- published: 06 Feb 2009
- views: 712613
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Howard Hoagland "Hoagy" Carmichael (November 22, 1899 – December 27, 1981) was an American composer, pianist, singer, actor, and bandleader. He is best known for composing the music for "Stardust", "Georgia on My Mind", "The Nearness of You", and "Heart and Soul", four of the most-recorded American songs of all time.
American composer and author Alec Wilder wrote of Carmichael in American Popular Song: The Great Innovators, 1900–1950 that he was the "most talented, inventive, sophisticated and jazz-oriented" of the hundreds of writers composing pop songs in the first half of the 20th century.
Matty Malneck (December 9, 1903 – February 25, 1981) was an American jazz bandleader, violinist, violist and songwriter.
Malneck's first professional gigs as a violinist began when he was age 16. He worked with Paul Whiteman from 1926 to 1937, and also recorded in the same period with Frank Signorelli, Frankie Trumbauer, Bix Beiderbecke, and Mildred Bailey. He led his own big band in 1938–39 and shot short films with vocalist Liz Tilton in the 1940s. He recorded as a leader for London Records in 1932 and Decca Records in 1938–39.
Malneck's credits as a songwriter have overshadowed his contributions as a performer. He composed several songs which became pop standards, including "I'll Never Be The Same" (recorded by Frank Sinatra, Teddi King and Jeri Southern), "I'm Thru With Love" performed by Diana Krall, "Goody Goody", "Eeny Meeny Miney Mo", and "If You Were Mine" (lyrics by Johnny Mercer and recorded by Billie Holiday in New York City on October 25, 1935, for Brunswick 7554).
Am I Blue Excerpt from "To Have And Have Not" (1944) Hoagie Carmichael, on piano, sings with Lauren Bacall.
Great song written and performed by Hoagy Carmichael. No copyright infringement intended.
Full list of Hoagy Carmichael songs: https://tsort.info/music/96n32r.htm Information on how this list was aggregated: http://tsort.info/music/faq_site_generation.htm
HOAGY CARMICHAEL Titre: Heart and Soul ( 1938 ) TRADUCTION: Parfois je me demande pourquoi je passe Les nuits solitaires à rêver d'une chanson La mélodie hante ma rêverie Et je suis de nouveau avec vous Quand notre amour était nouveau Et chaque baiser une source d'inspiration Ah, mais c'était il ya longtemps Maintenant, ma consolation est dans la poussière d'étoiles d'une chanson À côté du mur du jardin quand les étoiles sont lumineuses Vous êtes dans mes bras Le rossignol raconte son conte de fées De paradis où les roses ont augmenté Bien que je rêve en vain Dans mon cœur, il restera Ma mélodie de poussières d'étoiles Le souvenir de l'amour refrain
© Written in 1930 by Hoagy Carmichael (music) and Stuart Gorrell (lyrics) © Gorrell wrote the lyrics for Hoagy's sister, Georgia Carmichael. However, the lyrics of the song are ambiguous enough to refer either to the state or to a woman named "Georgia". Carmichael's 1965 autobiography, "Sometimes I Wonder", records the origin: a friend, saxophonist and bandleader Frankie Trumbauer, suggested: "Why don't you write a song called 'Georgia'? Nobody lost much writing about the South." Thus, the song is universally believed to have been written about the state. (The photo has very little to do with the song. look for "To Have And Have Not". Brilliant Piece)
from "The Las Vegas Story" (1952) with Jane Russell.
Hello everyone! It's been a while! I'm sorry that I haven't been posting as much, but hopefully this makes up for lost time :) Josh and I have been buds for quite some time now, as we met virtually through Instagram in 2014. At that time we were both posting short 15 second clips of music covers and at that time not alot of other people were doing this. I'm so glad that we were able to connect and grow a friendship in real life! He is such a gifted musician, and I am truly so honored to create alongside him. The biggest reason we chose this song is mainly because any time I have done a poll online or asked my followers to send me a song request, he has never sent me any other song than "Stardust". This song is so hauntingly beautiful, and when he said that he was coming through Nashvi...
Here are 10 things you should know about Hoagy Carmichael, born on November 22, 1899. Best remembered as a composer and musician, he enjoyed success as an actor, too. ____________ About Cladrite Radio: Cladrite Radio is a streaming radio station (https://cladriteradio.com) that has been featuring pop and jazz of the 1920s, '30s and '40s for more than a dozen years. We also explore other areas of vintage popular culture on our website and social media pages. Our licensing costs are sizable, and we are a fully listener-supported station, so if you enjoy the content we share on social media and the music we play on our streaming station, please consider joining as a sponsor at https://patreon.com/cladriteradio for as little as $5 a month. #CladriteRadio #vintagepopculture #classicmovies #192...
A tribute to Hoagy Carmichael on his 100th birthday.
A nice swingy rendition of Carioca from Matty Malneck's jaunty little dance band. Enjoy!
A great cut from Matty Malneck's great small band. Matty Malneck and his orchestra Then I Wrote The Minuet In G Columbia 35212 1939 Enjoy!
A very nice small group side by Gibbons and members of the Savoy Orpheans, and an added bonus of vocals from Cecile Petrie! MATT MALNECK WITH CARROLL GIBBONS AND HIS BOY FRIENDS Matt Malneck, vn, Carroll Gibbons, p, dir: t / as / g / sb / London, 9 November, 1932
Co-written with Malneck, harpist Maxwell’s familiar tune “Shangri-La” (Four Coins 1957, Robert Maxwell 1964, Vic Dana 1964, Lettermen 1969) had originated during WW2 as a more complex instrumental piece titled “Fantasy For Harp.“ It was first recorded by him in 1943 or 1944 while a member of the U.S. 11th Naval District Coast Guard Band, which was conducted at the time by Lt. Rudy Vallee (listen here: https://www.youtube.com/watch?v=j_wFuiqkRwE ). Retitled “Shangri-La,” this more widely-available Columbia pressing was recorded a couple of years later. Note, however, that the melodic line that we know today as “Shangri-La” does not appear until halfway through this 6-minute piece, specifically at the start of Side 2. As I expect that a greater number of people will be more interested in ...
Unusual and entertaining instrumental arrangement of the Dvorak opus by songwriter & jazz violinist (11 years with Paul Whiteman) Malneck. Personnel: Matty Malneck, violin; Mannie Klein, trumpet; Bobby Van Epps, piano; Milt De Lugg, accordion; Marshall Fisher, guitar; Merwin Fischel and/or Arthur Bernstein, string bass; Louis Chicco, harp; Ralph Hansell, drums From 78rpm Decca 2182 - Humoresque (Dvorak) by Matty Malneck & his Orchestra, recorded August 21, 1938 . ---------------------------------------------------------------------------------------------- The three* MusicProf channels are home to The HITS ARCHIVES, YouTube’s most comprehensive collection of U.S. ‘popular music’ recordings from 1925 thru 1975. Discover thousands of original hit versions, conveniently arranged in year-by-...
Co-written with Malneck, harpist Maxwell’s familiar tune “Shangri-La” (Four Coins 1957, Robert Maxwell 1964, Vic Dana 1964, Lettermen 1969) had originated during WW2 as a more complex instrumental piece titled “Fantasy For Harp.“ It was first recorded by him in 1943 or 1944 while a member of the U.S. 11th Naval District Coast Guard Band, which was conducted at the time by Lt. Rudy Vallee (listen here: https://www.youtube.com/watch?v=j_wFuiqkRwE ). Retitled “Shangri-La,” this more widely-available Columbia pressing was recorded a couple of years later. Note, however, that the melodic line that we know today as “Shangri-La” does not appear until halfway through this 6-minute piece, specifically at the start of Side 2. As I expect that a greater number of people will be more interested in ...
A pretty rendition of "Souvenir" from Matty Malneck's orchestra. Matty Malneck and his orchestra Souvenir Brunswick 8396 1939 Enjoy!
Co-written with Malneck, harpist Maxwell’s familiar tune “Shangri-La” (Four Coins 1957, Robert Maxwell 1964, Vic Dana 1964, Lettermen 1969) had originated during WW2 as a more complex instrumental piece titled “Fantasy For Harp.“ It was first recorded by him in 1943 or 1944 while a member of the U.S. 11th Naval District Coast Guard Band, which was conducted at the time by Lt. Rudy Vallee (listen here: https://www.youtube.com/watch?v=j_wFuiqkRwE ). Retitled “Shangri-La,” this more widely-available Columbia pressing was recorded a couple of years later. Note, however, that the melodic line that we know today as “Shangri-La” does not appear until halfway through this 6-minute piece, specifically at the start of Side 2. As I expect that a greater number of people will be more interested in ...
From "My Piano" http://kennethbusch.tripod.com/mypiano
Matty Malneck and his orchestra play their theme song "Park Avenue Fantasy." Matty Malneck and his orchestra Park Avenue Fantasy Columbia 35212 1939 Enjoy!
HIDDEN ERROR: Usage of "spouse" is not recognizedHIDDEN ERROR: Usage of "death_cause" is not recognizedHIDDEN ERROR: Usage of "resting_place" is not recognized
Howard Hoagland "Hoagy" Carmichael (November 22, 1899 – December 27, 1981) was an American composer, pianist, singer, actor, and bandleader. He is best known for composing the music for "Stardust", "Georgia on My Mind", "The Nearness of You", and "Heart and Soul", four of the most-recorded American songs of all time.
American composer and author Alec Wilder wrote of Carmichael in American Popular Song: The Great Innovators, 1900–1950 that he was the "most talented, inventive, sophisticated and jazz-oriented" of the hundreds of writers composing pop songs in the first half of the 20th century.
Up a lazy river by the old mill run
Lazy, lazy river in the noon day sun
Linger awhile in the shade of the tree
Throw away your troubles, dream a dream of me
You know, before your sister was born
This is what your Mama did for a living
Music opened a whole new world to me
No matter how bad I feel, no matter how sad or sick I am
I just touched these keys and poof, like magic
I always seemed to feel better
I've always known you had talent, Bobbie
This piano is for you, Charlie worked hard for it
See God wouldn't have made you suffer so much
If you weren't gonna make up for it later
How happy you can be
Up a lazy river with me
Throw away your troubles, baby
Dream a dream with me
Up a lazy river with me
From the halfway mark
To be a star, a big star
You gotta be talented obviously
You gotta be tenacious, have charisma
But most importantly, you've gotta have it
A great intangible and you've got it all, Bobbie
You're gonna be bigger than Sinatra
I'd settle for a little Jolson Mama, Mama, Mama
Ah ah ah, there are blue skies up above
Forever long as we're in love
We'll be up a lazy river
Up a crazy lazy river
Up a lazy river
I ain't goin' your way
Get out of my way