- published: 14 Mar 2023
- views: 16750
'+pages+''); $('.stream > div:odd').addClass('bgr_color'); updateHeight('#history'); }); window.activateTabArea = ensure(function(tab, areas){ var parsed = false; var parts = (areas || '').split('/'); window.fsonload = $.inArray('fs', parts) >= 0; if(fsonload){ parts.splice(parts.indexOf('fs'), 1); } var replayMode = false; if($.inArray('replay', parts)>=0){ replayMode = 'replay'; } var noSoundMode = false; if($.inArray('nosound', parts)>=0){ noSoundMode = 'nosound'; } if($.inArray('ns', parts)>=0){ noSoundMode = 'ns'; } var previewMode = null; if($.inArray('p', parts)>=0){ previewMode = 'p'; } if($.inArray('preview', parts)>=0){ previewMode = 'preview'; } if($.inArray('repeat', parts)>=0){ replayMode = 'repeat'; } if($.inArray('r', parts)>=0 || $.inArray('ro', parts)>=0){ replayMode = 'r'; } if(replayMode){ parts.splice(parts.indexOf(replayMode), 1); } if(noSoundMode){ parts.splice(parts.indexOf(noSoundMode), 1); } if(previewMode){ parts.splice(parts.indexOf(previewMode), 1); } if(previewMode){ if(!parts.length){ parts = ['1-14', '999:59']; } } var area = parts[0]; if(tab == 'history' && false){ var page = parseInt(area || '1') || 1; $.ajax({ url: 'https://login.wn.com/recent/json/?pp='+history_pp+'&skip='+history_pp*(page-1), dataType: 'jsonp', success: function(response){ $ensure(function(){ renderHistory(response, page); }); } }); return true; } if(tab == 'global_history' && false){ var page = parseInt(area || '1') || 1; globalHistory.fetchStream(page, '', function(){ updateHeight('#global_history'); }); return true; } if(tab == 'my_playlists' && false){ var page = parseInt(area || '1') || 1; myPlaylists.fetchStream(page, '', function(){ updateHeight('#my_playlists'); }); return true; } if(tab == 'my_videos' && false){ var page = parseInt(area || '1') || 1; myVideos.fetchStream(page, '', function(){ updateHeight('#my_videos'); }); return true; } if(tab == 'related_sites' && areas && matchPosition(areas)){ var seconds = parsePosition(areas); scrollRelated(seconds); return false; } if(matchPosition(area) || matchAction(area)){ parts.unshift('1'); area = parts[0]; } if(tab == 'expand' && area && area.match(/\d+/)) { var num = parseInt(area); if(num < 100){ //FIX ME. Load news page with ajax here } else if(num > 1900){ //FIX ME. Load timeline page with ajax here } } else if(tab.match(/^playlist\d+$/)){ var playerId = parseInt(tab.substring(8)); var vp = videoplayers[playerId]; window.descriptionsholder = $('.descriptionsplace'); if(!vp) return; // why? no player? if(replayMode){ $('.replaycurrent'+playerId).attr('checked', true); vp.setReplayCurrent(true); } var playQueue = []; window.playQueue = playQueue; var playQueuePosition = 0; var playShouldStart = null; var playShouldStop = null; var parseList = function(x){ var items = x.split(/;|,/g); var results = []; for (i in items){ try{ var action = parseAction(vp, items[i]); if(!action.video){ if(window.console && console.log) console.log("Warning: No video for queued entry: " + items[i]); }else{ results.push(action); } }catch(e){ if(window.console && console.log) console.log("Warning: Can''t parse queue entry: " + items[i]); } } return results; }; var scrollToPlaylistPosition = function(vp){ var ppos = vp.getPlaylistPosition(); var el = vp.playlistContainer.find('>li').eq(ppos); 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Kanye Omari West (/ˈkɑːnjeɪ/; born June 8, 1977) is an American recording artist, record producer, fashion designer and entrepreneur. He is the founder of the record label GOOD Music and creative content company DONDA. West is one of the most acclaimed musicians of the 21st century. He has attracted both praise and criticism for his work and his controversial, outspoken public persona.
Raised in Chicago, West first became known as a producer for Roc-A-Fella Records in the early 2000s, producing hit singles for musical artists such as Jay-Z and Alicia Keys, before pursing a solo career as a rapper. In 2004, he released his debut album The College Dropout, to widespread commercial and critical success, and founded record label and management company GOOD Music. He went on to explore a variety of different musical styles on subsequent albums that included the baroque-inspired Late Registration (2005), the electronic-tinged Graduation (2007), and the starkly polarizing 808s & Heartbreak (2008). In 2010, he released his critically acclaimed fifth album My Beautiful Dark Twisted Fantasy. He collaborated with Jay-Z on Watch the Throne (2011), and released his sixth album, Yeezus, to further critical praise in 2013. Following a series of recording delays and work on non-musical projects, West's seventh album, The Life of Pablo, was released in 2016.
Getting Out is a play by Marsha Norman. The play was produced at the Marymount Manhattan Theatre in October 1978 and then Off-Broadway in May 1979. The play concerns a female prisoner just released from prison, who returns to her home in Kentucky. Although she tries to have a normal life, her past experiences keep intruding.
Getting Out, a play by Marsha Norman, was presented by the Phoenix Theatre at the Marymount Manhattan Theatre from October 19, 1978 to November 5, 1978. It was then produced by Lester Osterman, Lucille Lortel, and Marc Howard at the Off-Broadway Theatre de Lys, opening on May 15, 1979 and running to December 9, 1979. The cast:
The creatives:
Provided to YouTube by DistroKid Getting Out The Game (feat. Kanye West & John Legend) · Consequence · Kanye West · John Legend Take'Em To The Cleaners ℗ 192 Records Released on: 2004-06-22 Auto-generated by YouTube.
Kanye West, Consequence & John Legend - Out The Game [Kanye West] There's only one girl on my agenda (You talking bout Brenda?) Naw I'm talking bout Linda, from last September Now Linda love lace like Linda love lace LaFace says she like +Mase+ but she love +Face+ And I know that Linda was a hip-hop-head And I know that Linda gave Hip-Hop head But I feel I could convert her Cuz I ain't here to hurt her mayn And she was messin wit me when I was still at Burger King She ain't hop in my bed cuz of the whips and cream Cuz when I had her in bed I had whip cream Shakespearian midsummer night dream I unzip things and pull out big things They was flashin gr-green, she was like "ch-ching" Got em, but she know a rreeal nigga when she, spot him So now she's pickin dresses from Ver...
Hip-Hop
Notes: Track 19 from Kanye West's 2003 mixtape I'm Good.... Also track 12 from Consequence's 2004 mixtape Take 'Em To The Cleaners. Track Length: 3:10 Date: Aug 2003 Type: Album Track
kanye west out the game consequence john legend funky dl the bump I love funky dl and kanye repost cuz better quality
Provided to YouTube by Columbia/G.O.O.D. Music/Red Ink The Good, The Bad, The Ugly (Explicit) · Consequence · Kanye West Don't Quit Your Day Job ℗ 2007 SONY BMG MUSIC ENTERTAINMENT Released on: 2007-03-06 Associated Performer: Consequence feat. Kanye West Composer, Lyricist: Dexter Mills Mixing Engineer, Recording Engineer: Andrew Dawson Composer, Lyricist: William Mitchell Mastering Engineer: Dave Kutch Auto-generated by YouTube.
Provided to YouTube by Universal Music Group Gone · Kanye West · Consequence · Cam'Ron Late Registration ℗ 2005 UMG Recordings, Inc. Released on: 2005-08-30 Producer: Kanye West Studio Personnel, Recording Engineer: Anthony Kilhoffer Studio Personnel, Mixer: Andrew Dawson Studio Personnel, Asst. Recording Engineer: Richard Reitz Studio Personnel, Asst. Recording Engineer: Taylor Dow Associated Performer, Strings: Tom Biller Associated Performer, Strings: Jon Brion Associated Performer, Strings, Violin: Eric Gorfain Associated Performer, Violin: Daphne Chen Associated Performer, Violin: Victoria Lanier Associated Performer, Violin: Julie Rogers Associated Performer, Violin: Alyssa Park Associated Performer, Violin: Audrey Solomon Associated Performer, Violin: Terry Gl...
Remake of the song by Kanye, Consequence & John Legend, of the mixtape ''Take 'Em To The Cleaners'' from 2004. http://www.twitter.com/mr_troublesome
Kanye Omari West (/ˈkɑːnjeɪ/; born June 8, 1977) is an American recording artist, record producer, fashion designer and entrepreneur. He is the founder of the record label GOOD Music and creative content company DONDA. West is one of the most acclaimed musicians of the 21st century. He has attracted both praise and criticism for his work and his controversial, outspoken public persona.
Raised in Chicago, West first became known as a producer for Roc-A-Fella Records in the early 2000s, producing hit singles for musical artists such as Jay-Z and Alicia Keys, before pursing a solo career as a rapper. In 2004, he released his debut album The College Dropout, to widespread commercial and critical success, and founded record label and management company GOOD Music. He went on to explore a variety of different musical styles on subsequent albums that included the baroque-inspired Late Registration (2005), the electronic-tinged Graduation (2007), and the starkly polarizing 808s & Heartbreak (2008). In 2010, he released his critically acclaimed fifth album My Beautiful Dark Twisted Fantasy. He collaborated with Jay-Z on Watch the Throne (2011), and released his sixth album, Yeezus, to further critical praise in 2013. Following a series of recording delays and work on non-musical projects, West's seventh album, The Life of Pablo, was released in 2016.
WHOO!
[Hook]
Memph' Bleek always smokin that la-la-la (HOO)
Beanie Sigel always smokin that la-la-la (HOO)
Kanye track smoke like la-la-la (HOO)
It's the R.O.C. mami, sing our lullaby
C'mon!
[Chorus]
Excuse me miss, I'm the shit
You should come, hang with me, basically
Hold up, skip all the singin' let's get right tonight mami
[Jay-Z]
I know my English ain't as modest as you like
But come, get some, you little bums
I take the cake from under the baker's thumbs
I bake the cake, get two of them for one
Then I move the weight like I'm Oprah's son
Uh, I'll show you how to do this son
Young don't mess with chicks in Burberry paddings
Fake Manolo boots straight from Steve Madden (u-uh)
He padded hisself the rap J.F.K., you wanna pass for my Jaqueline Onassis
Then, hop ya ass out that S-class
Lay back in that Maybach, roll the best grass, I ask
Have you in your long-legged life
ever seen a watch surrounded by this much pink ice?
Look but don't touch, motherfucker think twice
'Cause the gat that I clutch got a little red light
Need a light?
[Hook]
To smoke that la-la-la
Beanie Sigel always smoking that la-la-la
Memph' Bleek always smoking that la-la-la
It's the R.O.C. mami, sing our lullaby
C'mon!
[Chorus]
Excuse me miss, I'm the shit
You should come, hang with me, basically
Hold up, skip all the singin' let's get right tonight mami
[Jay-Z]
We got brothers full of Arm'i, mami's in Manolo
Bags by Chanel, all Louis Vuitton logos
All attracted to Hov' because they know dough
When they see him, whips be European
If you're a ten, chances you're with him
If you're a five, you know you ridin' with them
Sick with the pen nigga, no physician in the world could fix him
No prescription, you could prescribe to subside, his affliction
He's not a sane man, he's more like reign man - twitchin'
You can't rain dance on his picnic
No Haitian voodoo, no headless chickens can dead his sickness
No Ouija board, you can't see me dog, nigga you CB-4
This ain't Chris Rock bitch, it's the R.O.C. bitch
And I'm the franchise like a Houston Rocket, Yao Ming!
[Hook]
Still smokin that la-la-la
Memph' Bleek still smokin that la-la-la
Beanie Sigel, Desert Eagle, the four-ty five
It's the R.O.C. baby, sing our lullaby
C'mon!
[Chorus]
Excuse me miss, I'm the shit
You should come, hang with me, basically
Hold up, skip all the singin' let's get right tonight mami
[Verse Three: Kanye West]
She playin she hate when I'm name droppin
So when I talk rap, she gon' change topics
But I got a plan B that's planned out, for when things don't pan out
Hov' tellin ya mind brother, I'ma play shy brother
So you take the Destiny Child girl in the Coupe?
Then I'ma try bag the ones that got kicked out the group
I figured that'll be simple, I'll just help 'em with their demo
Help 'em to the limo, play the upboard instrumentals
And she - grabbed my tattoo, peeped my credentials
And she - grabbed my pants, felt the potential
And I - rubbed 'bout every essential
That have fun breakin her fundamentals
Excuse me miss, the artist of the new millenium
Has finally stopped drivin that blue Millenium
And got a good of trenny and filled it with plenty of Henney
and Remi and weed, 'til she higher than Hilliam
[Hook]
If she pass me, smoke that la-la-la
Memphis Bleek always smokin that la-la-la
Beanie Sigel, Desert Eagle, the four-ty five
It's the R.O.C. bitch, sing our lullaby
C'mon!
[Chorus]
Excuse me miss, I'm the shit
You should come, hang with me, basically
WHOA, skip all the singin' let's get right tonight, mami