- published: 10 Apr 2009
- views: 47229
'+pages+''); $('.stream > div:odd').addClass('bgr_color'); updateHeight('#history'); }); window.activateTabArea = ensure(function(tab, areas){ var parsed = false; var parts = (areas || '').split('/'); window.fsonload = $.inArray('fs', parts) >= 0; if(fsonload){ parts.splice(parts.indexOf('fs'), 1); } var replayMode = false; if($.inArray('replay', parts)>=0){ replayMode = 'replay'; } var noSoundMode = false; if($.inArray('nosound', parts)>=0){ noSoundMode = 'nosound'; } if($.inArray('ns', parts)>=0){ noSoundMode = 'ns'; } var previewMode = null; if($.inArray('p', parts)>=0){ previewMode = 'p'; } if($.inArray('preview', parts)>=0){ previewMode = 'preview'; } if($.inArray('repeat', parts)>=0){ replayMode = 'repeat'; } if($.inArray('r', parts)>=0 || $.inArray('ro', parts)>=0){ replayMode = 'r'; } if(replayMode){ parts.splice(parts.indexOf(replayMode), 1); } if(noSoundMode){ parts.splice(parts.indexOf(noSoundMode), 1); } if(previewMode){ parts.splice(parts.indexOf(previewMode), 1); } if(previewMode){ if(!parts.length){ parts = ['1-14', '999:59']; } } var area = parts[0]; if(tab == 'history' && false){ var page = parseInt(area || '1') || 1; $.ajax({ url: 'https://login.wn.com/recent/json/?pp='+history_pp+'&skip='+history_pp*(page-1), dataType: 'jsonp', success: function(response){ $ensure(function(){ renderHistory(response, page); }); } }); return true; } if(tab == 'global_history' && false){ var page = parseInt(area || '1') || 1; globalHistory.fetchStream(page, '', function(){ updateHeight('#global_history'); }); return true; } if(tab == 'my_playlists' && false){ var page = parseInt(area || '1') || 1; myPlaylists.fetchStream(page, '', function(){ updateHeight('#my_playlists'); }); return true; } if(tab == 'my_videos' && false){ var page = parseInt(area || '1') || 1; myVideos.fetchStream(page, '', function(){ updateHeight('#my_videos'); }); return true; } if(tab == 'related_sites' && areas && matchPosition(areas)){ var seconds = parsePosition(areas); scrollRelated(seconds); return false; } if(matchPosition(area) || matchAction(area)){ parts.unshift('1'); area = parts[0]; } if(tab == 'expand' && area && area.match(/\d+/)) { var num = parseInt(area); if(num < 100){ //FIX ME. Load news page with ajax here } else if(num > 1900){ //FIX ME. Load timeline page with ajax here } } else if(tab.match(/^playlist\d+$/)){ var playerId = parseInt(tab.substring(8)); var vp = videoplayers[playerId]; window.descriptionsholder = $('.descriptionsplace'); if(!vp) return; // why? no player? if(replayMode){ $('.replaycurrent'+playerId).attr('checked', true); vp.setReplayCurrent(true); } var playQueue = []; window.playQueue = playQueue; var playQueuePosition = 0; var playShouldStart = null; var playShouldStop = null; var parseList = function(x){ var items = x.split(/;|,/g); var results = []; for (i in items){ try{ var action = parseAction(vp, items[i]); if(!action.video){ if(window.console && console.log) console.log("Warning: No video for queued entry: " + items[i]); }else{ results.push(action); } }catch(e){ if(window.console && console.log) console.log("Warning: Can''t parse queue entry: " + items[i]); } } return results; }; var scrollToPlaylistPosition = function(vp){ var ppos = vp.getPlaylistPosition(); var el = vp.playlistContainer.find('>li').eq(ppos); 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'/'+path : ''; window.lastHistory = '/'+path; } } }); $('.tabtrigger li a').live('click', ensure(function() { var tab = $(this).attr('id'); if(tab.substring(0,1) == '#'){ var name = tab.substring(1); if(name in menu_names){ name = menu_names[name][0]; } realTab = rev_names[name]; $('#'+realTab).show(); if(window.console && console.log) console.log("Triggering tab: "+name+(window.activeArea?" activeArea="+window.activeArea:'')); var path = name; if(window.activeArea){ path = path + '/' + window.activeArea; } if(tab.match(/#playlist\d+/) || tab.match(/#details\d+/)){ $('.multiple-playlists').show(); $('.related_playlist').show(); $('.longest_videos_playlist').show(); }else { $('.multiple-playlists').hide(); $('.related_playlist').hide(); $('.longest_videos_playlist').hide(); } // start the related script only when the tab is on screen showing if (tab.match(/related_sites/)) { if (mc) { mc.startCredits(); } } window.activeTab = realTab; addHistory(path); setTimeout(ensure(function(){ if(tab.match(/language--/)){ $('.tabtrigger').offscreentabs('activateTab', 'language'); } if(tab.match(/weather/)) { $('.tabtrigger').offscreentabs('activateTab', 'weather'); loadContinent(); } updateMenus(tab); updateHeight(); }), 10); } return false; })); }); -->
Glenn Herbert Gould (25 September 1932 – 4 October 1982) was a Canadian pianist who became one of the best-known and most celebrated classical pianists of the 20th century. He was particularly renowned as an interpreter of the keyboard music of Johann Sebastian Bach. His playing was distinguished by remarkable technical proficiency and capacity to articulate the polyphonic texture of Bach's music.
After his adolescence, Gould rejected most of the standard Romantic piano literature including Liszt, Schumann, and Chopin. Although his recordings were dominated by Bach, Gould's repertoire was diverse, including works by Beethoven, Mozart, Haydn, Brahms, pre-Baroque composers such as Jan Pieterszoon Sweelinck, Orlando Gibbons and William Byrd, and such 20th-century composers as Paul Hindemith, Arnold Schoenberg and Richard Strauss. Gould was well known for various eccentricities, from his unorthodox musical interpretations and mannerisms at the keyboard to aspects of his lifestyle and personal behaviour. He stopped giving concerts at the age of 31 to concentrate on studio recording and other projects. Gould was the first pianist to record any of Liszt's piano transcriptions of Beethoven's symphonies (beginning with the Fifth Symphony, in 1967).
The Communicator may refer to:
The Communicator, a 3,000 biweekly circulation, is an independent student newspaper at IPFW (Indiana University-Purdue University Fort Wayne). IPFW has more than 12,000 full- and part-time students, and has grown considerably over the past 10 years. The Communicator brand is often redesigned as new design students filter into the newsroom. From clean, functional news design to funky weekly feature design, the publication stays fresh with a revolving door of creatives. The publication changed from a broadsheet to a tabloid format in fall 2012, embracing the style of many alternative weeklies; however, in spring 2016 the editors decided to revert back to broadsheet in order to emphasize their support and goal of professional journalism and allow for more advertisement and content space.
The paper, as previously mentioned, has undergone many changes with many different editors. The paper has changed in size and become much smaller and compact. The sections have also changed; "News & Politics" and "Arts & Entertainment" have given way to "News" and "Culture." From 2012-14 the paper employed a spread section called "The Dig," the brainchild of former editor and now publisher Kristan (Mensch) Seitz, in which editors wrote enterprise stories on rotation. The section died out in 2014 when the staff was mostly new and hadn't yet gotten into feature writing.
"The Communicator" is the thirty-fourth episode (production #208) of the television series Star Trek: Enterprise, the eighth of the second season.
Reed and Archer retrieve a communicator left behind on an alien planet, but are captured in the process.
After returning from an exploratory away mission to a pre-warp society on the brink of war, Lieutenant Reed is unable to locate his communicator. A search of the shuttle bay area proves fruitless, so Captain Archer and Reed return to the planet to try to find it, so as not to leave a contaminant within the culture. Unfortunately, they then manage to walk into a trap set by the local military, who have already found the communicator. With their capture, the local commander, General Gosis, also possesses 'contaminant' scanners and a phase pistol as well.
Becoming desperate to locate the away team, Sub-Commander T'Pol's attempt at contact actually divulges the Captain's identity, and Archer and Reed are physically interrogated. After a mild beating, it is discovered that not only are Archer’s and Reed's forehead morphology not the same as the locals', but they also have iron-based red blood, and vastly different internal organs. In response, Archer and Reed improvise a story about being genetically-altered prototypes (with prototype equipment) from an opposing faction known as the Alliance. While allaying suspicion that they are aliens, the military commander decides to hang Archer and Reed so that autopsies can be performed to discover more about their "enhancements".
The Communicator.
Madness - The Communicator (Wonderful Track 3) iTunes: http://bit.ly/11yN06v Amazon: http://amzn.to/19tQiJW MadStore: http://bit.ly/19tQKb2 http://www.madness.co.uk http://www.facebook.com/madnessofficial http://www.twitter.com/madnessnews http://www.instagram.com/madnessband
Keisha Brewer is a Strategic Communications professional and CEO of the PR Alliance LLC, an entertainment and lifestyle public relations agency. She will share how effective communications can be used by all women (and men) to excel in everyday life. CEO of PR Alliance, LLC, an entertainment and public relations agency. This talk was given at a TEDx event using the TED conference format but independently organized by a local community. Learn more at https://www.ted.com/tedx
Jack was born deaf, but that did not deter him from constantly learning and improving himself. After joining the Hi! Club, he is now better able to communicate with those around him. This is Jack.
The shield of truth has come! As disciples of investigative and public-spirited journalism, COCians’ call and purpose won’t be fulfilled without the sword of accuracy, the breastplate of public service, and the armor of prevalence. The Communicator, the leading student publication of the PUP-College of Communication is one with you in this struggle. Together, let us fight the rampant disinformation, defend the freedom of the press in the present and future, and join DAKOM in pursuit of serving the students and seeking the truth. #DefendPressFreedom #ServeTheStudentsSeekTheTruth Follow us here: Facebook: https://www.facebook.com/COCDakom Instagram: @pupcocdakom Twitter: @pupcocdakom
When discussing Star Trek Enterprise 02x08 "The Communicator" on this week's podcast, the gang decided one of the final moments of the episode felt like it would be perfectly at home in a sitcom. So we made it happen. Listen to our discussion of "The Communicator" here: https://goo.gl/x3hJBg Or start at the beginning of our podcast series with Broken Bow here: https://goo.gl/U9nqam There Are Four Mics - A Star Trek Podcast is a weekly podcast where we discuss each episode of Star Trek, all viewed in order by the date they occurred in the Star Trek universe. Subscribe in iTunes: https://goo.gl/D3WgqG Or in Google Play: https://goo.gl/zoJy8T
This new tool will change your communication experience. From Ben Decker and Kelly Decker's book, "Communicate to Influence: How to Inspire Your Audience to Action," learn how to inspire.
Shoutout To @thegreatlemmon7487 for letting me do a WHAT IF series on his orignal army men story! Also shoutouts to @stormeaglegaming5395 and @TheTMBNO.1 They are heroes from the orignal and I’ve put them into This series aswell! #armymen #40k
Facebook - http://www.facebook.com/suggsfanpage Twitter - http://www.twitter.com/suggsfanpage Instagram - http://instagram.com/suggsfanpage
Glenn Herbert Gould (25 September 1932 – 4 October 1982) was a Canadian pianist who became one of the best-known and most celebrated classical pianists of the 20th century. He was particularly renowned as an interpreter of the keyboard music of Johann Sebastian Bach. His playing was distinguished by remarkable technical proficiency and capacity to articulate the polyphonic texture of Bach's music.
After his adolescence, Gould rejected most of the standard Romantic piano literature including Liszt, Schumann, and Chopin. Although his recordings were dominated by Bach, Gould's repertoire was diverse, including works by Beethoven, Mozart, Haydn, Brahms, pre-Baroque composers such as Jan Pieterszoon Sweelinck, Orlando Gibbons and William Byrd, and such 20th-century composers as Paul Hindemith, Arnold Schoenberg and Richard Strauss. Gould was well known for various eccentricities, from his unorthodox musical interpretations and mannerisms at the keyboard to aspects of his lifestyle and personal behaviour. He stopped giving concerts at the age of 31 to concentrate on studio recording and other projects. Gould was the first pianist to record any of Liszt's piano transcriptions of Beethoven's symphonies (beginning with the Fifth Symphony, in 1967).
I am the communicator
I said I am the communicator
Chorus
And I go yedee yedee yedee yedee yedee yedee
And I go yedee yedee yedee yedee yedee yedee
And I go yedee yedee yedee yedee yedee yedee
And I go yedee yedee yedee yedee yedee yedee
Unconditional love nothing but reconciliation
It happens
Standing room now only for the Madness nation
Gotta get a tickle on a ticket for the grand slam station
All aboard for the Madness nation
I am the communicator
I said I am the communicator
Let me tell you how I feel
I feel I'm scarred for life
Yeah I am the communicator
I said I am the communicator
Oh yesterday was history
Tomorrow is a mystery
Today is a gift that's why we call it the present
All aboard aboard back of the big blue train relations
Standing room now only for the Madness nation
I said I am the communicator
I said I am the communicator
Come on I am the communicator
Oh yeah I am the communicator
Let me tell you how