laurence Dreyfus and has become recognised as the most exciting viol consort active on the w...
Phantasm, an award-winning consort of viols, was founded in 1994 by Laurence Dreyfus and has become recognised as the most exciting viol consort active on the world scene today. They are currently in New Zealand playing shows and caught up with RNZ to show us their instruments and share the history of their unique instruments.
https://wn.com/Phantasm_Viol_Consort
Phantasm, an award-winning consort of viols, was founded in 1994 by Laurence Dreyfus and has become recognised as the most exciting viol consort active on the world scene today. They are currently in New Zealand playing shows and caught up with RNZ to show us their instruments and share the history of their unique instruments.
- published: 01 May 2018
- views: 94815
8:25
Which viol for you?
- Order: Reorder
- Duration: 8:25
- Uploaded Date: 01 Jun 2020
- views: 18148
There are so many questions when starting to learn the #violadagamba and the biggest one is "Which size?". Jacqui Robertson-Wade talks through the various thing...
There are so many questions when starting to learn the #violadagamba and the biggest one is "Which size?". Jacqui Robertson-Wade talks through the various things to consider in order to help you choose in our latest #earlymusic video.
https://wn.com/Which_Viol_For_You
There are so many questions when starting to learn the #violadagamba and the biggest one is "Which size?". Jacqui Robertson-Wade talks through the various things to consider in order to help you choose in our latest #earlymusic video.
- published: 01 Jun 2020
- views: 18148
2:59
William Byrd: Fantasia a 4 No. 1, The Voice of the Viol renaissance viola da gamba consort 8K
- Order: Reorder
- Duration: 2:59
- Uploaded Date: 30 Sep 2023
- views: 43372
The Fantasia No. 1 by William Byrd, in honor of his 400th anniversary, performed on Elizabethan viols by The Voice of the Viol viola da gamba consort.
Wendy Gil...
The Fantasia No. 1 by William Byrd, in honor of his 400th anniversary, performed on Elizabethan viols by The Voice of the Viol viola da gamba consort.
Wendy Gillespie, Elisabeth Reed, Farley Pearce and William Skeen, viols.
The Voice of the Viol, a program of Voices of Music, is directed by Elisabeth Reed.
In his Fantasia, Byrd demonstrates his extraordinary command of counterpoint and texture. The initial countersubject, sounded only once in the piece, is a simple, bell-like four note pattern which was also used for Anne Boleyn's lament "O Death, rock me asleep." A lively and engaging musical conversation based on points of imitation resonates throughout.
William Byrd was one of the most important composers at the English court, writing in a wide variety of sacred and secular styles during his long career from the 1560's until his death in 1623.
The Fantasia was published in Psalmes, Songs and Sonnets … fit for Voyces or Viols (London, 1611), presumably composed earlier. This work is presented here for the first time in 8K video.
*Elizabethan viols*
Voices of Music is developing programs for two consorts of viols, one from the Elizabethan period (which you will hear tonight) and an early renaissance consort from around the year 1500 to perform works published by Petrucci, the first music publisher, and his contemporaries.
The late renaissance Elizabethan viols are primarily based on the work of John Rose, who was famous by the 1550s for his “vyalls” and other instruments. Although these instruments were from the middle of the century, only the later instruments survive, and it is not known if Rose’s style changed over the years, so these instruments either reflect the practice as early as the 1550s or, more likely, as late as the 1590s, although the changes may have been minor over the years. Notably, the design of the Amati violins from roughly the same time period changed very little. The Rose workshop parallels Elizabeth’s reign as queen, and so these instruments are an excellent choice for this repertory. The English court imported a great many Italian instruments beginning with the reign of Henry VIII, but the Rose instruments were considered preeminent for the viols, even as the lutes and recorders were mainly sourced from Italy and Germany.
For the renaissance ideal, the consort was conceived of as a matched set, and all the instruments played tonight were made by one builder, Wesley Brandt, using similar patterns, techniques and timbers based closely on historical models. The close matching gives the ensemble a unique sound and is essential for consort music.
Another major difference to the baroque instruments is the strings: wire-wound strings emerged circa 1660 and were unknown to the musicians of the renaissance and early 17th century. Without the “overspun” strings the sound of the instrument and its overtones are markedly different, especially in terms of greater transparency, and this enables each individual part in the early English viols to be heard clearly. Importantly, with wire wound strings, bowed instruments are louder in the bass register, but unwound strings have the opposite, softer sound. In addition, there is no register change as the player crosses strings with the bow: all the strings are the same. Lastly, the early English viols had soundboards that were made of very thin, parallel strips of wood that were heated and bent under tension, so they are similar to a drum: this process of tempering and tensioning the soundboard changes the harmonics of the viol.
Fun fact: Voices of Music's CoDirector David Tayler's Ph.D. advisor in musicology was Philip Brett, the editor of the Byrd edition, and author of "William Byrd and his Contemporaries," and David also studied with Joe Kerman, who wrote the Byrd article in the Grove dictionary of music and the book "The Masses and Motets of William Byrd."
#Byrd
Producer: Hanneke van Proosdij
Audio engineer: David Tayler
8K Video: Lloyd Hryciw and Rob Clevenger
Post Production: David Tayler and Andrew Levy
Special thanks to Margaret Cohen.
https://wn.com/William_Byrd_Fantasia_A_4_No._1,_The_Voice_Of_The_Viol_Renaissance_Viola_Da_Gamba_Consort_8K
The Fantasia No. 1 by William Byrd, in honor of his 400th anniversary, performed on Elizabethan viols by The Voice of the Viol viola da gamba consort.
Wendy Gillespie, Elisabeth Reed, Farley Pearce and William Skeen, viols.
The Voice of the Viol, a program of Voices of Music, is directed by Elisabeth Reed.
In his Fantasia, Byrd demonstrates his extraordinary command of counterpoint and texture. The initial countersubject, sounded only once in the piece, is a simple, bell-like four note pattern which was also used for Anne Boleyn's lament "O Death, rock me asleep." A lively and engaging musical conversation based on points of imitation resonates throughout.
William Byrd was one of the most important composers at the English court, writing in a wide variety of sacred and secular styles during his long career from the 1560's until his death in 1623.
The Fantasia was published in Psalmes, Songs and Sonnets … fit for Voyces or Viols (London, 1611), presumably composed earlier. This work is presented here for the first time in 8K video.
*Elizabethan viols*
Voices of Music is developing programs for two consorts of viols, one from the Elizabethan period (which you will hear tonight) and an early renaissance consort from around the year 1500 to perform works published by Petrucci, the first music publisher, and his contemporaries.
The late renaissance Elizabethan viols are primarily based on the work of John Rose, who was famous by the 1550s for his “vyalls” and other instruments. Although these instruments were from the middle of the century, only the later instruments survive, and it is not known if Rose’s style changed over the years, so these instruments either reflect the practice as early as the 1550s or, more likely, as late as the 1590s, although the changes may have been minor over the years. Notably, the design of the Amati violins from roughly the same time period changed very little. The Rose workshop parallels Elizabeth’s reign as queen, and so these instruments are an excellent choice for this repertory. The English court imported a great many Italian instruments beginning with the reign of Henry VIII, but the Rose instruments were considered preeminent for the viols, even as the lutes and recorders were mainly sourced from Italy and Germany.
For the renaissance ideal, the consort was conceived of as a matched set, and all the instruments played tonight were made by one builder, Wesley Brandt, using similar patterns, techniques and timbers based closely on historical models. The close matching gives the ensemble a unique sound and is essential for consort music.
Another major difference to the baroque instruments is the strings: wire-wound strings emerged circa 1660 and were unknown to the musicians of the renaissance and early 17th century. Without the “overspun” strings the sound of the instrument and its overtones are markedly different, especially in terms of greater transparency, and this enables each individual part in the early English viols to be heard clearly. Importantly, with wire wound strings, bowed instruments are louder in the bass register, but unwound strings have the opposite, softer sound. In addition, there is no register change as the player crosses strings with the bow: all the strings are the same. Lastly, the early English viols had soundboards that were made of very thin, parallel strips of wood that were heated and bent under tension, so they are similar to a drum: this process of tempering and tensioning the soundboard changes the harmonics of the viol.
Fun fact: Voices of Music's CoDirector David Tayler's Ph.D. advisor in musicology was Philip Brett, the editor of the Byrd edition, and author of "William Byrd and his Contemporaries," and David also studied with Joe Kerman, who wrote the Byrd article in the Grove dictionary of music and the book "The Masses and Motets of William Byrd."
#Byrd
Producer: Hanneke van Proosdij
Audio engineer: David Tayler
8K Video: Lloyd Hryciw and Rob Clevenger
Post Production: David Tayler and Andrew Levy
Special thanks to Margaret Cohen.
- published: 30 Sep 2023
- views: 43372
0:56
J. Wood Treble Viol
- Order: Reorder
- Duration: 0:56
- Uploaded Date: 11 Mar 2024
- views: 1349
View this instrument online at https://earlymusicshop.com/products/j-wood-treble-viol.
For further information or advice about any of our instruments, please d...
View this instrument online at https://earlymusicshop.com/products/j-wood-treble-viol.
For further information or advice about any of our instruments, please do not hesitate to contact us at [email protected] or on +44 1274 288100.
www.earlymusicshop.com
https://wn.com/J._Wood_Treble_Viol
View this instrument online at https://earlymusicshop.com/products/j-wood-treble-viol.
For further information or advice about any of our instruments, please do not hesitate to contact us at [email protected] or on +44 1274 288100.
www.earlymusicshop.com
- published: 11 Mar 2024
- views: 1349
1:19
ABOUT THE VIOL
- Order: Reorder
- Duration: 1:19
- Uploaded Date: 16 Feb 2021
- views: 1555
Parthenia welcomes you to the wonderful world of viola da gamba! Also called the viol, this instrument and its music enriches our lives and we want you to becom...
Parthenia welcomes you to the wonderful world of viola da gamba! Also called the viol, this instrument and its music enriches our lives and we want you to become more familiar, and fall in love.
Text by Wendy Steiner
Compilation, animation and voiceover by Liu Light
Parthenia is Beverly Au, Lawrence Lipnik, Rosamund Morley and Lisa Terry
parthenia.org
https://wn.com/About_The_Viol
Parthenia welcomes you to the wonderful world of viola da gamba! Also called the viol, this instrument and its music enriches our lives and we want you to become more familiar, and fall in love.
Text by Wendy Steiner
Compilation, animation and voiceover by Liu Light
Parthenia is Beverly Au, Lawrence Lipnik, Rosamund Morley and Lisa Terry
parthenia.org
- published: 16 Feb 2021
- views: 1555
3:55
PURCELL // Strike the Viol by Tim Mead, Les Musiciens de Saint-Julien, François Lazarevitch
- Order: Reorder
- Duration: 3:55
- Uploaded Date: 25 Sep 2018
- views: 746749
Les Musiciens de Saint-Julien, guided by François Lazarevitch’s virtuoso flute, have already led us along the roads of Ireland and Scotland, notably the High Ro...
Les Musiciens de Saint-Julien, guided by François Lazarevitch’s virtuoso flute, have already led us along the roads of Ireland and Scotland, notably the High Road to Kilkenny (ALPHA 234), a great success in 2016. This time, they venture into England with an essentially secular programme devoted to Henry Purcell (1659-95), varying the mood by alternating between instrumental dances and songs performed by the English countertenor Tim Mead, including ‘O Solitude’ and ‘What power art thou’. While Les Musiciens de Saint-Julien have chosen these celebrated pieces for pleasure above all, with this English programme they also fill in a new piece in their jigsaw map of the United Kingdom. At the same time, they demonstrate the musical porosity of Ireland, Scotland and England – and the atypical colours of the small string ensemble complemented by two flutes, a harp and harpsichord/lute continuo further underline the fact. The common thread, dear to Les Musiciens de Saint-Julien, is that of folk music lying at the heart of art music, in a mixture of origins, practices and repertories. We can easily recognise ‘Scotch and Irish tunes’ that Purcell incorporates in his overtures, jigs, hornpipes and chaconnes. The countertenor Tim Mead punctuates the dances with songs composed for the operatic or dramatic stage or for chamber performance.
Release date → October 12th
Stream//Download//Buy → https://lnk.to/Purcell_SongsandDancesID
FACEBOOK→ www.facebook.com/alphaclassics
TWITTER → www.twitter.com/alpha_classics
INSTAGRAM → www.instagram.com/alpha_classics/
YOUTUBE → www.youtube.com/c/alphaclassics
WEBSITE → www.outhere-music.com/alphaclassics
https://wn.com/Purcell_Strike_The_Viol_By_Tim_Mead,_Les_Musiciens_De_Saint_Julien,_François_Lazarevitch
Les Musiciens de Saint-Julien, guided by François Lazarevitch’s virtuoso flute, have already led us along the roads of Ireland and Scotland, notably the High Road to Kilkenny (ALPHA 234), a great success in 2016. This time, they venture into England with an essentially secular programme devoted to Henry Purcell (1659-95), varying the mood by alternating between instrumental dances and songs performed by the English countertenor Tim Mead, including ‘O Solitude’ and ‘What power art thou’. While Les Musiciens de Saint-Julien have chosen these celebrated pieces for pleasure above all, with this English programme they also fill in a new piece in their jigsaw map of the United Kingdom. At the same time, they demonstrate the musical porosity of Ireland, Scotland and England – and the atypical colours of the small string ensemble complemented by two flutes, a harp and harpsichord/lute continuo further underline the fact. The common thread, dear to Les Musiciens de Saint-Julien, is that of folk music lying at the heart of art music, in a mixture of origins, practices and repertories. We can easily recognise ‘Scotch and Irish tunes’ that Purcell incorporates in his overtures, jigs, hornpipes and chaconnes. The countertenor Tim Mead punctuates the dances with songs composed for the operatic or dramatic stage or for chamber performance.
Release date → October 12th
Stream//Download//Buy → https://lnk.to/Purcell_SongsandDancesID
FACEBOOK→ www.facebook.com/alphaclassics
TWITTER → www.twitter.com/alpha_classics
INSTAGRAM → www.instagram.com/alpha_classics/
YOUTUBE → www.youtube.com/c/alphaclassics
WEBSITE → www.outhere-music.com/alphaclassics
- published: 25 Sep 2018
- views: 746749
8:16
Viol : pourquoi le cerveau empêche certaines victimes de réagir
- Order: Reorder
- Duration: 8:16
- Uploaded Date: 25 Jul 2021
- views: 711371
Figées, bloquées, muettes… De nombreuses victimes de viol ou d'autres agressions sexuelles témoignent avoir été incapables de réagir face à leur agresseur. Selo...
Figées, bloquées, muettes… De nombreuses victimes de viol ou d'autres agressions sexuelles témoignent avoir été incapables de réagir face à leur agresseur. Selon une étude de l’institut suédois Karolinska publiée en 2017, 68 % des victimes de viol déclarent avoir été totalement paralysées face à leur agresseur.
Une partie de la réponse se trouve du côté du cerveau et de ce que les chercheurs appellent la « sidération psychique » et la « dissociation traumatique ». De quoi s'agit-il ? Explication.
Avec Muriel Salmona, psychiatre, Anne Bouillon, avocate spécialisée en droit des femmes, et le témoignage de Clara, Lara et Nouna.
Pour suivre et comprendre l'actualité, abonnez-vous à la chaîne du Monde 🔔 : http://www.youtube.com/subscription_center?add_user=LeMonde
_______
Sources de cette vidéo :
- « Tonic immobility during sexual assault – a common reaction predicting post-traumatic stress disorder and severe depression », Möller et al., Institut Karolinska, Acta Obstet Gynecol Scand. (2017)
- « Neural Correlates of Exposure to Traumatic Pictures and Sound in Vietnam Combat Veterans with and without Posttraumatic Stress Disorder: A Positron Emission Tomography Study », Bremner et al., Biological Psychiatry (1999)
- Peritraumatic Dissociative Experiences Questionnaire, Marmar et al., Guilford Press (1997)
Rapport d’enquête « Cadre de vie et sécurité » (2019)
- « La dissociation traumatique et les troubles de la personnalité : ou comment devient-on étranger à soi-même », Dr Muriel Salmona, in Les troubles de la personnalité en criminologie et en victimologie, R. Coutanceau et J. Smith, Dunod (2013)
- Comprendre le cerveau, son développement, son fonctionnement, sa plasticité et ses pathologies, L’Institut du cerveau et de la moelle épinière (Institut du cerveau – ICM)
https://wn.com/Viol_Pourquoi_Le_Cerveau_Empêche_Certaines_Victimes_De_Réagir
Figées, bloquées, muettes… De nombreuses victimes de viol ou d'autres agressions sexuelles témoignent avoir été incapables de réagir face à leur agresseur. Selon une étude de l’institut suédois Karolinska publiée en 2017, 68 % des victimes de viol déclarent avoir été totalement paralysées face à leur agresseur.
Une partie de la réponse se trouve du côté du cerveau et de ce que les chercheurs appellent la « sidération psychique » et la « dissociation traumatique ». De quoi s'agit-il ? Explication.
Avec Muriel Salmona, psychiatre, Anne Bouillon, avocate spécialisée en droit des femmes, et le témoignage de Clara, Lara et Nouna.
Pour suivre et comprendre l'actualité, abonnez-vous à la chaîne du Monde 🔔 : http://www.youtube.com/subscription_center?add_user=LeMonde
_______
Sources de cette vidéo :
- « Tonic immobility during sexual assault – a common reaction predicting post-traumatic stress disorder and severe depression », Möller et al., Institut Karolinska, Acta Obstet Gynecol Scand. (2017)
- « Neural Correlates of Exposure to Traumatic Pictures and Sound in Vietnam Combat Veterans with and without Posttraumatic Stress Disorder: A Positron Emission Tomography Study », Bremner et al., Biological Psychiatry (1999)
- Peritraumatic Dissociative Experiences Questionnaire, Marmar et al., Guilford Press (1997)
Rapport d’enquête « Cadre de vie et sécurité » (2019)
- « La dissociation traumatique et les troubles de la personnalité : ou comment devient-on étranger à soi-même », Dr Muriel Salmona, in Les troubles de la personnalité en criminologie et en victimologie, R. Coutanceau et J. Smith, Dunod (2013)
- Comprendre le cerveau, son développement, son fonctionnement, sa plasticité et ses pathologies, L’Institut du cerveau et de la moelle épinière (Institut du cerveau – ICM)
- published: 25 Jul 2021
- views: 711371
0:15
#bach #violin #concerto #classicalmusic #gérardpoulet #credo #orchestra #music #livemusic
- Order: Reorder
- Duration: 0:15
- Uploaded Date: 07 Feb 2025
- views: 691
- published: 07 Feb 2025
- views: 691
2:32
Gesaffelstein — Viol
- Order: Reorder
- Duration: 2:32
- Uploaded Date: 11 Jul 2011
- views: 2902901
Stream/Download here: https://turborec.lnk.to/Conspiracy2
Project « Ghostrider » was born from the desire of two fixed gear passionates who decided to film the...
Stream/Download here: https://turborec.lnk.to/Conspiracy2
Project « Ghostrider » was born from the desire of two fixed gear passionates who decided to film their night strolling in the french capital city.
Fond of images (the first one is a film director, the other one a photographer) and fixies, Jérémy and Anto, aka // Les Darons //, catch the adrenalin spirit of the discipline inside their cameras. The first opus, « Ghostrider » is soon massively shared. A year later, it's time for « Ghostrider II », with only one leitmotiv : the search for danger that brings out the filthiest instincts.
As a result, they created a mind blowing video you cannot look away from, since the mastered elegance of the black & white contrasts with a frightening visual reality, increased by the oppressive beats of Gesaffelstein, the new prodigy on the techno scene.
The producer's atmosphere seduced the riders and the idea of a collaboration naturally grew up. « Viol » (from his upcoming « Conspiracy Pt.2 » EP, out July 19th on Turbo Recordings), full of howling and heady sirens, was obviously the right track to illustrate this out-of-time night ride.
The crew is now chock-full of ideas and various projects so watch out ! You might run into them at dawn...
https://wn.com/Gesaffelstein_—_Viol
Stream/Download here: https://turborec.lnk.to/Conspiracy2
Project « Ghostrider » was born from the desire of two fixed gear passionates who decided to film their night strolling in the french capital city.
Fond of images (the first one is a film director, the other one a photographer) and fixies, Jérémy and Anto, aka // Les Darons //, catch the adrenalin spirit of the discipline inside their cameras. The first opus, « Ghostrider » is soon massively shared. A year later, it's time for « Ghostrider II », with only one leitmotiv : the search for danger that brings out the filthiest instincts.
As a result, they created a mind blowing video you cannot look away from, since the mastered elegance of the black & white contrasts with a frightening visual reality, increased by the oppressive beats of Gesaffelstein, the new prodigy on the techno scene.
The producer's atmosphere seduced the riders and the idea of a collaboration naturally grew up. « Viol » (from his upcoming « Conspiracy Pt.2 » EP, out July 19th on Turbo Recordings), full of howling and heady sirens, was obviously the right track to illustrate this out-of-time night ride.
The crew is now chock-full of ideas and various projects so watch out ! You might run into them at dawn...
- published: 11 Jul 2011
- views: 2902901
PLAYLIST TIME:
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5:44
Viol
Provided to YouTube by !K7 Music
Viol · Gesaffelstein
Conspiracy Pt.2
℗ 2011 Turbo Reco...
published: 16 Jan 2020
Viol
Viol
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- published: 16 Jan 2020
- views: 5118144
Provided to YouTube by !K7 Music
Viol · Gesaffelstein
Conspiracy Pt.2
℗ 2011 Turbo Recordings
Released on: 2011-07-18
Producer: Mike Levy
Music Publisher: Savoir Faire
Composer: Mike Levy
Auto-generated by YouTube.
1:37
Phantasm - Viol Consort
Phantasm, an award-winning consort of viols, was founded in 1994 by Laurence Dreyfus and h...
published: 01 May 2018
Phantasm - Viol Consort
Phantasm - Viol Consort
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- published: 01 May 2018
- views: 94815
Phantasm, an award-winning consort of viols, was founded in 1994 by Laurence Dreyfus and has become recognised as the most exciting viol consort active on the world scene today. They are currently in New Zealand playing shows and caught up with RNZ to show us their instruments and share the history of their unique instruments.
8:25
Which viol for you?
There are so many questions when starting to learn the #violadagamba and the biggest one i...
published: 01 Jun 2020
Which viol for you?
Which viol for you?
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- published: 01 Jun 2020
- views: 18148
There are so many questions when starting to learn the #violadagamba and the biggest one is "Which size?". Jacqui Robertson-Wade talks through the various things to consider in order to help you choose in our latest #earlymusic video.
2:59
William Byrd: Fantasia a 4 No. 1, The Voice of the Viol renaissance viola da gamba consort 8K
The Fantasia No. 1 by William Byrd, in honor of his 400th anniversary, performed on Elizab...
published: 30 Sep 2023
William Byrd: Fantasia a 4 No. 1, The Voice of the Viol renaissance viola da gamba consort 8K
William Byrd: Fantasia a 4 No. 1, The Voice of the Viol renaissance viola da gamba consort 8K
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- published: 30 Sep 2023
- views: 43372
The Fantasia No. 1 by William Byrd, in honor of his 400th anniversary, performed on Elizabethan viols by The Voice of the Viol viola da gamba consort.
Wendy Gillespie, Elisabeth Reed, Farley Pearce and William Skeen, viols.
The Voice of the Viol, a program of Voices of Music, is directed by Elisabeth Reed.
In his Fantasia, Byrd demonstrates his extraordinary command of counterpoint and texture. The initial countersubject, sounded only once in the piece, is a simple, bell-like four note pattern which was also used for Anne Boleyn's lament "O Death, rock me asleep." A lively and engaging musical conversation based on points of imitation resonates throughout.
William Byrd was one of the most important composers at the English court, writing in a wide variety of sacred and secular styles during his long career from the 1560's until his death in 1623.
The Fantasia was published in Psalmes, Songs and Sonnets … fit for Voyces or Viols (London, 1611), presumably composed earlier. This work is presented here for the first time in 8K video.
*Elizabethan viols*
Voices of Music is developing programs for two consorts of viols, one from the Elizabethan period (which you will hear tonight) and an early renaissance consort from around the year 1500 to perform works published by Petrucci, the first music publisher, and his contemporaries.
The late renaissance Elizabethan viols are primarily based on the work of John Rose, who was famous by the 1550s for his “vyalls” and other instruments. Although these instruments were from the middle of the century, only the later instruments survive, and it is not known if Rose’s style changed over the years, so these instruments either reflect the practice as early as the 1550s or, more likely, as late as the 1590s, although the changes may have been minor over the years. Notably, the design of the Amati violins from roughly the same time period changed very little. The Rose workshop parallels Elizabeth’s reign as queen, and so these instruments are an excellent choice for this repertory. The English court imported a great many Italian instruments beginning with the reign of Henry VIII, but the Rose instruments were considered preeminent for the viols, even as the lutes and recorders were mainly sourced from Italy and Germany.
For the renaissance ideal, the consort was conceived of as a matched set, and all the instruments played tonight were made by one builder, Wesley Brandt, using similar patterns, techniques and timbers based closely on historical models. The close matching gives the ensemble a unique sound and is essential for consort music.
Another major difference to the baroque instruments is the strings: wire-wound strings emerged circa 1660 and were unknown to the musicians of the renaissance and early 17th century. Without the “overspun” strings the sound of the instrument and its overtones are markedly different, especially in terms of greater transparency, and this enables each individual part in the early English viols to be heard clearly. Importantly, with wire wound strings, bowed instruments are louder in the bass register, but unwound strings have the opposite, softer sound. In addition, there is no register change as the player crosses strings with the bow: all the strings are the same. Lastly, the early English viols had soundboards that were made of very thin, parallel strips of wood that were heated and bent under tension, so they are similar to a drum: this process of tempering and tensioning the soundboard changes the harmonics of the viol.
Fun fact: Voices of Music's CoDirector David Tayler's Ph.D. advisor in musicology was Philip Brett, the editor of the Byrd edition, and author of "William Byrd and his Contemporaries," and David also studied with Joe Kerman, who wrote the Byrd article in the Grove dictionary of music and the book "The Masses and Motets of William Byrd."
#Byrd
Producer: Hanneke van Proosdij
Audio engineer: David Tayler
8K Video: Lloyd Hryciw and Rob Clevenger
Post Production: David Tayler and Andrew Levy
Special thanks to Margaret Cohen.
0:56
J. Wood Treble Viol
View this instrument online at https://earlymusicshop.com/products/j-wood-treble-viol.
Fo...
published: 11 Mar 2024
J. Wood Treble Viol
J. Wood Treble Viol
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- published: 11 Mar 2024
- views: 1349
View this instrument online at https://earlymusicshop.com/products/j-wood-treble-viol.
For further information or advice about any of our instruments, please do not hesitate to contact us at [email protected] or on +44 1274 288100.
www.earlymusicshop.com
1:19
ABOUT THE VIOL
Parthenia welcomes you to the wonderful world of viola da gamba! Also called the viol, thi...
published: 16 Feb 2021
ABOUT THE VIOL
ABOUT THE VIOL
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- published: 16 Feb 2021
- views: 1555
Parthenia welcomes you to the wonderful world of viola da gamba! Also called the viol, this instrument and its music enriches our lives and we want you to become more familiar, and fall in love.
Text by Wendy Steiner
Compilation, animation and voiceover by Liu Light
Parthenia is Beverly Au, Lawrence Lipnik, Rosamund Morley and Lisa Terry
parthenia.org
3:55
PURCELL // Strike the Viol by Tim Mead, Les Musiciens de Saint-Julien, François Lazarevitch
Les Musiciens de Saint-Julien, guided by François Lazarevitch’s virtuoso flute, have alrea...
published: 25 Sep 2018
PURCELL // Strike the Viol by Tim Mead, Les Musiciens de Saint-Julien, François Lazarevitch
PURCELL // Strike the Viol by Tim Mead, Les Musiciens de Saint-Julien, François Lazarevitch
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- published: 25 Sep 2018
- views: 746749
Les Musiciens de Saint-Julien, guided by François Lazarevitch’s virtuoso flute, have already led us along the roads of Ireland and Scotland, notably the High Road to Kilkenny (ALPHA 234), a great success in 2016. This time, they venture into England with an essentially secular programme devoted to Henry Purcell (1659-95), varying the mood by alternating between instrumental dances and songs performed by the English countertenor Tim Mead, including ‘O Solitude’ and ‘What power art thou’. While Les Musiciens de Saint-Julien have chosen these celebrated pieces for pleasure above all, with this English programme they also fill in a new piece in their jigsaw map of the United Kingdom. At the same time, they demonstrate the musical porosity of Ireland, Scotland and England – and the atypical colours of the small string ensemble complemented by two flutes, a harp and harpsichord/lute continuo further underline the fact. The common thread, dear to Les Musiciens de Saint-Julien, is that of folk music lying at the heart of art music, in a mixture of origins, practices and repertories. We can easily recognise ‘Scotch and Irish tunes’ that Purcell incorporates in his overtures, jigs, hornpipes and chaconnes. The countertenor Tim Mead punctuates the dances with songs composed for the operatic or dramatic stage or for chamber performance.
Release date → October 12th
Stream//Download//Buy → https://lnk.to/Purcell_SongsandDancesID
FACEBOOK→ www.facebook.com/alphaclassics
TWITTER → www.twitter.com/alpha_classics
INSTAGRAM → www.instagram.com/alpha_classics/
YOUTUBE → www.youtube.com/c/alphaclassics
WEBSITE → www.outhere-music.com/alphaclassics
8:16
Viol : pourquoi le cerveau empêche certaines victimes de réagir
Figées, bloquées, muettes… De nombreuses victimes de viol ou d'autres agressions sexuelles...
published: 25 Jul 2021
Viol : pourquoi le cerveau empêche certaines victimes de réagir
Viol : pourquoi le cerveau empêche certaines victimes de réagir
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- published: 25 Jul 2021
- views: 711371
Figées, bloquées, muettes… De nombreuses victimes de viol ou d'autres agressions sexuelles témoignent avoir été incapables de réagir face à leur agresseur. Selon une étude de l’institut suédois Karolinska publiée en 2017, 68 % des victimes de viol déclarent avoir été totalement paralysées face à leur agresseur.
Une partie de la réponse se trouve du côté du cerveau et de ce que les chercheurs appellent la « sidération psychique » et la « dissociation traumatique ». De quoi s'agit-il ? Explication.
Avec Muriel Salmona, psychiatre, Anne Bouillon, avocate spécialisée en droit des femmes, et le témoignage de Clara, Lara et Nouna.
Pour suivre et comprendre l'actualité, abonnez-vous à la chaîne du Monde 🔔 : http://www.youtube.com/subscription_center?add_user=LeMonde
_______
Sources de cette vidéo :
- « Tonic immobility during sexual assault – a common reaction predicting post-traumatic stress disorder and severe depression », Möller et al., Institut Karolinska, Acta Obstet Gynecol Scand. (2017)
- « Neural Correlates of Exposure to Traumatic Pictures and Sound in Vietnam Combat Veterans with and without Posttraumatic Stress Disorder: A Positron Emission Tomography Study », Bremner et al., Biological Psychiatry (1999)
- Peritraumatic Dissociative Experiences Questionnaire, Marmar et al., Guilford Press (1997)
Rapport d’enquête « Cadre de vie et sécurité » (2019)
- « La dissociation traumatique et les troubles de la personnalité : ou comment devient-on étranger à soi-même », Dr Muriel Salmona, in Les troubles de la personnalité en criminologie et en victimologie, R. Coutanceau et J. Smith, Dunod (2013)
- Comprendre le cerveau, son développement, son fonctionnement, sa plasticité et ses pathologies, L’Institut du cerveau et de la moelle épinière (Institut du cerveau – ICM)
0:15
#bach #violin #concerto #classicalmusic #gérardpoulet #credo #orchestra #music #livemusic
published: 07 Feb 2025
#bach #violin #concerto #classicalmusic #gérardpoulet #credo #orchestra #music #livemusic
#bach #violin #concerto #classicalmusic #gérardpoulet #credo #orchestra #music #livemusic
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- published: 07 Feb 2025
- views: 691
2:32
Gesaffelstein — Viol
Stream/Download here: https://turborec.lnk.to/Conspiracy2
Project « Ghostrider » was born...
published: 11 Jul 2011
Gesaffelstein — Viol
Gesaffelstein — Viol
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- published: 11 Jul 2011
- views: 2902901
Stream/Download here: https://turborec.lnk.to/Conspiracy2
Project « Ghostrider » was born from the desire of two fixed gear passionates who decided to film their night strolling in the french capital city.
Fond of images (the first one is a film director, the other one a photographer) and fixies, Jérémy and Anto, aka // Les Darons //, catch the adrenalin spirit of the discipline inside their cameras. The first opus, « Ghostrider » is soon massively shared. A year later, it's time for « Ghostrider II », with only one leitmotiv : the search for danger that brings out the filthiest instincts.
As a result, they created a mind blowing video you cannot look away from, since the mastered elegance of the black & white contrasts with a frightening visual reality, increased by the oppressive beats of Gesaffelstein, the new prodigy on the techno scene.
The producer's atmosphere seduced the riders and the idea of a collaboration naturally grew up. « Viol » (from his upcoming « Conspiracy Pt.2 » EP, out July 19th on Turbo Recordings), full of howling and heady sirens, was obviously the right track to illustrate this out-of-time night ride.
The crew is now chock-full of ideas and various projects so watch out ! You might run into them at dawn...
Viol
The viol /ˈvaɪəl/ is any one of a family of bowed, fretted and stringed instruments that first appeared in Spain in the mid to late 15th century and was most popular in the Renaissance and Baroque periods. Early ancestors include the Arabic rebab and the medieval European Vielle, but later, more direct possible ancestors include the Venetian viole and the 15th- and 16th-century Spanish vihuela, a 6-course plucked instrument tuned like a lute (and also like a present-day viol) that looked like but was quite distinct from the (at that time) 4-course guitar (an earlier chordophone).
Although bass viols superficially resemble cellos, viols are different in numerous respects from instruments of the violin family: the viol family has flat rather than curved backs, sloped rather than rounded shoulders, c holes rather than f holes, and five to seven rather than four strings; some of the many additional differences are tuning strategy (in fourths with a third in the middle—similar to a lute—rather than in fifths), the presence of frets, and underhand ("German") rather than overhand ("French") bow grip.
This page contains text from Wikipedia, the Free Encyclopedia - https://wn.com/Viol
Viol...
Phantasm - Viol Consort...
Which viol for you?...
William Byrd: Fantasia a 4 No. 1, The Voice of the...
J. Wood Treble Viol...
ABOUT THE VIOL...
PURCELL // Strike the Viol by Tim Mead, Les Musici...
Viol : pourquoi le cerveau empêche certaines victi...
#bach #violin #concerto #classicalmusic #gérardpou...