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Maxim Vengerov - Eugene Ysaye - Sonata No 3 in D minor, Ballade Op. 27
CLICK HERE To Get 7-15% Cash Back On All Your Online Shopping:
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Maxim Vengerov violin
Eugene Ysaye - Sonata No 3 in D minor, Ballade Op. 27
published: 11 Sep 2012
-
Eugène Ysaÿe - Brahms Hungarian Dance No. 5 | 1912
Violin master Eugène Ysaÿe plays Brahms' Hungarian Dance No. 5 in 1912.
Johannes Brahms composed his 21 Hungarian in 1879 based off traditional Hungarian themes, originally written for a piano with four hands, then later transcribed to 21 solo piano pieces.
Eugène-Auguste Ysaÿe (1858 - 1931) was a Belgian born violinist, and regarded as one of the greatest to have ever played the instrument; called by Nathan Milstein the 'Tsar' or violin. However, Ysaÿe is arguably most famous for his composition, his violin sonata No. 3 Ballade being most recognisable.
Recorded with Columbia Records, 1912
published: 18 Oct 2021
-
Maxim Vengerov: Eugène Ysaÿe - Sonata No. 3 in D minor (Ballade)
From the Cologne Philharmonic Hall
On the occasion of the MusikTriennale Köln, 1997
Maxim Vengerov - violin
Eugène Ysaÿe - Sonata No. 3 in D minor (Ballade)
Watch the complete concert: https://goo.gl/jB9H46
Subscribe: https://goo.gl/jrui3M
published: 23 May 2017
-
Eugène Ysaÿe - Poème Élégiaque, Op. 12
- Composer: Eugène Ysaÿe (16 July 1858 -- 12 May 1931)
- Performers: Catherine Manoukian (violin), Akira Eguchi (piano)
- Year of recording: 1998
"Poème Élégiaque" for Violin and Orchestra (or Piano) in D minor, Op. 12, written in 1892-1893.
With the Poème Élégiaque, Op. 12, Ysaÿe moved away from the pieces he wrote merely for virtuosic purposes in his youth. The only legacy from the virtuoso practice of the past is the scordatura: the G string is here tuned to an F, giving a dark colour, the violin sounding sometimes like a viola. First written for violin and piano, Ysaÿe later orchestrated the piece.
The work is dedicated to Gabriel Fauré, from whom he had already commissioned a piano quintet (Op. 89, which the composer was to take a further ten years to finish). However, it was upon...
published: 25 Jan 2016
-
Ysaÿe: 6 Sonatas for Violin Solo, Op. 27 - Sonata No. 3 in D Minor "Ballade"
Provided to YouTube by Universal Music Group
Ysaÿe: 6 Sonatas for Violin Solo, Op. 27 - Sonata No. 3 in D Minor "Ballade" · Hilary Hahn · Eugène Ysaÿe
Ysaÿe: 6 Sonatas for Violin Solo, Op. 27
℗ 2023 Hilary Hahn, under exclusive license to Deutsche Grammophon GmbH, Berlin
Released on: 2023-07-14
Associated Performer, Violin, Producer, Co- Producer: Hilary Hahn
Producer, Studio Personnel, Recording Engineer, Editor, Mastering Engineer: Antonio Oliart Ros
Composer: Eugène Ysaÿe
Auto-generated by YouTube.
published: 13 Jul 2023
-
Eugène Ysaÿe plays Schubert Ave Maria
Eugène Ysaÿe recorded this with pianist Camille DeCreus on 3/9/1914. It is an arrangement by Joachim. I love the depth and imagination in his sound. Enjoy!
published: 23 Dec 2009
-
Eugène Ysaÿe - 6 Sonatas for Violin Solo, Op 27 (1923) [Score-Video]
Eugène Ysaÿe 6 Sonatas for Violin Solo, Op 27 (1923)
Kristóf Baráti, violin
Sonata No. 1 in G minor 'Joseph Szigeti'
00:00 - No. 1: I. Grave: Lento assai
05:05 - No. 1: II. Fugato: Molto moderato
09:05 - No. 1: III. Allegretto poco Scherzoso: Amabile
13:12 - No. 1: IV. Finale con brio: Allegro fermo
Sonata No. 2 in A minor 'Jacques Thibaud'
15:53 - No. 2: I. Prelude 'Obsession'
18:15 - No. 2: II. Malinconia: Poco lento
20:50 - No. 2: III. Sarabande 'Danse des Ombres'
25:25 - No. 2: IV. Les furies: Allegro furioso
Sonata No. 3 in D minor 'George Enescu'
28:22 - No. 3: Ballade: Lento molto sostenuto - Allegro in tempo giusto e con bravura
Sonata No. 4 in E minor 'Fritz Kreisler'
35:37 - No. 4: I. Allemanda: Lento maestoso
41:23 - No. 4: II. Sarabande: Quasi lento
44:24 - No. 4: III. ...
published: 14 Apr 2024
-
Eugene Ysaye Plays Vieuxtemps Rondino
Second clip of Ysaye, this time playing Vieuxtemps. Recording around 1912. All I can say is "wow."
published: 13 Feb 2007
-
EUGÈNE YSAYE - Poème èlégiaque op. 12 für Violine und Klavier. Ulugbek Palvanov & Mikhail Kibardin
EUGÈNE YSAYE - Poème èlégiaque op. 12 i.d.B. für Violine und Klavier. Ulugbek Palvanov (Piano ) @Ulugbek-Palvanov & Mikhail Kibardin (Violine)
published: 02 Mar 2025
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Ysaye, Eugene op.14 Rêve d' Enfant violin+piano
Eugene Ysaye (1858-1931)
Opus 14 Rêve d' Enfant
for violin+ piano
Poème Élégiaque op.12 begin http://www.youtube.com/watch?v=HgqHh-TW6aU end
http://www.youtube.com/watch?v=KnNy-hrhZcA
Rêve d' Enfent op.14 (violin+ piano) http://www.youtube.com/watch?v=a8jtNnhdGfE
Chant d'Hiver op.15 http://www.youtube.com/watch?v=b9LUkUI4wHA
Berceuse op.20 http://www.youtube.com/watch?v=nG-pYzx3WEM
Neige d'Antan op.23 http://www.youtube.com/watch?v=qsHF-Tsg7ks
Divertimento op.24 (violin+orchestra) begin http://www.youtube.com/watch?v=EzIx4BTyCOA
end http://www.youtube.com/watch?v=WP5v9wNWaA8
published: 04 Jul 2009
5:45
Maxim Vengerov - Eugene Ysaye - Sonata No 3 in D minor, Ballade Op. 27
CLICK HERE To Get 7-15% Cash Back On All Your Online Shopping:
►► http://AventiMusic.net/Cash-Back
Maxim Vengerov violin
Eugene Ysaye - Sonata No 3 in D minor...
CLICK HERE To Get 7-15% Cash Back On All Your Online Shopping:
►► http://AventiMusic.net/Cash-Back
Maxim Vengerov violin
Eugene Ysaye - Sonata No 3 in D minor, Ballade Op. 27
https://wn.com/Maxim_Vengerov_Eugene_Ysaye_Sonata_No_3_In_D_Minor,_Ballade_Op._27
CLICK HERE To Get 7-15% Cash Back On All Your Online Shopping:
►► http://AventiMusic.net/Cash-Back
Maxim Vengerov violin
Eugene Ysaye - Sonata No 3 in D minor, Ballade Op. 27
- published: 11 Sep 2012
- views: 1023025
2:26
Eugène Ysaÿe - Brahms Hungarian Dance No. 5 | 1912
Violin master Eugène Ysaÿe plays Brahms' Hungarian Dance No. 5 in 1912.
Johannes Brahms composed his 21 Hungarian in 1879 based off traditional Hungarian theme...
Violin master Eugène Ysaÿe plays Brahms' Hungarian Dance No. 5 in 1912.
Johannes Brahms composed his 21 Hungarian in 1879 based off traditional Hungarian themes, originally written for a piano with four hands, then later transcribed to 21 solo piano pieces.
Eugène-Auguste Ysaÿe (1858 - 1931) was a Belgian born violinist, and regarded as one of the greatest to have ever played the instrument; called by Nathan Milstein the 'Tsar' or violin. However, Ysaÿe is arguably most famous for his composition, his violin sonata No. 3 Ballade being most recognisable.
Recorded with Columbia Records, 1912
https://wn.com/Eugène_Ysaÿe_Brahms_Hungarian_Dance_No._5_|_1912
Violin master Eugène Ysaÿe plays Brahms' Hungarian Dance No. 5 in 1912.
Johannes Brahms composed his 21 Hungarian in 1879 based off traditional Hungarian themes, originally written for a piano with four hands, then later transcribed to 21 solo piano pieces.
Eugène-Auguste Ysaÿe (1858 - 1931) was a Belgian born violinist, and regarded as one of the greatest to have ever played the instrument; called by Nathan Milstein the 'Tsar' or violin. However, Ysaÿe is arguably most famous for his composition, his violin sonata No. 3 Ballade being most recognisable.
Recorded with Columbia Records, 1912
- published: 18 Oct 2021
- views: 3376
6:51
Maxim Vengerov: Eugène Ysaÿe - Sonata No. 3 in D minor (Ballade)
From the Cologne Philharmonic Hall
On the occasion of the MusikTriennale Köln, 1997
Maxim Vengerov - violin
Eugène Ysaÿe - Sonata No. 3 in D minor (Ballade)
W...
From the Cologne Philharmonic Hall
On the occasion of the MusikTriennale Köln, 1997
Maxim Vengerov - violin
Eugène Ysaÿe - Sonata No. 3 in D minor (Ballade)
Watch the complete concert: https://goo.gl/jB9H46
Subscribe: https://goo.gl/jrui3M
https://wn.com/Maxim_Vengerov_Eugène_Ysaÿe_Sonata_No._3_In_D_Minor_(Ballade)
From the Cologne Philharmonic Hall
On the occasion of the MusikTriennale Köln, 1997
Maxim Vengerov - violin
Eugène Ysaÿe - Sonata No. 3 in D minor (Ballade)
Watch the complete concert: https://goo.gl/jB9H46
Subscribe: https://goo.gl/jrui3M
- published: 23 May 2017
- views: 110896
14:18
Eugène Ysaÿe - Poème Élégiaque, Op. 12
- Composer: Eugène Ysaÿe (16 July 1858 -- 12 May 1931)
- Performers: Catherine Manoukian (violin), Akira Eguchi (piano)
- Year of recording: 1998
"Poème Élégia...
- Composer: Eugène Ysaÿe (16 July 1858 -- 12 May 1931)
- Performers: Catherine Manoukian (violin), Akira Eguchi (piano)
- Year of recording: 1998
"Poème Élégiaque" for Violin and Orchestra (or Piano) in D minor, Op. 12, written in 1892-1893.
With the Poème Élégiaque, Op. 12, Ysaÿe moved away from the pieces he wrote merely for virtuosic purposes in his youth. The only legacy from the virtuoso practice of the past is the scordatura: the G string is here tuned to an F, giving a dark colour, the violin sounding sometimes like a viola. First written for violin and piano, Ysaÿe later orchestrated the piece.
The work is dedicated to Gabriel Fauré, from whom he had already commissioned a piano quintet (Op. 89, which the composer was to take a further ten years to finish). However, it was upon Ernest Chausson that the Poème Élégiaque was to have a great influence, serving as the example for the famous Poème which he would write three years later [uploaded on this channel]. Ysaÿe the interpreter participated here fully in the creative process. The similarities between the two works are striking: the general atmosphere, the Wagnerism, the shape, the sublime trills at the end … Ysaÿe helped in writing the violin part, in particular the cadenza of the work which Chausson eventually called ‘mon– ton poème’ (‘my–your poème’).
https://wn.com/Eugène_Ysaÿe_Poème_Élégiaque,_Op._12
- Composer: Eugène Ysaÿe (16 July 1858 -- 12 May 1931)
- Performers: Catherine Manoukian (violin), Akira Eguchi (piano)
- Year of recording: 1998
"Poème Élégiaque" for Violin and Orchestra (or Piano) in D minor, Op. 12, written in 1892-1893.
With the Poème Élégiaque, Op. 12, Ysaÿe moved away from the pieces he wrote merely for virtuosic purposes in his youth. The only legacy from the virtuoso practice of the past is the scordatura: the G string is here tuned to an F, giving a dark colour, the violin sounding sometimes like a viola. First written for violin and piano, Ysaÿe later orchestrated the piece.
The work is dedicated to Gabriel Fauré, from whom he had already commissioned a piano quintet (Op. 89, which the composer was to take a further ten years to finish). However, it was upon Ernest Chausson that the Poème Élégiaque was to have a great influence, serving as the example for the famous Poème which he would write three years later [uploaded on this channel]. Ysaÿe the interpreter participated here fully in the creative process. The similarities between the two works are striking: the general atmosphere, the Wagnerism, the shape, the sublime trills at the end … Ysaÿe helped in writing the violin part, in particular the cadenza of the work which Chausson eventually called ‘mon– ton poème’ (‘my–your poème’).
- published: 25 Jan 2016
- views: 82617
6:44
Ysaÿe: 6 Sonatas for Violin Solo, Op. 27 - Sonata No. 3 in D Minor "Ballade"
Provided to YouTube by Universal Music Group
Ysaÿe: 6 Sonatas for Violin Solo, Op. 27 - Sonata No. 3 in D Minor "Ballade" · Hilary Hahn · Eugène Ysaÿe
Ysaÿe: ...
Provided to YouTube by Universal Music Group
Ysaÿe: 6 Sonatas for Violin Solo, Op. 27 - Sonata No. 3 in D Minor "Ballade" · Hilary Hahn · Eugène Ysaÿe
Ysaÿe: 6 Sonatas for Violin Solo, Op. 27
℗ 2023 Hilary Hahn, under exclusive license to Deutsche Grammophon GmbH, Berlin
Released on: 2023-07-14
Associated Performer, Violin, Producer, Co- Producer: Hilary Hahn
Producer, Studio Personnel, Recording Engineer, Editor, Mastering Engineer: Antonio Oliart Ros
Composer: Eugène Ysaÿe
Auto-generated by YouTube.
https://wn.com/Ysaÿe_6_Sonatas_For_Violin_Solo,_Op._27_Sonata_No._3_In_D_Minor_Ballade
Provided to YouTube by Universal Music Group
Ysaÿe: 6 Sonatas for Violin Solo, Op. 27 - Sonata No. 3 in D Minor "Ballade" · Hilary Hahn · Eugène Ysaÿe
Ysaÿe: 6 Sonatas for Violin Solo, Op. 27
℗ 2023 Hilary Hahn, under exclusive license to Deutsche Grammophon GmbH, Berlin
Released on: 2023-07-14
Associated Performer, Violin, Producer, Co- Producer: Hilary Hahn
Producer, Studio Personnel, Recording Engineer, Editor, Mastering Engineer: Antonio Oliart Ros
Composer: Eugène Ysaÿe
Auto-generated by YouTube.
- published: 13 Jul 2023
- views: 73132
4:15
Eugène Ysaÿe plays Schubert Ave Maria
Eugène Ysaÿe recorded this with pianist Camille DeCreus on 3/9/1914. It is an arrangement by Joachim. I love the depth and imagination in his sound. Enjoy!
Eugène Ysaÿe recorded this with pianist Camille DeCreus on 3/9/1914. It is an arrangement by Joachim. I love the depth and imagination in his sound. Enjoy!
https://wn.com/Eugène_Ysaÿe_Plays_Schubert_Ave_Maria
Eugène Ysaÿe recorded this with pianist Camille DeCreus on 3/9/1914. It is an arrangement by Joachim. I love the depth and imagination in his sound. Enjoy!
- published: 23 Dec 2009
- views: 55885
1:04:53
Eugène Ysaÿe - 6 Sonatas for Violin Solo, Op 27 (1923) [Score-Video]
Eugène Ysaÿe 6 Sonatas for Violin Solo, Op 27 (1923)
Kristóf Baráti, violin
Sonata No. 1 in G minor 'Joseph Szigeti'
00:00 - No. 1: I. Grave: Lento assai
0...
Eugène Ysaÿe 6 Sonatas for Violin Solo, Op 27 (1923)
Kristóf Baráti, violin
Sonata No. 1 in G minor 'Joseph Szigeti'
00:00 - No. 1: I. Grave: Lento assai
05:05 - No. 1: II. Fugato: Molto moderato
09:05 - No. 1: III. Allegretto poco Scherzoso: Amabile
13:12 - No. 1: IV. Finale con brio: Allegro fermo
Sonata No. 2 in A minor 'Jacques Thibaud'
15:53 - No. 2: I. Prelude 'Obsession'
18:15 - No. 2: II. Malinconia: Poco lento
20:50 - No. 2: III. Sarabande 'Danse des Ombres'
25:25 - No. 2: IV. Les furies: Allegro furioso
Sonata No. 3 in D minor 'George Enescu'
28:22 - No. 3: Ballade: Lento molto sostenuto - Allegro in tempo giusto e con bravura
Sonata No. 4 in E minor 'Fritz Kreisler'
35:37 - No. 4: I. Allemanda: Lento maestoso
41:23 - No. 4: II. Sarabande: Quasi lento
44:24 - No. 4: III. Finale: Presto ma non troppo
Sonata No. 5 in G major 'Mathieu Crickboom'
47:34 - No. 5: I. L'Aurore: Lento assai
52:13 - No. 5: I. Danse rustique: Allegro giocoso molto moderato
Sonata No. 6 in E major 'Manuel Quiroga'
57:43 - No. 6: Allegro giusto non troppo vivo
Description (by Michel Stockhem)
Eugène Ysaÿe (1858-1931) occupies a towering and exceptional position in the history of musical performance, but this worked more to the detriment than to the benefit of his compositional oeuvre. Like his sometime partner on the piano, Ferruccio Busoni, he scaled new heights on the violin but showed hardly any concern for the dissemination of his own music. This situation was different in his youth, when he wrote concertos and mazurkas stylistically beholden to Vieuxtemps and Wieniawski, and in his old age, when he appeared ever more rarely as a violinist and ever more frequently as a conductor. Ysaÿe reached his zenith as a composer at a time of artistic upheaval, when his stature as an instrumentalist had entered a steep decline. He too forced to discover how easily a world with no notion of “high fidelity” can forget one of its great masters.
Ysaÿe completed his Six Sonatas for Violin Solo 1923-24 in his seaside house in Knokke-le-Zoute (today Belgium’s best-known bathing resort). At that time he was still deeply impressed by a recital in which Jozef Szigeti had played works by J.S. Bach. However, Szigeti’s performance did not mark the beginning of Ysaÿe’s encounter with Bach: he had long occupied himself with Bach’s works for unaccompanied violin and had frequently played the D-minor Chaconne in public. Ysaÿe’s six sonatas were conceived as a modern-day response to Bach’s music and a renewal of the message they contain. But they are also a response to everything that had changed in music and violin playing in the meantime – two contrasting aspects that nonetheless proved mutually compatible.
At a time when Ysaÿe himself was withdrawing from the concert stage, he conceived his violin sonatas for six younger virtuosos with whom he felt a special affinity: Jozef Szigeti, of course, but also Jacques Thibaud, Georges Enesco, Fritz Kreisler, Mathieu Crickboom and Manuel Quiroga, whose career was cut short by an accident. All six of these men had regularly expressed their admiration for him; now, in return, they received a gesture of thanks for which they in turn were grateful to their aging master.
Another of Ysaÿe’s goals was to depict the personality of each of the dedicatees. Their characteristics ranged from suave rigor (Szigeti and Crickboom) to the stringent elegance (Kreisler), and from rhapsodic wit and esprit (Enesco) to Spanish ardor (Quiroga) and tender lyricism (Thibaud). But not all the references in the sonatas can be deciphered: some direct musical allusions point to the dedicatees’ origins and personalities, while others relate to their preferred repertoire (from Baroque to Bartók) or to shared memories, lending the entire work a resemblance to the Enigma Variations. Indeed, today we perceive a Thibaud or a Kreisler quite differently from the way they viewed by their contemporaries and we associate when with a repertoire often formed only a small part of their actual field of activity. Ysaÿe himself played music with them on his holidays, taking the violin, viola or even his cello parts alongside his friends in string quartets by Haydn, Beethoven or modern French composers, and afterwards joining them lightheartedly at the dining table.
https://wn.com/Eugène_Ysaÿe_6_Sonatas_For_Violin_Solo,_Op_27_(1923)_Score_Video
Eugène Ysaÿe 6 Sonatas for Violin Solo, Op 27 (1923)
Kristóf Baráti, violin
Sonata No. 1 in G minor 'Joseph Szigeti'
00:00 - No. 1: I. Grave: Lento assai
05:05 - No. 1: II. Fugato: Molto moderato
09:05 - No. 1: III. Allegretto poco Scherzoso: Amabile
13:12 - No. 1: IV. Finale con brio: Allegro fermo
Sonata No. 2 in A minor 'Jacques Thibaud'
15:53 - No. 2: I. Prelude 'Obsession'
18:15 - No. 2: II. Malinconia: Poco lento
20:50 - No. 2: III. Sarabande 'Danse des Ombres'
25:25 - No. 2: IV. Les furies: Allegro furioso
Sonata No. 3 in D minor 'George Enescu'
28:22 - No. 3: Ballade: Lento molto sostenuto - Allegro in tempo giusto e con bravura
Sonata No. 4 in E minor 'Fritz Kreisler'
35:37 - No. 4: I. Allemanda: Lento maestoso
41:23 - No. 4: II. Sarabande: Quasi lento
44:24 - No. 4: III. Finale: Presto ma non troppo
Sonata No. 5 in G major 'Mathieu Crickboom'
47:34 - No. 5: I. L'Aurore: Lento assai
52:13 - No. 5: I. Danse rustique: Allegro giocoso molto moderato
Sonata No. 6 in E major 'Manuel Quiroga'
57:43 - No. 6: Allegro giusto non troppo vivo
Description (by Michel Stockhem)
Eugène Ysaÿe (1858-1931) occupies a towering and exceptional position in the history of musical performance, but this worked more to the detriment than to the benefit of his compositional oeuvre. Like his sometime partner on the piano, Ferruccio Busoni, he scaled new heights on the violin but showed hardly any concern for the dissemination of his own music. This situation was different in his youth, when he wrote concertos and mazurkas stylistically beholden to Vieuxtemps and Wieniawski, and in his old age, when he appeared ever more rarely as a violinist and ever more frequently as a conductor. Ysaÿe reached his zenith as a composer at a time of artistic upheaval, when his stature as an instrumentalist had entered a steep decline. He too forced to discover how easily a world with no notion of “high fidelity” can forget one of its great masters.
Ysaÿe completed his Six Sonatas for Violin Solo 1923-24 in his seaside house in Knokke-le-Zoute (today Belgium’s best-known bathing resort). At that time he was still deeply impressed by a recital in which Jozef Szigeti had played works by J.S. Bach. However, Szigeti’s performance did not mark the beginning of Ysaÿe’s encounter with Bach: he had long occupied himself with Bach’s works for unaccompanied violin and had frequently played the D-minor Chaconne in public. Ysaÿe’s six sonatas were conceived as a modern-day response to Bach’s music and a renewal of the message they contain. But they are also a response to everything that had changed in music and violin playing in the meantime – two contrasting aspects that nonetheless proved mutually compatible.
At a time when Ysaÿe himself was withdrawing from the concert stage, he conceived his violin sonatas for six younger virtuosos with whom he felt a special affinity: Jozef Szigeti, of course, but also Jacques Thibaud, Georges Enesco, Fritz Kreisler, Mathieu Crickboom and Manuel Quiroga, whose career was cut short by an accident. All six of these men had regularly expressed their admiration for him; now, in return, they received a gesture of thanks for which they in turn were grateful to their aging master.
Another of Ysaÿe’s goals was to depict the personality of each of the dedicatees. Their characteristics ranged from suave rigor (Szigeti and Crickboom) to the stringent elegance (Kreisler), and from rhapsodic wit and esprit (Enesco) to Spanish ardor (Quiroga) and tender lyricism (Thibaud). But not all the references in the sonatas can be deciphered: some direct musical allusions point to the dedicatees’ origins and personalities, while others relate to their preferred repertoire (from Baroque to Bartók) or to shared memories, lending the entire work a resemblance to the Enigma Variations. Indeed, today we perceive a Thibaud or a Kreisler quite differently from the way they viewed by their contemporaries and we associate when with a repertoire often formed only a small part of their actual field of activity. Ysaÿe himself played music with them on his holidays, taking the violin, viola or even his cello parts alongside his friends in string quartets by Haydn, Beethoven or modern French composers, and afterwards joining them lightheartedly at the dining table.
- published: 14 Apr 2024
- views: 6165
5:01
Eugene Ysaye Plays Vieuxtemps Rondino
Second clip of Ysaye, this time playing Vieuxtemps. Recording around 1912. All I can say is "wow."
Second clip of Ysaye, this time playing Vieuxtemps. Recording around 1912. All I can say is "wow."
https://wn.com/Eugene_Ysaye_Plays_Vieuxtemps_Rondino
Second clip of Ysaye, this time playing Vieuxtemps. Recording around 1912. All I can say is "wow."
- published: 13 Feb 2007
- views: 59194
0:57
EUGÈNE YSAYE - Poème èlégiaque op. 12 für Violine und Klavier. Ulugbek Palvanov & Mikhail Kibardin
EUGÈNE YSAYE - Poème èlégiaque op. 12 i.d.B. für Violine und Klavier. Ulugbek Palvanov (Piano ) @Ulugbek-Palvanov & Mikhail Kibardin (Violine)
EUGÈNE YSAYE - Poème èlégiaque op. 12 i.d.B. für Violine und Klavier. Ulugbek Palvanov (Piano ) @Ulugbek-Palvanov & Mikhail Kibardin (Violine)
https://wn.com/Eugène_Ysaye_Poème_Èlégiaque_Op._12_Für_Violine_Und_Klavier._Ulugbek_Palvanov_Mikhail_Kibardin
EUGÈNE YSAYE - Poème èlégiaque op. 12 i.d.B. für Violine und Klavier. Ulugbek Palvanov (Piano ) @Ulugbek-Palvanov & Mikhail Kibardin (Violine)
- published: 02 Mar 2025
- views: 211
4:13
Ysaye, Eugene op.14 Rêve d' Enfant violin+piano
Eugene Ysaye (1858-1931)
Opus 14 Rêve d' Enfant
for violin+ piano
Poème Élégiaque op.12 begin http://www.youtube.com/watch?v=HgqHh-TW6aU end
http://www.you...
Eugene Ysaye (1858-1931)
Opus 14 Rêve d' Enfant
for violin+ piano
Poème Élégiaque op.12 begin http://www.youtube.com/watch?v=HgqHh-TW6aU end
http://www.youtube.com/watch?v=KnNy-hrhZcA
Rêve d' Enfent op.14 (violin+ piano) http://www.youtube.com/watch?v=a8jtNnhdGfE
Chant d'Hiver op.15 http://www.youtube.com/watch?v=b9LUkUI4wHA
Berceuse op.20 http://www.youtube.com/watch?v=nG-pYzx3WEM
Neige d'Antan op.23 http://www.youtube.com/watch?v=qsHF-Tsg7ks
Divertimento op.24 (violin+orchestra) begin http://www.youtube.com/watch?v=EzIx4BTyCOA
end http://www.youtube.com/watch?v=WP5v9wNWaA8
https://wn.com/Ysaye,_Eugene_Op.14_Rêve_D'_Enfant_Violin_Piano
Eugene Ysaye (1858-1931)
Opus 14 Rêve d' Enfant
for violin+ piano
Poème Élégiaque op.12 begin http://www.youtube.com/watch?v=HgqHh-TW6aU end
http://www.youtube.com/watch?v=KnNy-hrhZcA
Rêve d' Enfent op.14 (violin+ piano) http://www.youtube.com/watch?v=a8jtNnhdGfE
Chant d'Hiver op.15 http://www.youtube.com/watch?v=b9LUkUI4wHA
Berceuse op.20 http://www.youtube.com/watch?v=nG-pYzx3WEM
Neige d'Antan op.23 http://www.youtube.com/watch?v=qsHF-Tsg7ks
Divertimento op.24 (violin+orchestra) begin http://www.youtube.com/watch?v=EzIx4BTyCOA
end http://www.youtube.com/watch?v=WP5v9wNWaA8
- published: 04 Jul 2009
- views: 50565