A newspaper columnist in 1916, Dupont became a screenwriter and began directing his own crime-story scripts in 1918. After several successes in his native Germany in silent films, he worked in London and in Hollywood, California. One of his greatest successes was the silent film Varieté (1925). This film, about an ex-trapeze artist, was noted for its innovative camerawork with highly expressive movement through space, accomplished by the prolific expressionist cinematographer Karl Freund.Varieté even did well in the United States, screening for 12 weeks at New York's Rialto Theatre.
United States
Dupont's success was noticed by Carl Laemmle at Universal, who offered Dupont a lucrative contract. His first project was Love Me and the World Is Mine in the early summer of 1926, which ran well over budget ($350,000) and was not a success.
Kristin Thompson on Variety (1925, dir. E.A. Dupont)
Video essay on Variety (1925, dir. E.A. Dupont) featuring commentary by Kristin Thompson, author of The Frodo Franchise and co-author of Film Art: An Introduction and Film History: An Introduction.
Part of the Shooting Down Pictures project. For more information on Variety, visit http://alsolikelife.com/shooting/2008/12/739-80-variete-aka-variety-aka-vaudeville-1925-ea-dupont/
SCHOLARS AND STUDENTS: If referencing this video for scholarship, please cite as "Kristin Thompson and Kevin B. Lee. Shooting Down Pictures video essay on E.A. Dupont's Variety."
THIS VIDEO UTILIZES COPYRIGHTED MATERIAL UNDER THE FAIR USE PROVISIONS OF THE DIGITAL MILLENNIUM COPYRIGHT ACT.
published: 18 Feb 2009
Love on Toast (1937) John Payne Stella Adler Grant Richards Romantic Comedy Film dir. E.A. Dupont
Donations of any amount to my PayPal account [email protected] are much appreciated.
Love on Toast is a 1937 American comedy film directed by Ewald André Dupont. It was John Payne's fourth film and a rare on-screen appearance of acting mentor Stella Adler (credited as Stella Ardler), here in her movie debut.
A female press agent must select a "Mr. Manhattan" and "Miss Brooklyn" for an ad campaign mounted by a struggling soup company. The Mr. Manhattan chosen is a singing soda jerk who doesn't want to play along. (Imdb.com)
published: 07 Apr 2023
Piccadilly (1929) clip - on BFI Blu-ray from 21 June 2021 | BFI
Anna May Wong sizzles in this seductive clip from E A Dupont's silent masterpiece - available on BFI Blu-ray from 21 June https://shop.bfi.org.uk/pre-order-piccadilly-blu-ray.html
Subscribe: http://bit.ly/subscribetotheBFI
Valentine Wilmot, the owner of the popular Piccadilly Club finds his lead male attraction, Victor Smiles (Cyril Ritchard) has quit and that the public has judged Victor’s partner Mabel as over the hill. Though they are lovers, Valentine must find another dancer to replace Mabel or face an uncertain future. When a customer (Charles Laughton in his first feature film) complains of a dirty dish, Valentine discovers the answer to all his problems down in the club’s scullery…
After many years of supporting roles in Hollywood, Anna May Wong left for Europe in search of be...
published: 20 May 2021
E.A. DUPONT'S MOULIN ROUGE DANCING WOMEN DRINKING DANGER SEX
http://www.TVDAYS.com http://www.seagate.com http://www.drobo.com http://www.canonusa.com
Ira H. Gallen Video Resources 220 West 71st Street NYC 10023 (212) 724 - 7055 http://www.TVDAYS.com
http://[email protected] http://www.TVDAYS.com As the unofficial Baby-Boomer( IRA GALLEN )Guru of my Television Coll...
Ira H. Gallen Video Resources 220 West 71st Street NYC 10023 (212) 724 - 7055
http://[email protected] http://www.TVDAYS.com
As the unofficial Baby-Boomer( IRA GALLEN )Guru of my Television Collecting Generation I knew it was the right time to create a Video Network for Baby-Boomers Only.
http://www.YouTube.com/TVDAYS
http://www.YouTube.com/DIRECTORSSERIES
http://www.YouTube.com/THEATRECORNER
What makes my content unique is that I have spent over 30 collecting and res...
published: 12 Aug 2008
"Varieté" (E.A. Dupont, 1925) | Jenaro Talens
Con Karl Freund como director de fotografía –responsable de este apartado en El Golem (Paul Wegener, 1920) o Metrópolis (Fritz Lang, 1926)–, la película presenta una gran depuración técnica en el uso narrativo de la cámara, con recursos como el primer plano para crear los momentos de tensión o la cámara subjetiva para plasmar la visión del trapecista en acción. Asimismo Jenaro Talens reflexiona acerca de las cuestiones morales implícitas en el film a partir de comparar la versión estadounidense con la cinta alemana original.
Presentación de Jenaro Talens. Ciclo “Cine mudo: Género policiaco”
http://www.march.es/conferencias/detalle.aspx?p6=100082&l=1
7 de marzo de 2015
Fundación Juan March, Madrid
http://www.march.es/videos/index.aspx?p0=5812
published: 14 Apr 2015
Atlantic (1929) - the forgotten Titanic film - extract
A thinly-veiled retelling of the Titanic disaster - direct reference to which was forbidden by the White Star Line - E.A. Dupont's 1929 epic 'Atlantic' was among the earliest British sound films and the first produced in multiple languages (English, German, and later French). This extract from the English version features Madeleine Carroll in her first sound role.
All titles on the BFI Films channel are preserved in the vast collections of the BFI National Archive. To find out more about the Archive visit http://www.bfi.org.uk/archive-collections
“Dark Waters”: Meet the Lawyer Whose 20-Year Fight Against DuPont Inspired the New Film
The new film “Dark Waters” tells the story of attorney Rob Bilott’s 20-year battle with DuPont over contaminated drinking water in West Virginia from toxic chemicals used to make Teflon. The Environmental Working Group credited Billot with “uncovering the most heinous corporate environmental conspiracy in history,” and the issue of contaminated water from the plastics industry continues to devastate areas across the country. On Wednesday, the Environmental Working Group released a shocking report about how toxic fluorinated chemicals known as PFAS have been found in the drinking water of dozens of U.S. cities, including major metropolitan areas including Miami, Washington, D.C., and Philadelphia. The so-called forever chemicals are linked to cancer, high cholesterol and decreased fertility...
published: 23 Jan 2020
Dupont Analysis Explained
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Dupont Analysis
Dupont analysis is one of the most valuable tools when working with financial ratios. It allows the financial analyst to disaggregate a company's performance and see which components shaped financial results. Potentially, a Dupont analysis could reveal that a company isn't performing in an optimal way due to its low profitability, slow asset turnover, or due to financial leverage.
If you are interested in becoming a CFA Charterholder, check out our course on Udemy. It's perfect for those of you who want to prepare for the Level 1 exam!
https://www.udemy.com/course/the-level-1-cfa-bootcamp/?referralCode=EA43DF0AE0529DF15415
https://www.udemy.com/course/exam-prep-cfa-level-1-bootcamp-2020-cu...
Video essay on Variety (1925, dir. E.A. Dupont) featuring commentary by Kristin Thompson, author of The Frodo Franchise and co-author of Film Art: An Introducti...
Video essay on Variety (1925, dir. E.A. Dupont) featuring commentary by Kristin Thompson, author of The Frodo Franchise and co-author of Film Art: An Introduction and Film History: An Introduction.
Part of the Shooting Down Pictures project. For more information on Variety, visit http://alsolikelife.com/shooting/2008/12/739-80-variete-aka-variety-aka-vaudeville-1925-ea-dupont/
SCHOLARS AND STUDENTS: If referencing this video for scholarship, please cite as "Kristin Thompson and Kevin B. Lee. Shooting Down Pictures video essay on E.A. Dupont's Variety."
THIS VIDEO UTILIZES COPYRIGHTED MATERIAL UNDER THE FAIR USE PROVISIONS OF THE DIGITAL MILLENNIUM COPYRIGHT ACT.
Video essay on Variety (1925, dir. E.A. Dupont) featuring commentary by Kristin Thompson, author of The Frodo Franchise and co-author of Film Art: An Introduction and Film History: An Introduction.
Part of the Shooting Down Pictures project. For more information on Variety, visit http://alsolikelife.com/shooting/2008/12/739-80-variete-aka-variety-aka-vaudeville-1925-ea-dupont/
SCHOLARS AND STUDENTS: If referencing this video for scholarship, please cite as "Kristin Thompson and Kevin B. Lee. Shooting Down Pictures video essay on E.A. Dupont's Variety."
THIS VIDEO UTILIZES COPYRIGHTED MATERIAL UNDER THE FAIR USE PROVISIONS OF THE DIGITAL MILLENNIUM COPYRIGHT ACT.
Donations of any amount to my PayPal account [email protected] are much appreciated.
Love on Toast is a 1937 American comedy film directed by Ewald...
Donations of any amount to my PayPal account [email protected] are much appreciated.
Love on Toast is a 1937 American comedy film directed by Ewald André Dupont. It was John Payne's fourth film and a rare on-screen appearance of acting mentor Stella Adler (credited as Stella Ardler), here in her movie debut.
A female press agent must select a "Mr. Manhattan" and "Miss Brooklyn" for an ad campaign mounted by a struggling soup company. The Mr. Manhattan chosen is a singing soda jerk who doesn't want to play along. (Imdb.com)
Donations of any amount to my PayPal account [email protected] are much appreciated.
Love on Toast is a 1937 American comedy film directed by Ewald André Dupont. It was John Payne's fourth film and a rare on-screen appearance of acting mentor Stella Adler (credited as Stella Ardler), here in her movie debut.
A female press agent must select a "Mr. Manhattan" and "Miss Brooklyn" for an ad campaign mounted by a struggling soup company. The Mr. Manhattan chosen is a singing soda jerk who doesn't want to play along. (Imdb.com)
Anna May Wong sizzles in this seductive clip from E A Dupont's silent masterpiece - available on BFI Blu-ray from 21 June https://shop.bfi.org.uk/pre-order-picc...
Anna May Wong sizzles in this seductive clip from E A Dupont's silent masterpiece - available on BFI Blu-ray from 21 June https://shop.bfi.org.uk/pre-order-piccadilly-blu-ray.html
Subscribe: http://bit.ly/subscribetotheBFI
Valentine Wilmot, the owner of the popular Piccadilly Club finds his lead male attraction, Victor Smiles (Cyril Ritchard) has quit and that the public has judged Victor’s partner Mabel as over the hill. Though they are lovers, Valentine must find another dancer to replace Mabel or face an uncertain future. When a customer (Charles Laughton in his first feature film) complains of a dirty dish, Valentine discovers the answer to all his problems down in the club’s scullery…
After many years of supporting roles in Hollywood, Anna May Wong left for Europe in search of better roles. And did she find one. Her electric, sexually-charged performance in Piccadilly is a revelation. The camera adores her, and against Alfred Junge’s astonishing set design, her beauty glows in every frame. Piccadilly was the brilliant apex to Ewald André Dupont’s trilogy of backstage life (Varieté and Moulin Rouge), showcasing the director’s signature mix of great acting, amazing imagery and astonishing camera movements.
Watch more on BFI Player: http://player.bfi.org.uk/
Like us on Facebook: https://www.facebook.com/BritishFilmInstitute
Follow us on Instagram: https://www.instagram.com/britishfilminstitute/
Follow us on Twitter: https://twitter.com/BFI
Anna May Wong sizzles in this seductive clip from E A Dupont's silent masterpiece - available on BFI Blu-ray from 21 June https://shop.bfi.org.uk/pre-order-piccadilly-blu-ray.html
Subscribe: http://bit.ly/subscribetotheBFI
Valentine Wilmot, the owner of the popular Piccadilly Club finds his lead male attraction, Victor Smiles (Cyril Ritchard) has quit and that the public has judged Victor’s partner Mabel as over the hill. Though they are lovers, Valentine must find another dancer to replace Mabel or face an uncertain future. When a customer (Charles Laughton in his first feature film) complains of a dirty dish, Valentine discovers the answer to all his problems down in the club’s scullery…
After many years of supporting roles in Hollywood, Anna May Wong left for Europe in search of better roles. And did she find one. Her electric, sexually-charged performance in Piccadilly is a revelation. The camera adores her, and against Alfred Junge’s astonishing set design, her beauty glows in every frame. Piccadilly was the brilliant apex to Ewald André Dupont’s trilogy of backstage life (Varieté and Moulin Rouge), showcasing the director’s signature mix of great acting, amazing imagery and astonishing camera movements.
Watch more on BFI Player: http://player.bfi.org.uk/
Like us on Facebook: https://www.facebook.com/BritishFilmInstitute
Follow us on Instagram: https://www.instagram.com/britishfilminstitute/
Follow us on Twitter: https://twitter.com/BFI
http://www.TVDAYS.com http://www.seagate.com http://www.drobo.com http://www.canonusa.com
Ira H. Gallen Video Resources 220 West 71st Street NYC 10023 (212) 7...
http://www.TVDAYS.com http://www.seagate.com http://www.drobo.com http://www.canonusa.com
Ira H. Gallen Video Resources 220 West 71st Street NYC 10023 (212) 724 - 7055 http://www.TVDAYS.com
http://[email protected] http://www.TVDAYS.com As the unofficial Baby-Boomer( IRA GALLEN )Guru of my Television Coll...
Ira H. Gallen Video Resources 220 West 71st Street NYC 10023 (212) 724 - 7055
http://[email protected] http://www.TVDAYS.com
As the unofficial Baby-Boomer( IRA GALLEN )Guru of my Television Collecting Generation I knew it was the right time to create a Video Network for Baby-Boomers Only.
http://www.YouTube.com/TVDAYS
http://www.YouTube.com/DIRECTORSSERIES
http://www.YouTube.com/THEATRECORNER
What makes my content unique is that I have spent over 30 collecting and restoring from 16mm & 35mm Film Prints and Kinescopes some of the rarest and in many cases one of a kind FILMS, CARTOONS, NEWS REELS FILM SHORTS, FEATURES, INDUSTRIALS, TV SHOWS and especially COMMERCIALS from the birth of Film and early television. http://www.TVDAYS.com - 400 DVD's for Sale from my personal collection.
Now my Video & Film Collection is decomposing and what you're seeing is my work digitizing my Video Elements and funding it by selling Stock Footage and now my line of over 400 DVD's http://www.TVDAYS.com
Rare TV SHOWS, FILMS, CARTOONS, NEWSREELS, FILM SHORT SUBJECTS, SILENT & SOUND FILMS, HOME MOVIES, SOUNDIES, INDUSTRIALS & especially COMMERCIALS from the 1950's/60's.
ALSO GOOGLE VIDEO DOWNLOADS http://www.YouTube.com/CARTOONSTUDIO
Links to over 3500 hours of Video's housed on both Google & YouTube http://www.YouTube.com/THEATRECORNER
Over 7,5000 Commercials to watch -- Sports-Toys-Cars-Soft Drinks-Beer-Cigarettes-Milk-Cosmetics-Ho usehold Products-Drugs-Cereal- Gasoline -Clothing-TV Sets.
In Search of TV History -- Hey Boys & Girls of 50's TV were you on a LIVE show, was a family member always telling you they were in commercials back then...Now spot someone.
SPECIAL HELP SAVING MY TV HISTORY
http://www.adobe.com/ PRIEMERE EDITING PROGRAMS FOR VIDEO & UPLOADING TO WEB -- GREAT
http://www.discmakers.com/ DISC MAKER...needing to buy duplicator machines to make DVD copies at Home or the office. I make all my discs with these.
http://www.youtube.com/GRIFFITHMOVIES
BE AWARE Copyright & Trademarks -- There are over 10,000 Film prints and just as many Video elements in my collection with one of a kind films, TV Shows, Sales Film & especially commercials of products you might own, and if your missing all of your history on film lets us know. http://www.YouTube.com/TVDAYS http://www.YouTube.com/IRARONA
http://www.TVDAYS.com http://www.seagate.com http://www.drobo.com http://www.canonusa.com
Ira H. Gallen Video Resources 220 West 71st Street NYC 10023 (212) 724 - 7055 http://www.TVDAYS.com
http://[email protected] http://www.TVDAYS.com As the unofficial Baby-Boomer( IRA GALLEN )Guru of my Television Coll...
Ira H. Gallen Video Resources 220 West 71st Street NYC 10023 (212) 724 - 7055
http://[email protected] http://www.TVDAYS.com
As the unofficial Baby-Boomer( IRA GALLEN )Guru of my Television Collecting Generation I knew it was the right time to create a Video Network for Baby-Boomers Only.
http://www.YouTube.com/TVDAYS
http://www.YouTube.com/DIRECTORSSERIES
http://www.YouTube.com/THEATRECORNER
What makes my content unique is that I have spent over 30 collecting and restoring from 16mm & 35mm Film Prints and Kinescopes some of the rarest and in many cases one of a kind FILMS, CARTOONS, NEWS REELS FILM SHORTS, FEATURES, INDUSTRIALS, TV SHOWS and especially COMMERCIALS from the birth of Film and early television. http://www.TVDAYS.com - 400 DVD's for Sale from my personal collection.
Now my Video & Film Collection is decomposing and what you're seeing is my work digitizing my Video Elements and funding it by selling Stock Footage and now my line of over 400 DVD's http://www.TVDAYS.com
Rare TV SHOWS, FILMS, CARTOONS, NEWSREELS, FILM SHORT SUBJECTS, SILENT & SOUND FILMS, HOME MOVIES, SOUNDIES, INDUSTRIALS & especially COMMERCIALS from the 1950's/60's.
ALSO GOOGLE VIDEO DOWNLOADS http://www.YouTube.com/CARTOONSTUDIO
Links to over 3500 hours of Video's housed on both Google & YouTube http://www.YouTube.com/THEATRECORNER
Over 7,5000 Commercials to watch -- Sports-Toys-Cars-Soft Drinks-Beer-Cigarettes-Milk-Cosmetics-Ho usehold Products-Drugs-Cereal- Gasoline -Clothing-TV Sets.
In Search of TV History -- Hey Boys & Girls of 50's TV were you on a LIVE show, was a family member always telling you they were in commercials back then...Now spot someone.
SPECIAL HELP SAVING MY TV HISTORY
http://www.adobe.com/ PRIEMERE EDITING PROGRAMS FOR VIDEO & UPLOADING TO WEB -- GREAT
http://www.discmakers.com/ DISC MAKER...needing to buy duplicator machines to make DVD copies at Home or the office. I make all my discs with these.
http://www.youtube.com/GRIFFITHMOVIES
BE AWARE Copyright & Trademarks -- There are over 10,000 Film prints and just as many Video elements in my collection with one of a kind films, TV Shows, Sales Film & especially commercials of products you might own, and if your missing all of your history on film lets us know. http://www.YouTube.com/TVDAYS http://www.YouTube.com/IRARONA
Con Karl Freund como director de fotografía –responsable de este apartado en El Golem (Paul Wegener, 1920) o Metrópolis (Fritz Lang, 1926)–, la película present...
Con Karl Freund como director de fotografía –responsable de este apartado en El Golem (Paul Wegener, 1920) o Metrópolis (Fritz Lang, 1926)–, la película presenta una gran depuración técnica en el uso narrativo de la cámara, con recursos como el primer plano para crear los momentos de tensión o la cámara subjetiva para plasmar la visión del trapecista en acción. Asimismo Jenaro Talens reflexiona acerca de las cuestiones morales implícitas en el film a partir de comparar la versión estadounidense con la cinta alemana original.
Presentación de Jenaro Talens. Ciclo “Cine mudo: Género policiaco”
http://www.march.es/conferencias/detalle.aspx?p6=100082&l=1
7 de marzo de 2015
Fundación Juan March, Madrid
http://www.march.es/videos/index.aspx?p0=5812
Con Karl Freund como director de fotografía –responsable de este apartado en El Golem (Paul Wegener, 1920) o Metrópolis (Fritz Lang, 1926)–, la película presenta una gran depuración técnica en el uso narrativo de la cámara, con recursos como el primer plano para crear los momentos de tensión o la cámara subjetiva para plasmar la visión del trapecista en acción. Asimismo Jenaro Talens reflexiona acerca de las cuestiones morales implícitas en el film a partir de comparar la versión estadounidense con la cinta alemana original.
Presentación de Jenaro Talens. Ciclo “Cine mudo: Género policiaco”
http://www.march.es/conferencias/detalle.aspx?p6=100082&l=1
7 de marzo de 2015
Fundación Juan March, Madrid
http://www.march.es/videos/index.aspx?p0=5812
A thinly-veiled retelling of the Titanic disaster - direct reference to which was forbidden by the White Star Line - E.A. Dupont's 1929 epic 'Atlantic' was amon...
A thinly-veiled retelling of the Titanic disaster - direct reference to which was forbidden by the White Star Line - E.A. Dupont's 1929 epic 'Atlantic' was among the earliest British sound films and the first produced in multiple languages (English, German, and later French). This extract from the English version features Madeleine Carroll in her first sound role.
All titles on the BFI Films channel are preserved in the vast collections of the BFI National Archive. To find out more about the Archive visit http://www.bfi.org.uk/archive-collections
A thinly-veiled retelling of the Titanic disaster - direct reference to which was forbidden by the White Star Line - E.A. Dupont's 1929 epic 'Atlantic' was among the earliest British sound films and the first produced in multiple languages (English, German, and later French). This extract from the English version features Madeleine Carroll in her first sound role.
All titles on the BFI Films channel are preserved in the vast collections of the BFI National Archive. To find out more about the Archive visit http://www.bfi.org.uk/archive-collections
The new film “Dark Waters” tells the story of attorney Rob Bilott’s 20-year battle with DuPont over contaminated drinking water in West Virginia from toxic chem...
The new film “Dark Waters” tells the story of attorney Rob Bilott’s 20-year battle with DuPont over contaminated drinking water in West Virginia from toxic chemicals used to make Teflon. The Environmental Working Group credited Billot with “uncovering the most heinous corporate environmental conspiracy in history,” and the issue of contaminated water from the plastics industry continues to devastate areas across the country. On Wednesday, the Environmental Working Group released a shocking report about how toxic fluorinated chemicals known as PFAS have been found in the drinking water of dozens of U.S. cities, including major metropolitan areas including Miami, Washington, D.C., and Philadelphia. The so-called forever chemicals are linked to cancer, high cholesterol and decreased fertility, and they do not break down in the environment. We speak with attorney Robert Bilott, who has just published a new book titled “Exposure: Poisoned Water, Corporate Greed, and One Lawyer’s Twenty-Year Battle Against DuPont.” He is portrayed by Mark Ruffalo in the Hollywood film “Dark Waters.” We’re also joined by Tim Robbins, Academy Award-winning actor and director, who plays Bilott’s boss at his law firm in “Dark Waters.”
#DemocracyNow
Democracy Now! is an independent global news hour that airs on nearly 1,400 TV and radio stations Monday through Friday. Watch our livestream 8-9AM ET: https://democracynow.org
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The new film “Dark Waters” tells the story of attorney Rob Bilott’s 20-year battle with DuPont over contaminated drinking water in West Virginia from toxic chemicals used to make Teflon. The Environmental Working Group credited Billot with “uncovering the most heinous corporate environmental conspiracy in history,” and the issue of contaminated water from the plastics industry continues to devastate areas across the country. On Wednesday, the Environmental Working Group released a shocking report about how toxic fluorinated chemicals known as PFAS have been found in the drinking water of dozens of U.S. cities, including major metropolitan areas including Miami, Washington, D.C., and Philadelphia. The so-called forever chemicals are linked to cancer, high cholesterol and decreased fertility, and they do not break down in the environment. We speak with attorney Robert Bilott, who has just published a new book titled “Exposure: Poisoned Water, Corporate Greed, and One Lawyer’s Twenty-Year Battle Against DuPont.” He is portrayed by Mark Ruffalo in the Hollywood film “Dark Waters.” We’re also joined by Tim Robbins, Academy Award-winning actor and director, who plays Bilott’s boss at his law firm in “Dark Waters.”
#DemocracyNow
Democracy Now! is an independent global news hour that airs on nearly 1,400 TV and radio stations Monday through Friday. Watch our livestream 8-9AM ET: https://democracynow.org
Please consider supporting independent media by making a donation to Democracy Now! today: https://democracynow.org/donate
FOLLOW DEMOCRACY NOW! ONLINE:
YouTube: http://youtube.com/democracynow
Facebook: http://facebook.com/democracynow
Twitter: https://twitter.com/democracynow
Instagram: http://instagram.com/democracynow
SoundCloud: http://soundcloud.com/democracynow
iTunes: https://itunes.apple.com/podcast/democracy-now!-audio/id73802554
Daily Email Digest: https://democracynow.org/subscribe
🚀 Sign up for Our Complete Finance Training with 57% OFF: https://bit.ly/3SPJ29y
Dupont Analysis
Dupont analysis is one of the most valuable tools when workin...
🚀 Sign up for Our Complete Finance Training with 57% OFF: https://bit.ly/3SPJ29y
Dupont Analysis
Dupont analysis is one of the most valuable tools when working with financial ratios. It allows the financial analyst to disaggregate a company's performance and see which components shaped financial results. Potentially, a Dupont analysis could reveal that a company isn't performing in an optimal way due to its low profitability, slow asset turnover, or due to financial leverage.
If you are interested in becoming a CFA Charterholder, check out our course on Udemy. It's perfect for those of you who want to prepare for the Level 1 exam!
https://www.udemy.com/course/the-level-1-cfa-bootcamp/?referralCode=EA43DF0AE0529DF15415
https://www.udemy.com/course/exam-prep-cfa-level-1-bootcamp-2020-curriculum-part-22/?referralCode=264A55AE02A575F053FC
🚀 Sign up for Our Complete Finance Training with 57% OFF: https://bit.ly/3SPJ29y
Dupont Analysis
Dupont analysis is one of the most valuable tools when working with financial ratios. It allows the financial analyst to disaggregate a company's performance and see which components shaped financial results. Potentially, a Dupont analysis could reveal that a company isn't performing in an optimal way due to its low profitability, slow asset turnover, or due to financial leverage.
If you are interested in becoming a CFA Charterholder, check out our course on Udemy. It's perfect for those of you who want to prepare for the Level 1 exam!
https://www.udemy.com/course/the-level-1-cfa-bootcamp/?referralCode=EA43DF0AE0529DF15415
https://www.udemy.com/course/exam-prep-cfa-level-1-bootcamp-2020-curriculum-part-22/?referralCode=264A55AE02A575F053FC
Video essay on Variety (1925, dir. E.A. Dupont) featuring commentary by Kristin Thompson, author of The Frodo Franchise and co-author of Film Art: An Introduction and Film History: An Introduction.
Part of the Shooting Down Pictures project. For more information on Variety, visit http://alsolikelife.com/shooting/2008/12/739-80-variete-aka-variety-aka-vaudeville-1925-ea-dupont/
SCHOLARS AND STUDENTS: If referencing this video for scholarship, please cite as "Kristin Thompson and Kevin B. Lee. Shooting Down Pictures video essay on E.A. Dupont's Variety."
THIS VIDEO UTILIZES COPYRIGHTED MATERIAL UNDER THE FAIR USE PROVISIONS OF THE DIGITAL MILLENNIUM COPYRIGHT ACT.
Donations of any amount to my PayPal account [email protected] are much appreciated.
Love on Toast is a 1937 American comedy film directed by Ewald André Dupont. It was John Payne's fourth film and a rare on-screen appearance of acting mentor Stella Adler (credited as Stella Ardler), here in her movie debut.
A female press agent must select a "Mr. Manhattan" and "Miss Brooklyn" for an ad campaign mounted by a struggling soup company. The Mr. Manhattan chosen is a singing soda jerk who doesn't want to play along. (Imdb.com)
Anna May Wong sizzles in this seductive clip from E A Dupont's silent masterpiece - available on BFI Blu-ray from 21 June https://shop.bfi.org.uk/pre-order-piccadilly-blu-ray.html
Subscribe: http://bit.ly/subscribetotheBFI
Valentine Wilmot, the owner of the popular Piccadilly Club finds his lead male attraction, Victor Smiles (Cyril Ritchard) has quit and that the public has judged Victor’s partner Mabel as over the hill. Though they are lovers, Valentine must find another dancer to replace Mabel or face an uncertain future. When a customer (Charles Laughton in his first feature film) complains of a dirty dish, Valentine discovers the answer to all his problems down in the club’s scullery…
After many years of supporting roles in Hollywood, Anna May Wong left for Europe in search of better roles. And did she find one. Her electric, sexually-charged performance in Piccadilly is a revelation. The camera adores her, and against Alfred Junge’s astonishing set design, her beauty glows in every frame. Piccadilly was the brilliant apex to Ewald André Dupont’s trilogy of backstage life (Varieté and Moulin Rouge), showcasing the director’s signature mix of great acting, amazing imagery and astonishing camera movements.
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http://[email protected] http://www.TVDAYS.com As the unofficial Baby-Boomer( IRA GALLEN )Guru of my Television Coll...
Ira H. Gallen Video Resources 220 West 71st Street NYC 10023 (212) 724 - 7055
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As the unofficial Baby-Boomer( IRA GALLEN )Guru of my Television Collecting Generation I knew it was the right time to create a Video Network for Baby-Boomers Only.
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Con Karl Freund como director de fotografía –responsable de este apartado en El Golem (Paul Wegener, 1920) o Metrópolis (Fritz Lang, 1926)–, la película presenta una gran depuración técnica en el uso narrativo de la cámara, con recursos como el primer plano para crear los momentos de tensión o la cámara subjetiva para plasmar la visión del trapecista en acción. Asimismo Jenaro Talens reflexiona acerca de las cuestiones morales implícitas en el film a partir de comparar la versión estadounidense con la cinta alemana original.
Presentación de Jenaro Talens. Ciclo “Cine mudo: Género policiaco”
http://www.march.es/conferencias/detalle.aspx?p6=100082&l=1
7 de marzo de 2015
Fundación Juan March, Madrid
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A thinly-veiled retelling of the Titanic disaster - direct reference to which was forbidden by the White Star Line - E.A. Dupont's 1929 epic 'Atlantic' was among the earliest British sound films and the first produced in multiple languages (English, German, and later French). This extract from the English version features Madeleine Carroll in her first sound role.
All titles on the BFI Films channel are preserved in the vast collections of the BFI National Archive. To find out more about the Archive visit http://www.bfi.org.uk/archive-collections
The new film “Dark Waters” tells the story of attorney Rob Bilott’s 20-year battle with DuPont over contaminated drinking water in West Virginia from toxic chemicals used to make Teflon. The Environmental Working Group credited Billot with “uncovering the most heinous corporate environmental conspiracy in history,” and the issue of contaminated water from the plastics industry continues to devastate areas across the country. On Wednesday, the Environmental Working Group released a shocking report about how toxic fluorinated chemicals known as PFAS have been found in the drinking water of dozens of U.S. cities, including major metropolitan areas including Miami, Washington, D.C., and Philadelphia. The so-called forever chemicals are linked to cancer, high cholesterol and decreased fertility, and they do not break down in the environment. We speak with attorney Robert Bilott, who has just published a new book titled “Exposure: Poisoned Water, Corporate Greed, and One Lawyer’s Twenty-Year Battle Against DuPont.” He is portrayed by Mark Ruffalo in the Hollywood film “Dark Waters.” We’re also joined by Tim Robbins, Academy Award-winning actor and director, who plays Bilott’s boss at his law firm in “Dark Waters.”
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Dupont Analysis
Dupont analysis is one of the most valuable tools when working with financial ratios. It allows the financial analyst to disaggregate a company's performance and see which components shaped financial results. Potentially, a Dupont analysis could reveal that a company isn't performing in an optimal way due to its low profitability, slow asset turnover, or due to financial leverage.
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A newspaper columnist in 1916, Dupont became a screenwriter and began directing his own crime-story scripts in 1918. After several successes in his native Germany in silent films, he worked in London and in Hollywood, California. One of his greatest successes was the silent film Varieté (1925). This film, about an ex-trapeze artist, was noted for its innovative camerawork with highly expressive movement through space, accomplished by the prolific expressionist cinematographer Karl Freund.Varieté even did well in the United States, screening for 12 weeks at New York's Rialto Theatre.
United States
Dupont's success was noticed by Carl Laemmle at Universal, who offered Dupont a lucrative contract. His first project was Love Me and the World Is Mine in the early summer of 1926, which ran well over budget ($350,000) and was not a success.
Teringat masa kecilku Kau peluk dan kau manja Indahnya saat itu Buatku melambung Disisimu terngiang Hangat nafas segar harum tubuhmu Kau tuturkan segala mimpi-mimpi Serta harapanmu Kau ingin ku menjadi Yang terbaik bagimu Patuhi perintahmu Jauhkan godaan Yang mungkin kulakukan Dalam waktuku beranjak dewasa Jangan sampai membuatku Terbelenggu jatuh dan terinjak Reff : Tuhan tolonglah sampaikan Sejuta sayangku untuknya Ku terus berjanji Tak kan khianati pintanya Ayah dengarlah betapa sesungguhnya Ku mencintaimu Kan ku buktikan ku mampu penuhi maumu Andaikan detik itu Kan bergulir kembali Kurindukan suasana Basuh jiwaku Membahagiakan aku Yang haus akan kasih dan sayangmu Tuk wujudkan segala sesuatu