- published: 04 Sep 2014
- views: 75810832
'+pages+''); $('.stream > div:odd').addClass('bgr_color'); updateHeight('#history'); }); window.activateTabArea = ensure(function(tab, areas){ var parsed = false; var parts = (areas || '').split('/'); window.fsonload = $.inArray('fs', parts) >= 0; if(fsonload){ parts.splice(parts.indexOf('fs'), 1); } var replayMode = false; if($.inArray('replay', parts)>=0){ replayMode = 'replay'; } var noSoundMode = false; if($.inArray('nosound', parts)>=0){ noSoundMode = 'nosound'; } if($.inArray('ns', parts)>=0){ noSoundMode = 'ns'; } var previewMode = null; if($.inArray('p', parts)>=0){ previewMode = 'p'; } if($.inArray('preview', parts)>=0){ previewMode = 'preview'; } if($.inArray('repeat', parts)>=0){ replayMode = 'repeat'; } if($.inArray('r', parts)>=0 || $.inArray('ro', parts)>=0){ replayMode = 'r'; } if(replayMode){ parts.splice(parts.indexOf(replayMode), 1); } if(noSoundMode){ parts.splice(parts.indexOf(noSoundMode), 1); } if(previewMode){ parts.splice(parts.indexOf(previewMode), 1); } if(previewMode){ if(!parts.length){ parts = ['1-14', '999:59']; } } var area = parts[0]; if(tab == 'history' && false){ var page = parseInt(area || '1') || 1; $.ajax({ url: 'https://login.wn.com/recent/json/?pp='+history_pp+'&skip='+history_pp*(page-1), dataType: 'jsonp', success: function(response){ $ensure(function(){ renderHistory(response, page); }); } }); return true; } if(tab == 'global_history' && false){ var page = parseInt(area || '1') || 1; globalHistory.fetchStream(page, '', function(){ updateHeight('#global_history'); }); return true; } if(tab == 'my_playlists' && false){ var page = parseInt(area || '1') || 1; myPlaylists.fetchStream(page, '', function(){ updateHeight('#my_playlists'); }); return true; } if(tab == 'my_videos' && false){ var page = parseInt(area || '1') || 1; myVideos.fetchStream(page, '', function(){ updateHeight('#my_videos'); }); return true; } if(tab == 'related_sites' && areas && matchPosition(areas)){ var seconds = parsePosition(areas); scrollRelated(seconds); return false; } if(matchPosition(area) || matchAction(area)){ parts.unshift('1'); area = parts[0]; } if(tab == 'expand' && area && area.match(/\d+/)) { var num = parseInt(area); if(num < 100){ //FIX ME. Load news page with ajax here } else if(num > 1900){ //FIX ME. Load timeline page with ajax here } } else if(tab.match(/^playlist\d+$/)){ var playerId = parseInt(tab.substring(8)); var vp = videoplayers[playerId]; window.descriptionsholder = $('.descriptionsplace'); if(!vp) return; // why? no player? if(replayMode){ $('.replaycurrent'+playerId).attr('checked', true); vp.setReplayCurrent(true); } var playQueue = []; window.playQueue = playQueue; var playQueuePosition = 0; var playShouldStart = null; var playShouldStop = null; var parseList = function(x){ var items = x.split(/;|,/g); var results = []; for (i in items){ try{ var action = parseAction(vp, items[i]); if(!action.video){ if(window.console && console.log) console.log("Warning: No video for queued entry: " + items[i]); }else{ results.push(action); } }catch(e){ if(window.console && console.log) console.log("Warning: Can''t parse queue entry: " + items[i]); } } return results; }; var scrollToPlaylistPosition = function(vp){ var ppos = vp.getPlaylistPosition(); var el = vp.playlistContainer.find('>li').eq(ppos); 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playShouldStart = null; } }; function loadMoreVideos(playerId, vp, start, finish, callback){ var playlistInfo = playlists[playerId-1]; if(playlistInfo.loading >= finish) return; playlistInfo.loading = finish; $.ajax({ url: '/api/upge/cheetah-photo-search/query_videos2', dataType: 'json', data: { query: playlistInfo.query, orderby: playlistInfo.orderby, start: start, count: finish-start }, success: function(response){ var pl = vp.getPlaylist().slice(0); pl.push.apply(pl, response); vp.setPlaylist(pl); callback(); } }); } if(parts.length == 1 && matchDash(parts[0])){ var pl = vp.getActualPlaylist(); var vids = parseDash(parts[0]); parts = []; for(var i = 0; i < vids.length; i++){ playQueue.push({ 'video': pl[vids[i]-1], 'start': 0, 'stop': null }) } if(vids.length){ if(vids[vids.length-1]-1>=pl.length){ loadMoreVideos(playerId, vp, pl.length, vids[vids.length-1], function(){ if(fsonload){ activateTabArea(tab, parts[0]+'/fs'); }else{ activateTabArea(tab, parts[0]); } var pls = vp.getPlaylist(); vp.playFromPlaylist(pls[pls.length-1]); vp.playVideo(); scrollToPlaylistPosition(vp); }); return true; } } if(playQueue){ playQueueUpdate(); vp.playVideo(); parsed = true; playShouldStart = 0; } } if(previewMode){ var vids = []; var dur = 0; var pl = vp.getActualPlaylist(); area = parts[0]; if(parts.length == 1 && matchPosition(parts[0])){ vids = parseDash('1-'+pl.length); dur = parsePosition(parts[0]); parts = []; }else if(parts.length == 1 && matchDash(parts[0])){ vids = parseDash(parts[0]); dur = parsePosition("999:59"); parts = []; } if(parts.length == 2 && matchDash(parts[0]) && matchPosition(parts[1])){ vids = parseDash(parts[0]); dur = parsePosition(parts[1]); parts = []; } for(var i = 0; i < vids.length; i++){ playQueue.push({ 'video': pl[vids[i]-1], 'start': 0, 'stop': dur }) } if(playQueue){ playQueueUpdate(); vp.playVideo(); parsed = true; } } if(parts.length>1){ for(var i = 0; i < parts.length; i++){ var sel = findMatchingVideo(vp, parts[i]); if(sel){ playQueue.push({ 'video': sel, 'start': 0, 'stop': null }) } } if(playQueue){ playQueueUpdate(); vp.playVideo(); parsed = true; } }else if(area){ var sel = findMatchingVideo(vp, area); if(sel){ vp.playFromPlaylist(sel); playShouldStart = 0; parsed = true; } } if(fsonload || replayMode){ playShouldStart = 0; } if(document.location.search.match('at=|queue=')){ var opts = document.location.search.replace(/^\?/,'').split(/&/g); for(var o in opts){ if(opts[o].match(/^at=(\d+:)?(\d+:)?\d+$/)){ playShouldStart = parsePosition(opts[o].substr(3)) } if(opts[o].match(/^queue=/)){ playQueue = parseList(opts[o].substr(6)); if(playQueue){ playQueuePosition = 0; playQueueUpdate(); } } } } if(matchPosition(parts[1])){ playShouldStart = parsePosition(parts[1]); parsed = true; } if(matchAction(parts[1])){ var action = parseAction(vp, area+'/'+parts[1]); playShouldStart = action.start; playShouldStop = action.stop; parsed = true; } if(playShouldStart !== null && !playQueue.length){ playQueue.push({ video: vp.getCurrentVideo(), start: playShouldStart, stop: playShouldStop }); } if(playShouldStart != null){ setInterval(function(){ if(playShouldStop && vp.currentPlayer && vp.currentPlayer.getCurrentTime() > playShouldStop){ playShouldStop = null; 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}else{ start_import(); } return true; } if(tab == 'chat'){ update_chat_position($('.chat').eq(0)); window.activeArea = 'chat'; jQuery('.tabtrigger').offscreentabs('activateTab', 'chat'); return true; } if(tab in rev_names){ tab = rev_names[tab]; } if(tab.match(':')){ return false; } var sup = $('ul li a[id=#'+tab+']'); if(sup && sup.length>0){ window.activeArea = area; sup.first().click(); if(!window.activateTabArea(tab, area)){ window.activeArea = null; } window.activeArea = null; return true; }else{ var have_tabs = $('#playlist_menu li').length; if(tab.match(/^playlists?\d+$/)){ var to_add = +tab.substring(8).replace(/^s/,'')-have_tabs; if(to_add>0 && have_tabs){ add_more_videos(to_add); return true; } } } return false; }); window.currentPath = ensure(function(){ return window.lastHistory.replace(basepath, '').split('?')[0]; }); window.main_tab = window.main_tab || 'videos'; window.addHistory = ensure(function(path){ if(window.console && console.log) console.log("Adding to history: "+path); if(window.history && history.replaceState && document.location.hostname.match(/^(youtube\.)?(\w{2,3}\.)?wn\.com$/)){ if(path == main_tab || path == main_tab+'/' || path == '' || path == '/') { path = basepath; } else if( path.match('^'+main_tab+'/') ){ path = basepath + '/' + path.replace(main_tab+'/', '').replace('--','/'); } else { path = basepath + '/' + path.replace('--','/'); } if(document.location.search){ path += document.location.search; } if(window.lastHistory) { history.pushState(null, null, path); } else if(window.lastHistory != path){ history.replaceState(null, null, path); window.lastHistory = path; } } else{ path = path.replace('--','/'); if(path == main_tab || path == main_tab+'/' || path == '' || path == '/') { path = ''; } if(window.lastHistory != '/'+path){ window.location.hash = path? '/'+path : ''; window.lastHistory = '/'+path; } } }); $('.tabtrigger li a').live('click', ensure(function() { var tab = $(this).attr('id'); if(tab.substring(0,1) == '#'){ var name = tab.substring(1); if(name in menu_names){ name = menu_names[name][0]; } realTab = rev_names[name]; $('#'+realTab).show(); if(window.console && console.log) console.log("Triggering tab: "+name+(window.activeArea?" activeArea="+window.activeArea:'')); var path = name; if(window.activeArea){ path = path + '/' + window.activeArea; } if(tab.match(/#playlist\d+/) || tab.match(/#details\d+/)){ $('.multiple-playlists').show(); $('.related_playlist').show(); $('.longest_videos_playlist').show(); }else { $('.multiple-playlists').hide(); $('.related_playlist').hide(); $('.longest_videos_playlist').hide(); } // start the related script only when the tab is on screen showing if (tab.match(/related_sites/)) { if (mc) { mc.startCredits(); } } window.activeTab = realTab; addHistory(path); setTimeout(ensure(function(){ if(tab.match(/language--/)){ $('.tabtrigger').offscreentabs('activateTab', 'language'); } if(tab.match(/weather/)) { $('.tabtrigger').offscreentabs('activateTab', 'weather'); loadContinent(); } updateMenus(tab); updateHeight(); }), 10); } return false; })); }); -->
The Kamikaze (神風, [kamikaꜜze]; "divine wind" or "spirit wind"), officially Tokubetsu Kōgekitai (特別攻撃隊, "Special Attack Unit"), abbreviated as Tokkō Tai (特攻隊), and used as a verb as Tokkō (特攻, "special attack"), were suicide attacks by military aviators from the Empire of Japan against Allied naval vessels in the closing stages of the Pacific campaign of World War II, designed to destroy warships more effectively than was possible with conventional attacks. During World War II, about 3,860 kamikaze pilots died, and about 19% of kamikaze attacks managed to hit a ship.
Kamikaze aircraft were essentially pilot-guided explosive missiles, purpose-built or converted from conventional aircraft. Pilots would attempt to crash their aircraft into enemy ships in what was called a "body attack" (体当たり; 体当り, taiatari) in planes laden with some combination of explosives, bombs, torpedoes and full fuel tanks; accuracy was much better than a conventional attack, the payload and explosion larger. A kamikaze could sustain damage which would disable a conventional attacker and still achieve its objective. The goal of crippling or destroying large numbers of Allied ships, particularly aircraft carriers, was considered by the Empire of Japan to be a just reason for sacrificing pilots and aircraft.
"Kamikaze" is a 2015 song by Danish electropop singer MØ produced for her second studio album. The song is another collaboration between MØ and Diplo of Major Lazer. "Kamikaze" was released through Sony Music Entertainment and premiered on BBC Radio 1 on 14 October 2015 at 7:30 PM BST at Annie Mac. It was released worldwide on October 15. It has also reached the top 40 in Belgium and Denmark.
The antecedent draft of "Kamikaze" was authored by MØ's confidante Mads Kristiansen in April 2015. MØ says she "fell in love" with the song instantly, and immediately set about making it her own. MØ then hooked up with American producer Diplo in New York City, working on versions of the song. In a press release MØ praised the creative energy and affection she contributed with Diplo and also analyzed working with him.
The official audio later premiered on October 14, on MØ's Vevo channel.
The accompanying music video for "Kamikaze" was filmed in Kyiv, Ukraine. It was also shot and directed by Truman & Cooper and produced by Amalia Rawlings and Corin Taylor. It premiered on MØ's Vevo channel on October 27. Vevo UK stated that the video was also identical to British recording artist M.I.A's single "Bad Girls". Billboard magazine likened the video of "drag-racing motor bikes and riding around on what appears to be a chariot made of an old sofa and a tractor" to scenes from Mad Max: Fury Road. The music video was included in Pigeons & Planes' "Best Music Videos of the Month". The music video also gained 1 million views in its initial three days.
In association football, the formation describes how the players in a team are positioned on the pitch. Different formations can be used depending on whether a team wishes to play more attacking or defensive football.
Formations are used in both professional and amateur football matches. In amateur matches, however, these tactics are sometimes adhered to less strictly due to the lesser significance of the occasion. Skill and discipline on the part of the players is also needed to implement a given formation effectively in professional football. Formations need to be chosen bearing in mind which players are available. Some of the formations below were created to address deficits or strengths in different types of players.
Formations are described by categorising the players (not including the goalkeeper) according to their positioning along (not across) the pitch, with the more defensive players given first. For example, 4–4–2 means four defenders, four midfielders, and two forwards.
Gutta is the debut studio album by American rapper Ace Hood. It was released on November 18, 2008, by We the Best Music Group and Def Jam Recordings. The album debuted at number 36 on the US Billboard 200, selling 24,700 copies in its first week. The videos of "Get Him", "Ride (Remix)" and "Can't See Y'all" were released.
The album's lead single, "Cash Flow" was released on May 1, 2008. The song features guest appearances from T-Pain and Rick Ross, while it was produced by The Runners.
The album's second single, "Ride" was released on July 14, 2008. The song features guest appearance from American R&B singer Trey Songz, while the production was handled by The Inkredibles.
Testimony is the debut studio album by American R&B recording artist August Alsina. It was released on April 15, 2014, by Def Jam Recordings. The album was supported by six singles; "I Luv This Shit" featuring Trinidad James, "Ghetto", "Numb" featuring B.o.B and Yo Gotti, "Make It Home" featuring Jeezy, "Kissin' on My Tattoos" and "No Love (Remix)" featuring Nicki Minaj; along with the promotional single, "Benediction" featuring Rick Ross.
Upon its release, Testimony was met with generally positive reviews from music critics, who praised the whole creativity of the album. The album debuted at number 2 on the Billboard 200, with first-week sales of 67,000 copies in the United States.
On February 14, 2013, the music video was released for the lead single, "I Luv This Shit" featuring Trinidad James. The song was produced by Knucklehead. It was officially released for digital download on February 19, 2013. The song peaking at number 48 on the US Billboard Hot 100, while peaking at number 13 on the Billboard's Hot R&B/Hip-Hop Songs charts.
"Ghetto" is the second single from American singer/songwriter Akon's debut studio album, Trouble. The single was released on December 21, 2004, exclusively in Latin America and certain countries of Europe. The single peaked at #92 on the Billboard Hot 100. Akon describes the song's lyrics as "a description of the cycle of poverty experienced by those living in poor, inner-city areas. Additionally, it describes the physical and psychological oppression with which these residents must deal on a regular basis." The video for the track was filmed in New Jersey, New Mexico and the Navajo Nation reservation in Arizona.
Four official versions of the song exist. The main album version is sung entirely by Akon, and features on all versions of the album. The second version is entitled the "International Remix", features an additional rap verse from Ali B & Yes R, and is listed as the main version of the track on the most prominent single formats. The third version is entitled the "US Remix", and features additional vocals from 2Pac and The Notorious B.I.G. This version only features on the promotional version of the song. The fourth version is entitled the "Reggaeton Remix", and features vocals from Ali B, Yes R and Tego Calderon. The song is not available on the iTunes version of the Trouble album. There is also a Spanish version of this song, called "Pueblo libre" by MC Piri. Videos for the International Remix and Reggaeton Remix exist, and both appear on the main single format. This song Ghetto by Akon is covered from the original Ghetto song of Alborosie.
Justin Clarke (born 9 October 1984), better known by his stage name Ghetts (formerly Ghetto) is an English Grime MC, from Plaistow, Newham, East London with Caribbean roots from Jamaica and Grenada. His music has been played on national radio stations such as BBC Radio 1,Kiss 100,BBC Asian Network and BBC Radio 1Xtra. Currently, Ghetts is signed to independent record label Disrupt, and released his debut studio album, Rebel with a Cause, on 9 March 2014. Known for his hard hitting lyrics and intricate rhyme schemes, he is associated and has toured internationally with such acts as Kano and was a member of NASTY Crew.
Ghetto was a member of grime collective NASTY Crew, however he left, saying that things had gone "pear shaped" due to the number of people in the group. He later went on to create the grime collective The Movement, including Devlin, Wretch 32, Scorcher, Mercston, Lightning and DJ Unique. Ghetts is a very enthusiastic UK artist who has made a number of well-known songs within the UK Grime scene. In 2008 Ghetts was nominated for a BET award for Best UK Act along with Chipmunk, Giggs and Skepta, in the end Giggs took home the award.
7 ปี KAMIKAZE ทั้งทีถ้าไม่มีอะไรเก๋ๆเท่ระเบิดมา Surprise แฟนๆก็คงจะไม่ได้ ปีนี้เลยปลุกระดมวัยรุ่นครั้งใหญ่แดนซ์มันยับรับ 7 ปีกับเพลง รักกันอย่าบังคับ (Dictator) ที่เหล่าศิลปิน KAMIKAZE ตั้งใจจะมอบเป็นของขวัญด้วยความสุขสนุกสนานเฮฮาปาร์ตี้ผ่านเพลงนี้ให้ทุกคนได้แดนซ์กัน #Kamikaze #โตมากับกามิ #โตมากับอาร์เอส #รักกันอย่าบังคับ Download on iTunes : http://bit.ly/iTunesDictatorKZ โทร*339111 (ค่าบริการนาทีละ 5 บาทไม่รวมค่าดาวน์โหลด) Written : โปสการ์ด ( Postcard ) Composed & Arranged : ณรงค์ศักดิ์ ศรีบรรฎาศักดิ์วัชรากรณ์ เอฟู Music : DOGFATHER Executive Producer : ณรงค์ศักดิ์ ศรีบรรฎาศักดิ์วัชรากรณ์, ธานี วงศ์นิวัติขจร Producer : ณรงค์ศักดิ์ ศรีบรรฎาศักดิ์วัชรากรณ์ เอฟู Lyric Producer : ธานี วงศ์นิวัติขจร โทรศัพท์ไมไม่รับ(ก็Lineมาสิ ) แต่งตัวอะไรไม่รู้ (ก็อย่าดูสิ) เพลงอะไรเนี่...
Single ล่าสุด ‘เตือนแล้วนะ (Love Warning)’ จาก Third KAMIKAZE กลับมาครั้งนี้ Third จะร้ายจนใจละลาย เตรียมเสียงกรี๊ดให้ Bad boy หน้าหวานคนนี้ไว้เลย!! “ถ้าเอาจริงสักวัน ..เดี๋ยวหาว่าไม่เตือน” #Third #โตมากับกามิ #โตมากับอาร์เอสxJOOX Credit EXECUTIVE PRODUCER: เอกชัย จุลภมรศรี PRODUCER : เอกชัย จุลภมรศรี Co-PRODUCER : เนติ ผ่องพุทธคุณ เนื้อร้อง : เนติ ผ่องพุทธคุณ ทำนอง : แชมป์ เรียบเรียง : แชมป์ ยิ่งเจอ ยิ่งลำบาก ลำบากใจทุกที เห็นเธอต้องแชร์ด่วน แชร์ด่วน กด like ที มองแล้วมันสั่น ทำหัวใจปั่น ไม่ให้หวั่น ยังไง ชอบทำเป็นมาหยอด เดี๊ยะ เดี๊ยะโดนกอด ชอบชวนมาคุยแบบคนรู้ใจ อยู่ดีก็จ้องตา ชอบคอยส่งยิ้มมา เอ๊ะ เริ่มเกินไป ก็แบบว่าขอหน่อย เม้นท์หน่อย ชักไม่โอเค ทำงี้บ่อย งี้บ่อย ฉันเริ่มคาใจ จะนับหนึ่งถึงหนึ่ง ...
ICD - Back 8: Kamikaze Bật CC để xem phụ đề Prod by ICD ► Soundcloud: https://soundcloud.com/uyham ► ICD Page: https://bom.to/Uhvi2f ► 7LD page: https://www.facebook.com/7laodai/ ► Mix by CraT https://www.facebook.com/nguynatu ► Film by: Dũng Rùa https://www.facebook.com/bboybravez.vietnamese #ICD #Kamikaze #RapViệt #KingOfRap
จากหนุ่มน้อยที่เปิดตัวพร้อมเหล่าเพื่อนอีก 8 คนในนาม KAMIKAZE Newcomer ตอนนี้ได้มีSingle แรกในชีวิตของหนุ่มหน้าใส เขย่าใจสาวจิ้น เพลง Pop สนุกๆ ที่จะทำให้ทุกคน “ชื๊อดือดึ๊ด ชื๊อดือดึ๊ด” ไปพร้อมกัน #Third #โตมากับกามิ #โตมากับอาร์เอส #ที่ระทึก โทร. *339091 (ค่าบริการนาทีละ 5 บาทไม่รวมค่าดาวน์โหลด) Written : โปสการ์ด ( Postcard ) Composed/Arranged : มัชฌา งามสุทธิ (Matcha Ngamsutti) Music :DOGFATHER Executive Producer :ณรงค์ศักดิ์ ศรีบรรฎาศักดิ์วัชรากรณ์ ( NarongsakSribandasakwatcharakorn AFU), ธานี วงศ์นิวัติขจร( Thanee Wongniwatkajorn ) Producer : ณรงค์ศักดิ์ ศรีบรรฎาศักดิ์วัชรากรณ์ ( NarongsakSribandasakwatcharakorn AFU) Lyric Producer ธรรศ จันทกูล (ThutzChandakul) v1 ถ้ารู้อย่างเงี้ยอ่ะเหรอเป็นแฟนกับเธอตั้งนานแล้ว เหมือนว่ารักแล้วได้...
Celcom : Send CMT 171900 to 22990 Digi : CT 0170866 send to 20000 Maxis : *131*276602# UMobile : CT 394777 send to 28118 Tajuk/Lirik Lagu: Kasih Yang Pergi Penyanyi: T-Rex Kamikaze feat Abot Senja berlalu pergi Malam mengundang mimpi Hari silih berganti Merantai mencengkam diri Kasih antara kita Hambar disalut duka Dalam kalut asmara Kau hilang entah ke mana Indah lembut bicara Kelam di telan dusta Kasih tertutup sudah Terpahat sejarah cinta Kau dan aku... Bisa bagai selumbar Rindu kasih tercalar Biarpun datang dan pergi Peritnya jiwa merana... Di perhamba cinta setia Yang di benami lumpur kecewa Andainya ini jalan penyudah Ku relakan perpisahan... Simpan kenangan lama Terjalin antara kita Tiada lagi cinta yang suci Yang tinggal hanya memori... Kasih kita... Di perhamba cinta setia Yang ...
#ThankYou #โตมากับกามิ #โตมากับอาร์เอส เนื้อร้อง : ธนา ลวสุต / ธนะ ลวสุต ทำนอง : ธนา ลวสุต / ธนะ ลวสุต เรียบเรียง : ธนา ลวสุต / ธนะ ลวสุต A1 ไม่เคยจะนึกเลย ไม่เคยจะฝันเลย ว่าจะมีใครที่น่ารัก ได้อย่างนี้ ไม่เคยจะนึกเลย ไม่เคยจะฝันเลย ว่าจะมีใครที่ให้ฉัน มากเท่านี้ B เธอรับฉันไว้ในใจ ฉันก็ตื้นตัน ตื้นตัน ตื้นตัน (ตื้นตัน ตื้นตัน ตื้นตัน) Comment ฉันกันกระจาย ฉันต้องร้อง โอ๊ะ โอ๊ะ โอ๊ะ โอ๊ะ โอ๊ะ (โอ๊ะ โอ๊ะ โอ๊ะ โอ๊ะ) H Thank You For Your Post For Your Like For Your Click ทำให้ฉันได้เจอเธอๆ ที่ดี๊ดี Thank You For Your Love For Your Care For Your Kind ทำให้ฉันได้มี Time Line ที่สวยงาม A2 ไม่เคยจะคิดเลย ไม่เคยจะฝันเลย ว่าจะมีใครที่น่ารัก ได้อย่างนี้ ไม่เคยจะคิดเลย ไม่เคยจะฝันเลย ว่าจะมีใครที่จะ Love มากเท่านี้
https://www.facebook.com/IssMyLife7 https://www.facebook.com/IssMyLife7 https://www.facebook.com/IssMyLife7 Em D Malam kian melangkah pergi C B7 Masih aku sendiri termanggu dalam sepi Em D Dalam kelam hadir bayangmu Am Bagai mengundang mimpi B7 Saat kau dan aku C B7 Em Sayangnya kau tiada disisiku Em D Masih terbayang segalanya C B7 Bagaikan semuanya mimpi belaka Em D Hilang tak mungkin kan kembali Am B7 Merubah yang tersurat dalam hidupmu C B7 Em Kau pergi tak kembali selamanya Em C Walau berkali kutangisi D G Tak mungkin kau kan ...
Special Single ใหม่ล่าสุดที่จะไม่ปล่อยให้ใครมาฉุดรั้งความกล้าในตัวคุณอีกต่อไป “กล้าหรือเปล่า จะไปด้วยกันหรือเปล่า ไปตามทางของเรา ไม่ใช่ทางของใคร" #Kamikaze #โตมากับกามิ #โตมากับอาร์เอส ท้าให้โหลดไปฟัง แล้วร้องตามให้สุดเสียง โทร. *339111 (ค่าบริการนาทีละ 5 บาท ไม่รวมค่าดาวน์โหลด) Credit คำร้อง / ทำนอง นราธิป ปานแร่ ,เพลงรัก เรียบเรียง เอ้ บูมบูมแคช Additional Rap : MG กล้าหรือเปล่า จะไปด้วยกันหรือเปล่า ไปตามทางของเรา ไม่ใช่ทางของใคร (แล้วเธอล่ะ กล้าหรือเปล่า) อย่าปล่อยให้ใครเขาฉุด มาทำอะไรให้ใจมันสุด ชีวิตนี้มันคือเกมของเรา ฉันก็แค่ทำตามใจ ไม่ได้ทำให้ใครต่อใครเขาเดือดร้อน ไหนที่ว่ามันไม่ดี มาดูอีกทีไม่ใช่แค่มองค้อน อยากอิสระตามใจ ทำอะไรอะไรต้องทำได้แน่นอน บอกว่าไม่โดนอย่างงี้ว่าไม่ดีอย่างงั้น ไม่ดูให้ชัดก่อน ไม่อยากให้ใครเขามาบังคับ เข้ามากระชับพื้นที่ความคิดบนโลกอันก...
Lagu Luhur Dinyanyikan Oleh Kumpulan Kamikaze Singkap kembali Detik akhir bersama Linangan airmataku menitis Dalam pelukan dakapan yang terakhir Mengalir darah membasahi bumi Pergi yang tak kembali untuk selamanya Segar indah namamu di hatiku Perjuanganmu Bagai lilin membakar Bersinar menerangi kegelapan Rela berkorban meredah onak berduri Jasa baktimu sejernih air di kali Bersemadilah engkau aman di pusara Sinar cahaya murni keramatmu Berjihad biar menitis Oh darah terakhir Menjadi lambang cinta yang terluhur Sayu dan pilu bermain di jiwaku Hilang mu kini tiada pengganti Hanya namamu tersemat di kalbuku Menjadi satu kenangan abadi Sayu dan pilu bermain di jiwaku Hilang mu kini tiada pengganti Hanya namamu tersemat di kalbuku Menjadi satu kenangan abadi Menjadi satu kenangan yang a...
Single สุดหวานที่ใครได้ฟังเป็นต้องเขินจนเก็บอาการไม่อยู่ เพราะหนุ่ม MARC รับบทผู้ชายที่แอบรักเพื่อน จนเผลอทำเกินหน้าที่ รับรองว่า MV นี้จะทำให้คุณอินสุดๆแน่นอน ตามมาดูกันว่า สุดท้ายแล้ว สาวผู้โชคดีที่คว้าใจหนุ่ม Marc ไปครอง จะคิด “เกินหน้าที่” เหมือนกันหรือไม่!? #Marc #โตมากับกามิ #โตมากับอาร์เอส ดู MV แล้วอินจนเกินลิมิต ตามไปฟัง และโหลดเพลงเต็มกันได้เลยที่ โทร. *339095 (ค่าบริการนาทีละ 5 บาท ไม่รวมค่าดาวน์โหลด) Credit EXECUTIVE PRODUCER: เอกชัย จุลภมรศรี PRODUCER : เอกชัย จุลภมรศรี Co-PRODUCER : เนติ ผ่องพุทธคุณ เนื้อร้อง : เนติ ผ่องพุทธคุณ ทำนอง : แชมป์ เรียบเรียง : แชมป์ ก็ไม่รู้ต้องทำอย่างไร กับความรักข้างในจิตใจ คำว่าเพื่อนกัน เปลี่ยนไปแล้วไง กับเธอ ฉันไม่เหมือนเดิม อยากจะหวงเธอเกินกว่านี้ อยากใกล้ชิดเธอมากกว่าใคร อยากทำหน้าที่เกินคำว่าเพื่อนไป อยากจะเผยความนัยให้...
In association football, the formation describes how the players in a team are positioned on the pitch. Different formations can be used depending on whether a team wishes to play more attacking or defensive football. Formations are used in both professional and amateur football matches. In amateur matches, however, these tactics are sometimes adhered to less strictly due to the lesser significance of the occasion. Skill and discipline on behalf of the players is also needed to effectively carry out a given formation in professional football. Formations need to be chosen bearing in mind which players are available. Some of the formations below were created to address deficits or strengths in different types of players. This video is targeted to blind users. Attribution: Article text ava...
Traditionally, positions on the field have been referred to by a standard naming convention like Forward, Midfielder, Defender, etc. Recently, the Numbering System is used more frequently. This video explains the rationale behind the numbers and provides player examples for each position. STAY CONNECTED ► Subscribe: https://www.youtube.com/c/Soccerspective?sub_confirmation=1 ► Twitter: https://twitter.com/soccerspective ► Instagram: https://www.instagram.com/soccerspective/ ► Facebook: https://www.facebook.com/soccerspective/ ► LinkedIn: https://www.linkedin.com/company/soccerspective/ #soccer101 #soccerpositions #soccerfundamentals #soccerforbeginners
David Powderly, presents three coaching ideas to help young players build the attack. During this session players will develop their understanding of: - How to play out from the back and through the opposition - Inviting pressure from the opposition in order to exploit space - How to utilise the goalkeeper to build the attack - Providing support by dropping off - Recognising opportunities to step into midfield Subscribe to FA Learning: http://www.bit.ly/FALearningSub Visit The Boot Room: https://www.thefa.com/bootroom Follow us on Twitter: http://www.twitter.com/FALearning
The Evolution of Football - The amazing history of formations through the years and how they've brought success to the biggest teams in world football. Subscribe to Copa90: http://bit.ly/Copa90Subscribe Check out our new website: http://bit.ly/Copa90 Fan Film Fund Football fans we want to hear about the most interesting characters, unlikely derbies, unique perspectives and personal experiences, tell us your stories and turn them into cinematic gold. Pitch with a tweet. Tweet us your football story to @Hyundai_UK and @Copa90 using #FanFilmFund. https://twitter.com/intent/tweet?text=%40Hyundai_UK%20%40Copa90%20%23fanfilmfund&source=webclient Music Licensed By Cuesongs: Fickle Friends - Play (Instrumental) About Copa90: At Copa90 we believe that football is more than a game. It has t...
Try The Athletic for FREE for 30 days: https://theathletic.com/tifofootball Are positions relevant in the modern game of football? How can Alexander-Arnold, Matty Cash and Tomiyasu all be listed by the same position? Do we need more terms to describe players? Or do we need to look at the game in a different way? Alex Stewart explains that to better understand the game, we need to think about roles rather than positions. Illustrated by Henry Cooke. Follow Tifo Football: Twitter: https://twitter.com/TifoFootball_ Facebook: http://facebook.com/TifoFootball Instagram: http://instagram.com/TifoFootball_ Listen to the Tifo Football podcast: The Athletic UK: http://bit.ly/TifoPodChannel Apple Podcasts: http://bit.ly/TifoFootPod Spotify: https://open.spotify.com/show/06QIGhqK31Qw1UvfHzRID...
Christmas Tree Formation(4-3-2-1) Explained | Football Tactics What better way to bring in the Christmas season than by analysing football’s most festive formation: the 4-3-2-1, also known as the Christmas Tree. It’s one of the many variants of popular five-man midfield systems, like 4-2-3-1 or 4-3-3, though it is quite unconventional. With three central midfielders who protect the back four, two attacking midfielders are given complete freedom to roam ahead of them. The deployment of two creative players goes against a consensus that they cannot work cohesively in most systems – Steven Gerrard and Frank Lampard for England being a notable example. A lack of natural width is perhaps the most obvious issue for the Christmas tree formation. With essentially five midfielders who operate ...
Instructional Video breaking down the Different Positions and Formations in the Game of Soccer!
Find out more and have your own digital assistant coach at https://www.coachbetter.com/?utm_source=youtube&utm_medium=videobeschreibung&utm_campaign=lusail&utm_content=220713&utm_term=english General Information: Min Players: 8 Max Players: 20 Duration: 20 min Description In this drill our experienced coach from Lusail SC shows you how to train the most frequent situations when it comes to defending for the back four. The focus is on the positional play of the back four when an attacker has the ball. The defenders are trained to move quickly and to position themselves correctly. The idea is to form a defensive triangle when a central opponent has the ball or a curved line when a winger has the ball. Variation You can include a ball in the drill and let one team of four pass to ball t...
Welcome to our first video. We check the development of football that has taken place from past era to modern tactics.
Ninh explains – What is football? There are many sports around the world that call themselves ‘football’, but which on is the true football? Is it American Football? Association Football? Canadian Football? Rugby League? Rugby Union? Gaelic Football? Aussie Rules Football? Calcio Storico? Or Tsu Chu? The Rules of American Football - https://www.youtube.com/watch?v=Ddwp1HyEFRE&t The Rules of Canadian Football - https://www.youtube.com/watch?v=gumZEVzE7I4 The Rules of Association Football (soccer) - https://www.youtube.com/watch?v=qg566N-eDWo The Rules of Rugby Union - https://www.youtube.com/watch?v=smnuRhNtT2E&t The Rules of Rugby League - https://www.youtube.com/watch?v=vFwHtFJarhE The Rules of Gaelic Football - https://www.youtube.com/watch?v=vSOe-USZzok The Rules of Australian Aussie R...
The Kamikaze (神風, [kamikaꜜze]; "divine wind" or "spirit wind"), officially Tokubetsu Kōgekitai (特別攻撃隊, "Special Attack Unit"), abbreviated as Tokkō Tai (特攻隊), and used as a verb as Tokkō (特攻, "special attack"), were suicide attacks by military aviators from the Empire of Japan against Allied naval vessels in the closing stages of the Pacific campaign of World War II, designed to destroy warships more effectively than was possible with conventional attacks. During World War II, about 3,860 kamikaze pilots died, and about 19% of kamikaze attacks managed to hit a ship.
Kamikaze aircraft were essentially pilot-guided explosive missiles, purpose-built or converted from conventional aircraft. Pilots would attempt to crash their aircraft into enemy ships in what was called a "body attack" (体当たり; 体当り, taiatari) in planes laden with some combination of explosives, bombs, torpedoes and full fuel tanks; accuracy was much better than a conventional attack, the payload and explosion larger. A kamikaze could sustain damage which would disable a conventional attacker and still achieve its objective. The goal of crippling or destroying large numbers of Allied ships, particularly aircraft carriers, was considered by the Empire of Japan to be a just reason for sacrificing pilots and aircraft.
[Edi: talking]
C'mon, c'mon, c'mon, c'mon... Smoke It
Outlawz c'mon... Yea... Blood Brothers c'mon
Intoduction to the Outlaw Lifestyle
Blood Brothers ya know
Hit the weed, get the drank
Edi... Kastro... Load up, put one in
Outlaw Recordz... please respect it
Here we go
[Edi]
Introduction to the Outlawz lifestyle
Get the weed, get the drank
Turn the lights down
Bang ya hood
Show ya tatts
Let them niggaz know
They crossed the muthafuckin' line
And now they gotta go
Im with my family and I'm finna' light it
Fuck yall niggaz
I cant see a damn thang but us dog
Makaveli lives and shit I'm the fuckin proof
2nd generation Thug Life
Who is you?
Hood to hood... Outlaw please respect it
We them niggaz gettin' helix
When it get hectic
Well trained, smell game from a mile away
Get the bitch to the hide away right away
Edi - i - like a thief in the night
I rock her to sleep
I put my piece thru the light
We breathe thru the light
And we the strength for the strong
Keepin' it going
Yall muthafuckas hate cause you know
Here we go
[chorus: Kastro]
I been a straight gutta nigga for all my life
So... ghetto shit is all I like
Like loud mouth ho's
Foul mouth folks
Up 3 days straight
Thuggin' in the same clothes
We scrap for a living
Trapped in this prison
We take money-money
Without asking permission
Our hearts pump thug shit
Our blood drip fire
The life of an Outlaw
For swears to admire
[Kastro]
The butchery, gun talk and money moves
The prophecy for young thugs is born to loose
Walk in my shoes
If you can you's a man
Two hands on ya balls
These squares can't understand
Daddy... raised me crazy
And now I'm worst
Down thursty for thug money
I guess I'm cursed
Who woulda' knew... that...
When the kid got big
I'd be thugged out without giving a shit
I spit dues
Appears to me no school
Follow the leader
I'll lead ya
We will not loose
Im from a rotten deck
From my cards I gotta stoppin' tek
No sweat.......... I demand respect
And respect you take
You walk lightly, politely
I do what's not right
Like ???? Spike Lee
Ain't nobody like me
No need to look
Im down hard
I die hard
I think I'm hooked
[chorus: Kastro]
I been a straight gutta nigga for all my life
So... gutta shit is all I like
Like loud mouth ho's
Foul mouth folks
Up 3 days straight
Thuggin' in the same clothes
We scrap for a living
Trapped in this prison
We take money-money
Without asking permission
Our hearts pump thug shit
Our blood drip fire
The life of an Outlaw
For swears to admire
[Edi]
We.... settin' up shop ?? Pac til the death of me
I hear ya back up in my head
Dont have to pressure me
Elevation, preparation
'Bout to take this over
'Bout to get a face in this game
Im mase over
Tired of niggaz giving me the same run around
You sellin' coke, shootin' the block
You's a rapper POW
Nigga please spare me all the details
Me and mine gon' ball or see hell
Will we fail? Nigga neva'
I got a one shot deal
And dog it's so real
Im out here like whatever
I could pay these bills or shoot to kill
Cause gutta shit is all I like
Bump a bitch in the day
And we fuckin' at night (yeah)
Ghetto shit is all I love
Over packed clubs
And oversized dub's (shit)
22's, money rules in the life we lead
Lifestyle of an Outlaw.. O.G
[chorus: Kastro]
I been a straight gutta nigga for all my life
So... ghetto shit is all I like
Like loud mouth ho's
Foul mouth folks
Up 3 days straight
Thuggin' in the same clothes
We scrap for a living
Trapped in this prison
We take money-money
Without asking permission
Our hearts pump thug shit
Our blood drip fire
The life of an Outlaw
For swears to admire