John Cooper (c. 1570 – 1626), also known as Giovanni Coprario or Coperario, was an Englishcomposer, viol player and lutenist.
He changed his name in the early 17th century. It is often said he did this after a visit to Italy, though there is no evidence he had been to the country. From 1622 he served and may have taught the Prince of Wales, for whom he continued to work upon his succession as Charles I. His longtime patron was Edward Seymour, Earl of Hertford, for whom he taught William Lawes.
Among Cooper's works are fantasias, suites and other works for viols and violins, and two collections of songs, Funeral Teares (1606) and Songs of Mourning: Bewailing the Untimely Death of Prince Henry (1613). He also penned the treatise on composition, Rules how to Compose.
According to Ernst Meyer, Cooper was a Londoner who italianized his name as Italian music and musicians became more fashionable, and spent much of his life as a musician in the royal court.
Ninety-six fantasias in between three and six voices, most of them in two Oxford and Royal College of Music collections, were known to exist by Cooper (as of 1946). Meyer also notes that most of Cooper's five and six part fantasias are mainly transcriptions, or imitations, of his madrigals, but that his fantasias for three or four instrumental parts are, formally especially, independently interesting.
In Nomine is a title given to a large number of pieces of English polyphonic, predominantly instrumental music, first composed during the 16th century.
History
This "most conspicuous single form in the early development of English consort music" (Edwards 2001) originated in the early 16th century from a six-voice mass composed before 1530 by John Taverner on the plainchantGloria Tibi Trinitas. In the Benedictus section of this mass, the Latin phrase "in nomine Domini" was sung in a reduced, four-part counterpoint, with the plainchant melody in the mean (alto part). At an early point, this attractive passage became popular as a short instrumental piece, though there is no evidence that Taverner himself was responsible for any of these arrangements (Bowers, Doe, and Benham 2001). Over the next 150 years, English composers worked this melody into "In Nomine" pieces of ever greater stylistic range.
In Nomines are typically consort pieces for four or five instruments, especially consorts of viols. One instrument plays the theme through as a cantus firmus with each note lasting one or even two measures; usually this is the second part from the top. The other parts play more complex lines, often in imitative counterpoint. Usually they take up several new motifs in turn, using each one as a point of imitation. However, there are In Nomines composed for solo or duo keyboard instruments and even one for the lute: a fantasy titled Farewell by John Dowland(Edwards 2001).
The player controls a nation and handles matters concerning war, diplomacy, trade, and economy. The original game without expansions starts in 1453, right after the Fall of Constantinople, and continues to 1789, just past the beginning of the French Revolution. The expansion Napoleon's Ambition extends the end game year forward to 1821, whereas the expansion In Nomine moves the starting year back to 1399.
Europa Universalis III has a 3D engine that requires the system to meet the Pixel Shader 2.0 specification. The map has 1,700 land and sea provinces encompassing most of the world, with 250 playable historical nations. The game also uses elements of other Paradox games such as Crusader Kings, Victoria, and Hearts of Iron II.
The game combines the supernatural with mundane reality, with campaigns often set in the modern world. Supernatural characters take on a human (or other mundane) form to further their various agendas. Although individual campaigns can focus on combat or direct conflict, Heaven and Hell settled into a Cold War called the "Great Game". Angels and demons typically struggle indirectly, by attempting to draw humans closer to their respective sides. Open hostilities are costly, and in the game setting, rarely prove to be the most efficient option. This allows In Nomine to have the qualities of a morality play as well as those of a more standard role-playing game.
Provided to YouTube by NAXOS of America
In Nomine No. 5 · Rose Consort of Viols
J. Ward: Consort Music
℗ 2003 CPO
Released on: 2003-01-01
Ensemble: Rose Consort of Viols
Composer: John Ward
Auto-generated by YouTube.
published: 15 Oct 2020
Giovanni Coperario, Fantasia à4 No.5
All Socres, MP3s & Movies by Shigekazu Nimura, a member of Aeolian Consort.
Web site of Aeolian Consort http://aeolianconsort.chakin.com/gakufu_main.htm
Softwares & Machines for making movies
finale2011, version 2011b.r2(MakeMusic Inc.)
sol V2.0.3J(YAMAHA CORPORATION)
USB AUDIO/MIDI PERSONAL STUDIO UW500(YAMAHA CORPORATION)
TONE GENERATOR MU500(YAMAHA CORPORATION)
Microsoft®expression web Version 4.0. 1460. 0(Microsoft Corporation)
Giovanni Coperario(John Cooper, ca.1575 - 1626)
published: 09 May 2020
John Ward, In Nomine à5
Socre & MP3 by Shigekazu Nimura, a member of Aeolian Consort.
Web site of Aeolian Consort http://aeolianconsort.chakin.com/gakufu_main.htm
John ward(1571-1638)
published: 09 Dec 2018
John Blitheman - In Nomine FVB 50 (Fitzwilliam Virginal Book Vol. 1 No. 50) audio+sheet music
John Blitheman - In Nomine FVB 50
Fitzwilliam Virginal Book Vol. 1 No. 50
The Fitzwilliam Virginal Book, which includes the third of his Gloria tibi Trinitas settings, gives his forename as William. However, Chapel Royal records from 1558 to 1590 consistently refer to John Blitheman, and there can be little doubt that this was the composer's name.
Pieter-Jan Belder, harpsichord
#harpsichord #sheetmusic #classicalmusic #johnbull #william
published: 16 Jun 2023
Fantasia a 5 "Non fu senze", VdGS 14
Provided to YouTube by IIP-DDS
Fantasia a 5 "Non fu senze", VdGS 14 · Phantasm · John Ward
Ward: Consort Music for Five and Six Viols
℗ Linn Records
Released on: 2009-08-24
Music Publisher: Copyright Control
Composer: John Ward
Auto-generated by YouTube.
published: 25 Nov 2020
John Coprario (c. 1575-1626) Fantasia a 4 ex d, arr. Harmer
John Coprario (c. 1575-1626) Fantasia a 4 ex d
John Coprario (c. 1575-1626) nee, John Cooper or Cowper was and English composer and viol player of the late Elizabethian period. After completing a music tour/study in Italy sometime around 1603, John re-fashioned himself as Giovanni Coprario, sometimes also spelled Coperario. He had a great deal of noble and high-born patronage upon his return to England.
This 4 part fantasia was originally written for viols. It is rich in Renaissance imitative counterpoint.
The score and parts can be found here: https://ks.imslp.net/files/imglnks/usimg/2/28/IMSLP499588-PMLP266085-Copr-FantasiaD-up_(etc).pdf
Email: [email protected]
Website/Blog: https://fredericksburgreco.wixsite.com/mysite
Facebook: Facebook.com/groups/Fredericksbu...
published: 22 Sep 2020
Fantasia (Musica Britannica, Vol. 14, No. 5)
Provided to YouTube by NAXOS of America
Fantasia (Musica Britannica, Vol. 14, No. 5) · Alan Feinberg
Basically Bull
℗ 2013 Steinway and Sons
Released on: 2013-06-04
Artist: Alan Feinberg
Composer: John Bull
Auto-generated by YouTube.
published: 04 Apr 2014
Fantasia a 5, VdGS 9
Provided to YouTube by IIP-DDS
Fantasia a 5, VdGS 9 · Phantasm · John Ward
Ward: Consort Music for Five and Six Viols
℗ Linn Records
Released on: 2009-08-24
Music Publisher: Copyright Control
Composer: John Ward
Auto-generated by YouTube.
published: 25 Nov 2020
Edward Gibbons (1568-ca.1650) - In Nomine à5, Oxford. Bodleian Library, Mus.Sch.d.212-16 (ca.1610)
Gibbons: In Nomine à5, Oxford. Bodleian Library, Mus.Sch.d.212-16 (ca.1610) · Phillip W. Serna
Video based off edition by Allen Garvin: https://imslp.org/wiki/In_nomine_(Gibbons%2C_Edward)
℗ 2022 Phillip W. Serna, Midweſt415
published: 10 Oct 2022
John Coprario | Fantasia à2, RC1, VdGS1 | Albert and Alice Lua
Albert Lua (treble viol) and Alice Lua (tenor viol) perform Fantasia à2, RC1, VdGS1 by John Coprario (ca.1570‐1626).
Performed on April 17, 2019 at the Recital Hall at Adlai E. Stevenson High School.
Video from the SHS Fine Arts Department.
------------
http://albertlua.com/
Provided to YouTube by NAXOS of America
In Nomine No. 5 · Rose Consort of Viols
J. Ward: Consort Music
℗ 2003 CPO
Released on: 2003-01-01
Ensemble: Rose Co...
Provided to YouTube by NAXOS of America
In Nomine No. 5 · Rose Consort of Viols
J. Ward: Consort Music
℗ 2003 CPO
Released on: 2003-01-01
Ensemble: Rose Consort of Viols
Composer: John Ward
Auto-generated by YouTube.
Provided to YouTube by NAXOS of America
In Nomine No. 5 · Rose Consort of Viols
J. Ward: Consort Music
℗ 2003 CPO
Released on: 2003-01-01
Ensemble: Rose Consort of Viols
Composer: John Ward
Auto-generated by YouTube.
All Socres, MP3s & Movies by Shigekazu Nimura, a member of Aeolian Consort.
Web site of Aeolian Consort http://aeolianconsort.chakin.com/gakufu_main.htm
Softwa...
All Socres, MP3s & Movies by Shigekazu Nimura, a member of Aeolian Consort.
Web site of Aeolian Consort http://aeolianconsort.chakin.com/gakufu_main.htm
Softwares & Machines for making movies
finale2011, version 2011b.r2(MakeMusic Inc.)
sol V2.0.3J(YAMAHA CORPORATION)
USB AUDIO/MIDI PERSONAL STUDIO UW500(YAMAHA CORPORATION)
TONE GENERATOR MU500(YAMAHA CORPORATION)
Microsoft®expression web Version 4.0. 1460. 0(Microsoft Corporation)
Giovanni Coperario(John Cooper, ca.1575 - 1626)
All Socres, MP3s & Movies by Shigekazu Nimura, a member of Aeolian Consort.
Web site of Aeolian Consort http://aeolianconsort.chakin.com/gakufu_main.htm
Softwares & Machines for making movies
finale2011, version 2011b.r2(MakeMusic Inc.)
sol V2.0.3J(YAMAHA CORPORATION)
USB AUDIO/MIDI PERSONAL STUDIO UW500(YAMAHA CORPORATION)
TONE GENERATOR MU500(YAMAHA CORPORATION)
Microsoft®expression web Version 4.0. 1460. 0(Microsoft Corporation)
Giovanni Coperario(John Cooper, ca.1575 - 1626)
Socre & MP3 by Shigekazu Nimura, a member of Aeolian Consort.
Web site of Aeolian Consort http://aeolianconsort.chakin.com/gakufu_main.htm
John ward(1571-1638)...
Socre & MP3 by Shigekazu Nimura, a member of Aeolian Consort.
Web site of Aeolian Consort http://aeolianconsort.chakin.com/gakufu_main.htm
John ward(1571-1638)
Socre & MP3 by Shigekazu Nimura, a member of Aeolian Consort.
Web site of Aeolian Consort http://aeolianconsort.chakin.com/gakufu_main.htm
John ward(1571-1638)
John Blitheman - In Nomine FVB 50
Fitzwilliam Virginal Book Vol. 1 No. 50
The Fitzwilliam Virginal Book, which includes the third of his Gloria tibi Trinitas s...
John Blitheman - In Nomine FVB 50
Fitzwilliam Virginal Book Vol. 1 No. 50
The Fitzwilliam Virginal Book, which includes the third of his Gloria tibi Trinitas settings, gives his forename as William. However, Chapel Royal records from 1558 to 1590 consistently refer to John Blitheman, and there can be little doubt that this was the composer's name.
Pieter-Jan Belder, harpsichord
#harpsichord #sheetmusic #classicalmusic #johnbull #william
John Blitheman - In Nomine FVB 50
Fitzwilliam Virginal Book Vol. 1 No. 50
The Fitzwilliam Virginal Book, which includes the third of his Gloria tibi Trinitas settings, gives his forename as William. However, Chapel Royal records from 1558 to 1590 consistently refer to John Blitheman, and there can be little doubt that this was the composer's name.
Pieter-Jan Belder, harpsichord
#harpsichord #sheetmusic #classicalmusic #johnbull #william
Provided to YouTube by IIP-DDS
Fantasia a 5 "Non fu senze", VdGS 14 · Phantasm · John Ward
Ward: Consort Music for Five and Six Viols
℗ Linn Records
Release...
Provided to YouTube by IIP-DDS
Fantasia a 5 "Non fu senze", VdGS 14 · Phantasm · John Ward
Ward: Consort Music for Five and Six Viols
℗ Linn Records
Released on: 2009-08-24
Music Publisher: Copyright Control
Composer: John Ward
Auto-generated by YouTube.
Provided to YouTube by IIP-DDS
Fantasia a 5 "Non fu senze", VdGS 14 · Phantasm · John Ward
Ward: Consort Music for Five and Six Viols
℗ Linn Records
Released on: 2009-08-24
Music Publisher: Copyright Control
Composer: John Ward
Auto-generated by YouTube.
John Coprario (c. 1575-1626) Fantasia a 4 ex d
John Coprario (c. 1575-1626) nee, John Cooper or Cowper was and English composer and viol player of the late Eliz...
John Coprario (c. 1575-1626) Fantasia a 4 ex d
John Coprario (c. 1575-1626) nee, John Cooper or Cowper was and English composer and viol player of the late Elizabethian period. After completing a music tour/study in Italy sometime around 1603, John re-fashioned himself as Giovanni Coprario, sometimes also spelled Coperario. He had a great deal of noble and high-born patronage upon his return to England.
This 4 part fantasia was originally written for viols. It is rich in Renaissance imitative counterpoint.
The score and parts can be found here: https://ks.imslp.net/files/imglnks/usimg/2/28/IMSLP499588-PMLP266085-Copr-FantasiaD-up_(etc).pdf
Email: [email protected]
Website/Blog: https://fredericksburgreco.wixsite.com/mysite
Facebook: Facebook.com/groups/Fredericksburgrecorders
Instagram: @fredrecorder
YouTube: Fredericksburg Recorders
https://www.youtube.com/channel/UCKSKqyFkEchSkTwno5U_Lpw
John Coprario (c. 1575-1626) Fantasia a 4 ex d
John Coprario (c. 1575-1626) nee, John Cooper or Cowper was and English composer and viol player of the late Elizabethian period. After completing a music tour/study in Italy sometime around 1603, John re-fashioned himself as Giovanni Coprario, sometimes also spelled Coperario. He had a great deal of noble and high-born patronage upon his return to England.
This 4 part fantasia was originally written for viols. It is rich in Renaissance imitative counterpoint.
The score and parts can be found here: https://ks.imslp.net/files/imglnks/usimg/2/28/IMSLP499588-PMLP266085-Copr-FantasiaD-up_(etc).pdf
Email: [email protected]
Website/Blog: https://fredericksburgreco.wixsite.com/mysite
Facebook: Facebook.com/groups/Fredericksburgrecorders
Instagram: @fredrecorder
YouTube: Fredericksburg Recorders
https://www.youtube.com/channel/UCKSKqyFkEchSkTwno5U_Lpw
Provided to YouTube by NAXOS of America
Fantasia (Musica Britannica, Vol. 14, No. 5) · Alan Feinberg
Basically Bull
℗ 2013 Steinway and Sons
Released on: 20...
Provided to YouTube by NAXOS of America
Fantasia (Musica Britannica, Vol. 14, No. 5) · Alan Feinberg
Basically Bull
℗ 2013 Steinway and Sons
Released on: 2013-06-04
Artist: Alan Feinberg
Composer: John Bull
Auto-generated by YouTube.
Provided to YouTube by NAXOS of America
Fantasia (Musica Britannica, Vol. 14, No. 5) · Alan Feinberg
Basically Bull
℗ 2013 Steinway and Sons
Released on: 2013-06-04
Artist: Alan Feinberg
Composer: John Bull
Auto-generated by YouTube.
Provided to YouTube by IIP-DDS
Fantasia a 5, VdGS 9 · Phantasm · John Ward
Ward: Consort Music for Five and Six Viols
℗ Linn Records
Released on: 2009-08-24...
Provided to YouTube by IIP-DDS
Fantasia a 5, VdGS 9 · Phantasm · John Ward
Ward: Consort Music for Five and Six Viols
℗ Linn Records
Released on: 2009-08-24
Music Publisher: Copyright Control
Composer: John Ward
Auto-generated by YouTube.
Provided to YouTube by IIP-DDS
Fantasia a 5, VdGS 9 · Phantasm · John Ward
Ward: Consort Music for Five and Six Viols
℗ Linn Records
Released on: 2009-08-24
Music Publisher: Copyright Control
Composer: John Ward
Auto-generated by YouTube.
Gibbons: In Nomine à5, Oxford. Bodleian Library, Mus.Sch.d.212-16 (ca.1610) · Phillip W. Serna
Video based off edition by Allen Garvin: https://imslp.org/wik...
Gibbons: In Nomine à5, Oxford. Bodleian Library, Mus.Sch.d.212-16 (ca.1610) · Phillip W. Serna
Video based off edition by Allen Garvin: https://imslp.org/wiki/In_nomine_(Gibbons%2C_Edward)
℗ 2022 Phillip W. Serna, Midweſt415
Gibbons: In Nomine à5, Oxford. Bodleian Library, Mus.Sch.d.212-16 (ca.1610) · Phillip W. Serna
Video based off edition by Allen Garvin: https://imslp.org/wiki/In_nomine_(Gibbons%2C_Edward)
℗ 2022 Phillip W. Serna, Midweſt415
Albert Lua (treble viol) and Alice Lua (tenor viol) perform Fantasia à2, RC1, VdGS1 by John Coprario (ca.1570‐1626).
Performed on April 17, 2019 at the Recital...
Albert Lua (treble viol) and Alice Lua (tenor viol) perform Fantasia à2, RC1, VdGS1 by John Coprario (ca.1570‐1626).
Performed on April 17, 2019 at the Recital Hall at Adlai E. Stevenson High School.
Video from the SHS Fine Arts Department.
------------
http://albertlua.com/
Albert Lua (treble viol) and Alice Lua (tenor viol) perform Fantasia à2, RC1, VdGS1 by John Coprario (ca.1570‐1626).
Performed on April 17, 2019 at the Recital Hall at Adlai E. Stevenson High School.
Video from the SHS Fine Arts Department.
------------
http://albertlua.com/
Provided to YouTube by NAXOS of America
In Nomine No. 5 · Rose Consort of Viols
J. Ward: Consort Music
℗ 2003 CPO
Released on: 2003-01-01
Ensemble: Rose Consort of Viols
Composer: John Ward
Auto-generated by YouTube.
All Socres, MP3s & Movies by Shigekazu Nimura, a member of Aeolian Consort.
Web site of Aeolian Consort http://aeolianconsort.chakin.com/gakufu_main.htm
Softwares & Machines for making movies
finale2011, version 2011b.r2(MakeMusic Inc.)
sol V2.0.3J(YAMAHA CORPORATION)
USB AUDIO/MIDI PERSONAL STUDIO UW500(YAMAHA CORPORATION)
TONE GENERATOR MU500(YAMAHA CORPORATION)
Microsoft®expression web Version 4.0. 1460. 0(Microsoft Corporation)
Giovanni Coperario(John Cooper, ca.1575 - 1626)
Socre & MP3 by Shigekazu Nimura, a member of Aeolian Consort.
Web site of Aeolian Consort http://aeolianconsort.chakin.com/gakufu_main.htm
John ward(1571-1638)
John Blitheman - In Nomine FVB 50
Fitzwilliam Virginal Book Vol. 1 No. 50
The Fitzwilliam Virginal Book, which includes the third of his Gloria tibi Trinitas settings, gives his forename as William. However, Chapel Royal records from 1558 to 1590 consistently refer to John Blitheman, and there can be little doubt that this was the composer's name.
Pieter-Jan Belder, harpsichord
#harpsichord #sheetmusic #classicalmusic #johnbull #william
Provided to YouTube by IIP-DDS
Fantasia a 5 "Non fu senze", VdGS 14 · Phantasm · John Ward
Ward: Consort Music for Five and Six Viols
℗ Linn Records
Released on: 2009-08-24
Music Publisher: Copyright Control
Composer: John Ward
Auto-generated by YouTube.
John Coprario (c. 1575-1626) Fantasia a 4 ex d
John Coprario (c. 1575-1626) nee, John Cooper or Cowper was and English composer and viol player of the late Elizabethian period. After completing a music tour/study in Italy sometime around 1603, John re-fashioned himself as Giovanni Coprario, sometimes also spelled Coperario. He had a great deal of noble and high-born patronage upon his return to England.
This 4 part fantasia was originally written for viols. It is rich in Renaissance imitative counterpoint.
The score and parts can be found here: https://ks.imslp.net/files/imglnks/usimg/2/28/IMSLP499588-PMLP266085-Copr-FantasiaD-up_(etc).pdf
Email: [email protected]
Website/Blog: https://fredericksburgreco.wixsite.com/mysite
Facebook: Facebook.com/groups/Fredericksburgrecorders
Instagram: @fredrecorder
YouTube: Fredericksburg Recorders
https://www.youtube.com/channel/UCKSKqyFkEchSkTwno5U_Lpw
Provided to YouTube by NAXOS of America
Fantasia (Musica Britannica, Vol. 14, No. 5) · Alan Feinberg
Basically Bull
℗ 2013 Steinway and Sons
Released on: 2013-06-04
Artist: Alan Feinberg
Composer: John Bull
Auto-generated by YouTube.
Provided to YouTube by IIP-DDS
Fantasia a 5, VdGS 9 · Phantasm · John Ward
Ward: Consort Music for Five and Six Viols
℗ Linn Records
Released on: 2009-08-24
Music Publisher: Copyright Control
Composer: John Ward
Auto-generated by YouTube.
Gibbons: In Nomine à5, Oxford. Bodleian Library, Mus.Sch.d.212-16 (ca.1610) · Phillip W. Serna
Video based off edition by Allen Garvin: https://imslp.org/wiki/In_nomine_(Gibbons%2C_Edward)
℗ 2022 Phillip W. Serna, Midweſt415
Albert Lua (treble viol) and Alice Lua (tenor viol) perform Fantasia à2, RC1, VdGS1 by John Coprario (ca.1570‐1626).
Performed on April 17, 2019 at the Recital Hall at Adlai E. Stevenson High School.
Video from the SHS Fine Arts Department.
------------
http://albertlua.com/
John Cooper (c. 1570 – 1626), also known as Giovanni Coprario or Coperario, was an Englishcomposer, viol player and lutenist.
He changed his name in the early 17th century. It is often said he did this after a visit to Italy, though there is no evidence he had been to the country. From 1622 he served and may have taught the Prince of Wales, for whom he continued to work upon his succession as Charles I. His longtime patron was Edward Seymour, Earl of Hertford, for whom he taught William Lawes.
Among Cooper's works are fantasias, suites and other works for viols and violins, and two collections of songs, Funeral Teares (1606) and Songs of Mourning: Bewailing the Untimely Death of Prince Henry (1613). He also penned the treatise on composition, Rules how to Compose.
According to Ernst Meyer, Cooper was a Londoner who italianized his name as Italian music and musicians became more fashionable, and spent much of his life as a musician in the royal court.
Ninety-six fantasias in between three and six voices, most of them in two Oxford and Royal College of Music collections, were known to exist by Cooper (as of 1946). Meyer also notes that most of Cooper's five and six part fantasias are mainly transcriptions, or imitations, of his madrigals, but that his fantasias for three or four instrumental parts are, formally especially, independently interesting.
Hollywood, we never going down Hollywood, we never going down Hollywood, we never going down And all the kids in the hood come on wave and shake your hands Hollywood, we never going down And when you're drunk shake that ass like you know how to dance Hollywood, we never going down Start getting loud, I wanna party now If you hate on Undead that's a party foul I only drink Mickey's, I can't afford the cans I drink so much they call me Charlie 40 Hands If the keg is tapped, then you're getting capped Take your girl to the sack and we'll take a nap Ladies drink them fast so I can have a blast You got your beer gog's on and I'm getting? ass Like, oh my God, is that Charlie Scene? Ladies show me your treats like it's Halloween You got fake I.D. and you're 17 I'm a complete catastrophe buzzing around you like a bumblebee So let's take some shots Do a beer run and flip off a cop Girls give me props and they're on my jock Paris Hilton said that's hot, when she saw my cock, that's hot And all the kids in the hood come on wave and shake your hands Hollywood, we never going down And when you're drunk shake that ass like you know how to dance Hollywood, we never going down I'm about to serve it up for all you party goers Scene kids, Meat Heads, Alchi's, Stoners Dancing around like a bunch of faggots Funnier than fuck, you can ask Bob Saggot I never claimed that I knew how to dance But I'll get drunk, get high and pull down my pants So fuck five bucks, just fill up my cup Don't kiss me bitch, you just threw up Now I'm drunk as fuck about to pass out Destination your mother's couch Dude, is it really true you screwed my mom? Fuck yeah bro, that pussy was bomb So I'm hopping, jumping, sipping, and skipping It's nights like these that we all love living So take out your hands and throw the H.U. up Now wave it around like you don't give a fuck, check please And all the kids in the hood come on wave and shake your hands Hollywood we never going down And when you're drunk shake that ass like you know how to dance Hollywood we never going down Can't stop, won't stop, Charlie make the booty drop Can't stop, won't stop, Johnny make the booty drop Can't stop, won't stop, J make the booty drop Can't stop, won't stop, Peters make the booty drop Can't stop, won't stop, Kurlzz make the booty drop Can't stop, won't stop, Funny make the booty drop Can't stop, won't stop, let me see the panties drop Producers on the dance floor, let me see your booty pop Grab your drink, get on the floor Grab your drink and get on the floor Let's dance in the hood, shake that ass Hollywood And all the kids in the hood come on wave and shake your hands Hollywood, we never going down And when you're drunk shake that ass like you know how to dance Hollywood, we never going down Let's dance in the hood, shake that ass Hollywood Hollywood, we never going down Let's dance in the hood, shake that ass Hollywood