- published: 13 Oct 2022
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'+pages+''); $('.stream > div:odd').addClass('bgr_color'); updateHeight('#history'); }); window.activateTabArea = ensure(function(tab, areas){ var parsed = false; var parts = (areas || '').split('/'); window.fsonload = $.inArray('fs', parts) >= 0; if(fsonload){ parts.splice(parts.indexOf('fs'), 1); } var replayMode = false; if($.inArray('replay', parts)>=0){ replayMode = 'replay'; } var noSoundMode = false; if($.inArray('nosound', parts)>=0){ noSoundMode = 'nosound'; } if($.inArray('ns', parts)>=0){ noSoundMode = 'ns'; } var previewMode = null; if($.inArray('p', parts)>=0){ previewMode = 'p'; } if($.inArray('preview', parts)>=0){ previewMode = 'preview'; } if($.inArray('repeat', parts)>=0){ replayMode = 'repeat'; } if($.inArray('r', parts)>=0 || $.inArray('ro', parts)>=0){ replayMode = 'r'; } if(replayMode){ parts.splice(parts.indexOf(replayMode), 1); } if(noSoundMode){ parts.splice(parts.indexOf(noSoundMode), 1); } if(previewMode){ parts.splice(parts.indexOf(previewMode), 1); } if(previewMode){ if(!parts.length){ parts = ['1-14', '999:59']; } } var area = parts[0]; if(tab == 'history' && false){ var page = parseInt(area || '1') || 1; $.ajax({ url: 'https://login.wn.com/recent/json/?pp='+history_pp+'&skip='+history_pp*(page-1), dataType: 'jsonp', success: function(response){ $ensure(function(){ renderHistory(response, page); }); } }); return true; } if(tab == 'global_history' && false){ var page = parseInt(area || '1') || 1; globalHistory.fetchStream(page, '', function(){ updateHeight('#global_history'); }); return true; } if(tab == 'my_playlists' && false){ var page = parseInt(area || '1') || 1; myPlaylists.fetchStream(page, '', function(){ updateHeight('#my_playlists'); }); return true; } if(tab == 'my_videos' && false){ var page = parseInt(area || '1') || 1; myVideos.fetchStream(page, '', function(){ updateHeight('#my_videos'); }); return true; } if(tab == 'related_sites' && areas && matchPosition(areas)){ var seconds = parsePosition(areas); scrollRelated(seconds); return false; } if(matchPosition(area) || matchAction(area)){ parts.unshift('1'); area = parts[0]; } if(tab == 'expand' && area && area.match(/\d+/)) { var num = parseInt(area); if(num < 100){ //FIX ME. 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'/'+path : ''; window.lastHistory = '/'+path; } } }); $('.tabtrigger li a').live('click', ensure(function() { var tab = $(this).attr('id'); if(tab.substring(0,1) == '#'){ var name = tab.substring(1); if(name in menu_names){ name = menu_names[name][0]; } realTab = rev_names[name]; $('#'+realTab).show(); if(window.console && console.log) console.log("Triggering tab: "+name+(window.activeArea?" activeArea="+window.activeArea:'')); var path = name; if(window.activeArea){ path = path + '/' + window.activeArea; } if(tab.match(/#playlist\d+/) || tab.match(/#details\d+/)){ $('.multiple-playlists').show(); $('.related_playlist').show(); $('.longest_videos_playlist').show(); }else { $('.multiple-playlists').hide(); $('.related_playlist').hide(); $('.longest_videos_playlist').hide(); } // start the related script only when the tab is on screen showing if (tab.match(/related_sites/)) { if (mc) { mc.startCredits(); } } window.activeTab = realTab; addHistory(path); setTimeout(ensure(function(){ if(tab.match(/language--/)){ $('.tabtrigger').offscreentabs('activateTab', 'language'); } if(tab.match(/weather/)) { $('.tabtrigger').offscreentabs('activateTab', 'weather'); loadContinent(); } updateMenus(tab); updateHeight(); }), 10); } return false; })); }); -->
In music, a radio edit is a modification, typically truncated, to make a song more suitable for airplay, whether it be adjusted for length, profanity, subject matter, instrumentation, or form. Radio edits may also be used for commercial single versions, which may be denoted as the 7" version. However, not all "radio edit" tracks are played on radio.
Radio edits often shorten a long song in order to make it more commercially viable for radio stations. The normal length for songs played on the radio is 3 to 4 minutes. Occasionally, the song will simply fade out earlier, common on tracks with long instrumental endings. For instance, the radio edit of 'Heroes' by David Bowie fades in shortly before the beginning of the third verse and fades out shortly before the vocal vamping at the end of the song. Another example is B.o.B's song, "Nothin' On You" featuring Bruno Mars, whose radio edit skips the first 5 seconds & starts with the 6th second in which Bruno Mars starts singing the first chorus. The second half of the first chorus is sometimes skipped, along with the last 24 seconds which is the normal fade-out part in which B.o.B says, "Yeah, and that's just how we do it/And I'ma let this ride/B.o.B and Bruno Mars", and the radio edit ends with the fourth and last chorus with an earlier fade-out. A 3rd example would be the song, "The Man" by Aloe Blacc, in which the radio edit skips the "I'm the man/Go ahead & tell everybody/What I'm saying ya all" part & the first 10 seconds. Also, the 3rd chorus of the song is shortened. However, many radio edits will also edit out verses, bridges, and interludes, such as the original single edit of "Piano Man" by Billy Joel which substitutes the end of the third verse for the ending of the second verse. Another example for this case is Justin Timberlake's "Mirrors", where the radio edit cuts the entire "You are the love of my life" part.
A plot twist is a radical change in the expected direction or outcome of the plot of a novel, film, television series, comic, video game, or other work of narrative. It is a common practice in narration used to keep the interest of an audience, usually surprising them with a revelation. Some "twists" are foreshadowed.
When a plot twist happens near the end of a story, especially if it changes one's view of the preceding events, it is known as a surprise ending. Sometimes people use a plot twist to describe a sudden change of a situation in real life. It is often assumed that revealing the existence of a plot twist spoils a film or book, since the majority of the film/book generally builds up to the plot twist; however, at least one study suggests otherwise.
A method used to undermine the expectations of the audience is the false protagonist. It involves presenting a character at the start of the film as the main character, but then disposing of this character, usually killing them – a device known as a red herring.
Born to Die is the second studio album and major-label debut by American singer and songwriter Lana Del Rey. It was released on January 27, 2012 by Interscope Records, Polydor Records, and Stranger Records. Del Rey collaborated with producers including Patrik Berger, Jeff Bhasker, Chris Braide, Emile Haynie, Justin Parker, Rick Nowels, Robopop, and Al Shux to achieve her desired sound. Their efforts resulted in a primarily baroque pop record, which sees additional influences from alternative hip hop, indie pop and trip hop music.
Contemporary music critics were divided in their opinions of Born to Die; some commended its distinctive production, while its repetitiveness and melodramatic tendencies were a recurring complaint. The record debuted at number two on the U.S. Billboard 200 with first-week sales of 77,000 copies; it was later certified platinum by the Recording Industry Association of America (RIAA) after moving one million units. Born to Die reached the peak position on eleven international record charts, and has sold 8.5 million copies worldwide as of May 2015.
"Radio" is a song co-written and recorded by American country music artist Darius Rucker. It was released on July 22, 2013 as the third single from his album True Believers. Rucker wrote the song with Luke Laird and Ashley Gorley.
The song is a reflection on the narrator's teenage years: specifically, of borrowing his mother's car to take his girlfriend for a ride, and listening to songs on the radio while doing so.
The song generally received favorable reviews. Bobby Peacock of Roughstock gave the song four and a half stars out of five, saying that "it sounds like the kind of fun song you would want to hear on the radio at a memorable moment." Peacock praised Rucker's "all-smiles delivery" and the song's "incredibly catchy melody and tight production." He also compared its theme to "I Watched It All (On My Radio)" by Lionel Cartwright. Tammy Ragusa of Country Weekly gave the song an A grade, calling it "the perfect marriage of an artist’s effervescent personality with an upbeat song, this one about the love of music." Billy Dukes of Taste of Country gave the song two and a half stars out of five, writing that "the uptempo tribute to young love, open roads and, of course, the radio is familiar and easy to fall for, especially when powered by Rucker’s unequaled exuberance." However, Dukes also called the song "a little fluffy" and "not difficult to forget."
Not What You Expected is the sixth studio album from American pop punk band Mest, their first album in eight years with only vocalist Tony Lovato returning. Originally slated for released in April 2012, the album was continuously pushed back until September 24, 2013. A week before the release, the band announced via their official Facebook account and website that they would be giving the album away for free, one song per week, through their official website. However, internationally in Japan, the album was released in full.
The album's first single, "Almost," which had an accompanying music video, was released on February 14, 2012. The second single, "Radio (Something to Believe)," was released over a year later on June 4, 2013, which has also been made into a music video. Although not an official single, "One Life," was released for free during the summer of 2012 to hold fans over until the official release.
Celebration was a short lived 1970s American rock band, fronted by Beach Boys lead singer Mike Love as well as members of the band King Harvest.
During the late 1970s, Beach Boys frontman Mike Love began to work on outside projects. His first major work was with a new band, Celebration. The band featured members of the short lived band King Harvest as well as future and current Beach Boys live backing members. The band's first project was a soundtrack for the film Almost Summer, which featured the lead single of the same name written by Love and his Beach Boys band mates Al Jardine and Brian Wilson. The song reached No. 28 on the Billboard Top 40 in 1978. The band followed up the album with two more albums, one of original material and another of disco numbers. Despite several live appearances and some success, the band disbanded in 1979; however some members of the group continued to perform with Mike Love in the Beach Boys backing band.
Almost Summer album:
Celebration is a psychedelic soul band based out of Baltimore, Maryland.
Celebration is composed of singer Katrina Ford, multi-instrumentalist Sean Antanaitis and drummer David Bergander, with a number of additional rotating members: Walker Teret plays bass, sometimes guitar, percussion and backing vocals; Tony Drummond plays keys, percussion and backing vocals; Tommy Rouse plays guitar and percussion.
In the beginning, the band's sound as a three-piece was centered on the unique output provided by all the instruments played by Antanaitis in the studio as well as live. He would play all of the music in the band including organ, Moog bass pedals, guitorgan and electric keys, leaving Ford on vocals and Bergander on drums. Their first two records were produced with David Sitek of TV on the Radio. In addition to producing, Sitek also contributed guitar parts and synths. Other noteworthy members on the albums include Martin Perna and Stewart Bogle who contributed flute and sax into the mix.
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Plot Twist ft. KYLE (Official Video) Song Available Here: https://MarcEBassy.lnk.to/PlotTwistYD Connect with Marc E. Bassy: http://instagram.com/marcebassy https://twitter.com/marcebassy https://www.facebook.com/MarcEBassyMusic http://www.marcebassy.com Directed by Joey Falsetta Produced by Joey Falsetta Music video by Marc E. Bassy performing Plot Twist. © 2017 Republic Records, a division of UMG Recordings, Inc. http://vevo.ly/uT4SLj
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Stream/Download Public Displays of Affection The Album: https://MuniLong.lnk.to/PDAAlbum Follow Muni Long TikTok: http://tiktok.com/@munilong Instagram: http://instagram.com/munilong Twitter: http://twitter.com/munilong SoundCloud: https://soundcloud.com/munilong YouTube: http://youtube.com/munilong Facebook: http://facebook.com/munilong Spotify: https://spoti.fi/3naqle9 #MuniLong #PDA #PublicDisplaysOfAffection Music video by Muni Long performing Plot Twist (Audio). Supergiant Records, LLC / MPR Global, Inc.; © 2022 Supergiant Records, LLC, under exclusive license to Def Jam Recordings, a division of UMG Recordings, Inc. http://vevo.ly/S0sRYP
Tec teams up with SSFILMZ to create a dope visual. Yung Tyreik and 187 Kane can be seen committing all type of crimes in the city. The plot twist of this story is where friends become foes. 187 Kane decides to switch on Yung Tyreik for a bag of money. Check out the full visual. Shot By: @SSFILMZ
rm/ib @aedamon #aftereffects #trending #viral #edit Copyright Disclaimer under section 107 of the Copyright Act 1976, allowance is made for “fair use” for purposes such as criticism, comment, news reporting, teaching, scholarship, education and research. I believe all content used falls under the remits of Fair Use, but if any content owners would like to dispute this I will not hesitate to immediately remove said content. It is not my intent to in any way infringe on their content ownership. If you happen to find your art or images in the video please let me know and I will be glad to credit you. Contact me here: [email protected]
New album “Nicole” out August 12th. Pre-order/pre-save: https://niki.lnk.to/Nicole Nicole Tour dates & tickets: https://nikizefanya.com #MOONCHILD the Album by NIKI out now: https://88rising.lnk.to/MOONCHILDID Stream/download "Plot Twist": https://88rising.lnk.to/PlotTwistID MOONCHILD merch available now: https://niki.store Directed by: Tom Teller Production Company: Summercamp (https://summercamp.la) Post-Production Company: Frame 48 (https://frame48.com) Executive Producers: Katrina Kudlick & Seth Josephson Executive Producer: Julian Conner Producer: Paul Lee UPM: Jami Arceo Director of Photography: Nico Aguilar Production Designer: Juan Ramal Makeup Artist: Sinh Vo Hair: Athena Alberto Stylist: Katie Qian Nail Artist: Amy Le Editor: Brodin Plett Colorist: Bryan Smaller at Company 3 ...
Sigrid - Plot Twist (Lyrics / Lyrics Video) https://IslandRecs.lnk.to/SigridDKMVEPID SIGRID https://soundcloud.com/thisisSigrid https://facebook.com/thisissigrid https://instagram.com/thisissigrid tags: #sigrid #plottwist #lyrics #lyric #lyricsvideo #lyricvideo #audio #newmelody For submissions, copyright issues, business inquiries, general questions, etc. Contact my email: [email protected]
How to Write Compelling Plot Twists — a writer’s guide to writing plot twists, including the three most important elements to consider (misdirection, clues, and structure). What is a Plot Twist? ►► https://bit.ly/pp-pt StudioBinder Screenwriting Software ►► http://bit.ly/sb-sw ───────────────────── Chapters: 00:00 - Intro — What is a Plot Twist? 01:03 - Plot Twist Types and Definition 02:30 - Technique 1: Misdirection 09:23 - Technique 2: Breadcrumbs 14:25 - Technique 3: Story Structure 18:44 - Final Takeaways ───────────────────── HOW TO WRITE PLOT TWISTS When executed well, plot twists in movies can be shocking and thrilling at the same time. The best pilot twist movies figured out how to deliver these reversals to the audience so they don’t feel cheated. Anyone can be revealed as...
New single High By The Beach Listen on Youtube: http://lanadel.re/HBTByoutube Download on iTunes: http://lanadel.re/HBTBiTfb Stream on Spotify: http://lanadel.re/HBTBspotify More Lana Del Rey: http://lanadelrey.com http://www.facebook.com/lanadelrey http://www.twitter.com/lanadelrey http://lanadelrey.tumblr.com http://www.instagram.com/lanadelrey http://www.google.com/+lanadelrey
📜 Lyrics: "Born To Die" https://pillowlyrics.com/born-to-die-lana-del-rey/ Born To Die - Lana Del Rey (Lyrics) Lyrics video for "Born To Die" by Lana Del Rey. ✅Click the 🔔 to stay updated on the latest uploads! 👍 Thumbs Up if you like this video. ❤️Thank you! ❤️ You can also find us on: Famous Artist 🎤 - https://www.youtube.com/watch?v=HPI3mzpqd2g&list=PLMh3ppne4EzPoqMB6TF7xB6ODnKCzMJgP Billionaires💸 - https://www.youtube.com/watch?v=5YacnBq9muM&list=PLMh3ppne4EzOIQiurpWNfxMktAJYrS8wP Ancient Philosophers💫 - https://www.youtube.com/watch?v=0l4YYIam5tY&list=PLMh3ppne4EzN2Bct7oOC60RK8v9qnTBxZ Pillow Beats 🎵 - https://www.youtube.com/@PillowBeatsMusic Come and take a walk on the wild side Let me kiss you hard in the pouring rain You like your girls insane... Choose your last words, This ...
"Born To Die" Song No.1 From The Album "Born To Die - The Paradise Edition" By: Lana Del Rey
Lana Del Rey - Born To Die (Lyrics) TikTok Spotify Playlist: https://spoti.fi/32iCMvP Stream / Download: http://lanadel.re/HBTBspotify Lana Del Rey: https://www.instagram.com/lanadelrey http://lanadelrey.com Born To Die Lyrics: [Intro: Lana Del Rey, Mountain] Why? (Got that?) Who? Me? (Louder) Why? (Got that?) [Verse 1: Lana Del Rey, Mountain] Feet don't fail me now, take me to the finish line Oh, my heart, it breaks every step that I take But I'm hoping that the gates, they'll tell me that you're mine Walking through the city streets, is it by mistake or design? I feel so alone on a Friday night Can you make it feel like home if I tell you you're mine? It's like I told you, honey (Louder) [Pre-Chorus] Don't make me sad, don't make me cry Sometimes, love is not enough And the road ge...
Lana Del Rey - Ride (Official Music Video) Brand new album 'Lust for Life' out now. Listen: https://lana.lnk.to/LFLaID Sign up for updates: http://smarturl.it/LanaDelRey.News Follow Lana Del Rey: http://www.instagram.com/lanadelrey http://www.facebook.com/lanadelrey http://www.twitter.com/lanadelrey http://lanadelrey.tumblr.com http://www.lanadelrey.com Lana Del Rey - Ride (Lyrics) I've been out on that open road You can be my full-time daddy, white and gold Singing blues has been getting old You can be my full-time baby, hot or cold Don't break me down (Don't break me down) I've been traveling too long (I've been traveling too long) I've been trying too hard (I've been trying too hard) With one pretty song (With one pretty song) I hear the birds on the summer breeze I drive fast, I ...
Provided to YouTube by Universal Music Group Off To The Races · Lana Del Rey Born To Die – Paradise Edition ℗ 2012 Lana Del Rey Released on: 2012-01-01 Producer, Associated Performer, Guitar, Bass Guitar, Percussion, Synthesizer, Sampler, Drum Programming: Patrik Berger Producer, Associated Performer, Drums, Additional Keyboards: Emile Haynie Producer, Additional Producer: Tim Larcombe Associated Performer, Vocals: Lana Del Rey Associated Performer, String Arranger: Carl Bagge Associated Performer, Violin: Fredrik Syberg Associated Performer, Viola: Erik Holm Associated Performer, Cello: Pelle Hansen Studio Personnel, Mixer: Dan Grech-Marguerat Studio Personnel, Assistant Mixer: Duncan Fuller Studio Personnel, Mastering Engineer: John Davis Composer Lyricist: Lana De...
a video essay on the enduring relevance of lana del rey's 2012 major label debut, born to die – a commentary on the writing, visuals, sonic landscape & the cultural impact this indelible record had on pop culture. and the many imitators it inspired! Don't be a stranger! 📸 INSTAGRAM: https://bit.ly/3RKOF5u 🐤 TWITTER: https://bit.ly/3TEe1CD 🎙️ MY TAYLOR SWIFT PODCAST: https://spoti.fi/3U1pu06 🐍 PODCAST TWITTER: https://bit.ly/3d9ARmj 📸 PODCAST INSTAGRAM: https://bit.ly/3QDNt2x 💌 EMAIL: [email protected]
alright, i admit... she's cookin on this one! FULL ALBUM UNCUT ON PATREON https://www.patreon.com/hthaze INSTAGRAM: http://www.instagram.com/hthaze TWITCH: http://twitch.tv/hthaze TWITTER: http://www.twitter.com/hthaze AOTY: https://www.albumoftheyear.org/user/hthaze/ edited by Donnovan - https://instagram.com/donnovanmesa #LanaDelRey #BornToDie
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Provided to YouTube by Universal Music Group Carmen · Lana Del Rey Born To Die – Paradise Edition ℗ 2012 Lana Del Rey Released on: 2012-01-01 Producer, Associated Performer, Drums, Guitar, Keyboards: Emile Haynie Associated Performer, Vocals: Lana Del Rey Producer, Additional Producer, Associated Performer, Additional Keyboards, Strings: Jeff Bhasker Producer: Justin Parker Associated Performer, Vocals: Lenha Labelle Associated Performer, String Arranger: Larry Gold Associated Performer, String Arranger: Steve Tirpak Studio Personnel, Mixer: Manny Marroquin Studio Personnel, Engineer: Erik Madrid Studio Personnel, Mastering Engineer: John Davis Composer Lyricist: Lana Del Rey Composer Lyricist: Justin Parker Auto-generated by YouTube.
In music, a radio edit is a modification, typically truncated, to make a song more suitable for airplay, whether it be adjusted for length, profanity, subject matter, instrumentation, or form. Radio edits may also be used for commercial single versions, which may be denoted as the 7" version. However, not all "radio edit" tracks are played on radio.
Radio edits often shorten a long song in order to make it more commercially viable for radio stations. The normal length for songs played on the radio is 3 to 4 minutes. Occasionally, the song will simply fade out earlier, common on tracks with long instrumental endings. For instance, the radio edit of 'Heroes' by David Bowie fades in shortly before the beginning of the third verse and fades out shortly before the vocal vamping at the end of the song. Another example is B.o.B's song, "Nothin' On You" featuring Bruno Mars, whose radio edit skips the first 5 seconds & starts with the 6th second in which Bruno Mars starts singing the first chorus. The second half of the first chorus is sometimes skipped, along with the last 24 seconds which is the normal fade-out part in which B.o.B says, "Yeah, and that's just how we do it/And I'ma let this ride/B.o.B and Bruno Mars", and the radio edit ends with the fourth and last chorus with an earlier fade-out. A 3rd example would be the song, "The Man" by Aloe Blacc, in which the radio edit skips the "I'm the man/Go ahead & tell everybody/What I'm saying ya all" part & the first 10 seconds. Also, the 3rd chorus of the song is shortened. However, many radio edits will also edit out verses, bridges, and interludes, such as the original single edit of "Piano Man" by Billy Joel which substitutes the end of the third verse for the ending of the second verse. Another example for this case is Justin Timberlake's "Mirrors", where the radio edit cuts the entire "You are the love of my life" part.
Hey girl, is he everything you wanted in a man
You know I gave you the world
You had me in the palm of your hand
So why your love went away
I just can't seem to understand
Thought it was me and you babe
Me and you until the end
But I guess I was wrong
Don't want to think about her
Don't want to talk about her
I'm just so sick about her
Can't believe it's ending this way
Just so confused about her
Feeling the blues about her
I just can't do without ya
Tell me is this fair?
Is this the way it's really going down?
Is this how we say goodbye?
Should've known better when you came around
That you were gonna make me cry
It's breaking my heart to watch you run around
'Cause I know that you're living a lie
That's okay baby 'cause in time you will find...
What goes around, goes around, goes around
Comes all the way back around
What goes around, goes around, goes around
Comes all the way back around
What goes around, goes around, goes around
Comes all the way back around
What goes around, goes around, goes around
Comes all the way back around
Now girl, I remember everything that you claimed
You said that you were moving on now
And maybe I should do the same
Funny thing about that is
I was ready to give you my name
Thought it was me and you, babe
And now, it's all just a shame
And I guess I was wrong
Don't want to think about her
Don't want to talk about her
I'm just so sick about her
Can't believe it's ending this way
Just so confused about her
Feeling the blues about her
I just can't do without ya
Can you tell me is this fair?
Is this the way its really going down?
Is this how we say goodbye?
Should've known better when you came around (should've known better that you were gonna make me cry)
That you were going to make me cry
Now it's breaking my heart to watch you run around
'Cause I know that you're living a lie
That's okay baby 'cause in time you will find
What goes around, goes around, goes around
Comes all the way back around
What goes around, goes around, goes around
Comes all the way back around
What goes around, goes around, goes around
Comes all the way back around
What goes around, goes around, goes around
Comes all the way back around
What goes around comes around
Yeah
What goes around comes around
You should know that
What goes around comes around
Yeah
What goes around comes around
You should know that
Don't want to think about it (no)
Don't want to talk about it
I'm just so sick about it
Can't believe it's ending this way
Just so confused about it
Feeling the blues about it (yeah)
I just can't do without ya
Tell me is this fair?
Is this the way things are going down?
Is this how we say goodbye?
Should've known better when you came around (should've known better that you were gonna make me cry)
That you were going to make me cry
Now it's breaking my heart to watch you run around
'Cause I know that you're living a lie
But that's okay baby 'cause in time you will find
What goes around, goes around, goes around
Comes all the way back around
What goes around, goes around, goes around
Comes all the way back around
What goes around, goes around, goes around
Comes all the way back around
What goes around, goes around, goes around
Comes all the way back around
[Comes Around interlude:]
Let me paint this picture for you, baby
You spend your nights alone
And he never comes home
And every time you call him
All you get's a busy tone
I heard you found out
That he's doing to you
What you did to me
Ain't that the way it goes
When You cheated girl
My heart bleeded girl
So it goes without saying that you left me feeling hurt
Just a classic case
A scenario
Tale as old as time
Girl you got what you deserved
And now you want somebody
To cure the lonely nights
You wish you had somebody
That could come and make it right
But girl I ain't somebody with a lot of sympathy
You'll see
(What goes around comes back around)
I thought I told ya, hey
(What goes around comes back around)
I thought I told ya, hey
(What goes around comes back around)
I thought I told ya, hey
(What goes around comes back around)
I thought I told ya, hey
See?
You should've listened to me, baby
Yeah, yeah, yeah, yeah
Because
(What goes around comes back around)