Dignity is the fourth studio album by American recording artist Hilary Duff. It was released on March 21, 2007, by Hollywood Records. After launching her third record Hilary Duff (2004), she experienced an eventful personal life, including a stalking incident, her parents' separation, and breaking up with her boyfriend. Consequently, Duff assumed an integral position in its production, co-writing almost every track with longtime collaborator Kara DioGuardi instead of her previously-limited involvement.
Duff was musically inspired by indie rock band The Faint and pop singers Beyoncé and Gwen Stefani. In contrast to the pop rock themes of her prior releases, Dignity takes on more of a dance sound, which she said was not her intention while writing the album. The lyrics reference the events Duff experienced in the years leading to the album's release, and the album's songs contain influences of rock and roll and hip hop music.
Critical response was mostly positive; the album was praised for its songwriting and her new musical direction. Upon release, Dignity debuted at number three in the US, a lower peak than Duff's previous albums and with lower sales, which Billboard attributed to the loss of fans during her musical evolution. Despite this, it produced Duff's highest-peaking US single to date, "With Love" (number 24), and two US number one club hits. The album has reached the top ten in several countries and was certified Gold in the US by the Recording Industry Association of America (RIAA).
"Gypsy Woman (She's Homeless)" (also released as "Gypsy Woman (La da dee la da da)") is a house music song by American singer Crystal Waters. It was written by Neal Conway, Nathaniel S. Hardy, Jr. and Waters and is the first single from her 1991 debut album, Surprise. The song includes the chorus of "La da dee, la da da" and a much-sampled organ refrain.
Slant Magazine ranked the song 48th in its 100 greatest dance songs list, adding: "'Gypsy Woman' sets its portrait of a crusty, haphazardly made-up bag lady begging dementedly on street corners to the Basement Boys' unforgivingly brutish, mongoloid thump."
When the song was descending the charts, it appeared on the benefit album Red Hot + Dance in a new incarnation mixed by Joey Negro, who took the song into a new musical direction.
Gypsy Woman: Video Nu-R 1978 music & lyrics by Harry Clay, featuring Mick Mars on guitar, plus Randy Lee Miller on lead vocal, Harry Clay on synthesizer bass, organ, & harmony vocals, Alton Parks on drums.
After the demise of Whitehorse in Dec of '77, I started a new band, Video Nu-R, mid-way into '78. I still lived with Bob Deal aka Mick Mars in the old Whitehorse mansion, where I wrote & rehearsed all the songs for the new band. By the Fall of '78, Video Nu-R had gotten some strong reviews from the LA press from live performances at the Starwood & Troubadour, & I took the band into Natural Sound studio on Hollywood Blvd with engineer Robert Honablue behind the board. Inspired by Gary Wright's keyboard-based Dreamweaver album, I had switched over from my Rickenbacker bass to playing synt...
published: 25 Sep 2011
Joe Bataan Performs "Gypsy Woman" At Central Park SummerStage (Official Video)
Extras from the documentary "We Like it Like That" available now at http://latinboogaloo.com
published: 08 May 2012
Gypsy Woman x I must apologise (Brazilian Funk Remix)
Listen to the song on SoundCloud: https://on.soundcloud.com/YmMzoCFsLMCRW9Ug6
published: 04 Mar 2024
Gypsy Woman
Provided to YouTube by CDBaby
Gypsy Woman · Mars Project
Mars Project
℗ 2008 Mars Project
Released on: 2008-01-01
Auto-generated by YouTube.
published: 14 Nov 2015
Water on Mars-Gypsy Woman
Gypsy Woman Performance at Rock Night For Syria & Shan Live at The Tower
published: 11 Nov 2015
Video Nu-R - Gypsy Woman
1977 single from California.
published: 10 Jan 2018
automotivo sailor mars (Gypsy woman) MiarcuRetro ft. DJ brutos 77
Gypsy Woman: Video Nu-R 1978 music & lyrics by Harry Clay, featuring Mick Mars on guitar, plus Randy Lee Miller on lead vocal, Harry Clay on synthesizer bass, o...
Gypsy Woman: Video Nu-R 1978 music & lyrics by Harry Clay, featuring Mick Mars on guitar, plus Randy Lee Miller on lead vocal, Harry Clay on synthesizer bass, organ, & harmony vocals, Alton Parks on drums.
After the demise of Whitehorse in Dec of '77, I started a new band, Video Nu-R, mid-way into '78. I still lived with Bob Deal aka Mick Mars in the old Whitehorse mansion, where I wrote & rehearsed all the songs for the new band. By the Fall of '78, Video Nu-R had gotten some strong reviews from the LA press from live performances at the Starwood & Troubadour, & I took the band into Natural Sound studio on Hollywood Blvd with engineer Robert Honablue behind the board. Inspired by Gary Wright's keyboard-based Dreamweaver album, I had switched over from my Rickenbacker bass to playing synthesizer bass & organ, with Bob Deal on guitar, & my buddy Randy Lee Miller aka Howlin Waters on vocals (& sometimes 2nd guitar), & drummer Alton Parks. I had a very limited budget, covering all the recording expenses thru my day gig as a salesman at Betnun Music. Bob, Al & I cut the rhythm track completely live in 2 takes. Randy & I got a 3rd pass on the vocals, & that was it. I pressed 1,000 copies of the record, & landed a distribution deal with Greg Shaw's Bomp Records. We got some scattered airplay on several LA radio stations, but it was very difficult to earn a sustainable living playing the LA club circuit without major label backing. Bob found work at the Triumph Motorcycle shop on Lankershim Bl in N Hollywood, just down the street from our new Video Nu-R house, but eventually left by the middle of '79 to go back out on the road playing Top 40 with Vendetta.
Gypsy Woman: Video Nu-R 1978 music & lyrics by Harry Clay, featuring Mick Mars on guitar, plus Randy Lee Miller on lead vocal, Harry Clay on synthesizer bass, organ, & harmony vocals, Alton Parks on drums.
After the demise of Whitehorse in Dec of '77, I started a new band, Video Nu-R, mid-way into '78. I still lived with Bob Deal aka Mick Mars in the old Whitehorse mansion, where I wrote & rehearsed all the songs for the new band. By the Fall of '78, Video Nu-R had gotten some strong reviews from the LA press from live performances at the Starwood & Troubadour, & I took the band into Natural Sound studio on Hollywood Blvd with engineer Robert Honablue behind the board. Inspired by Gary Wright's keyboard-based Dreamweaver album, I had switched over from my Rickenbacker bass to playing synthesizer bass & organ, with Bob Deal on guitar, & my buddy Randy Lee Miller aka Howlin Waters on vocals (& sometimes 2nd guitar), & drummer Alton Parks. I had a very limited budget, covering all the recording expenses thru my day gig as a salesman at Betnun Music. Bob, Al & I cut the rhythm track completely live in 2 takes. Randy & I got a 3rd pass on the vocals, & that was it. I pressed 1,000 copies of the record, & landed a distribution deal with Greg Shaw's Bomp Records. We got some scattered airplay on several LA radio stations, but it was very difficult to earn a sustainable living playing the LA club circuit without major label backing. Bob found work at the Triumph Motorcycle shop on Lankershim Bl in N Hollywood, just down the street from our new Video Nu-R house, but eventually left by the middle of '79 to go back out on the road playing Top 40 with Vendetta.
Gypsy Woman: Video Nu-R 1978 music & lyrics by Harry Clay, featuring Mick Mars on guitar, plus Randy Lee Miller on lead vocal, Harry Clay on synthesizer bass, organ, & harmony vocals, Alton Parks on drums.
After the demise of Whitehorse in Dec of '77, I started a new band, Video Nu-R, mid-way into '78. I still lived with Bob Deal aka Mick Mars in the old Whitehorse mansion, where I wrote & rehearsed all the songs for the new band. By the Fall of '78, Video Nu-R had gotten some strong reviews from the LA press from live performances at the Starwood & Troubadour, & I took the band into Natural Sound studio on Hollywood Blvd with engineer Robert Honablue behind the board. Inspired by Gary Wright's keyboard-based Dreamweaver album, I had switched over from my Rickenbacker bass to playing synthesizer bass & organ, with Bob Deal on guitar, & my buddy Randy Lee Miller aka Howlin Waters on vocals (& sometimes 2nd guitar), & drummer Alton Parks. I had a very limited budget, covering all the recording expenses thru my day gig as a salesman at Betnun Music. Bob, Al & I cut the rhythm track completely live in 2 takes. Randy & I got a 3rd pass on the vocals, & that was it. I pressed 1,000 copies of the record, & landed a distribution deal with Greg Shaw's Bomp Records. We got some scattered airplay on several LA radio stations, but it was very difficult to earn a sustainable living playing the LA club circuit without major label backing. Bob found work at the Triumph Motorcycle shop on Lankershim Bl in N Hollywood, just down the street from our new Video Nu-R house, but eventually left by the middle of '79 to go back out on the road playing Top 40 with Vendetta.
Dignity is the fourth studio album by American recording artist Hilary Duff. It was released on March 21, 2007, by Hollywood Records. After launching her third record Hilary Duff (2004), she experienced an eventful personal life, including a stalking incident, her parents' separation, and breaking up with her boyfriend. Consequently, Duff assumed an integral position in its production, co-writing almost every track with longtime collaborator Kara DioGuardi instead of her previously-limited involvement.
Duff was musically inspired by indie rock band The Faint and pop singers Beyoncé and Gwen Stefani. In contrast to the pop rock themes of her prior releases, Dignity takes on more of a dance sound, which she said was not her intention while writing the album. The lyrics reference the events Duff experienced in the years leading to the album's release, and the album's songs contain influences of rock and roll and hip hop music.
Critical response was mostly positive; the album was praised for its songwriting and her new musical direction. Upon release, Dignity debuted at number three in the US, a lower peak than Duff's previous albums and with lower sales, which Billboard attributed to the loss of fans during her musical evolution. Despite this, it produced Duff's highest-peaking US single to date, "With Love" (number 24), and two US number one club hits. The album has reached the top ten in several countries and was certified Gold in the US by the Recording Industry Association of America (RIAA).
From out of nowhere, through a caravan Around the campfire light Came a lovely woman in motion With hair as dark as night Her eyes were like those of a cat in the dark And she hypnotized me with love She was a gypsy woman She was a gypsy woman She was a gypsy woman She was a gypsy woman She danced around and 'round to a guitar melody From the fire, her face was all a glow How she enchanted me, how I'd love to hold her near And kiss, and forever whisper in her ear I love you, gypsy woman I need you, gypsy woman I want you, gypsy woman Just gotta have a gypsy woman All through the caravan She was dancing with all the men Waiting for the rising sun Everyone was having fun I hate to see the lady go knowing she'll never know That I love her, I love her I love you, gypsy woman I need you, gypsy woman I want you, gypsy woman Just gotta have a gypsy woman She was a gypsy woman Gypsy woman, gypsy woman I love you, gypsy woman I need you, gypsy woman Just gotta have a gypsy woman She was a gypsy woman Can't you get the gypsy woman