The traditional music of Galicia and Asturias, located along Spain's north-west Atlantic coast, are highly distinctive folk styles that have some similarities with the neighbouring area of Cantabria. The music is characterized by the use of bagpipes.
History
It has long been thought that Galician and Asturian music might owe their roots to the ancient Celtic history of the region, in which it was presumed that some of this ancient influence had survived despite the long evolution of the local musical traditions since then, including centuries of Roman and Germanic influences. Whether or not this is the case, much modern commercial Galician and Asturian traditional and folk-rock of recent years has become strongly influenced by modern Irish, Scottish and Welsh "folk" styles. Galicia is nowadays a strong player on the international Celtic folk scene. As a result, elements of the pre-industrial Galician tradition have become integrated into the modern Celtic folk repertoire and style. Many, however, claim that the "Celtic" appellation is merely a marketing tag; the well known Galician bagpipe player Susana Seivane, said "I think [the 'Celtic' moniker is] a label, in order to sell more. What we make is Galician music". In any case, due to the Celtic brand, Galician music is the only non- Castilian-speaking music of Spain that has a significant audience beyond the country's borders. Some Galicians and Asturians have complained that the "Celtic boom" was the final death blow to once highly distinctive musical traditions.
Here is some good music from a great Galician folk band, along with a few pictures.
published: 17 Jun 2011
Asturian traditional folk dance / Áviles, Asturias, Spain
The traditional music of Galicia and Asturias, located along Spain's north-west Atlantic coast, are highly distinctive folk styles that have some similarities with the neighbouring area of Cantabria. The music is characterized by the use of bagpipes.
It had long been thought that Galician and Asturian music might owe their roots to the ancient Celtic history of the region, in which it was presumed that some of this ancient influence had survived despite the long evolution of the local musical traditions since then, including centuries of Roman and Germanic influences. Whether or not this is the case, much modern commercial Galician and Asturian traditional and folk-rock of recent years has become strongly influenced by modern Irish, Scottish and Welsh "folk" styles. Galicia is nowadays a ...
published: 04 Sep 2013
Celtic music on the Continent - Galicia
Julie Fowlis (Isle of North Uist, West of Scotland) and Muireann NicAmhlaoibh (Aran Islands, West of Ireland) visit Galicia, accompanied by Angus MacKenzie and Barry Kerr, to meet some musical friends.
From the BBC Alba series "Port" screened late summer 2018. In Gaelic with English subtitles.
published: 16 Oct 2018
Traditional music of Galicia in Northern Spain
We are in Santiago with our Trafalgar group of Northern Dpain
published: 30 Sep 2015
Galaicos/Galician-Portuguese people (Galicia/Northern Portugal)
A tribute to the people of Gallaécia (Galicia, Asturias, northern Portugal and León), direct descendants of the Gallaecian Celts.
published: 11 Nov 2012
Music from Galicia. GALICIAN TUNES
GALICIAN CELTIC FOLK MUSIC
published: 12 Jul 2008
GALICIAN TUNES. CELTIC FOLK MUSIC FROM GALICIA
GALICIA
published: 12 Jul 2008
Connecting Irish and Galician Music with Kevin Carr
The video was created by Jon Pope and features musician and storyteller Kevin Carr.
About Jon Pope:
I visited Galicia in 2018 and have been fascinated ever since. On returning to Ashland, I learned that we have a local musician and storyteller who knows Galician music very well. So I recently interviewed him at his home in the Applegate Valley. In addition to his playing and storytelling, Kevin has been organizing concerts so that we here have been able to hear many top Gaelic musicians who are visiting the West Coast.
I have been interested in Gaelic music for many years. Part of my family hails from both ends of Ireland, Ulster in the North and Munster in the south. I also have created a few videos for my channel on Youtube, Noblepope, mostly about nature, but also one about the Ort...
Celtic Galicia: The Celtic Origins of Galicia in Spain
Celtic Galicia: The Celtic Origins of Galicia in Spain
Please donate through PayPal using this link: https://www.paypal.com/donate/?hosted_button_id=QFB9ZECHZJDF6 – you can also send money through PayPal straight to [email protected] if you don’t want to use the link.
Please Support this Channel on Patreon: https://www.patreon.com/historydecoded
Galicia on the north-western corner of the Iberian Peninsula has a fascinating history which has many Celtic connections. Galicia and the Iberian Peninsula in general is often cited in origin stories as the region where Celtic tribes sailed from to settle in Ireland and the British Isles.
The name of the region comes from the Romans, who referred to the Celtic tribes of the Iberian north-west as the Callaeci. Over time, Callaeci became Gall...
The traditional music of Galicia and Asturias, located along Spain's north-west Atlantic coast, are highly distinctive folk styles that have some similarities w...
The traditional music of Galicia and Asturias, located along Spain's north-west Atlantic coast, are highly distinctive folk styles that have some similarities with the neighbouring area of Cantabria. The music is characterized by the use of bagpipes.
It had long been thought that Galician and Asturian music might owe their roots to the ancient Celtic history of the region, in which it was presumed that some of this ancient influence had survived despite the long evolution of the local musical traditions since then, including centuries of Roman and Germanic influences. Whether or not this is the case, much modern commercial Galician and Asturian traditional and folk-rock of recent years has become strongly influenced by modern Irish, Scottish and Welsh "folk" styles. Galicia is nowadays a strong player on the international Celtic folk scene. As a result, elements of the pre-industrial Galician tradition have become integrated into the modern Celtic folk repertoire and style. Many, however, claim that the "Celtic" appellation is merely a marketing tag; the well known Galician bagpipe player Susana Seivane, said "I think [the 'Celtic' moniker is] a label, in order to sell more. What we make is Galician music". In any case, due to the Celtic brand, Galician music is the only non-Castilian-speaking music of Spain that has a significant audience beyond the country's borders. Some Galicians and Asturians have complained that the "Celtic boom" was the final death blow to once highly distinctive musical traditions.
Celtic culture is known to have extended over a large part of the Iberian Peninsula as early as 600BC. During the 2nd and 1st centuries BC, the Roman Empire slowly conquered Iberia, which they called Hispania. The Celtic regions put up a long and fierce struggle to maintain their independence but were eventually subdued. In the centuries that followed, the language of the Romans, Latin, came to gradually supplant nearly all the earlier languages of the peninsula, including all Celtic languages, and is the ancestor of all the current languages of Spain and Portugal, including Galician and Astur-Leonese-Mirandese but not Basque. The departure of the Romans in the 5th century led to the invasions of Germanic tribes. The Suebi people conquered the northwest but the poor documentation from the period has left their cultural impact on the region unclear. In the 6th century, a final small Celtic influx arrived from Britain; the Britons were granted their own diocese, Britonia, in northern Galicia. Galicia was then taken over by the Visigothic Kingdom when the Suebian kingdom fell apart. Galicia came under the control of the Moors after they defeated the Visigoths in 717 but Moorish rule was little more than a short lived military occupation, although an indirect Moorish musical influence arrived later, through Christian troubadours. Moorish rule ended after two decades when the their garrison was driven out by a rebellion in 739. The region was incorporated into the Kingdom of Asturias and, after surviving the assaults of the Moors and Vikings, became the springboard for the Reconquista.
In 810, it was claimed that the remains of Saint James, one of the apostles, had been found at a site which soon became known as Santiago de Compostela. It became Europe's premier pilgrimage destination in the Middle Ages. This is assumed to have had a significant effect on the folk culture of the area, as the pilgrims brought with them musical instruments and styles from as far afield as Scandinavia and Hungary.
Like the earlier periods, little is known about musical traditions from this era. Just a few manuscripts from the time are known, such as those by the 13th-century poet and musician Martín Codax, which indicate that some of the distinctive elements of today's music, such as the bagpipes and flutes, were common at the time. The Cantigas de Santa Maria, a collection of manuscripts written in old Galician, also show illustrations of people playing bagpipes.
The traditional music of Galicia and Asturias, located along Spain's north-west Atlantic coast, are highly distinctive folk styles that have some similarities with the neighbouring area of Cantabria. The music is characterized by the use of bagpipes.
It had long been thought that Galician and Asturian music might owe their roots to the ancient Celtic history of the region, in which it was presumed that some of this ancient influence had survived despite the long evolution of the local musical traditions since then, including centuries of Roman and Germanic influences. Whether or not this is the case, much modern commercial Galician and Asturian traditional and folk-rock of recent years has become strongly influenced by modern Irish, Scottish and Welsh "folk" styles. Galicia is nowadays a strong player on the international Celtic folk scene. As a result, elements of the pre-industrial Galician tradition have become integrated into the modern Celtic folk repertoire and style. Many, however, claim that the "Celtic" appellation is merely a marketing tag; the well known Galician bagpipe player Susana Seivane, said "I think [the 'Celtic' moniker is] a label, in order to sell more. What we make is Galician music". In any case, due to the Celtic brand, Galician music is the only non-Castilian-speaking music of Spain that has a significant audience beyond the country's borders. Some Galicians and Asturians have complained that the "Celtic boom" was the final death blow to once highly distinctive musical traditions.
Celtic culture is known to have extended over a large part of the Iberian Peninsula as early as 600BC. During the 2nd and 1st centuries BC, the Roman Empire slowly conquered Iberia, which they called Hispania. The Celtic regions put up a long and fierce struggle to maintain their independence but were eventually subdued. In the centuries that followed, the language of the Romans, Latin, came to gradually supplant nearly all the earlier languages of the peninsula, including all Celtic languages, and is the ancestor of all the current languages of Spain and Portugal, including Galician and Astur-Leonese-Mirandese but not Basque. The departure of the Romans in the 5th century led to the invasions of Germanic tribes. The Suebi people conquered the northwest but the poor documentation from the period has left their cultural impact on the region unclear. In the 6th century, a final small Celtic influx arrived from Britain; the Britons were granted their own diocese, Britonia, in northern Galicia. Galicia was then taken over by the Visigothic Kingdom when the Suebian kingdom fell apart. Galicia came under the control of the Moors after they defeated the Visigoths in 717 but Moorish rule was little more than a short lived military occupation, although an indirect Moorish musical influence arrived later, through Christian troubadours. Moorish rule ended after two decades when the their garrison was driven out by a rebellion in 739. The region was incorporated into the Kingdom of Asturias and, after surviving the assaults of the Moors and Vikings, became the springboard for the Reconquista.
In 810, it was claimed that the remains of Saint James, one of the apostles, had been found at a site which soon became known as Santiago de Compostela. It became Europe's premier pilgrimage destination in the Middle Ages. This is assumed to have had a significant effect on the folk culture of the area, as the pilgrims brought with them musical instruments and styles from as far afield as Scandinavia and Hungary.
Like the earlier periods, little is known about musical traditions from this era. Just a few manuscripts from the time are known, such as those by the 13th-century poet and musician Martín Codax, which indicate that some of the distinctive elements of today's music, such as the bagpipes and flutes, were common at the time. The Cantigas de Santa Maria, a collection of manuscripts written in old Galician, also show illustrations of people playing bagpipes.
Julie Fowlis (Isle of North Uist, West of Scotland) and Muireann NicAmhlaoibh (Aran Islands, West of Ireland) visit Galicia, accompanied by Angus MacKenzie and ...
Julie Fowlis (Isle of North Uist, West of Scotland) and Muireann NicAmhlaoibh (Aran Islands, West of Ireland) visit Galicia, accompanied by Angus MacKenzie and Barry Kerr, to meet some musical friends.
From the BBC Alba series "Port" screened late summer 2018. In Gaelic with English subtitles.
Julie Fowlis (Isle of North Uist, West of Scotland) and Muireann NicAmhlaoibh (Aran Islands, West of Ireland) visit Galicia, accompanied by Angus MacKenzie and Barry Kerr, to meet some musical friends.
From the BBC Alba series "Port" screened late summer 2018. In Gaelic with English subtitles.
The video was created by Jon Pope and features musician and storyteller Kevin Carr.
About Jon Pope:
I visited Galicia in 2018 and have been fascinated ever sin...
The video was created by Jon Pope and features musician and storyteller Kevin Carr.
About Jon Pope:
I visited Galicia in 2018 and have been fascinated ever since. On returning to Ashland, I learned that we have a local musician and storyteller who knows Galician music very well. So I recently interviewed him at his home in the Applegate Valley. In addition to his playing and storytelling, Kevin has been organizing concerts so that we here have been able to hear many top Gaelic musicians who are visiting the West Coast.
I have been interested in Gaelic music for many years. Part of my family hails from both ends of Ireland, Ulster in the North and Munster in the south. I also have created a few videos for my channel on Youtube, Noblepope, mostly about nature, but also one about the Ortiguera Festival that I visited in Galicia. Part of my enjoyment of Gaelic dance and music comes from attending Ceilis when I can and by playing the pennywhistle everyday. The basic elements I have learned of Irish dance is thanks to the efforts of Ceiliofthevalley in Salem and it's dedicated teacher, Elisa Chandler.
About Kevin Carr:
I tell stories and play traditional folk instruments. From the Fillmore West to the Oregon Country Fair, from the former Soviet Union to Spain, from Alaska to Mexico, I've traveled to play with and learn from traditional musicians, to gather stories to share and to connect with folks through the ecstatic medium of music. I do solo shows such as "The Other Pipes - exotic and little known Bagpiping traditions of the World", " Stories from the Musical Realms - Concerning Inspiration and the Music between the Notes", "My Grandfather's Fiddle, " "Fiddle Fables - Stories by and about Fiddlers" with tunes appropriate and appropriated. Learn more at https://www.kevincarr.org
______________________
This video is part of the 2020 Samhain Celtic New Year Festival. Find more Celtic culture at www.celticfestival.org
The 5th annual Samhain Celtic New Year Festival is a month-long celebration in October! Due to COVID-19, the Ceili of the Valley Society decided to move the 2020 Samhain Celtic New Year Festival to a virtual platform. The festival features all the things you have come to love experiencing at the traditional event including live music, demonstrations, children’s activities, vendors, and more.
The video was created by Jon Pope and features musician and storyteller Kevin Carr.
About Jon Pope:
I visited Galicia in 2018 and have been fascinated ever since. On returning to Ashland, I learned that we have a local musician and storyteller who knows Galician music very well. So I recently interviewed him at his home in the Applegate Valley. In addition to his playing and storytelling, Kevin has been organizing concerts so that we here have been able to hear many top Gaelic musicians who are visiting the West Coast.
I have been interested in Gaelic music for many years. Part of my family hails from both ends of Ireland, Ulster in the North and Munster in the south. I also have created a few videos for my channel on Youtube, Noblepope, mostly about nature, but also one about the Ortiguera Festival that I visited in Galicia. Part of my enjoyment of Gaelic dance and music comes from attending Ceilis when I can and by playing the pennywhistle everyday. The basic elements I have learned of Irish dance is thanks to the efforts of Ceiliofthevalley in Salem and it's dedicated teacher, Elisa Chandler.
About Kevin Carr:
I tell stories and play traditional folk instruments. From the Fillmore West to the Oregon Country Fair, from the former Soviet Union to Spain, from Alaska to Mexico, I've traveled to play with and learn from traditional musicians, to gather stories to share and to connect with folks through the ecstatic medium of music. I do solo shows such as "The Other Pipes - exotic and little known Bagpiping traditions of the World", " Stories from the Musical Realms - Concerning Inspiration and the Music between the Notes", "My Grandfather's Fiddle, " "Fiddle Fables - Stories by and about Fiddlers" with tunes appropriate and appropriated. Learn more at https://www.kevincarr.org
______________________
This video is part of the 2020 Samhain Celtic New Year Festival. Find more Celtic culture at www.celticfestival.org
The 5th annual Samhain Celtic New Year Festival is a month-long celebration in October! Due to COVID-19, the Ceili of the Valley Society decided to move the 2020 Samhain Celtic New Year Festival to a virtual platform. The festival features all the things you have come to love experiencing at the traditional event including live music, demonstrations, children’s activities, vendors, and more.
Celtic Galicia: The Celtic Origins of Galicia in Spain
Please donate through PayPal using this link: https://www.paypal.com/donate/?hosted_button_id=QFB9ZECHZJ...
Celtic Galicia: The Celtic Origins of Galicia in Spain
Please donate through PayPal using this link: https://www.paypal.com/donate/?hosted_button_id=QFB9ZECHZJDF6 – you can also send money through PayPal straight to [email protected] if you don’t want to use the link.
Please Support this Channel on Patreon: https://www.patreon.com/historydecoded
Galicia on the north-western corner of the Iberian Peninsula has a fascinating history which has many Celtic connections. Galicia and the Iberian Peninsula in general is often cited in origin stories as the region where Celtic tribes sailed from to settle in Ireland and the British Isles.
The name of the region comes from the Romans, who referred to the Celtic tribes of the Iberian north-west as the Callaeci. Over time, Callaeci became Gallaeci. Various tribes made up the Gallaeci, including the Coelerni and the Bracari. The people of Gallaeci spoke the Gallaecian language, also known as Northwestern Hispano-Celtic, a now extinct continental Celtic language.
A defining feature of this Celtic civilization was the fact that they lived in hillforts, resulting in them often being referred to as the “culture of hillforts” or the Castro culture. Today, Galicia is still home to more than two thousand hillforts.
Gallaecians identified themselves by their hillfort, and the king of their area. In relation to their religion, we know that the Gallaeci worshipped numerous Celtic gods, including Coventina, the goddess of wells and springs, who was also known as the goddess of abundance and fertility; Nabia, the goddess of waters and rivers, with the river Navia in Galicia still bearing her name; and Lugus, the god of prosperity, trade, and craft occupations, who was often depicted as having three heads.
During the Second Punic War between Carthage and Rome from 218 to 210 BC, we know that some Gallaecian troops fought alongside the Carthaginian General, Hannibal. The various Celtic tribes of the Gallaeci ruled this corner of the Iberian Peninsula for centuries, until the Roman conquest of Iberia in the 3rd, 2nd, and 1st centuries BC. As well as being interested in commanding a large sphere of influence, Rome also was interested in the lucrative gold mines of Galicia, although I will address the Roman conquest of Iberia in more detail in a future video.
In the 5th and 6th centuries, there was another Celtic infusion into Galicia. As the Anglo-Saxons settled Briton, many Celtic Britons fled to Galicia, as well as to what would become Brittany in France. This settlement in Galicia was known as Britonia. It is thought that these Britons practiced a strong Christian faith.
It is curious that the common Brittonic Celtic language of these Britons did not seem to take hold in Galicia, yet it did take hold in nearby Brittany in France, which is why the Celtic language of Breton is still spoken in Brittany today. Perhaps these migrants from Briton were better assimilated into the Galician culture of the time than their fellow migrants in Brittany, with Galicia controlled by the Germanic tribe of the Suebi.
Celtic influence is still present in Galicia today however, particularly musically. A traditional instrument in Galicia is called the gaita, a type of bagpipe.
The two main languages spoken in Galicia today are Galician (or Galego) and Spanish. Galician is an Indo-European language of the Western Ibero-Romance branch, and it is spoken by more than 2 million people, mainly in Galicia.
Sources:
Galicia https://www.britannica.com/place/Galicia-region-Spain
Gallaeci https://en.wikipedia.org/wiki/Gallaeci
Galicia (Spain) https://en.wikipedia.org/wiki/Galicia_(Spain)
The Galician gaita (bagpipe) https://en.wikipedia.org/wiki/Galician_gaita
History of Galicia https://en.wikipedia.org/wiki/History_of_Galicia
Galician language https://en.wikipedia.org/wiki/Galician_language
Creative Commons Imagery:
Dario Alvarez https://commons.wikimedia.org/wiki/File:Gaiteiros_em_romaria_galega.jpg Creative Commons Attribution 2.0 Generic license. https://creativecommons.org/licenses/by/2.0/deed.en
QuartierLatin1968 https://commons.wikimedia.org/wiki/File:Autel_tricephale_MuseeStRemi_Reims_1131a.jpg Creative Commons Attribution-Share Alike 3.0 Unported license. https://creativecommons.org/licenses/by-sa/3.0/deed.en
Landscapes Of Galicia In 4K | Time-Lapse Jorge Piñeiro Instagram: supertimelapse_
https://www.youtube.com/watch?v=lLjBNLME-v0
Szajci https://commons.wikimedia.org/wiki/File:Iberia_218-217BC-hu.svg Creative Commons Attribution-Share Alike 4.0 International license. https://creativecommons.org/licenses/by-sa/4.0/deed.en
AnaisGoepner https://commons.wikimedia.org/wiki/File:Castro_de_Baro%C3%B1a_y_playa_de_Arealonga-Complexo_H%C3%BAmido_de_Corrubedo-Coru%C3%B1a-Spain.jpg Creative Commons Attribution-Share Alike 4.0 International license. https://creativecommons.org/licenses/by-sa/4.0/deed.en
#Galicia #Celtic #History
Celtic Galicia: The Celtic Origins of Galicia in Spain
Please donate through PayPal using this link: https://www.paypal.com/donate/?hosted_button_id=QFB9ZECHZJDF6 – you can also send money through PayPal straight to [email protected] if you don’t want to use the link.
Please Support this Channel on Patreon: https://www.patreon.com/historydecoded
Galicia on the north-western corner of the Iberian Peninsula has a fascinating history which has many Celtic connections. Galicia and the Iberian Peninsula in general is often cited in origin stories as the region where Celtic tribes sailed from to settle in Ireland and the British Isles.
The name of the region comes from the Romans, who referred to the Celtic tribes of the Iberian north-west as the Callaeci. Over time, Callaeci became Gallaeci. Various tribes made up the Gallaeci, including the Coelerni and the Bracari. The people of Gallaeci spoke the Gallaecian language, also known as Northwestern Hispano-Celtic, a now extinct continental Celtic language.
A defining feature of this Celtic civilization was the fact that they lived in hillforts, resulting in them often being referred to as the “culture of hillforts” or the Castro culture. Today, Galicia is still home to more than two thousand hillforts.
Gallaecians identified themselves by their hillfort, and the king of their area. In relation to their religion, we know that the Gallaeci worshipped numerous Celtic gods, including Coventina, the goddess of wells and springs, who was also known as the goddess of abundance and fertility; Nabia, the goddess of waters and rivers, with the river Navia in Galicia still bearing her name; and Lugus, the god of prosperity, trade, and craft occupations, who was often depicted as having three heads.
During the Second Punic War between Carthage and Rome from 218 to 210 BC, we know that some Gallaecian troops fought alongside the Carthaginian General, Hannibal. The various Celtic tribes of the Gallaeci ruled this corner of the Iberian Peninsula for centuries, until the Roman conquest of Iberia in the 3rd, 2nd, and 1st centuries BC. As well as being interested in commanding a large sphere of influence, Rome also was interested in the lucrative gold mines of Galicia, although I will address the Roman conquest of Iberia in more detail in a future video.
In the 5th and 6th centuries, there was another Celtic infusion into Galicia. As the Anglo-Saxons settled Briton, many Celtic Britons fled to Galicia, as well as to what would become Brittany in France. This settlement in Galicia was known as Britonia. It is thought that these Britons practiced a strong Christian faith.
It is curious that the common Brittonic Celtic language of these Britons did not seem to take hold in Galicia, yet it did take hold in nearby Brittany in France, which is why the Celtic language of Breton is still spoken in Brittany today. Perhaps these migrants from Briton were better assimilated into the Galician culture of the time than their fellow migrants in Brittany, with Galicia controlled by the Germanic tribe of the Suebi.
Celtic influence is still present in Galicia today however, particularly musically. A traditional instrument in Galicia is called the gaita, a type of bagpipe.
The two main languages spoken in Galicia today are Galician (or Galego) and Spanish. Galician is an Indo-European language of the Western Ibero-Romance branch, and it is spoken by more than 2 million people, mainly in Galicia.
Sources:
Galicia https://www.britannica.com/place/Galicia-region-Spain
Gallaeci https://en.wikipedia.org/wiki/Gallaeci
Galicia (Spain) https://en.wikipedia.org/wiki/Galicia_(Spain)
The Galician gaita (bagpipe) https://en.wikipedia.org/wiki/Galician_gaita
History of Galicia https://en.wikipedia.org/wiki/History_of_Galicia
Galician language https://en.wikipedia.org/wiki/Galician_language
Creative Commons Imagery:
Dario Alvarez https://commons.wikimedia.org/wiki/File:Gaiteiros_em_romaria_galega.jpg Creative Commons Attribution 2.0 Generic license. https://creativecommons.org/licenses/by/2.0/deed.en
QuartierLatin1968 https://commons.wikimedia.org/wiki/File:Autel_tricephale_MuseeStRemi_Reims_1131a.jpg Creative Commons Attribution-Share Alike 3.0 Unported license. https://creativecommons.org/licenses/by-sa/3.0/deed.en
Landscapes Of Galicia In 4K | Time-Lapse Jorge Piñeiro Instagram: supertimelapse_
https://www.youtube.com/watch?v=lLjBNLME-v0
Szajci https://commons.wikimedia.org/wiki/File:Iberia_218-217BC-hu.svg Creative Commons Attribution-Share Alike 4.0 International license. https://creativecommons.org/licenses/by-sa/4.0/deed.en
AnaisGoepner https://commons.wikimedia.org/wiki/File:Castro_de_Baro%C3%B1a_y_playa_de_Arealonga-Complexo_H%C3%BAmido_de_Corrubedo-Coru%C3%B1a-Spain.jpg Creative Commons Attribution-Share Alike 4.0 International license. https://creativecommons.org/licenses/by-sa/4.0/deed.en
#Galicia #Celtic #History
The traditional music of Galicia and Asturias, located along Spain's north-west Atlantic coast, are highly distinctive folk styles that have some similarities with the neighbouring area of Cantabria. The music is characterized by the use of bagpipes.
It had long been thought that Galician and Asturian music might owe their roots to the ancient Celtic history of the region, in which it was presumed that some of this ancient influence had survived despite the long evolution of the local musical traditions since then, including centuries of Roman and Germanic influences. Whether or not this is the case, much modern commercial Galician and Asturian traditional and folk-rock of recent years has become strongly influenced by modern Irish, Scottish and Welsh "folk" styles. Galicia is nowadays a strong player on the international Celtic folk scene. As a result, elements of the pre-industrial Galician tradition have become integrated into the modern Celtic folk repertoire and style. Many, however, claim that the "Celtic" appellation is merely a marketing tag; the well known Galician bagpipe player Susana Seivane, said "I think [the 'Celtic' moniker is] a label, in order to sell more. What we make is Galician music". In any case, due to the Celtic brand, Galician music is the only non-Castilian-speaking music of Spain that has a significant audience beyond the country's borders. Some Galicians and Asturians have complained that the "Celtic boom" was the final death blow to once highly distinctive musical traditions.
Celtic culture is known to have extended over a large part of the Iberian Peninsula as early as 600BC. During the 2nd and 1st centuries BC, the Roman Empire slowly conquered Iberia, which they called Hispania. The Celtic regions put up a long and fierce struggle to maintain their independence but were eventually subdued. In the centuries that followed, the language of the Romans, Latin, came to gradually supplant nearly all the earlier languages of the peninsula, including all Celtic languages, and is the ancestor of all the current languages of Spain and Portugal, including Galician and Astur-Leonese-Mirandese but not Basque. The departure of the Romans in the 5th century led to the invasions of Germanic tribes. The Suebi people conquered the northwest but the poor documentation from the period has left their cultural impact on the region unclear. In the 6th century, a final small Celtic influx arrived from Britain; the Britons were granted their own diocese, Britonia, in northern Galicia. Galicia was then taken over by the Visigothic Kingdom when the Suebian kingdom fell apart. Galicia came under the control of the Moors after they defeated the Visigoths in 717 but Moorish rule was little more than a short lived military occupation, although an indirect Moorish musical influence arrived later, through Christian troubadours. Moorish rule ended after two decades when the their garrison was driven out by a rebellion in 739. The region was incorporated into the Kingdom of Asturias and, after surviving the assaults of the Moors and Vikings, became the springboard for the Reconquista.
In 810, it was claimed that the remains of Saint James, one of the apostles, had been found at a site which soon became known as Santiago de Compostela. It became Europe's premier pilgrimage destination in the Middle Ages. This is assumed to have had a significant effect on the folk culture of the area, as the pilgrims brought with them musical instruments and styles from as far afield as Scandinavia and Hungary.
Like the earlier periods, little is known about musical traditions from this era. Just a few manuscripts from the time are known, such as those by the 13th-century poet and musician Martín Codax, which indicate that some of the distinctive elements of today's music, such as the bagpipes and flutes, were common at the time. The Cantigas de Santa Maria, a collection of manuscripts written in old Galician, also show illustrations of people playing bagpipes.
Julie Fowlis (Isle of North Uist, West of Scotland) and Muireann NicAmhlaoibh (Aran Islands, West of Ireland) visit Galicia, accompanied by Angus MacKenzie and Barry Kerr, to meet some musical friends.
From the BBC Alba series "Port" screened late summer 2018. In Gaelic with English subtitles.
The video was created by Jon Pope and features musician and storyteller Kevin Carr.
About Jon Pope:
I visited Galicia in 2018 and have been fascinated ever since. On returning to Ashland, I learned that we have a local musician and storyteller who knows Galician music very well. So I recently interviewed him at his home in the Applegate Valley. In addition to his playing and storytelling, Kevin has been organizing concerts so that we here have been able to hear many top Gaelic musicians who are visiting the West Coast.
I have been interested in Gaelic music for many years. Part of my family hails from both ends of Ireland, Ulster in the North and Munster in the south. I also have created a few videos for my channel on Youtube, Noblepope, mostly about nature, but also one about the Ortiguera Festival that I visited in Galicia. Part of my enjoyment of Gaelic dance and music comes from attending Ceilis when I can and by playing the pennywhistle everyday. The basic elements I have learned of Irish dance is thanks to the efforts of Ceiliofthevalley in Salem and it's dedicated teacher, Elisa Chandler.
About Kevin Carr:
I tell stories and play traditional folk instruments. From the Fillmore West to the Oregon Country Fair, from the former Soviet Union to Spain, from Alaska to Mexico, I've traveled to play with and learn from traditional musicians, to gather stories to share and to connect with folks through the ecstatic medium of music. I do solo shows such as "The Other Pipes - exotic and little known Bagpiping traditions of the World", " Stories from the Musical Realms - Concerning Inspiration and the Music between the Notes", "My Grandfather's Fiddle, " "Fiddle Fables - Stories by and about Fiddlers" with tunes appropriate and appropriated. Learn more at https://www.kevincarr.org
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This video is part of the 2020 Samhain Celtic New Year Festival. Find more Celtic culture at www.celticfestival.org
The 5th annual Samhain Celtic New Year Festival is a month-long celebration in October! Due to COVID-19, the Ceili of the Valley Society decided to move the 2020 Samhain Celtic New Year Festival to a virtual platform. The festival features all the things you have come to love experiencing at the traditional event including live music, demonstrations, children’s activities, vendors, and more.
Celtic Galicia: The Celtic Origins of Galicia in Spain
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Galicia on the north-western corner of the Iberian Peninsula has a fascinating history which has many Celtic connections. Galicia and the Iberian Peninsula in general is often cited in origin stories as the region where Celtic tribes sailed from to settle in Ireland and the British Isles.
The name of the region comes from the Romans, who referred to the Celtic tribes of the Iberian north-west as the Callaeci. Over time, Callaeci became Gallaeci. Various tribes made up the Gallaeci, including the Coelerni and the Bracari. The people of Gallaeci spoke the Gallaecian language, also known as Northwestern Hispano-Celtic, a now extinct continental Celtic language.
A defining feature of this Celtic civilization was the fact that they lived in hillforts, resulting in them often being referred to as the “culture of hillforts” or the Castro culture. Today, Galicia is still home to more than two thousand hillforts.
Gallaecians identified themselves by their hillfort, and the king of their area. In relation to their religion, we know that the Gallaeci worshipped numerous Celtic gods, including Coventina, the goddess of wells and springs, who was also known as the goddess of abundance and fertility; Nabia, the goddess of waters and rivers, with the river Navia in Galicia still bearing her name; and Lugus, the god of prosperity, trade, and craft occupations, who was often depicted as having three heads.
During the Second Punic War between Carthage and Rome from 218 to 210 BC, we know that some Gallaecian troops fought alongside the Carthaginian General, Hannibal. The various Celtic tribes of the Gallaeci ruled this corner of the Iberian Peninsula for centuries, until the Roman conquest of Iberia in the 3rd, 2nd, and 1st centuries BC. As well as being interested in commanding a large sphere of influence, Rome also was interested in the lucrative gold mines of Galicia, although I will address the Roman conquest of Iberia in more detail in a future video.
In the 5th and 6th centuries, there was another Celtic infusion into Galicia. As the Anglo-Saxons settled Briton, many Celtic Britons fled to Galicia, as well as to what would become Brittany in France. This settlement in Galicia was known as Britonia. It is thought that these Britons practiced a strong Christian faith.
It is curious that the common Brittonic Celtic language of these Britons did not seem to take hold in Galicia, yet it did take hold in nearby Brittany in France, which is why the Celtic language of Breton is still spoken in Brittany today. Perhaps these migrants from Briton were better assimilated into the Galician culture of the time than their fellow migrants in Brittany, with Galicia controlled by the Germanic tribe of the Suebi.
Celtic influence is still present in Galicia today however, particularly musically. A traditional instrument in Galicia is called the gaita, a type of bagpipe.
The two main languages spoken in Galicia today are Galician (or Galego) and Spanish. Galician is an Indo-European language of the Western Ibero-Romance branch, and it is spoken by more than 2 million people, mainly in Galicia.
Sources:
Galicia https://www.britannica.com/place/Galicia-region-Spain
Gallaeci https://en.wikipedia.org/wiki/Gallaeci
Galicia (Spain) https://en.wikipedia.org/wiki/Galicia_(Spain)
The Galician gaita (bagpipe) https://en.wikipedia.org/wiki/Galician_gaita
History of Galicia https://en.wikipedia.org/wiki/History_of_Galicia
Galician language https://en.wikipedia.org/wiki/Galician_language
Creative Commons Imagery:
Dario Alvarez https://commons.wikimedia.org/wiki/File:Gaiteiros_em_romaria_galega.jpg Creative Commons Attribution 2.0 Generic license. https://creativecommons.org/licenses/by/2.0/deed.en
QuartierLatin1968 https://commons.wikimedia.org/wiki/File:Autel_tricephale_MuseeStRemi_Reims_1131a.jpg Creative Commons Attribution-Share Alike 3.0 Unported license. https://creativecommons.org/licenses/by-sa/3.0/deed.en
Landscapes Of Galicia In 4K | Time-Lapse Jorge Piñeiro Instagram: supertimelapse_
https://www.youtube.com/watch?v=lLjBNLME-v0
Szajci https://commons.wikimedia.org/wiki/File:Iberia_218-217BC-hu.svg Creative Commons Attribution-Share Alike 4.0 International license. https://creativecommons.org/licenses/by-sa/4.0/deed.en
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#Galicia #Celtic #History
The traditional music of Galicia and Asturias, located along Spain's north-west Atlantic coast, are highly distinctive folk styles that have some similarities with the neighbouring area of Cantabria. The music is characterized by the use of bagpipes.
History
It has long been thought that Galician and Asturian music might owe their roots to the ancient Celtic history of the region, in which it was presumed that some of this ancient influence had survived despite the long evolution of the local musical traditions since then, including centuries of Roman and Germanic influences. Whether or not this is the case, much modern commercial Galician and Asturian traditional and folk-rock of recent years has become strongly influenced by modern Irish, Scottish and Welsh "folk" styles. Galicia is nowadays a strong player on the international Celtic folk scene. As a result, elements of the pre-industrial Galician tradition have become integrated into the modern Celtic folk repertoire and style. Many, however, claim that the "Celtic" appellation is merely a marketing tag; the well known Galician bagpipe player Susana Seivane, said "I think [the 'Celtic' moniker is] a label, in order to sell more. What we make is Galician music". In any case, due to the Celtic brand, Galician music is the only non- Castilian-speaking music of Spain that has a significant audience beyond the country's borders. Some Galicians and Asturians have complained that the "Celtic boom" was the final death blow to once highly distinctive musical traditions.
JoinBronxSummer Jam for its third year of celebrating the musical talents of Bronx jammers. This music ...Rabade and Micic will perform original music inspired by Galician and Balkan jazz melodies.
While Chaimbeul’s album had more traditional underpinnings, the Galician performer, teacher and researcher of traditional oral music Carme López dives into more experimental spheres with her Galician bagpipe on her debut album ... (TEMƎT Music).
It's a narrative suite for Galician bagpipe (I was already sold at Galician bagpipes) that takes cues from López's research into traditional oral music from Galicia (I'll take two!) but also from ...
A performer, teacher and researcher of Galician music, she turned to the region’s bagpipes with the goal of freeing them from a heritage which she suggests is typically male-dominated ...Quintela carries resonance beyond Galician music.
The song is in Galician – its title loosely translates as “100-year-old olive tree” – and uses the traditional rhythms and lyrics of Galician folk music ... He himself is not fluent in Galician and writing a song in the language was a challenge.
Steven will perform the program's medieval and Renaissance music on the lute, recorders and cornemuse, a French double-reed wind instrument; for the Galician, Irish and Scottish tunes, he'll play traditional bagpipes and double bass.
He moves like a fish in water in traditional music and dance ... The repertoire is mainly part of traditional Asturian music, although I also include nearby territories, such as Galicia, León and Zamora ... There's music, dancing, photo projections...
from prewar musical archives to 400-year-old Galician manuscripts to texts produced by Jewish presses from Volhynia and Bukovina... he refused to play chamber music in Kherson under occupiers’ orders.
astonishing views of sunsets over the capital; neighbourly friendships; the sound of Galician music mingling with reggae; the smell of signature fish stew recipes; children heading out to play ...
The program then moved back to the violin/piano repertoire with Octavio VazquezFolk Dance music, commissioned by a Polish woman whose daughter is a violinist, followed by some Galician Dances, based on the music of Vazquez place of birth.