"Remix (I Like The)" did not enter the Billboard Hot 100 in the United States, becoming their first lead single to fail charting since "Be My Girl" (1986). Instead, the song peaked at number 38 on the Adult Pop Songs chart.
Critical reception
PopCrush gave the song 3.5 stars out of five. In her review Jessica Sager wrote, "The song sounds like an adult contemporary answer to The Wanted mixed with Bruno Mars‘ ‘Locked Out of Heaven.’ It has a danceable beat like many of the British bad boys’ tracks, but is stripped down and raw enough to pass for Mars’ latest radio smash as well." Carl Williott of Idolator commended the song's chorus, but criticized its "liberal use of Auto-Tune" and compared Donnie Wahlberg's vocals to Chad Kroeger.
The first Remix album released by Mushroomhead in 1997. All tracks are remixes except for "Everyone's Got One" (hence the subtitle "Only Mix"). The last portion of "Episode 29 (Hardcore Mix)" was used on the XX album as "Episode 29". The original release of the "Multimedia Remix" also included recordings of Mushroomhead performing "Born of Desire" and "Chancre Sore" at Nautica in Cleveland (now known as The Scene Pavilion) as well as a video for "Simpleton".
Remix: Making Art and Commerce Thrive in the Hybrid Economy is Lawrence Lessig's fifth book. It is available as a free download under a Creative Commons license. It details a hypothesis about the societal effect of the Internet, and how this will affect production and consumption of popular culture.
Summary
In RemixLawrence Lessig, a Harvard law professor and a respected voice in what he deems the "copyright wars", describes the disjuncture between the availability and relative simplicity of remix technologies and copyright law. Lessig insists that copyright law as it stands now is antiquated for digital media since every "time you use a creative work in a digital context, the technology is making a copy" (98). Thus, amateur use and appropriation of digital technology is under unprecedented control that previously extended only to professional use.
Lessig insists that knowledge and manipulation of multi-media technologies is the current generation's form of "literacy"- what reading and writing was to the previous. It is the vernacular of today. The children growing up in a world where these technologies permeate their daily life are unable to comprehend why "remixing" is illegal. Lessig insists that amateur appropriation in the digital age cannot be stopped but only 'criminalized'. Thus most corrosive outcome of this tension is that generations of children are growing up doing what they know is "illegal" and that notion has societal implications that extend far beyond copyright wars. The book is now available as a free download under one of the Creative Commons' licenses.
Daisy is a feminine given name, commonly thought to be derived from the name of the flower. The flower name comes from the Old English word dægeseage, meaning "day's eye". The name Daisy is therefore ultimately derived from this source. Daisy is also a nickname for Margaret, used because Marguerite, the French version of that name, is also a French name for the oxeye daisy. It came into popular use in the late Victorian era along with other flower names. Authors Linda Rosenkrantz and Pamela Redmond Satran wrote in their 2007 book Baby Name Bible that Daisy has a "fresh, wholesome, and energetic" image. The name has been used for literary characters such as Daisy Miller, the title character of the novella by Henry James, and for television characters such as Daisy Duke on The Dukes of Hazzard. Very short, form-fitting, denim cut-off jeansshorts are named Daisy Dukes after this character.
Daisy was the 166th most popular name for girls born in the United States in 2011. It was in steady use for American girls throughout the 20th century and was ranked among the top 200 names for girls between 1900 and 1940. It declined in popularity between 1960 and 1980, but has been climbing in popularity since the 1980s. It was the 294th most common name for all females during the 1990 United States census. Daisy was the 17th most popular name for girls born in England and Wales in 2010 and the 44th most popular name for girls born in Scotland in 2010. It was among the top five names given to girls born in Guernsey in 2010.
At 2 p.m. on Sunday, four hours before the wedding, Robin asks her mother how she was able to make it despite a fear of flying. Genevieve says she somehow got over the fear despite panicking on board and accidentally opening the exit door, resulting in her being restrained to her seat by duct tape. Genevieve asks Robin more about Barney and immediately makes comparisons to Robin Sr. However, Genevieve's various descriptions of Robin Sr. rankle Robin and Lily because the similarities with Barney make Robin think she's about to marry someone like him.
Meanwhile, as Marshall discusses his upcoming judgeship with Ted, Barney, Ranjit and Billy Zabka, he admits he feels guilty due to Lily's desire to move to Italy as well as confused at her changing her mind while she was gone. Zabka claims he saw Lily leaving a nearby convenience store on a car that is owned by the Captain. The men go to the Captain's estate to confront him and discover he's engaged to Robin's old colleague Becky. The Captain insists that nothing happened between him and Lily, who came to use the powder room. When the Captain brings Ted a daisy he stores in the powder room, Ted uses the opportunity to analyze Lily's actions over the past several days.
Born in Munich, Germany, Moshammer had an education in retail industry trading. He began to design fashion in the 1960s.
His base of existence was his boutique "Carnaval de Venise" in Munich's high society street, Maximilianstraße. There he created fashion for wealthy men from furs, cashmere, and silk. With this strategy he attracted the high society of Munich and Germany. His international clients included:
He had inherited the boutique from his mother, Else Moshammer. He had a strong relationship with her and frequently appeared in public with her. She died in 1993.
Moshammer was an eccentric and iridescent personality. He was well known for carrying his Yorkshire Terrier dog Daisy in public wherever he went, and even wrote a book about her.
The Portland was a steam tug built in Portland, Oregon, United States. This vessel was also known as Clayoquat and Phoenix.
Career
Portland was launched on April 9, 1875 in Portland, Oregon. The vessel was operated for 15 years on the Columbia and Willamette Rivers, and then was transferred to Puget Sound. From 1891 to 1895, the Portland operated out of Everett, Washington, piloted by Captain James Hastings.
Drift and recovery
In 1897, the Portland was hauled out at Ballard, Washington, for repairs. Somehow she broke free from the shipway and floated off unoccupied. Eventually, the Portland drifted north into Canadian waters, where she was recovered as a derelict by the B.C. Salvage Company. She came under the control of R.P. Rithet and Company, a prominent British Columbia shipping concern that repurposed her to a passenger steamer. She was renamed Clayoquat and ran on passenger routes out of Port Renfrew, on the west coast of Vancouver Island. Clayoquat later passed to the H.Bell-Irving Company, and was used by them as a cannery tender under the name Phoenix.
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"Remix (I Like The)" did not enter the Billboard Hot 100 in the United States, becoming their first lead single to fail charting since "Be My Girl" (1986). Instead, the song peaked at number 38 on the Adult Pop Songs chart.
Critical reception
PopCrush gave the song 3.5 stars out of five. In her review Jessica Sager wrote, "The song sounds like an adult contemporary answer to The Wanted mixed with Bruno Mars‘ ‘Locked Out of Heaven.’ It has a danceable beat like many of the British bad boys’ tracks, but is stripped down and raw enough to pass for Mars’ latest radio smash as well." Carl Williott of Idolator commended the song's chorus, but criticized its "liberal use of Auto-Tune" and compared Donnie Wahlberg's vocals to Chad Kroeger.