Amanda is a Potential Slayer who appears in Season Seven, played by Sarah Hagan. A Sunnydale High student and member of the swing choir, she first appears in the episode "Help" as part of the seemingly-random stream of students showing up at Buffy's guidance office. Amanda was sent to Buffy for beating up another student who was picking on her. In the later episode "Potential", it is revealed that Amanda is in fact a Potential Slayer, and she aptly slays a vampire who threatens her and Dawn. Afterwards, Amanda moves into the Summers' residence, where she trains and becomes friends with her fellow Potentials. In the final episode of the show, "Chosen", Amanda is activated as a Slayer along with the other Potentials and battles against an army of Turok-Han vampires. She is last seen falling to the ground dead after her neck was snapped by a Turok-Han. She was the first Potential to kill a vampire and the first one to kill a Turok-Han.
In the 1959 Universal Studios theatrical short "Space Mouse", producer Walter Lantz introduced three new funny animalcartooncharacters: a cat named Doc and two mice named Hickory and Dickory. Hickory, Dickory, and Doc appeared together in two more shorts. Doc subsequently appeared solo in six more cartoons.
Groovin' is the third album by rock band The Young Rascals. The album was released on July 31, 1967 and rose to #5 on the Billboard Top LPs chart and number 7 on the R&B chart. Eight of the songs were released on singles with the title track reaching number 1 on the Pop chart in the U.S.
History
This was the last album on which the band was billed as "The Young Rascals"; their next album, Once Upon a Dream, would be credited to simply "The Rascals". The album began the Rascals' first forays into the psychedelic genre that they would explore further on Once Upon a Dream.
Eight of Groovin's eleven songs were issued by Atlantic Records as single A- or B-sides. The three songs specific to the album are "Find Somebody", "I Don't Love You Anymore", and the Rascals' cover of "A Place in the Sun". "If You Knew", upon its initial release as the "B" side of the single "(I've Been) Lonely Too Long", was jointly credited to all the Rascals' members; the writing credit was changed upon the album's release. Atlantic Records was at first reluctant to release the title song as a single, but its popularity was such that Italian and Spanish versions were released on different sides of a subsequent single.
Paradise (Persian: پردیس, Paradise garden) is the term for a place of timeless harmony. The Abrahamic faiths associate paradise with the Garden of Eden, that is, the perfect state of the world prior to the fall from grace, and the perfect state that will be restored in the World to Come.
Paradisaical notions are cross-cultural, often laden with pastoral imagery, and may be cosmogonical or eschatological or both, often compared to the miseries of human civilization: in paradise there is only peace, prosperity, and happiness. Paradise is a place of contentment, a land of luxury and idleness. Paradise is often described as a "higher place", the holiest place, in contrast to this world, or underworlds such as Hell.
In eschatological contexts, paradise is imagined as an abode of the virtuous dead. In Christian and Islamic understanding, Heaven is a paradisaical relief. In old Egyptian beliefs, the otherworld is Aaru, the reed-fields of ideal hunting and fishing grounds where the dead lived after judgment. For the Celts, it was the Fortunate Isle of Mag Mell. For the classical Greeks, the Elysian fields was a paradisaical land of plenty where the heroic and righteous dead hoped to spend eternity. The Vedic Indians held that the physical body was destroyed by fire but recreated and reunited in the Third Heaven in a state of bliss. In the Zoroastrian Avesta, the "Best Existence" and the "House of Song" are places of the righteous dead. On the other hand, in cosmological contexts 'paradise' describes the world before it was tainted by evil.
In 1901 the Chiricahua Development Company located a vein of ore here. A post office was established on October 23, 1901, and at its peak, the town had saloons, general stores, a jail and a hotel. The town was essentially abandoned when the local mines failed, and the post office closed on September 30, 1943. However, a few residents remained. In June 2011, there were five permanent residents and 29 standing structures when the Horseshoe 2 Fire swept through the area.
A fictional town named Paradise in Arizona is the main setting of the video game Postal 2. The town is destroyed by a nuclear explosion at the end of the game. However, the town in Postal 2 is actually based on Bisbee, Arizona, as confirmed by one of the developers.
LOUDER THAN LOVE is the story of the Grande Ballroom in Detroit Michigan. The Grande Ballroom was the birthplace of the Detroit Rock Music Scene. Bands like MC5,Iggy & The Stooges,Ted Nugent & The Amboy Dukes,Alice Cooper and many more got their start here. The Grande not only influenced local Detroit musicians but inspired bands from all over the US & from Europe.Legendary acts like Led Zeppelin,The Cream,BB King,Janis Joplin,Pink Floyd and the Who graced the stage at the Grande on a regular basis.
While the west coast was groovin' to the sounds of the "Summer of Love" in 1967, Detroit was pumping out a hard driving,gritty and raw sound that was "LOUDER THAN LOVE"
published: 10 Jan 2010
Vinyl Revelations record shop in Luton
As a tribute to soulfunklps crate digging exploits, I thought I'd give you a chance to see Luton's only second hand record shop and 'Merch House' with Andy Vinyls at the desk.
LOUDER THAN LOVE is the story of the Grande Ballroom in Detroit Michigan. The Grande Ballroom was the birthplace of the Detroit Rock Music Scene. Bands like MC5...
LOUDER THAN LOVE is the story of the Grande Ballroom in Detroit Michigan. The Grande Ballroom was the birthplace of the Detroit Rock Music Scene. Bands like MC5,Iggy & The Stooges,Ted Nugent & The Amboy Dukes,Alice Cooper and many more got their start here. The Grande not only influenced local Detroit musicians but inspired bands from all over the US & from Europe.Legendary acts like Led Zeppelin,The Cream,BB King,Janis Joplin,Pink Floyd and the Who graced the stage at the Grande on a regular basis.
While the west coast was groovin' to the sounds of the "Summer of Love" in 1967, Detroit was pumping out a hard driving,gritty and raw sound that was "LOUDER THAN LOVE"
LOUDER THAN LOVE is the story of the Grande Ballroom in Detroit Michigan. The Grande Ballroom was the birthplace of the Detroit Rock Music Scene. Bands like MC5,Iggy & The Stooges,Ted Nugent & The Amboy Dukes,Alice Cooper and many more got their start here. The Grande not only influenced local Detroit musicians but inspired bands from all over the US & from Europe.Legendary acts like Led Zeppelin,The Cream,BB King,Janis Joplin,Pink Floyd and the Who graced the stage at the Grande on a regular basis.
While the west coast was groovin' to the sounds of the "Summer of Love" in 1967, Detroit was pumping out a hard driving,gritty and raw sound that was "LOUDER THAN LOVE"
As a tribute to soulfunklps crate digging exploits, I thought I'd give you a chance to see Luton's only second hand record shop and 'Merch House' with Andy Viny...
As a tribute to soulfunklps crate digging exploits, I thought I'd give you a chance to see Luton's only second hand record shop and 'Merch House' with Andy Vinyls at the desk.
As a tribute to soulfunklps crate digging exploits, I thought I'd give you a chance to see Luton's only second hand record shop and 'Merch House' with Andy Vinyls at the desk.
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LOUDER THAN LOVE is the story of the Grande Ballroom in Detroit Michigan. The Grande Ballroom was the birthplace of the Detroit Rock Music Scene. Bands like MC5,Iggy & The Stooges,Ted Nugent & The Amboy Dukes,Alice Cooper and many more got their start here. The Grande not only influenced local Detroit musicians but inspired bands from all over the US & from Europe.Legendary acts like Led Zeppelin,The Cream,BB King,Janis Joplin,Pink Floyd and the Who graced the stage at the Grande on a regular basis.
While the west coast was groovin' to the sounds of the "Summer of Love" in 1967, Detroit was pumping out a hard driving,gritty and raw sound that was "LOUDER THAN LOVE"
As a tribute to soulfunklps crate digging exploits, I thought I'd give you a chance to see Luton's only second hand record shop and 'Merch House' with Andy Vinyls at the desk.
One, and here comes the two to the three and four Then I drop the beat I have in store Lay dynamics on the top like a rug Make it sound smooth and later make a dub An MC ate well, so that you can tell I am not illiterate, no not even a little bit Nothing like an idiot, get it? You want the record, cool, I'm with it Let the rhythm take you, shake it cause it makes you As I turn the knob of the door you escape through Go in like a knot, don't be a puff And I let it play cause Dre's getting funky enough It's getting funky, it's getting funky (Repeat 3x) Watch the smooth lyrics that take place If you want another reason why it must be funky Yo I am not a jackass meaning not a donkey So I will play the game like it should be played Drop the funk into the mix so the place will never fade Ship it the the stations in your jurisdiction Others say I'm dope, and the others say I'm bitching No crowd can avoid the D-O to the C When I'm P-E-R-F-O-R-M-I-N-G On the stage, see the simple fact is I engulf And known, I rock a funky beat without a cord so It is my conclusion you will enjoy the fusion And I will ascend with the style I am using Knowing that it's tough and it's not a bluff I think I'll let it play cause Dre's hitting funky enough It's getting funky, it's getting funky (Repeat 3x) Dre make the funky hip-hop music so check it Listen to the kick drop in with the click And with no rehearses I'm dropping funky verses Stupid with the bit that you think you are relying on You love it when it rattles is the fact that I'm buying on Suckers never come close cause of knowing There is no stopping the D.O.C. when I'm flowing But in the event that someone will try and juice this Stop him in his tracks, show him that I am Ruthless I don't give a damn, don't think that I am joking Cause I don't think he is funny when you're messing with my money Yo people tell me this: "Yo Dre you must stop him" But with no frills, so I just drop him Continue with the rhyme and make sure I get mine With no static cause that's all I need to get my nine, but Lessons have been learned now all kidding have been fronting Let it play when the people say "Dre yo you're getting funky enough" It's getting funky, it's getting funky (Repeat 3x) Deal with the D-O to the C I'm your break so I can check around See who the hell who is sitting down I want all chairs off the floor And if he stands to the wall, show him the door And the PK nothing giving you something to rock to To go nonstop to, not have to look at the clock you Percieve, but can't believe you're being taken By a beat so cool you start shaking And shivering, cause I'm delivering the answer Haven't seen you're a hellified dancer You tried sitting but it just won't work Cause the beat is to fresh Don't even tell it won't be funky enough It's getting funky, it's getting funky (Repeat 3x) And with the help of the Dr. Dre, kick it It's getting funky on the mix now, right (Repeat 4x) Put it in the needle, and drop it on the one, boy